“Celebrate endings, for they precede new beginnings.” –Jonathan Lockwood Huie
While the conclusion of Yuru Camp△ 2 doubtlessly left viewers with a bit of melancholy once it ended, the live action drama has thankfully filled in the void, revisiting the events of Yuru Camp△ 2 in the live-action setting. The second season for Yuru Camp△ 2‘s live action drama was announced in November 2020, and began airing back in April. Before the drama’s new season began airing, however, a special episode was released. This episode summarises events from the first season and portrays Rin’s solo camping adventures in Omaezaki and the coastal regions of Shizuoka, as well as Nadeshiko’s part-time job at the local post office and the Outdoor Activities Club’s New Year sunrise misadventures together. Yuru Camp△‘s drama had been well-received amongst both Japanese and foreign viewers: this series captures the spirit of the anime and brings it to life in a different medium, and speaking to how well both the manga and anime were made, the transition into the real world does not impede Yuru Camp△ in any way. The characters are faithful to their original counterparts in personality and appearance, the real-world settings look even more stunning, and the food is more enticing than what was seen in the anime. The positive reception to Yuru Camp△‘s live action drama is therefore unsurprising, and with the first season as the precedent, it became clear that the drama would be of a similar quality and aesthetic. The announcement of a special episode initially proved unexpected, and early in the live action drama of Yuru Camp△ 2‘s second season, I skipped over this special. I assumed it would be a recap of the first season and so, my journey started when the series proper began airing on Prime. I was therefore surprised to see Rin already in Hamamatsu waiting for Nadeshiko to show up. Evidently, I jumped the gun, and hastened to back up a little, starting the journey properly as Rin embarks on her last solo camping trip of the year while the Outdoor Activities Club have their own fun in trying to catch a pair of New Year sunrises.
Having already covered the themes, symbolism and motifs of Yuru Camp△ 2 ad nauseam in my episodic posts for the anime, there prima facie seems to be little incentive to go back and write about the live action drama again, especially given that the drama follows the anime and manga’s events very closely. However, the different formats mean that the aesthetics between Yuru Camp△ 2‘s anime and live action drama become apparent, altering the look-and-feel of every different scene. Yuru Camp△ 2‘s anime had crafted an infinitely peaceful and relaxing setting, using a gentle colour palette and reduced saturation to ease viewers into every moment, whether it be Rin’s introspective solo camping moments or the rowdy adventures that follow Nadeshiko, Chiaki, Aoi and Ena. In the live action, colours and scenes are sharper, accentuating the mood of each scene. Rin’s calm experiences are ever more relaxing, while the Outdoor Activities Club’s travels become more rambunctious: together with the fact that the drama is presenting the actual scenery and food everyone enjoys, it creates an unparalleled sense of immersion. If the anime had been about conveying a sense of tranquility and a reminder to appreciate the smaller moments, the drama demonstrates to viewers that what Rin, Nadeshiko, Chiaki, Aoi and Ena experience is very much a reality, awaiting the viewer’s decision to go and give things a go for themselves. The dramatically different aesthetic in the drama do not degrade themes and messages from the original anime or manga, and as such, for being able to show viewers what things might really look like were one to follow in Rin and the Outdoor Activities Club’s footsteps while simultaneously being respectful to the original, the Yuru Camp△ drama was very well received amongst viewers. Season two looks no different, and the beginning of a familiar journey from a fresh perspective is off to a solid start.
Screenshots and Commentary
- A few days ago, a reader commented on Haruka Fukuhara’s excellent portrayal of Rin: Fukuhara does indeed capture Rin’s personality very well, right down to the facial expressions and mannerisms that Nao Tōyama brings to the table when voicing Rin. Altogether, I was very impressed with how closely Yuru Camp△‘s drama characters resembled their anime counterparts: minus the hair colours, and the fact that Nadeshiko usually wears hair in twin-tails, the character designs in the drama are solid.
- The second season had been prefaced by a 40-minute special that covers moments from the second half of the second season’s first episode before segueing into events from the second episode. Here, Ena and Nadeshiko sit down to lunch together between their shifts at the Minobu Post Office. When Yuru Camp△ 2 aired, I immediately set about trying to locate Minobu Post Office for my location hunts. The Yuru Camp△ drama uses real-life locations precisely as they are, and where the anime and manga could fake locations, the drama must instead find a suitable counterpart.
