The Infinite Zenith

Where insights on anime, games and life converge

Girls und Panzer Das Finale Part Two: A Nine Minute Preview and Remarks on Release Patterns

“Delay always breeds danger; and to protract a great design is often to ruin it.” –Miguel de Cervantes

After Miho’s armoured column evacuates from the wooden bridge, they set up an ambush for BC Freedom’s tanks and push them towards a garden. Here, Mallard team causes chaos amongst BC Freedom’s tanks: after Saori had noticed that their Char B1 bis possessed the same turret as the Souma S35, Miho decides to give their tank a custom paint job and has Mallard sneak behind enemy lines to create instances of friendly fire. While BC Freedom can fight in a united manner under Marie’s command, Oshida and Andou’s animosity for one another ends up being exploited: the two wonder if there’s a traitor amongst them and disregard Ooarai, firing on one another instead. This is the short preview that has been presented for Girls und Panzer Das Finale‘s second act, which premièred in Japanese cinema back on June 15. Possessing a total runtime of 54 minutes, the second act will see the conclusion of Ooarai’s match with BC Freedom, whose outcome is foregone but where the journey to reach said outcome will still remain worthy of watching. With BC Freedom in the books, trailers show that part two will allow Miho a small break before their next match with Kinue Nishi and Chi-Ha Tan, where she spends some time at a Boko-themed amusement park with Alice. For folks, such as myself, who do not have the luxary of going to Japan to watch Das Finale‘s second act, this is about the most that is known for the present: a re-screening of both parts is scheduled for the Thanksgiving Long Weekend, and unlike Part One, whose home release date was announced a month after its première, no information has been provided as to when the home release for Part Two will be.

Screenshots and Commentary

  • I will come back and do a proper talk on Das Finale Part Two once it’s actually available; for now, we’ll have a chance to look at the nine or so minutes of footage that mark the opening sixth of the second act. It seems logical to start by talking about Marie. From what little has been seen of her so far, Marie has a haughty personalty and places great store in her skill as a commander. While capable of convincing Andou and Oshida to cooperate, Marie seems to care little for tactics, leaving her subordinates to fight while she eats cake even in the midst of a battle.

  • Conversely, Miho is always shown to be fighting alongside her comrades, directing them from the frontlines and encouraging them to do their best irrespective of the outcome. The gap in leadership and camaraderie amongst Ooarai’s Panzerfahren team is one of the reasons why they’ve always found ways to win over their enemies: other commanders tend to be confident and distant from other members of their team, Miho’s taken the effort to learn about everyone that participates alongside herself.

  • As a result of Girls und Panzer‘s previous performances, it is reasonable to suppose that Ooarai will win this match against BC Freedom, as well. The excitement comes from watching the process that leads to Ooarai’s victory, and I am now confident that it will be Momo who scores the winning kill: from a technical perspective, the FT-17 is a World War One era tank that was revolutionary for its time, but its maximum armour thickness of 22 mm would have offered no protection against the Jagdpanzer 38’s 7.5 cm Pak 39 (L/48), which could punch through 106 mm of armour at ranges of under 100 m.

  • Even at two kilometres, the Pak 39 is rated as being able to defeat 64 mm of armour if the round had hit its mark: the FT-17 would be useless, and Marie’s choice of tank is both to reflect on her preference to let her teammates do the fighting in their World War II-era, more capable tanks, as well as give Momo a fighting chance. I would further suppose that Miho’s determination to see Momo successful would mean that she’d sacrifice herself to make this happen, and so, I see her giving the order that causes her own Panzer IV to be disabled, which clears a way for Momo to take (and make) the winning shot.

  • Having done all of the housework and whatnot, today’s actually been a rather quiet day. Lazy weekends are the perfect time to spend making ludicrous foods: I had some grass-fed beef patties from earlier this month, and the time had finally come to break them out and use them to make burgers. Per request, these burgers feel like they come straight out of Man v. Food: besides a double patty, the burger I made was topped with cheddar cheese, bacon, sautéed onions and a fried egg. A side of fries and a tall glass of soda rounded things out. It was incredibly fun to put together and even more enjoyable to eat: grass-fed beef has an earthier, lamb-like taste, and the meat itself is leaner.

  • It is not lost on me that almost seven years have now passed since Girls und Panzer first began airing. Its success was unprecedented, and no one initially expected the franchise to do as well as it did. The reason for Girls und Panzer‘s unique success lies in the series emphasis on sportsmanship, finds ways of making each of the characters likeable, and for the incredible attention paid to detail. Appealing to military buffs and moé fans alike, there’s something in Girls und Panzer for everyone.

  • Capitalising on BC Freedom’s internal instability and the fact that Mallard Team’s Char B1 bis has the same turret as the Souma S35, Miho cleverly exploits their opponent’s weaknesses to create in-fighting during the match. Where Yukari had been dismayed to learn that the internal conflict at BC Freedom might have been a ruse, it turns out she was actually on the money: it is through Marie’s mediation that Oshida and Andou are able to nominally cooperate, but this cooperation is a fragile one.

  • While Der Film counted on spectacle and a scaled-up experience from the first season, Das Finale places much more emphasis on the skill-based elements of Panzerfahren. We can therefore expect creative tactics and problem solving approaches in upcoming movies, one of the few things along with the enjoyment factor, that is a constant with Das Finale. As frustrating as it is to be unable to do little more than wait, I fail to see the logic in going to Japan to see a movie that I won’t be able to write about in my usual format.

  • When Das Finale‘s second act finally comes out for home release and my copy arrives, I will be doing a much more in-depth talk about things. I expect that once BC Freedom begins tearing itself apart, it’ll be a short ways to the end of the match, and then the remainder of the episode will deal with Miho’s date with Alice to the Boko amusement park, as well as Ooarai squaring off against Chi-Ha Tan for the first time as opponents. With this preview in the books, I’ll be writing about Dumbbell wa Nan Kilo Moteru? next.

More optimistic estimates for Das Finale‘s second part to have a home release will put the date as being in December 2019, supposing that the re-screenings also double as an announcement for the next release. Previously, I had made the assumption that there would be a three month gap between the theatrical screenings and the home release for Das Finale, with an average of eighteen months between the different acts. By these estimates, this month was when Part Two was supposed to be released in full. Since these were off, the future release pattern for Das Finale becomes much more challenging to forecast. While I appreciate the effort going into the production of Girls und Panzer Das Finale to ensure that each instalment is of a high standard, Actas is proving to be about as reliable as 343 Industries when it comes to release dates. Following Das Finale is a bit of a painful endeavour on account of these wait times, and I do apologise to my readers for the considerable delays encountered in writing about Das Finale. My ability to write about this six-part film series is entirely dependent on the home releases, as I aim to provide detailed discussions, with high-quality screenshots. While I could be financially irresponsible and fly myself out to Japan for the singular purpose of watching the film to provide a pure-text summary, I would be compromising the quality of my content by taking this route. This is the cost of quality, and I will resolve to get a proper talk on Das Finale‘s second act as soon as the home release is available, a talk that I hope readers will find satisfactory.

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