The Infinite Zenith

Where insights on anime, games, academia and life dare to converge

Yama no Susume Season 2: Whole-series Review and a Full Recommendation

“Climb the mountain not to plant your flag, but to embrace the challenge, enjoy the air and behold the view. Climb it so you can see the world, not so the world can see you.” ―David McCullough Junior

After failing to scale Mount Fuji, Aoi falls into a melancholy and wonders about her future in mountain climbing, but after receiving the letters that Hinata and Kokona had sent her from the top of Mount Fuji, she decides to climb Mount Tenran again, running into Hinata. after viewing fireflies with Kokona and Kaede, Hinata and Aoi later decide to invite Aoi’s mother for a hike at Mount Kirigamine. Here, Aoi and Hinata learn that the mountain of their promise, where they’d seen the sunrise together, was Mount Tanigawa. Kaede decides to give Aoi her old raincoat after reminiscing about her friendship with Yuuka, and the girls visit Shinrin Park to help Aoi manage her fear of heights; Aoi is torn about the cable car ride needed to reach the trail to ascend Mount Tanigawa. Aoi decides to take a part time job to earn the funds for equipment, and struggles to finish her homework ahead of their climb. As the date of their ascent draws nearer, Aoi bakes a cake for Kokona, whose birthday is the date of their climb, and Kokona visits Akebano Children’s Forest Park with her new shoes that she’d gotten for her birthday. On the day of the hike, the girls help Aoi when she becomes frightened on the cable car ride. Once they reach the trial, Aoi encounters a quiet girl named Honoka, who’s fond of photography. A rainfall sets in, but the girls reach their mountain hut, where they unwind. Aoi and Hinata voice their worries about what will happen once their promise is fulfilled, but support from their friends lead the two to realise that there will always be new promises to be made, and new journeys to partake in. They reach the summit as the skies clear, and the girls see the sunrise that they had promised to see. On the eve of a summer festival, Aoi and Hinata get into a disagreement. Honoka is visiting, and upon hearing Aoi speak of Hinata, Honoka begins to understand that Aoi and Hinata’s friendship is quite deep despite Aoi’s outward appearances. After watching fireworks together at the festival, the girls unwind at Aoi’s home, where Aoi and Hinata realise that whatever it is they had a disagreement about was trivial. Yama no Susume 2 is ten times longer than the first season, and with a substantially increased runtime, is able to fully explore the suite of dynamics between Aoi, Hinata, Kaede and Kokona: seeing more of the characters really allows the audience to connect with everyone more strongly, and this is one of the strongest aspects about Yama no Susume 2.

Aoi’s inability to finish ascending Mount Fuji ends up being but one of many events in Yama no Susume 2: while Aoi’s interest in mountain climbing wavers from her failure, encouragement from her friends and her own recollections ultimately give her the resolve to continue. The first half showed that individuals sometimes cannot overcome adversity even with assistance, and in the second half, Yama no Susume 2 aims to convey that adversity must be conquered from within. After receiving the letters from Hinata and Kokona, the encouragement in “Encouragement of Climb”, it ultimately still falls upon Aoi to make a decision. She could have very well simply decided there and then to throw in the towel, but instead, she finds enough encouragement to rediscover what led her to engage in mountain climbing. Walking the trails up Mount Tenran again, Aoi finds it an easy hike, and realises how far she’d come with Hinata, Kaede and Kokona. This small bit of joy leads her to take another small step in hiking Mount Kirigamine with her mother, and in the end, sets in motion the events that lead Aoi to actively pursue fulfilling her promise with Hinata. Despite her own acrophobia, Aoi does her best to push through the difficult moments, and for her efforts, she manages to both see the sunrise with Hinata as originally promised, as well as making a new friend in Honoka. The simple act of deciding to return, and grasping her friends’ encouragement leads Aoi to overcome the initial disappointment in her failure to climb Mount Fuji. Aoi picks herself up and moves ahead, taking two steps forward for the step backwards that she’d encountered. Taken together, the two halves of Yama no Susume 2 indicate that one’s successes and failures ultimately fall onto the individual’s own resolve, determination and grit; in the presence of friendship and encouragement, failures cost a bit less and successes feel all the more empowering. The extended format shows that Yama no Susume can very well stand on its own: the strength of its episodes and clarity of a theme indicate a series that very much knows what it aims to say to audiences, and knows how to best convey this in a concise timeframe.

Screenshots and Commentary

  • Upon returning from Mount Fuji, Aoi’s fallen into a depression and Hinata is unsure of how to help Aoi recover. She decides to leave Aoi be for now, and in this time, the letters that she and Kokona had sent to Aoi from Mount Fuji arrives. Realising that she’s got fantastic friends in her corner, she decides to climb up Mount Tenran again and is surprised at how easy the hike is. This moment is indicative of Aoi’s progress – even though she may have failed to overcome Mount Fuji, she’s improved in many ways since her first hike up Mount Tenran with Hinata.

