The Infinite Zenith

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Category Archives: Ye Olde Arcade

Enter The Matrix Review and Reflection

“All I’ve ever asked from this world is that when it’s my time, let it be for something, and not of something.” –Ghost

Released in May 2003, Enter The Matrix was developed by Shiny Entertainment and intended to line up with the release of The Matrix Reloaded, providing further exposition for the events of the film. After Ghost and Niobe retrieve a package containing a message from Zion that provides information about an impending Machine attack. They coordinate a meeting, but first, stop the Agents from moving Axel at the airport. The captains of each Zion ship meet to discuss the best course of action in the Matrix’s sewers, but when Agents interrupt the meeting, the rebels escape into the sewers. Niobe and Ghost move through the sewers and manage to escape, assisting other rebels along the way. They encounter the Keymaker, who saves them from an Agent and reveals that Neo must be given a special key. However, Cain and Abel make off with the key; Ghost and Niobe pursue the two into the Merovingian’s Chateau and recover the key. They later join in on the Freeway chase to assist Morpheus, and agree to destroy the power plant after the Keymaker reveals Neo’s path. Niobe and Ghost later receive a request from the Oracle, and after their conversation, must fight off the hordes of Agent Smiths, making their way down a half-constructed office tower and through Chinatown. Escaping back into the real world, Niobe pilots the Logos through the tunnels of the real while Ghost holds off the sentinels long enough for the Logos to use its EMP against them. Long considered to be an incomplete game and an attempt to cash in on the Matrix brand, Enter The Matrix nonetheless remains a fantastic game in my books for being able to augment on The Matrix Reloaded‘s events.

The biggest strength in Enter The Matrix is the game’s ability to capture the atmosphere of The Matrix, allowing players to fight inside The Matrix to very nearly the same extent that was seen in the movies. In doing so, players would become immersed in a fully-fledged experience that gave the same sense of exhilaration that Neo first experienced upon understanding what the Matrix is – the gameplay in Enter The Matrix is surprisingly sophisticated, giving players plenty of martial arts options against their opponents. Using a context-based system, Enter The Matrix captures the intricacies of fighting in the movies to give the sense that players have entered the Matrix. Supplementing the complex and fully-fledged fighting system is a diverse arsenal of weapons, ranging from sidearms to anti-materiel rifles that, in conjunction with bullet time, enables players to survive even the most unfavourable situations. Featuring complete cutscenes directed by the Wachowski brothers, Enter The Matrix adds over an hour of new live-action footage that augments the experience conferred by The Matrix Reloaded. The sum of these elements together make Enter The Matrix a superb game that is the perfect companion to The Matrix Reloaded; while the mechanics and visuals have not withstood the test of time, the game still handles quite well and is a thrill to play. Enter The Matrix is about the closest one can get to emulating the badass feats seen within the Matrix films, and this is a game that does a remarkably good job of bringing this experience to life.

Screenshots and Commentary

  • The first thing to note is that screenshots from Enter The Matrix will appear much darker than those from other games. Most of the events in Enter The Matrix are set at night or in large interiors, with the exception of a few missions. The first mission involves visiting a central post office to recover a package from the Osiris. Enemies in this mission are lightly armed, with only the .380 Colt Mustang, the weakest sidearm in the game. By default, Ghost is equipped with a pair of P229 Sig Sauer pistols.

  • Most of the enemies in the post office are weak enough so that they can be dealt with using martial arts alone; this is the perfect time to become familiarised with the fighting system in Enter the Matrix: standard attacks consist of kicks and punches, as well as throws. However, additional commands and contexts allow Ghost and Niobe to execute more complex moves, while the use of Focus allow them to hit harder and move faster than normal.

  • Focus is a limited and powerful asset: the consequence of being aware of the truth, its effects in Enter The Matrix are to slow time down, allowing players to dodge bullets, run on walls, and jump greater distances. Here, I’ve managed to find the package and are engaging in Enter The Matrix‘s equivalent of The Matrix‘s lobby shootout. I may not have the M-16 or 870 MCS, but the MP5 and Colt RO635 9mm SMG, in conjunction with focus, are more than enough to deal with the cops that come into the lobby. A subtle but clever touch is that shooting at the columns will cause their marble cladding to become damage and come off, as seen in The Matrix.