- I’d felt bad for Chiaki when she was faced with a heavy work schedule while her friends got some time to themselves, and in the live action, this feeling was amplified thanks to Momoko Tanabe’s spot-on acting. Chiaki lacks the fluffy and warm air that Rin and Nadeshiko convey, and instead, acts as the excitable, energetic club president similarly to Ritsu had been the club president in K-On!. Archetypes in anime are unavoidable, but I’ve never really held it against a series if their respective equivalents for Yui, Mio, Ritsu, Tsumugi and Azusa were obvious: character traits aren’t the sole determinant of whether or not a slice-of-life anime will succeed.
- While Rin had intended to visit Izu, the prospect of New Year’s crowds leads her to stand down. Her mother suggests Omaezaki and Iwata in lieu of Izu: besides safer driving, Rin’s mother is also hoping that Rin might be able to swing by a special tea shop in the mountains just south of Kakegawa. With her destinations locked in, Rin prepares to head from home out to Shizuoka, a lengthy 126-kilometre long drive. The site of Rin’s house in the live-action drama was posted to Google Maps about a year ago by some enthusiastic fans of the series, although out of respect for the residents, I submitted a report about the inappropriate listing shortly after finding out.
- Google only got around to processing my report a few weeks earlier, and the location of Rin’s house in the drama has now been stricken from Google Maps. I get that the Japanese fans who created the listing will probably be a trifle disappointed, but especially with current circumstance, hassling a private residence isn’t the best idea at this moment. Back in Yuru Camp△, Fukuhara’s joyous expression is breathtaking, even if it only happens within her mind’s eye: Yuru Camp△ 2 had Rin imagine expressing pure joy at seeing the ocean, but in the anime, Rin’s expression is a little more ambiguous. In the live action, subtle cues like the shape of Fukuhara’s eyes helps one to more readily ascertain that the ocean is positively making Rin happy.
- Rin was shown as arriving in Cape Omaezaki to check out the lighthouse by mid-morning in the anime, but the lighting in the drama suggests that the scene was filmed early morning. I wonder when the principal photography for the second season was shot: while most of the scenes involve Rin and the Outdoor Activities Club, there are some scenes that feature crowds (most notably, when Rin is buying strawberry daifuku in Kanzanji and later, when Nadeshiko visits an okonomiyaki place in Fujinomiya).
- Both the anime and drama has Rin swing by Kimikura Teahouse to pick up some tea for her mother. In my post for the anime and location hunt posts, I wasn’t able to actually go inside the teahouse for comparison. The live action drama allows me to remedy this, and it becomes clear that the anime did indeed take the pain of replicating Kimikura’s interior and uniforms accurately. Here, a member of the staff greets Rin, and she recognises Rin from a few months earlier, when they’d met at Yashajin Pass.
- Like Rin, I’m a complete novice to Japanese tea: she ultimately ends up asking the clerk for a recommendation. On my end, I am better versed in Chinese and other teas: my favourite tea is probably Tieguanyin, an oolong tea that Cantonese restaurants commonly serve. It’s got a mild but distinct flavour that makes it particularly quenching (great for when eating at Guangdong restaurants whose fares are often explosively flavourful). By comparison, my family in Hong Kong prefers Pu’er tea, which has a much stronger taste. Typically, I prefer a good cup of Moroccan mint tea or ginger tea when Chinese teas are not available.
- Whereas Rin only learns about her mother giving her an additional 1000 Yen to enjoy the café at Kimikura after having made her initial purchase in the anime, here in the drama, Rin finds out as soon as she phones home to inquire about the tea. Instead, Rin struggles to decide whether or not she should live in the moment or put the extra money towards her camping fee. In the end, Rin caves and ends up ordering the tea set. I imagine this was meant to also incorporate the moment in Yuru Camp△ 2‘s anime, where Rin ultimately gives in to temptation and orders a pizza slice from the food truck at Ryuyokaiyo Koen Campground.
- After Kimikura, Rin heads for Mitsuke Tenjin Shrine in the hopes of meeting Shippeitaro III, a fox-like dog who defeats monkey spirits per Japanese færie tales. Upon arriving, she decides to make this her New Year’s Visit, as well, and prays for another peaceful year. Unfortunately, it turns out that Shippeitaro III had already passed on, and in a moment of contemplation, Rin phones Ena and asks about how Chikuwa is doing. One aspect of Yuru Camp△ that I never noticed during the first season was the fact that Chikuwa is a long-haired Chihuahua – his breed is not explicitly mentioned early on. However, there were hints that Chikuwa is a Chihuahua; he dislikes the cold and loves to burrow in blankets.