  • Coincidentally, Aoi runs into Hinata at the top of Mount Tenran, and here, Hinata is able to properly convey how she feels about Aoi; she wants Aoi to continue accompanying her in mountain climbing and provides encouragement. When Aoi offers Hinata a sweet remaining from the Mount Fuji hike, Hinata bursts out in laughter. Aoi and Hinata’s friendship is, despite the turbulence, a deep-running one, and the ups-and-downs make it all the more authentic. The themes in Yama no Susume 2 are very clear and direct, but there are numerous moments worth mentioning. As such, this post will feature forty screenshots in total.

  • Yama no Susume and Non Non Biyori both present fireflies as a magical experience. The choice of lighting in Yama no Susume, however, reminds me of Grave of The Fireflies, which I watched earlier this year – like Kono Sekai no Katasumi ni, it’s a haunting anime about the costs of warfare and shows the price paid by warfare. While the latter presents a more optimistic view on recovery in the post-War, Grave of The Fireflies suggests that the suffering of victims in World War Two ended after death: Seita and Setsuko are shown to be at peace after the war, but there is a great deal of sadness in seeing what war makes of ordinary people, as well.

  • Returning to Yama no Susume 2, after Aoi’s spirits are restored, she decides to take her mother to Mount Kirigamine when the latter expresses concern about Aoi’s hobby, on a suggestion from Hinata’s father. Located in the Nagano Prefecture, Mount Kirigamine has a maximum height of 1925 metres, and the trailhead starts a mere 325 metres from the summit. It’s an easier hike, and thus, well-suited for showing Aoi’s mother that her hobby is quite safe provided the proper precautions and techniques are observed. Throughout Yama no Susume 2, Aoi’s mother also sees character development, becoming more comfortable with Aoi’s hobby and coming to support her over time.

  • I’d actually crossed the finish line for Yama no Susume 2 a week ago, but this past long weekend had been remarkably busy – I spent the majority of it volunteering at Otafest, the anime convention of Calgary. It was an incredibly enjoyable and meaningful experience, to be helping the convention run smoothly and help patrons have the best experience possible. In my roles, I helped keep panels orderly, answered questions about where events and facilities were, and generally aimed to help guests have a good time. On my first day, the convention bakery (which sold Japanese baked goods and soft drinks) had run short of staff, and I decided to step in to help out, doing the equivalent of an additional shift.

  • It was well worth it: helping keeping things run smoothly was rewarding, and I also found enough time between shifts to have my photo taken with the convention mascots, as well as check out the vendor hall (I ended up buying Your Name. Another Side: Earthbound and a Shimarin keychain). All in all, I thoroughly enjoyed the experience of seeing things from the other side. I was once a patron myself, and now, I have a bit of involvement in the local anime community, as well – it is great seeing the positive energy among the patrons. I do note that my own tastes in anime appear quite unique, and there aren’t many people in my area who watch things like Yama no Susume.

  • The top of Mount Kirigamine is characterised by its wide expanses and meadows filled with yellow lilies. While the area may be shrouded in a heavy fog, Aoi and Hinata’s hike is on a beautiful day. The tranquil air up here sets the stage for Aoi and Hinata to rediscover their old promise of climbing a mountain to see the sunrise together again. There is one minor problem, though: neither Aoi or Hinata can quite remember what the mountain they’d climbed together as children was called. Here, the hikers enjoy a delicious lunch amidst the scenery that the mountain offers, and Aoi and Hinata later learn that Mount Tanigawa (Tanigawa-dake in Japanese) was the mountain of their promise.

  • While the Japanese may hold that their mountains are nowhere near rivalling the grandeur of the Canadian Rockies, I feel that the mountains of Japan are beautiful and convey a sense of adventure. Anime set in rural Japan predominantly feature mountains because this is the common topography throughout Japan, but Yama no Susume takes viewers deep into the mountains to give them a better appreciation of how majestic the Japanese mountains are: parts of the scenery (e.g. in anime like Ano Natsu de Matteru) become a central aspect of the show.

  • Besides Aoi’s rediscovery of her love for hiking and mountain climbing, Yama no Susume 2 also gives more insight into other characters. Kaede realised how deeply her friend, Yuuka, cared for her after the latter became angry with Kaede’s physical well-being when she’d sprained her ankle on a hike. Recalling this after finding an old raincoat they’d bought together after this, Kaede invites Yuuka out shopping. Practical and focused, Yuuka also has a better eye for fashion than Kaede, who wears what’s comfortable.