  • The music in Enter the Matrix is solid, conveying a sense of urgency as players make their way across the city rooftops to the hard line, the way out of the Matrix. Despite the game’s low texture resolution and primitive lighting, there’s a charm about the graphics that make Enter the Matrix a distinct instalment in The Matrix.

  • The airport mission is one of my favourites in the game for the level design and set pieces. Police SWAT units become introduced here, and they’re more powerful adversaries than the cops seen in the previous missions, being armed with superior equipment and armour. The best tactic for dealing with them is to close the distance using Focus and disarming them, then beating the tar out of them using martial arts. Notice the Pentium IV advertisement on the wall to the left: computer processors have advanced to the point where the i5 inside my MacBook Pro is upwards of 300 percent more powerful than the fastest Pentium IV processors of the day.

  • The fight against the SWAT helicopter represents the first boss fight of the game, occasionally dropping SWAT units to fight players. The best trick for beating it is to use Focus and aim slightly above the SWAT helicopter using the MP5. MP5 ammunition can be replenished from attacking SWAT units. Once the helicopter is downed, players enter the monorail tunnels and will encounter the armoured military SWAT, the second-most lethal enemies in the games only to the Agents. Attacking them with weapons is usually a waste of ammunition, but martial arts will work well against them.

  • The revolving restaurant section of the airport requires a bit of patience, and once all enemies are cleared, the goal is to climb on top a piano and wait for the ladder to swing around. I’ve been to several revolving restaurants in my time, including the one in the Calgary Tower and CN Tower (brunch at the former, and a spaghetti dinner at the latter); they’re usually placed in towers so patrons have a nice view of their surroundings as they enjoy their meals, but the location at an airport is less likely to provide good scenery.

  • The Barrett M82A1 .50-calibre anti-materiel rifle is the single most powerful weapon in Enter the Matrix, being able to neutralise any enemy with one headshot. It is used for an incredibly long-range shot against the private jet that’s carrying Axel to take the tire out and prevent it from taking off. Unlike its real-world equivalent, the M82A1 in Enter the Matrix is mislabeled as the M95 and has an eighteen-round magazine, which doesn’t make much sense considering the size of each bullet; the real M95 is a bullpup rifle.

  • One of the SWAt will drop an SG-552 rifle, which is probably the best all-around gun in Enter the Matrix. Blessed with a high firing rate, pinpoint accuracy, high damage and a large magazine, the weapon is completely inaccurate against its real-world counterpart – the SG-552 is the carbine form of the SG-550 assault rifle and is chambered for the 5.56 mm NATO round. However, in Enter the Matrix, it is so powerful it can blow the Agent helicopter apart on very short order. The PC controls are a bit stiff, so it took me a bit longer to move into position and open fire.

  • Aside from the airport, the sewers were also a fun set of missions, giving a sense of just how labyrinthine the sewers of the Matrix are. The close quarters environments in the sewer tunnels make the Mossberg 590 (known as the Entry Shotgun in-game) a viable option: the high damage makes it well-suited for encounters with Sewer SWAT, which are second only to the armoured military SWAT in lethality.

  • The sewers are relatively linear, but there are a few places where some ancient machinery must be destroyed to allow progress, or else similarities in the scenery make it easy to get lost. There are some sections in the sewer that have impressive design: the sub-section of the level “Breathing Room” takes players through a room filled with large fans on a platform over a deep passageway. The fans can be shot at and destroyed.

  • Enter the Matrix was the first game I played that involved a large sewer system possibly surpassing Tokyo’s G-Cans system (known formally as the “Metropolitan Area Outer Underground Discharge Channel”). Since then, games like Metro and Wolfenstein II have come close to replicating the experience, but there’s no substitute for the original.

  • This is one of the few places in Enter the Matrix where it’s possible to use the M16A2 rifle, a good all-around weapon that hits harder than the MP5. There is the option to dual-wield weapons, as well: doubling the firepower of weaker weapons, it’s called “two fisting” in Enter the Matrix, and while I referred to the simultaneous use of two weapons as such after playing Enter the MatrixHalo would lead me to call the process “dual wielding” – “two fisting” apparently refers to the practise of holding an alcoholic beverage in each hand, and in gaming, quickly fell out of usage in favour of “dual wielding”.