- The founder of the company I’d previously worked for has a long-haired Chihuahua, and back before the pandemic hit, we’d spend a half hour of our day talking her out on a walk with the entire team: our office building had been dog friendly, and having a long-haired Chihuahua around every day was such a morale booster. If I were running into challenges with auto-layout or the Stripe SDK, I could always take a five minute breather, cuddle with the Chihuahua and then return to my desk fully refreshed. This Chihuahua was a mixed-breed and therefore larger than a purebred Chihuahua, but was still a small dog by all definitions. In spite of this, she was always energetic and loved getting petted, occasionally approaching my and my coworkers’ desks and pawing our chairs for pats.
- Throughout Yuru Camp△, it is shown that dogs have a considerable presence, and despite not having a dog herself, Rin is very much a dog person (the drama shows her as having a shiba inu sticker on her phone case). Rin goes out of her way to pet the dogs she runs into and visit shrines with a dog deity, Nadeshiko waves to dogs on her way to school, and Aoi comments on how Nadeshiko’s enthusiasm is puppy-like.
- While finding Ryuyokaiyo Koen Campground proved to be a straightforward task, Google Street View doesn’t have coverage down here, and so, during my location hunt, I wasn’t able to simply walk up to the campground and obtain images for the post through Street View alone. Having said this, the drama again demonstrates the original manga and anime’s faithfulness to reality. Everything from terminology to procedure and prices are properly captured – it is unsurprising that interest in camping has increased since Yuru Camp△ aired: with the series’ detailed instructions in camping and the availability of information on the internet, interested parties can purchase the basic gear and look up how to get set up, beginning their own adventure, without too much hassle.
- Rin swiftly sets up camp and turns her attention to preparing her New Year’s Eve meal; here in the drama, she doesn’t take a brief walk around the campground and take in its sights with the same enthusiasm as the anime presents. Instead, she immediately begins setting up her campfire and evening meal. Previously, I’d commented on how the mannerisms seen in the anime did not necessarily translate so elegantly into real life, where exaggerated actions would feel out of place in a drama and perhaps be more appropriate for a stage play. It’s a bit early to tell, but with this special kicking off the second season, it does seem like the drama has decided to dial some things back a smidgen to make things fit with real life a little better.
- Rin ends up striking a pose with her blade before beginning the process of creating a feather stick in a drama, as a clever callback to the first season. Shortly after Yuru Camp△‘s drama began airing last year, YouTubers immediately created videos comparing and contrasting the live-action series with the anime, and reception to the series was very positive on the whole. Were I to do video reviews, I would probably be inclined to do things like a Survivorman: Director’s Commentary, with me as an inset, and the events I’m talking about on the larger video. However, as a blog post, I’ll keep to my current format, which has worked rather well for me: the Survivorman: Director’s Commentary series from last year is what inspired me to take this approach for writing about the Yuru Camp△ live action series.
- Rin’s New Year’s Eve meal looks even more delicious in real life: this simple soba recipe calls for nameko mushrooms, scallions, seaweed, a slice of fried fish and egg, topped with a sprig of shichimi pepper, which is a blend of seven spices that has a citrusy, nutty flavour accompanying the heat that chili peppers bring. Rin enjoys her meal immensely, wrapping up what was an exciting year in style. Yuru Camp△ excels in showing how even something like a bowl of soba can be livened up, and putting in the effort to prepare the food makes it all the more enjoyable. It therefore goes without saying that morale and good food go hand-in-hand: occasionally treating oneself with foods that aren’t commonly eaten is a fantastic way of breaking up the routine, and surprises can sometimes be quite nice.
- This past weekend, we figured it would be nice to pick up some southern fried chicken for dinner, but since our usual place didn’t have any white meat, we ended up with all dark meat quarter chicken pieces. This wasn’t any sort of impediment: dark meat is tastier, and their gravy was as good as we remember. Today, we used the last of the chicken burgers with a side of yam fries for our afternoon meal and I’ll note here that, having had homemade burgers for the better part of a year, I’ve become a little spoiled by how fresh the ingredients are compared to conventional burgers. Yuru Camp△‘s emphasis on homemade food is therefore not without merit – the girls often shop for ingredients right before heading to their campsite, and even Rin, who usually prepares parts of her meal ahead of time so things can be put together easily at the campsite, uses fresh ingredients. The level of effort that went into preparing the food for Yuru Camp△‘s drama is respectable and shows how this effort contributes greatly to food enjoyment.