  • There is a single obstacle preventing Aoi from from climbing Mount Tanigawa: there’s a gondola that carries hikers up the mountain, and while Aoi’s come a long way, her acrophobia is still very much at play here. Her friends thus decide to help encourage her, and this begins with a trip to Kaede’s house. While audiences have seen Kaede inside her room previously, none of Hinata, Aoi or Kokona have been to Kaede’s house as of yet.

  • Kaede’s room shows her enthusiasm for hiking and mountain climbing; it resembles a section in Canadian Tire, being filled with climbing equipment and books. The setup deeply impresses Aoi, Hinata and Kokona, and after settling down, Kaede explains that she was once worried about gondolas as well, but eventually acclimatised to them. When Aoi reveals she has no raincoat, Kaede decides to give Aoi the old raincoat that she had considered discarding, feeling happy that this beautiful raincoat now has a new owner who will put it to good use.

  • To help Aoi with heights, Hinata brings everyone to Musashi Kyūryō National Government Park in Namegawa, Saitama Prefecture. With a host of outdoors facilities and hiking trails, the grounds have something for everyone. The girls spend their time in jungle gyms and swings to get Aoi used to moving around above ground, and then break for lunch, where Hinata shows off the fantastic lunch that her father had made for her. Of everyone, Aoi is the most proficient at cooking.

  • When met with a suspension bridge, Aoi finds herself unable to cross, but Hinata drags her across. This is a recurring theme throughout Yama no Susume – Hinata’s insistence is often what causes Aoi to step out of her comfort zone and is what led Aoi to take up mountain climbing to begin with. Hence, whenever Aoi is frustrated or irritated with Hinata, the two always manage to make up because Aoi recalls everything Hinata has done for her. Once everyone’s across the bridge, they bounce around on a bounce-house like hill, where Aoi’s fear of heights diminishes for a few moments before she bumps into Hinata, and the two tumble down the slopes of the bouncy hill.

  • When Aoi’s coffers begin emptying, she takes up a part-time job at the shōtengai‘s bakery. After submitting her job application and resume, she begins and meets Hikari Onozuka, who instructs her in the basics of the job. Over time, Aoi adjusts to her job, learning to greet customers with a smile and serve then efficiently. Hikari is very energetic and initially, intimidates Aoi, but her mannerisms also inspire Aoi to follow. Hikari is voiced by Yūko Gibu: she’s credited with a few roles in Yama no Susume and also voiced Tamayura‘s Maon Sakurada.

  • Between working and gearing up for Mount Tanigawa, Aoi’s neglected her homework completely. Hinata is unable to help, having long finished and is travelling, so Aoi turns to Kaede, who surprisingly is weaker with academics – when Kaede sees Aoi’s material, her mind draws blanks and she attempts to brush it off by saying the curriculum’s changed. Unexpected sides of characters add depth to Yama no Susume, and I’d long thought that Kaede would be sufficiently studios as to get by. It takes Yuuka’s help for the two to finish: she’s harsher towards Kaede than Aoi, but both manage to finish just in time for Mount Tanigawa.

  • During volunteering at Otafest, I encountered many fellow volunteers who were still students and therefore, would immediately relate to Aoi’s plight. My own memories of school are strong, and there’s no real trouble in conversing with high school students and undergraduates alike about school; a few of the girls I was working alongside initially guessed that I was in my final year of high school from appearances alone. The first giveaway that I’m much older than I look is that besides high school students, who are energetic and full of life, I am absolutely drab and slower.

  • Over Yama no Susume 2‘s run, I’ve become rather fond of Kokona, whose appearance and mannerisms are adorable. She’s like a færie of sorts, and had actually met Aoi and Hinata as children. During a festival, Aoi and Hinata were lost, and run into Kokona, who’s dressed as a firefly. While perception of their memories leads Aoi to see an angelic being, and Hinata to see a monster, Yama no Susume shows that it’s rather fateful for everyone to be together again. Here, Kokona happens upon the gift her mother bought for her birthday and learns they’re a pair of hiking shoes.

  • It seems that everything Kokona does is heart-warming, and having an episode dedicated to her adventures around town was remarkably fun. She spends the day exploring Akebano Children’s Forest Park and finds a book from her childhood before heading home. The gentle-paced, easygoing episode shows Kokona as having a great deal of fun on her own – this is what solitude looks like, and while some folks are very anxious about being alone, there is a difference between solitude and loneliness. I personally love solitude, as it’s how I refresh myself. Having said this, I most certainly can and do enjoy crowds, as well as striking up conversations with people I meet.

  • Upon returning home, Kokona falls asleep while waiting for her mother to return from work. However, her mother’s not forgotten her birthday and has brought a cake to celebrate: Kokona’s birthday is on the day of the hike to Mount Tanigawa. Towards the end of Yama no Susume 2, the pacing picks up, and I watched episodes back-to-back: once the date to ascend Mount Tanigawa arrives, the remainder of the series deals with the emotional impact of having realised a promise. Neither Aoi or Hinata know what will happen next once they’ve done exactly what they said they were going do.