  • During the trek through the sewers, players must defend fellow Rebels against hostile forces, and allowing any of them to die will result in an instant game over. The mission itself doesn’t depict the foggy caverns of the sewers seen in the preview image for Malachi and Bane, a sniper mission where players are provided with the HK33, an assault rifle fitted with a heavy barrel, bipod and sniper optics to act as a marksman rifle. Using Focus makes it much easier to hit difficult targets before they can damage the rebels.

  • If one were to click on these screenshots and look at the dates, they would find that most of them actually date back to 2015: at this point in time, I was entering my second year of graduate school and during the autumn term, had no classes, allowing me to focus entirely on my thesis paper (I’d already finished off most of the implementation to my project during the summer). As such, I had a bit more free time than previously, and spent some of that time gaming. Of course, procrastination is why I did not write about Enter the Matrix earlier.

  • The Chateau mission entails a new gameplay style: inhabited by the Merovingian’s vampires and dobermen, enemies here can only be killed by driving a wooden stake through them after melee combat. Players will also find a crossbow for launching wooden bolts, but these are quite rare, making it imperative to save them for boss fights. Firearms in this mission are ineffectual for permanently stopping vampires and dobermen, but they can be used to buy some space.

  • The stairwell where Enter the Matrix‘s infamous Chateau fight happens has been replicated in full and in fantastic detail, but unlike the film, there’s no fighting here. Instead, players will enter the Chateau’s basement for a fight with Cujo, head of the dobermen. Once beaten, players move towards finding the Keymaker and also encounter Cain and Abel, two exiles who will continue to malign players unless kicked against the prison cells, where prisoners will hold on to them and buy players enough time to make their way out of the level. A vehicle chase involving the Twins soon follows: I’ve chosen not to depict any of the vehicular levels in this post: while immensely fun (Ghost has an MP5 that can turn any vehicle into a pile of flaming wreckage in seconds), the PC version has a few graphical bugs.

  • If Enter the Matrix was to be redone in a modern game engine like Frostbite 3 or even The Division‘s Snowdrop engine, it would definitely bring the Matrix to life. Such a game would keep the narrative and two campaigns as in the original, but levels could be redesigned to be even more immersive, making full use of modern rendering and visuals to really capture environments within the Matrix. If such a game did come out, I would buy it in a heartbeat. Of course, they’d have to fix the weapons so they’re more faithful to their real-world counterparts and add better bonus arena modes, but other than that, it’d be a title worth playing through again.

  • Apparently, the transformer field was the toughest level in Enter the Matrix; the close quarters maze and swarms of SWAT units made it easy to make a wrong turn and die. However, players also are provided with a halo-alkane launcher, which fires canisters of oxygen-depriving gases that are ostensibly used for firefighting but also asphyxiates anyone who breathes the gas in. It’s highly effective, and in conjunction with the Striker shotgun (called the Street Sweeper in-game), allows careful players to pick their way through this labyrinth. Following the goal tracker is essential, as is backing up if lost.

  • The nuclear waste sector was one of my favourite parts of Enter the Matrix, being filled with bottomless chasms and massive fuel tanks that go off with a large explosion when shot. Here, I’m wielding the G36 with a beta-C drum magazine. The weapon is rare, but quite effective: it’s second only to the SG-552 in terms of effectiveness and the strategy guide suggests that its lower rate of fire allows it to be more efficient with ammunition. The cover system in Enter the Matrix was a bit tricky to use, so I ended up making extensive use of Focus to get through most parts; if Enter the Matrix were ever to be remastered, the cover system should also be improved slightly.

  • Ghost will need to provide covering fire for Niobe once he reaches the control room, fighting off waves of SWAT units. This mission is quite demanding, forcing players to switch from the role of being a precise sniper to a close-quarters brawler, and the UMP-45, which was near-useless in the Chateau mission, is actually quite good for dealing with SWAT units here. Eventually, Niobe will reach the top of the reactor and prepare the bomb that will blow the nuclear power plant to pieces to facilitate Neo’s meeting with the Architect.

  • I’ve seen a lot of complaints from contemporary reviewers and conformists from Tango-Victor-Tango that the game is really an unfinished beta. Interviews with the staff reveal that the game was indeed rushed into deployment in order to coincide with The Matrix Reloaded‘s theatrical première, and while I concede that textures in some part of the game are plainly placeholders, such as the muzzle on the HK33. However, I’ve never gotten stuck on walls or run into any collision detection issues on my end despite having completed the game on at least five different occasions.