- The surest sign that Rin’s accepted Nadeshiko as a friend occurs when the two are exchanging messages: Rin smiles as she considers how typically, she’d stop camping after January, but having met Nadeshiko and her boundless energy, Rin supposes that the new year is going to be action-packed. This moment set Yuru Camp△ 2 down a path towards the message it wished to convey: the first season had been about open-mindedness, and the second season was about how the act of saying “thank you” can manifest in different ways to really let people know what they feel about the memories they share together.
- While Nadeshiko’s got work the next morning, Chiaki and Aoi meet with Minami in order to go check out the New Year’s sunrise ahead of Aoi taking off for Takayama. She drives a first-generation Suzuki Hustler, an SUV-crossover classified as an ultra-mini. Japan has a large market for these compact vehicles (ultra-minis command a third of the market share in Japan) owing to their dimensions and affordability, but these vehicles are much less successful overseas: North Americans are fond of larger cars for offering more leg room and more powerful engines, so these smaller vehicles are less popular, feeling comparatively cramped and under-powered for long road trips. Of course, for shorter drives of less than two hours, smaller vehicles are perfectly comfortable.
- Observant readers familiar with my previous Yuru Camp△ drama post will have noticed that I’ve continued with the picture-in-picture this time around. Despite being a time-consuming process, it was very entertaining to compare and contrast equivalent moments between the anime and drama, allowing me to really highlight similarities and differences between the two. It becomes clear that the drama cannot always capture the moments in areas where the anime excels, such as when Akari jams a snowball up Chiaki’s shirt, although I will remark that Momoko Tanabe does an exceptional job of capturing Chiaki’s character: Chiaki is the most expressive and dramatic of anyone in Yuru Camp△, and I can’t imagine that this was an easy role.
- While Aoi is played by Yumena Yanai, Akari is played by Aina Nishizawa. I was impressed how the producers cast someone who had looked similar enough to Yanai for the role; Yuru Camp△ has shown that Aoi and Akari are similar in appearance save their eye colours (Aoi’s eyes are green, and Akari’s are blue), to the point where Chiaki calls her chibi-Inuko. Yuru Camp△ doesn’t give Akari’s age, but her mannerisms are consistent with someone who’s eight or nine. Conversely, in the drama, Akari looks around ten or eleven: her actress is, after all, twelve. Mischievous and fond of pranks as Aoi is, Akari’s presence was greatly expanded in Yuru Camp△ 2.
- Originally, I hadn’t been planning on writing about the second Yuru Camp△ live action drama this early, but after I found myself ahead of schedule with my other posts, I figured that I might as well get the party started now while I’ve got the time, afforded by a long weekend. While the weather on Saturday had been pleasant, yesterday and today had been cold and rainy, perfect for staying in and taking it easy. As soon as this post is done, I’ll turn my attention to finalising the set of screenshots for my final Modern Warfare 2: Remastered post, as gear up for a Terrible Anime Challenge talk on last year’s Kanojo, Okarishimasu, which I’ve got some thoughts about, and kick off Call of Duty Black Ops: Cold War: news of Higurashi: Sotsu has reached my ears, and that means I need to write about Higurashi: Gou, as well as the unusual connection that I’ve found Higurashi and Black Ops to share.
- The yomogi that Aoi, Akari and Chiaki buy at the summit of Mount Minobu look even tastier than they did in the anime. The way the yomogi are grilled here reminds me of shioyaki, the practise of skewering a fish and then grilled over charcoals via indirect heat: hitting the fish with an open flame would cause the juices to evaporate, resulting in a very dry final product, and the same holds true of yomogi, where keeping them around a bed of charcoals on skewers would render them pleasantly warm, making them perfect for a chilly New Year’s morning.
- While doing her morning rounds, Nadeshiko receives messages from Rin and Chiaki, sharing their sunrises. While she might not be there to see them for herself, it warms Nadeshiko’s heart that she’s still connected to her friends and their adventures. In this opening episode, Nadeshiko doesn’t have too much screen time: she’s played by Yuno Ohara, who captures Nadeshiko’s spirited personality very well.