  • On the day of the hike, the girls must first ascend an incredible flight of steps out to the gondola station. Yama no Susume 2 does not have Aoi engage in a rematch with Mount Fuji: by taking this direction and focusing on Aoi and Hinata’s childhood promise, Yama no Susume 2 shows that overcoming one’s challenges can take different forms. By taking the initiative to climb Mount Tanigawa and doing her best to make it possible, Aoi’s grown in a different way that still shows her development since Mount Fuji.

  • While Aoi initially freezes in fear prior to boarding the gondola itself, encouragement from Hinata, Kaede and Kokona prompts Aoi to board. The delay means that the group allows others to board ahead of them, including a quiet-looking girl with a camera. Despite being scared, Aoi manages to open her eyes once the gondola has cleared the terminal, seeing for herself the sights en route up to the trail-head.

  • However, the lifts still present a challenge for Aoi, although here, the moment is meant to be taken in a light-hearted, comedic fashion. Yama no Susume 2 excels in both comedy and personal development: I was all smiles for each step of Yama no Susume 2, and looking back, while I’d heard about Yama no Susume since my time as a student, I never did get around to watching it until one of my readers recommended the series and praised it in their own reviews. At the time, my interest was piqued sufficiently for me to go through the series, but I was simultaneously going through episodic reviews of Hakukana Receive, as well.

  • Once at the trail-head for Mount Tanigawa, the girls begin their hike to the mountain hut. With a maximum elevation of 1977 metres, Tanigawa is known for its weather conditions, which can roll in from the blue and turn a hike under a beautiful cloudless day into a trek of cold, wet misery. This is why Aoi and the others have properly outfitted themselves with rain gear. The hike to the summit is reasonably safe, but Mount Tanigawa is known for its fatalities: some trails for rock climbing are extremely steep, and the elevation gain in places is even greater than that of Mount Fuji.

  • At a rest point, Aoi and the others enjoy their lunches under excellent weather conditions. The girls in Yama no Susume bring bentos as their lunches during hikes; in my experience, I typically carry wraps and sandwiches with a generous helping of meat, cheese, tomato, pepper and a flavourful sauce: sandwiches and wraps can hold all of the food groups in an easy-to-eat manner and don’t require utensils. During the course of Otafest, I decided to bring sandwiches and wraps, so if necessary, I could eat during my shifts.

  • Aoi later encounters the quiet-looking girl again and decides to push on ahead with the intent of befriending her. She learns that this is Honoka Kurosaki, who has a profound interest in photography. Curious, Aoi decides to follow Honoka for a bit, and her friends catch up. After introductions, they part ways, and rain begins falling. Having anticipated this, the girls don their rain jackets and cover their backpacks, pushing forwards through the rain to their mountain hut.

  • Meeting and befriending people is a skill: it takes me a while to warm up to people, and I remember that for the longest time, I didn’t really do well in crowds. These days, it’s a different story, and I can get by fine, talking with people after starting a conversation with eye contact and a smile. These sorts of things do happen over time as one gains more experience, and while some folks are more comfortable doing this than others, I hold that being able to make conversation is a skill rather than a talent, and by getting used to it, it becomes much easier and more enjoyable.

  • The biggest worry that Aoi and Hinata have is what will happen once they see the sunrise together at Mount Tanigawa: with their promise fulfilled, what lies ahead is unknown, and there seems nothing left to work towards. While it’s a momentous achievement for the two, to finally return again, they also begin wondering what lies beyond this promise. This is an understandable feeling: after putting in some much effort and dedication towards seeing something through, the time after finishing can seem empty and devoid of purpose.

  • Together with Honoka, Aoi and the others enjoy dinner. Unlike Mount Fuji, Aoi is in excellent condition here, and her mind is on the outcome of their climb now. After dinner, the girls sing a song and then prepare to turn in for the evening, anticipating an early start. While it rains into the evening, everyone remains hopeful that the skies will clear out ahead of their ascent to the summit of Tanigawa for the sunrise.

  • As evening sets in, Honoka shares with Aoi some of the photos that she’s taken during her adventures. Honoka is voiced by Nao Tōyama, best known as Yuru Camp △‘s Shimarin, Karen Kujo of Kiniro Mosaic and Kantai Collection’s Kongō. It is no coincidence that Tōyama plays quiet, reserved characters in both Yuru Camp△ and Yama no Susume: while her repertoire of shows includes characters who are rambunctious and outgoing, Tōyama is very skilled at delivering lines for taciturn characters, as well.