  • Even if the game was rushed, it’s evident that a great deal of effort was directed towards making the game as authentic to the Matrix as possible: interviews with the developers and Anthony Wong, who plays Ghost, shows this effort, which I definitely appreciate. Here, I fight an Agent and are tasked with killing him in order to buy enough time to escape – Agents can only be killed in special circumstances, and here, the Agent is defeated by kicking him into a server cluster, electrocuting him. Agents normally cannot be defeated and will make short work of Ghost and Niobe, but in the City Rooftops level, I’ve managed to kill an agent by kicking him off the side of a ledge.

  • Like Neo, who must fight Seraph to gain an audience with the Oracle, players must also prove their worth by defeating Seraph. This fight represents a turning point in the game: if players succeed, they will meet the Oracle and learn more about what’s to come, while failing that will send them back to the Logos. Of course, I wasn’t content to miss out on a few missions, so I sparred Seraph with a high intensity and managed to beat him.

  • The last two missions of Enter the Matrix have players escaping from Agent Smith after speaking with the Oracle. Ghost narrowly manages to escape the Industrial Hallway and into a half-built skyscraper: Agent Smith presented a challenge even to Neo in The Matrix Reloaded, so there’s not a ghost of a chance that Ghost can fight Agent Smith on even footing. The only focus is to keep running, following the goal tracker until the end of the level is reached.

  • The last mission is set in Chinatown, and there’s a siu aap (roast duck) shop visible on the left. Chinatowns, or districts with a high population of Han Chinese are located around the world; the oldest Chinatown is located in Manila in the Philippines, and the Chinatown back home is largest in the province, featuring the continent’s largest Cultural Centre. I visit every weekend, since my dojo is here, and there are some specialty shops in the area. While folks I know go to Chinatown for the dim sum, the best places are actually located outside of Chinatown.

  • Besides police officiers, the other enemy in this level as Agent Smith. Players will pick up the Milkor MGL, a 40mm grenade launcher that deals massive damage. It only appears here, can kill players if they’re careless and appears a bit too late to be useful against the armoured military SWAT seen earlier. However, against the hordes of Agent Smiths relentlessly pursuing players, it can be used to buy some breathing room.

  • My first desktop computer had a 600 MHz AMD Model 3 Spitfire processor with 64 MB of RAM and 15 GB of hard drive space. Enter the Matrix required a minimum 800 MHz processor, 128 MB of RAM and 4.3 GB of storage, recommending at least a 1.2 GHz processor and 256 MB of RAM in conjunction with 64 MB of dedicated graphics memory. As such, I stuck with the GameCube version of Enter the Matrix initially, but since then, I’ve upgraded computers several times, allowing me to go through the PC version.

  • Of course, uninstalling the game would allow me to save 4.3 GB of space, but on today’s hard drive, 4.3 GB isn’t too much to worry about, and as time permits, I should go back and beat the Niobe campaign, as well. The end goal of the Chinatown mission is to reach the church in the distance, where the hard line is located. This allows red-pills to exit the Matrix, and while rebels will disappear once out, the game doesn’t depict this process.

  • The last mission for Ghost involves shooting at Sentinels while Niobe pilots the Logos deep into the tunnels of the real. It’s actually quite dull, and before long, the Sentinels will spawn a tow bomb. Keeping it at bay with the Logos’ guns will end the mission and the campaign. While I would love to recommend Enter the Matrix, chances are that the game’s going to be quite difficult to find now. I’ve heard rumours of a Matrix film is in the works, and while there’s been very little information on the project since rumours began circulating in March this year, if it results in a new game being made, players may finally have a Matrix game made with modern-era technology. For now, though, this brings my reflections of Enter the Matrix to a close.