- The advantage about real life is that one can capture stunning shots with a drone: anime require highly-skilled animators to capture the same effect, and in Yuru Camp△ 2, the sunrise at Fukude Beach was presented by panning across a wide-angle shot of the scene at ground level. The drama, on the other hand, has the camera flying over the beach towards the ocean. While traditional gear is doubtlessly used in Yuru Camp△‘s filming, I imagine that drones are also used: even mid-range models can equip solid cameras now, allowing for shots that would otherwise require a helicopter to be obtained.
- I would be quite curious to watch the behind-the-scenes for Yuru Camp△ 2‘s drama to see how things are shot and set up. It feels like that principal photography and edits would require a majority of the time for producing Yuru Camp△, since the series doesn’t require anything like special effects or elaborate costumes on account of its setting. I imagine that anything shot at the old Motosu High School would’ve required props to be assembled and the presence of extras to give the site a more realistic feeling, but beyond this, Yuru Camp△ doesn’t look like it’d require a massive budget to film, certainly not anything approaching what WandaVision and The Falcon and The Winter Soldier needed.
- After taking in the Mount Minobu sunrise, Chiaki offers the suggestion that it might be possible to get a second New Year’s sunrise out of the day: because of Mount Fuji’s elevation, the sun doesn’t rise up above the summit for a few minutes. Photographs do indicate that being able to see a Diamond Fuji would be breathtaking, although a quick glance at the topology and road maps of the area suggest that making the drive from Mount Minobu to a suitable observation point could be quite tricky.
- Whereas Aoi and Akari are content to give Chiaki a dirty look for having gotten the Diamond Fuji time incorrect here in the drama, in the anime, they proceeded to immediately hammer Chiaki with snowballs, and I found Akari’s use of a bowling-ball sized snowball hilarious. Since there’s only a dusting of snow on the ground here, it would’ve felt out of place to have Aoi and Akari suddenly conjure snowballs out of nowhere. I’ve never really been a stickler for 1:1 faithfulness, and always will assess adaptations based on how well they work on their own, so minor details like these aren’t a concern for me.
- After seeing the first sunrise of the year, Rin settles down for the morning and prepares to head home. Rin’s rush for kohaku manjū and subsequent enjoyment of a pizza slice is noticeably absent in the Yuru Camp△ drama: should the drama take a route that allows the characters to act a little more naturally, I’d be completely okay with this. In the first season, everyone behaved similarly to their anime counterparts, and while this worked in the anime, in real life, it feels a little more exaggerated. Dialing back a handful of these moments would work to Yuru Camp△ 2‘s favour.
- Rin is shocked to learn that a snowfall in the Minobu Valley is preventing her from returning home, and the funds she had, originally intended to last two days, will now need to be extended somewhat. With the special done, I’ll return to look at the adventures covered at the series’ halfway point at some point in the future. The drama is every bit as enjoyable as the anime and offers a different perspective on familiar events, making it a worthwhile experience for me.
Entering Yuru Camp△ 2‘s live action drama, my only expectations for the series will be that it continues to portray camping eats as it did in the first season: Yuru Camp△ 2 gets everything right, but there are limitations to how effectively anime can render food. The contrast in colours and textures on well-crafted dish in real life are unparalleled, and this was where the live action adaptation stood out from the anime. Because Yuru Camp△ 2 had an emphasis on food, to an even greater extent than its predecessor, it would be most enjoyable (and perhaps hunger-inducing) to see all of these foods in the real world. Beyond the food, I am very much looking forwards to seeing how Yuru Camp△ 2‘s live action drama brings the events of the second season to life: the first drama had done a phenomenal job in mirroring the camping excursions at Lake Motosu, Koan, Lake Shibire and Fuefuki, to name a few, so I am definitely excited to see new locations (especially the geospots at Izu) brought to life. Finally, while Yuru Camp△‘s drama is typically faithful in reproducing the order of events from the anime and manga, the series has also previously made minor adjustments to fit things a little better, so I am interested to see how any changes to things like locations will be helpful for folks who wish to visit these same places in the future. At present, I do have plans to write about Yuru Camp△ 2‘s live action drama once I’ve hit the halfway point, as well as after the finale airs: while I’ve already covered everything from a thematic point of view, there’s a unique charm about the drama, and I’m certain that there will be enough things to say about it as to warrant a few extra posts.