  • Bright and early the next morning, the girls don their raincoats and prepare their head-mounted lamps. A mist covers the ground: it’s a chilly morning, and with the skies staying covered, it would seem that Hinata and Aoi might not be able to see the sunrise per their promise. Unlike Mount Fuji, this time the group is plus one: Honoka accompanies them, joining in on an adventure between friends that sees her become a part of their group. Like Kokona and Kaede’s introduction in season one, Honoka’s entry comes a bit later into Yama no Susume 2.

  • As they reach the summit of Mount Tanigawa, the sun breaks through the clouds and bathes the land in a warm light. Aoi and Hinata hold hands, feeling at peace that their promise has been fulfilled. After their conversation the previous evening, the two learn from their friends that fulfilling one promise simply leaves the future open to new directions. For all of their differences and conflict, Aoi and Hinata are inseparable and best friends. If there was a single screenshot that captures the sum of every emotion and lesson in Yama no Susume 2, this would be it.

  • This achievement marks the end of Yama no Susume 2: her friends have given Aoi the encouragement necessary to rediscover her own love for mountain climbing. In the process of fulfilling an old promise with Hinata, Aoi has also matured sufficiently to begin befriending new individuals, as well. This is a wrap for Yama no Susume 2, acting as an immensely enjoyable and satisfying conclusion where Aoi climbs, falls and learns to pick herself back up again, coming out all the stronger for it.

  • At least, that’s what I’d say if that were the finale proper. The finale actually entails Aoi and Hinata getting into a fight over something that audiences don’t get to see. While it may be strange of me to say so, Aoi and Hinata’s fights were actually the magic moment that got me into Yama no Susume: the fights themselves end up being adorable, but their importance stems from really painting the characters as being more human. Deliberately omitting the reason for their fight forces audiences to look at how Yama no Susume‘s themes apply here.

  • Honoka comes to visit shortly after – she’s quieter than Aoi, and the contrast comes to show how far Aoi had come since Yama no Susume‘s first season, where she was content to engage in activities on her own. By Yama no Susume 2‘s ending, Aoi is able to take the initiative and show Honoka around town. When Aoi arrives at the bakery she works at, Hikari and the manager imagine Honoka to be Aoi’s significant other. This is, of course, a misunderstanding, and after Aoi buys some pastries for Honoka, Hinata arrives quite separately, still bothered by the fight she had with Aoi.

  • Honoka is able to offer an alternative perspective for Aoi: after hearing Aoi subconsciously mentioning Hinata into conversation at every turn, Honoka understands that outward differences aside, the two are very much friends regardless of what happens to them. She suggests to Aoi that friends are like photography, and that sometimes, there is beauty in looking at the same thing from a different angle.

  • Thus, while Yama no Susume 2‘s finale might not include any mountain climbing, there is a different sort of climbing involved as both attempt to summon the strength needed to properly apologise to one another. However, even with the summer festival drawing nearer, Aoi and Hinata are unable to do so. Seeing the series in its entirety convinced me that there is something special about Yama no Susume, and so, after the second season, I can confidently count Yama no Susume as a masterpiece: this is equivalent to an A+, or perfect ten.

  • The reason why I’ve designated Yama no Susume a masterpiece is because of its multifaceted characters whose experiences are expertly reflected in visual metaphors, as well as how the series takes a more grounded portrayal of learning and discoveries. Failures exist, as do the processes involved in picking oneself back up afterwards. Conflicts are addressed in a more natural manner, with the occasional loose end showing that not everything can be neatly resolved. The sum of these lessons, in conjunction with Yama no Susume‘s commitment to accuracy (the series occasionally mentions techniques and terminology in mountain climbing for viewers) and for presenting the joys of mountain climbing means this series left a non-trivial impact on me.

  • Yama no Susume reinforces the life lessons that I’ve learnt, and also has fuelled by excitement about mountain climbing. Motivated by the series, I intend to climb Ha Ling Peak. Located outside of Canmore, the hike takes roughly five hours to complete, the hike itself spans a distance of 5.3 kilometers, with a 855-metre elevation gain. It’s easily going to be the most challenging hike I’ve ever done, and I expect that I’ll need to pick up gloves for scrambling, as well. Ha Ling Peak is currently undergoing maintenance, and I plan on ascending once the trail re-opens.

  • Back in Yama no Susume 2, after enjoying the fireworks and summer festival, everyone visits Aoi’s house to unwind. Aoi’s room seems the most spacious and modern of everyone’s, making it the perfect place to hang out. Kokona is seen hugging a teddy bear as large as she is, and Kaede kicks it easy, reverting to her preferred casual clothing style. It is here that Aoi and Hinata realise they’d completely forgotten what their disagreement was about.