The biggest draw about Enter The Matrix was its ability to really immerse players in the Matrix universe. Whether it be the gun-fu, bullet-time combat or setpieces, the game has definitely recreated the atmosphere and tenour seen within the Matrix. The game has no shortage of content, featuring two full campaign missions, in conjunction with a hacking game that lets players learn more about the Matrix universe and even modify the way the game itself plays. I first played through Enter The Matrix on a GameCube during summer break years back; I initially had the PC version, but lacked a PC with the requirements to run the game. The title impressed me, and I developed a stronger interest in the Matrix, as well as its philosophical underpinnings about reality, existence, and yin and yang. Few works have since succeeded in leading me to contemplate these things, and subsequently, when I built a more powerful PC, the time had come to give the game another go. It’s definitely aged from a mechanical and technical perspective, but besides itself, there are only two other games: The Matrix Online, and The Path Of Neo. Of these games, The Matrix Online is no longer playable since the servers shut down, and The Path of Neo lacks the same finesse and polish from what I’ve seen. That leaves Enter The Matrix, and from a personal perspective, it’s the definitive Matrix game to experience.

007 Nightfire Review and Reflection

“I’ll credit you with persistence Mr. Bond. Persistence and failure. There are NATO launch sites on Earth which could challenge the arsenal on my island. Those bases will be incinerated…by turning these defensive missiles into massively offensive ones.” —Raphael Drake

007 Nightfire is an appropriate way to kick off a new class of posts under the “Ye olde Arcade” section, where I will review older games for old times’ sake. Released in 2002 for Playstation 2, Xbox and GameCube, 007 Nightfire is the first-person shooter I owned — at the time, I only played shooters at a cousin’s house during Christmas dinners, and I only had the Super Nintendo console. Enjoying GoldenEye 64 and Agent Under Fire thoroughly, I was thrilled to receive 007 Nightfire as a birthday gift. An original story, 007 Nightfire follows James Bond through his investigation of Phoenix International, a multi-national corporation who is suspected of weapons smuggling. Coming head-to-head with its owner, the industrialist Raphael Drake, Bond learns that Phoenix International has been clandestinely stockpiling nuclear materials for Operation Nightfire: the reorganising of the world under Phoenix International in order to create a world ruled by Drake’s corporation. Fighting through Drake’s private paramilitary groups on a secluded Pacific Island and in an underground launch facility, Bond infiltrates a shuttle, boards the US Space Defense Platform and destroys the nuclear missiles to save millions of lives before taking Drake on in a one-on-one in a space battle that was crafted and honed well before Call of Duty: Ghosts would return to a similar environment some eleven years later.

Possesses a 007 with Pierce Brosnan’s likeness, a novel narrative, its own theme song and is ultimately one remarkably well-executed adventure, making it perhaps the best 007 game ever made; coupled with its excellent graphics and smooth gameplay, this is an excellent instalment in the series that acts as a worthy successor to GoldenEye 64. Aside from technically solid elements, 007 Nightfire is also rifle with callbacks to older James Bond films. Bond’s switch from combat gear to an evening suit to infiltrate Drake’s party is inspired by From Russia With Love. The Aston Martin is clearly the same vehicle from Die Another Day. When Bond visits Tokyo to obtain information from Alexander Mayhew about a missing guidance chip, he visit Mayhew’s Japanese mansion and Phoenix’s Japanese branch, in a manner similar to that of You Only Live Twice. The Aston Martin’s ability to transform into a submarine is from The Spy Who Loved Me, and the ultimate showdown between Bond and Drake is reminiscent of Moonraker. Other elements, such as Fort Knox and the Golden Gun (Goldfinger and The Man With the Golden Gun), also make a return in the multiplayer: this game is packed with references to older James Bond films and is an absolute blast to play through for existing James Bond fans.

Screenshots and Commentary

  • Until I review DOOM, I believe that 007 Nightfire will be the oldest game I’ve ever reviewed on this blog. Playing through 007 Nightfire brings back plenty of memories, and as such, the figure captions for this post will be one long trip down memory lane for me. I will offer some suggestions on the gameplay here and there, although how useful those bits of information will be will be up for discussion, since I do not imagine this game is played with any great frequency.

  • The first thing that made 007 Nightfire so enjoyable were the atmospherics: after a chase through the streets of Paris in the first mission, the second mission has Bond infiltrate a party at Drake’s castle in Austria. The snowfall and castle by night evokes a plainly Christmas feeling, even though there is a total absence of Christmas decorations at Drake’s castle.