  • While climbing mountains might be the core of Yama no Susume, watching the characters mature and grow from their adventures was the main draw. Yama no Susume 2 was certainly a worthy sequel to Yama no Susume, and nailed every part of the experience for me. I will be returning to write about Omoide no Memory and then the third season for Yama no Susume. In the meantime, with two weeks left in May, Gundam Narrative and Nagi no Asukara are the two major projects I have on the immediate horizon.

Yama no Susume 2 proved to be an incredible experience: besides improved artwork and animation over the first season, the extended length really allowed the series to properly convey the feelings encapsulated in Aoi’s desire to climb mountains, and the struggles that she experiences during the course of her journey. Seeing Aoi’s varied interactions with the cast, especially Hinata, make her especially compelling as a lead character: while most protagonists of series in this genre usually retain shared attributes such as determination, shyness, clumsiness and being generally adorably air-headed, Aoi can be irritable, stubborn and even petty. People are not flawless, and seeing Aoi’s less positive traits show that she is very much human, with much room for improvement in her character. This improvement comes from gaining new perspective on the world, both by climbing mountains and by interacting with others to better understand her friendships with those around her (especially where Hinata is concerned). Honoka’s introduction late in Yama no Susume 2 and her role in helping Aoi realise the depth of her friendship with Hinata is an example of this. Flawed, but also kind-hearted, Aoi makes for a very intriguing protagonist that audiences can relate to. Yama no Susume 2 successfully capitalises on its extended run to breathe considerable life into its world, and this corresponds to a series that I enjoyed each and every second watching. At this point in time, I’ve got the two OVAs from Yama no Susume 2, and Omoide no Present left to cover before I roll into the third season, which aired last summer. Yama no Susume has provided plenty to write about, and I am rather looking forwards to continuing a series whose merits are numerous, and whose characters stand out in a genre where many protagonists share enough attributes to feel unremarkable.

Valkyria Chronicles 4: Fire and Ice At The Halfway Point

Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favour fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.

—Robert Frost

An Imperial surprise attack annihilates the Federation camp, setting it ablaze. In order to cover for allied forces, Squad E stays behind to fend off the Imperials. Claude engages Klaus Walz and manages to elude him, impressing Klaus: the actions of Squad E allow Federation forces to retreat, but the frigid Eastern winter arrives, slowing their progress to a halt. Imperial forces capitalise on this to assault the Federation soldiers, and Squad E is forced to flee. Claude decides to head for the coast, and along the way, destroy an Imperial munitions depot. While waiting for Claude to return, Raz shares a story with Riley about Kai’s origins: she was originally Leena, Kai’s sister and joined as a replacement after Kai decided to leave for unknown reasons. To help her through training, Claude and Raz risked expulsion in a test course, but it turns out that Leena was a crack shot. Back in the present, the intense fighting annihilates Squad F before Squad E can reach the coast, and an embittered Minerva blames Wallace for the outcome. However, when it appears that the Imperial forces have surrounded the remnants of the Federation forces, Federation snow cruisers appear and drive them off. After boarding the Centurion and meeting Captain Morgen, Wallace prepares his Squad to work with the naval forces, and liberate a village in the process. Meanwhile, Walz is assigned to lead special operations unit at Lord Heinrich Belgar’s request, and they begin an operation to capture the Federation cruisers. Valkyrur Crymaria is sent to participate but disobeys orders, seemingly sinking one of the cruisers. However, the Centurion had merely been damaged, and Wallace leads Squad E in repelling an Imperial assault while Riley fixes the main reactor. In the aftermath of the battle, the Centurion is able to escape, and Squad E finds an amnesiac girl sleeping in the engine room. At this point in time, I’ve reached the halfway point of Valkyria Chronicles 4, and have found myself thoroughly impressed with the successor to Valkyria Chronicles; Valkyria Chronicles 4 has done a phenomenal job of keeping me engaged and entertained with its mechanics and writing.

At Valkyria Chronicles 4‘s halfway point, my appreciation of the upgrades to the Canvas Engine have increased tenfold as I’ve seen more of the game. At the forefront of everything are the improved visuals: while Valkyria Chronicles 4 is definitively sharper and more detailed than Valkyria Chronicles, other updates to the engine have been much more subtle. These details, while minor, do much to bring Europa to life; higher environmental details and nuances add depth to each mission, conveying the sheer weight of the battle against Squad E at every turn. From the flaming desolation caused by the Imperial raid, to the frigid wastes of the Empire’s territories, and the unearthly blue snow surrounding Valkyrur Crymaria, each mission captures the environmental extremes Squad E has found itself in as a Soviet Winter™ closes in on them. The snowfall brings with it additional challenges: blizzards hamper visibility and even reduces movement distance, taxing Squad E’s members. The extreme cold reduces survivability, and downed allies must be retrieved more hastily, lest they succumb to elements. Soldier movement leaves tracks in deep snow, and mortar fire places craters in the ground. The weather conditions are visibly felt, and Valkyria Chronicles 4 leverages new mechanics to keep players thinking ahead, keeping the game fresh. Further accentuating the challenge is the introduction of Crymaria, an unstable Valkyrur who is beholden to the X-0 unit. She is accompanied by Nikola and Chiara, two enforcers carrying electric crossbows. However, players gain access to new assets, as well: the arrival of the Centurion and its state-of-the-art combat systems allows players powerful new strategic options – a cool head and an eye for optimisations allow for missions to be efficiently completed.

Screenshots and Commentary

  • By the virtue of being powered by the Canvas Engine, the atmosphere in Valkyira Chronicles 4 far exceeds anything that came before it. While the earlier missions had shown improvements to the sharpness and draw distance, it was during the sixth mission where the changes became most apparent. When the mission starts, players are presented with fire and fury as far as the eye can see, with glow from the fires illuminating the smoke billowing into the night skies. Foot-mobiles cannot pass through fire, but vehicles can, and my first move was to move the Hafen forwards and flatten an enemy tank.

  • While scouts in Valkyria Chronicles 4 have been balanced out with lower accuracy than their Valkyria Chronicles counterparts, they remain effective with the right upgrades. I’ve been spending more of my in-game currency on upgrading the Lenfield’s accuracy, reasoning that harder-hitting bullets don’t mean a whole lot if they can’t actually hit their mark. I’ve generally focused on accuracy and range, except for the shock troopers’ submachine guns: here, upgrading their damage per shot allows these front-line units to hit harder.

  • The Vulcan makes yet another appearance, although at this point, it is fortunate that its main cannon cannot deal significant damage to the Hafen this early in the game. With this in mind, its radiator is located at the top of the tank, requiring players to make use of Riley’s anti-tank mortar rounds or move a lancer into the right position for a better shot. Missions no longer singularly revolve around capturing an enemy camp: some missions will involve holding out against waves of enemies.

  • I ended up applying demolitions boost to Riley to help her smash the Vulcan, and then turned my attention towards neutralising the remaining enemy forces. Demolitions boost was incredibly overpowered in the original Valkyria Chronicles, to the point where for each mission after I had it, I could simply run Alicia around the map and have her single-handedly wipe everything that moved. Between her Valkyrur healing boost, double movement and abilities as a scout, Alicia was so powerful that nothing phased me.

  • After exiting the flaming inferno of the burning camp, players are next dropped into a snowy, icy map. The goal here is to move three teammates towards railway tracks on the far side of the map, and to exacerbate Squad E’s low morale, the weather has increased the risk of avalanches. Players must now fight the environment in addition to enemy forces, and in this mission, a group of Imperial forces lie in wait at the far side of the map, covering a bridge players must cross to reach the railway tracks.

  • My strategy this mission was simple enough: move three scouts close to the target point, alternating between advancing the objective and positioning my other units to mop up any hostile forces that could down my units. Enemy grenadiers are a nuisance owing to their interception fire, and I make it a point to actively eliminate them: their shells inflict debuffs, and I’m beginning to recall the days of Valkyria Chronicles 4 when enemy units could lower my units’ defenses with their weapons.

  • I ended up applying defense boost to Teresa and had her fire on the ragnite container, eliminating the need to move Kai up to a suitable spot for that shot: there are enough forces camped out on the ridge so that it’s not practical to engage them one at a time, but the same avalanche conditions that made the match more difficult also gives Claude an idea. Once the enemies are gone, moving my remaining scouts across was trivially easy.

  • The next mission involves sneaking through an Imperial munitions depot and blasting it sky-high to prevent the Imperial forces from using the equipment to launch an assault on Gallia. The map is covered by armoured trains, and engaging them is an exercise in futility: using the Cactus to move players from cover to cover is the way to go, and here, I stopped to again, admire the lighting effects in Valkyria Chronicles 4Valkyria Chronicles looked great, but compared to 4, feels distinctly flat.

  • The armoured personnel carrier becomes an indispensable tool, and having seen how fragile it is, I immediately went about upgrading its durability. While survivable against all small arms fire and Gatling guns, the Cactus is easily melted by enemy armour, anti-tank munitions and bosses, so the trick is to only use the Cactus to get through areas with light interception fire, and then disgorge troops.

  • After moving a pair of scouts across the map, I had enough firepower to close the distance and reach the enemy camp. Using defense and attack boost on Millennia, I was able to run right by the hostile Imperial forces, eliminated the forces chilling in the enemy camp and then captured it. One longstanding complaint about Valkyria Chronicles that endures in 4 is that players who prefer a play-style allowing them to destroy everything that moves on a map are not rewarded: Valkyria Chronicles 4 continues in the vein of its predecessors and scores players primarily based on how quickly they complete the mission.