  • Here, I wield a suppressed Accuracy International AWM with a winter camouflage (Winter Covert Rifle), one of two bolt-action rifles in the game. I imagine that these long-range weapons are outfitted with a straight-pull bolt, since Bond never zooms out in order to chamber a new round after firing. It’s an excellent weapon for long-range combat, and can be used to pick off Drake’s guards without drawing too much attention to oneself.

  • The Walther PPK (Wolfram PP7) is Bond’s starting weapon on most missions. Firing 7.65mm rounds, it deals little damage and has a low capacity, meaning that it will often be replaced by other weapons that are found. However, it’s not entirely ineffective — one of the PPK’s advantages is that it can be suppressed, making it useful for dispatching lone enemies without drawing attention to oneself. Beating the game will unlock the Walther P99 (Wolfram P2K), a more powerful weapon with a larger magazine capacity chambered for 9 mm rounds.

  • Special actions, known as “Bond Moves”, can be performed in 007 Nightfire (as was possible in its predecessor, Agent Under Fire). These actions allow Bond to move through areas more easily, or dispatch a large number of opponents at once in an ingenious fashion. When performed, they confer a scoring bonus that contributes towards the end-of-mission medal, which unlocks multiplayer skins.

  • The interior of Drake’s castle is well-designed, featuring warm lighting and an aristocratic atmosphere befitting of an industrialist such as Drake. It’s the perfect place for a Christmas party, and I’ve often spent time exploring, wondering what such an area might look like by day. Subtle attention to detail in the different levels make the game highly pleasant from a visual perspective, giving it a very polished feel.

  • After retrieving the guidance package and meeting up with Zoe Nightshade (a character returning from Agent Under Fire), it’s time to leave the party. I’m wielding the Heckler and Koch MP5K (Deutsche M9K) with a 21-round magazine, and later, I’ll pick up the AT-420 Sentinel, a fictional shoulder-fired multiple rocket launcher with TV-guided missiles to take on Rook’s gunship. To avoid self-inflicted damage, it’s advisable to shoot out the windows of the gondola first.

  • The gameplay in 007 Nightfire was incredibly diverse for its time, featuring both rail-shooting and driving missions in addition to first-person shooting. The third mission is the escape from Drake’s castle via heavily armed snowmobiles. Armed with both heavy machine guns and rockets, this mission is highly enjoyable, standing in stark contrast with the PC version of 007 Nightfire, which I’ve also played and is an inferior game in every way to the console versions.

  • While it seems a little strange, vehicles can also pick up Kevlar vests to become armoured. After a harrowing chase down the mountain side, Nightshade pilots the snowmobile through a mountain lodge filled with guests before destroying one of the pursing helicopters to end the mission.

  • Equipped with smoke, EMP rounds, boosters, guided missiles, unguided rockets and forward-facing machine guns, Bond’s Aston Martin is a fantastic vehicle to drive. The upgraded missiles can lock onto up to four targets at once, allowing for Bond and Nightshade to reach the extraction point with relative ease. Civilian police cars participate in the chase, although harming them will result in an immediate mission failure.

  • I lock onto one of the helicopters and prepare to blow it away with the guided missiles in order to clear the extraction site here. While an excellent vehicle in all regards, one of the features that I missed from Die Another Day is the adaptive camouflage (in effect, a cloak for the vehicle). It’s explained as making use of cameras to project an image they see onto the other side of the vehicle to give the sense of invisibility. I imagine that adding this ability to the vehicle would make it overpowered, and furthermore, isn’t strictly necessary in terms of gameplay.

  • The fifth mission, set at Mayhew’s Japanese home, is another example of the excellent level design in 007 Nightfire: subtle details, such as the furnishings in the interior or the layout of the gardens outside, are simply spectacular. Here, I’m equipped with a Desert Eagle (Raptor Magnum) chambered for the .375 calibre round. Compared to its .5 calibre counterpart, this one is more accurate and has a slower rate of fire.

  • 007 Nightfire is where I first encountered the SPAS-12 shotgun in a game, and it could alternate between pump-action and semi-automatic fire. Excellent for close quarters combat, it’s particularly effective in the narrow corridors of Mayhew’s mansion.

  • Here, I wield the Ruger MP9 (Storm M32), which offsets its weak bullet damage with a high firing rate and magazine size. How did I take the screenshots for this post? A magician does not reveal all of is tricks is all I have to say on the matter. I did try to make some of these screenshots consistent with those from my old website’s review, and have since replaced them. I’ve discontinued updates for the old site, although the 007 Nightfire images merited a return: I believe they are the only images that remained that I did not capture myself, since I lacked the means to capture screenshots when I wrote that post.

  • The mission to infiltrate the Phoenix International building in Tokyo gives the game a feeling similar to those of the older Metal Gear Solid games, and for this mission, Bond is initially to make his way to the top floors of the building to plant a worm into the computer servers. Only civilian security guards are encountered, and the mission will end if they are killed. To aid players, Bond is equipped with a specially-modified Heckler and Koch P11 (the Korsakov K5 Dart Gun) that fires tranqualiser rounds. To conserve on limited ammunition, it’s also possible to stun guards with the key fob or simply punch them out.

  • The offices for the Japanese branch of Phoenix International feels like the headquarters for Konami, Square Enix or other Japanese game publishers: both missions set in the Phoenix International building in Tokyo give the sense that they were designed and published by Japanese developers with respect to the level design, feeling like something straight out of older PS2 games, such as Metal Gear Solid, despite the fact that Eurocom developed the console version of the game.

  • The seventh mission deals with a derelict nuclear power station undergoing decommissioning along the Japanese coast. It marks the first time I’ve played a shooter set in a haikyo, and the abandoned area serves as a fantastic location for Drake to conduct illicit research on prototype weapons even as he leads a group of reporters in a tour of the area, suggesting that his goals are philanthropic in nature.

  • The standard AWM (Winter Tactical Rifle) is the best weapon in 007 Nightfire for long-range combat. Chambered for the .308 round, it’s well suited for taking out distant enemies in the seventh mission: enemy snipers are prevalent on the map, and can deal serious damage to Bond. The best tactic is to stay hidden and pick off enemies one at a time, always keeping one’s back to a wall. Later, armour piercing rounds can be equipped.

  • The eighth mission sends Bond back to the Phoenix International building after his capture at the nuclear power plant, and is a backtracking mission that places emphasis on going loud. I’ve got the SG-552 carbine here: there’s a suppressed variant of it in the second mission, but here, I’ve got access to a full automatic version equipped with optics. The go-to assault rifle in 007 Nightfire, ammunition for it is reasonably common.

  • I’m wielding the AT-600 Scorpion rocket launcher against an endless horde of enemies in the Phoenix Building’s lobby. With the objective being to escape, it’s also the perfect time to boost one’s stats at the end of the mission: unlike the Sentinel, its rockets are heat-seekers. There’s also a Mikor MGL (Militek MGL) in the level with twelve available 40mm grenades (six in the chamber, six in reserve) that can be likewise used to unleash explosive chaos. Exiting the lobby completes the mission and leads to the introduction of Alura McCall, an Australian operative.

  • The ninth mission entails piloting Bonds Aston Martin as a submarine to infiltrate Drake’s island facility. I never could get past this when I first played the game some twelve years ago, but of late, perhaps armed with the wisdom and experience of a graduate student, I’ve managed to beat this level now. A combination of a steady piloting and caution will allow for this level to be completed, and it was very enjoyable to delve deeper into a well-designed facility I’d not seen previously.

  • Aside from avoiding patrols, making use of guided torpedoes to damage surveillance infrastructure, and deploying limpet charges on the underwater missiles, there’s also a section in the ninth mission where Bond must destroy an active submarine. Its torpedoes are devastating, but one trick to make this fight easier (if lengthier) is to stay in the shadows and hammer it with guided torpedoes until it is destroyed.

  • The tenth mission is another driving mission, and I recall watching The New Woody Woodpecker Show during this time period. Produced from 1999 to 2002, it was well-animated and rather comical; Woody Woodpecker himself is voiced by Billy West (Futurama‘s Phillip J. Fry). I rather miss the show, and English-language releases have been even more rare than Kevin Gillis’ The Raccoons.

  • Consisting of three distinct acts, the tenth mission of 007 Nightfire is one incredible ride through a tropical island. After commandeering a heavily-armed SUV and destroying automated turrets en route to an airfield, Bond and McCall take to the skies in an ultra-light armed for a rail-shooter. The pulse weaponry and rockets are superbly effective against ground-based and air-based targets. I prefer using the rockets for harder targets, switching to the D1400 pulse weapons to finish other opponents off.

  • The final act of this mission is in a stationary turret, armed with a powerful anti-tank cannon and what appears to be a directed energy pulse weapon for anti-air targets. The enemy tanks, aircraft and a submarine will always spawn in the same order, making this section of the game reasonably straight forwards to complete. Coming up next in “Ye Olde Aracade” will be a talk on Enter The Matrix, which I played for both GameCube and PC. I have an opinion on that game contrary to most reviewers, and will be looking to write about that one as time allows. Regular programming resumes with the sixth episode of Brave Witches, which I will aim to publish by Thursday or Friday.

  • The penultimate mission through the interior of Drake’s facility is downright epic. The initial goal is to follow Kiko stealthily through the facility to reach a server room, and Bond is equipped with a crossbow for ultimate stealth. Disabling the alarms and cameras helps greatly, and subsequently, once the servers are offline, it’s time to settle a score with Rook, Drake’s henchman. Rook is incredibly durable and can tank direct hits from the M29 OICW’s high-explosive 20mm grenades. Known as the AIMS-20 (Advanced Individual Munitions System) in-game, the OICW (Objective Individual Combat Weapon) is the best assault rifle in the game, firing 5.56 mm rounds in bursts and also mounts an integral grenade launcher, as well as an infrared scope.

  • The OICW’s best feature are its grenades: smaller than those of the MGL, they are not affected by projectile drop to the same extent and can be used to deal serious damage even at a distance. After defeating Rook, the Phoenix Samurai Laser Rifle can be acquired. The most powerful weapon in the game, it has unlimited ammunition and is quite lethal, although I prefer the OICW for this mission owing to how plentiful ammunition for it is.

  • The final stage of the penultimate mission is to survive two consecutive shuttle launches and fend off two waves of attackers, including two ninjas. At the end of the fifth mission, a ninja shows up to assassinate Mayhew, forcing Bond to engage him. I found that a single headshot (or two body shots) with the AWM would work quite well, but in this mission, the under-barrel grenades can eliminate the ninjas on very short order. Once they’re down, Bond sends Kiko to her death and boards the shuttle for the final mission.

  • 007 Nightfire got the concept of space missions down before Call of Duty: Ghosts existed, and the final mission, titled “Equinox”, is a superb exercise in aiming and persistence. Players must destroy the coupling on the missile gantries, which will send them off course, while simultaneously fending off soldiers who are also armed with the Phoenix Samurai laser rifle. The weapon has good optics and an alternative fire that compresses energy into a powerful ball: its firing sound is identical to the Photon Cannon, a multiplayer-only power weapon available in Agent Under Fire.

  • Once all the missiles are sent off course, Drake himself comes out to fight Bond mano-a-mano. He’s wielding a Scorpion rocket launcher and can tank several laser shots: the heat seeking missiles makes him quite devastating, so it is imperative to keep moving. The first time I beat this mission, I managed to push Drake into the Space Defense Platform’s laser, killing him instantly, although now, my aim is sure enough for me to hit him using the Phoenix Samurai laser rifle. Even after he’s dead, one must keep moving to avoid any missiles still in the area, but once Drake’s lifeless corpse is shown in a cutscene, players can breathe easy, having finished 007 Nightfire‘s campaign.

As far as I am concerned, 007 Nightfire is the greatest James Bond shooter ever made: even today, the gameplay and design of the game is quite solid when compared to some modern shooters. Clearly, 007 Nightfire has stood the test of time, and I’m finding that the game is just as fun now as it was when I played through the game during a lazy summer vacation during my time as a middle school student. Back then, I had a tremendous amount of difficulty beating the submarine mission, and only completed the game recently. The reviews on the campaign’s short length are spot on: it does come across as being quite short, although there is plenty of replay value in trying to collect all of the medals and unlock all of the multiplayer skins. In an ordinary review, I would give 007 Nightfire a strong recommendation and suggest that players check this game out. However, 007 Nightfire is fourteen years old now, and picking up the game for a Playstation 2 or GameCube could be quite tricky. With that being said, it is nonetheless a solid game, and anyone with the game for an older console could probably find it quite entertaining, if a little tacky, by contemporary standards.