  • With Squad F gone, Minerva and tank operator Ronald Albee joins Squad E and resolve to fight for their fallen comrades. Their first operation with Squad E is in a training exercise, allowing players to get a feel for how Minerva and Ronald handle. Players are also introduced to ship orders, which allow players to call upon support from the Centurion. These powerful orders can shift the tide of battle, but are extremely limited in use. I’ve not made use of them yet, having found the missions quite manageable so far, although I bet that a few levels later down the line could really test that.

  • We’ve now crossed the halfway point of the month, and with my being halfway through Valkyria Chronicles 4, I feel that I’m making excellent time in the game. I expect to finish Valkyria Chronicles 4 by July. In the meantime, it’s been an eventful week and some back since F8: besides watching Avengers: Endgame over the weekend, I also enjoyed a delicious steak dinner at The Keg, where I had their Baseball Steak cooked to medium rare with sauteed mushrooms, seasonal vegetables and their house special twice-baked potato. These cuts are so thick that medium rare is actually the maximum they can be cooked to. The cut offers best of both worlds, with the seared parts being very flavourful, and the heart of the steak is tender and juicy. Steaks are much rarer in Valkyria Chronicles 4: Kai favours bread and becomes uncharacteristically angry when there’s no bread around.

  • The weather this week’s been more similar to the moody skies of Valkyria Chronicles 4, even though the weekend’s been more seasonal and sunny. Back in the game itself, when Imperial forces arrive, they bring with them Chiara and Nikola. These arrogant enforces have the mobility of scouts and can one-shot the Hafen if allowed to roam the map unchecked. Fortunately, I found that even without any orders, a shock trooper can mop the floor with the two.

  • Once the Imperial forces arrive, the objective shifts towards moving the Hafen back to the evacuation point. A host of Imperial lancers are covering the route, along with an anti-armour mortar that can slow the Hafen down considerably. I made it a priority to eliminate the grenadiers first, and then made use of Raz to take out the lancers along the way. For the most part, I’ve found that while Valkyria Chronicles 4 does attempt to balance the scouts out, one can still move a small number of characters across the map to finish things swiftly.

  • Here, a crater in the ground from mortar fire is visible. While nowhere nearly as sophisticated as the destruction effects in something like the Frostbite Engine, the Canvas Engine’s upgrades are very apparent, and Valkyria Chronicles 4 looks as well as it handles. Games of late that have done well have consistently been games that have taken a “back to the basics” approach, favouring skill-driven mechanics that are easy to learn and require an investment to master. Admittedly, modern titles have very complex mechanics that come across as being little more than gimmicks distracting from game-play, and a return to simpler, but tougher mechanics results in more rewarding experiences.

  • The ninth chapter involves capturing an Imperial base in an effort to hold off the Imperial forces, who intend to capture the Centurion. While seemingly a straightforward mission, Valkyrur Crymaria appears for the first time. Her interception fire is downright lethal, being able to destroy the Cactus in one shot if one is careless. Unlike the Barious Desert, I was unfazed by the appearance of a Valkyrur: this mission can be finished in two turns without using the Cactus at all if one is playing strictly for A-ranks.

  • On my first turn, I moved Minerva to the base on the Western edge of the map and wiped out the grenadier sitting here. Walz will call in an order that revives everyone, making it quite unnecessary to kill anyone else, and then on the second turn, it was a matter of running Minerva, armed with defense boost and attack boost, to the enemy camp. More complex strategies will accommodate for players destroying the Vulcan for additional points. When players capture the base, the mission ends, and the Imperial forces will fail to capture the Centurion. In frustration, Crymaria will open fire on the Federation cruisers, seemingly sinking them.

  • However, this turns out to be a ruse: the Centurion is still intact, but its main reactor is down. While Riley sets about repairing it, Imperial forces mount an attack, dropping bombs with the aim of destroying it. The object of the tenth mission is to prevent any bombs from impacting the Centurion: snipers are invaluable in this mission, and I decided to use a pair of snipers: a sniper on the southwestern high point, and then another on the east high point.

  • Because of the deterministic AI, Chiara and Nikola will both go after the sniper on the southwestern edge. I moved Raz to the southwest to provide support, and an engineer to the eastern point so that sniper could be perpetually topped off with ammunition. Once Chiara and Nikola’s asses are beat, the mission becomes a straightforward matter of preventing bombs from landing. Players must eliminate bombs on the turn that they appear: any bomb that isn’t dealt with will hit the Centurion on the next turn.

  • I’ve been consistently scoring A ranks on all missions: Valkyria Chronicles 4 seems to be easier than its predecessor, which had stricter requirements, although this could also be nostalgia and experience talking. I am moving through Valkyria Chronicles 4 much more smoothly than I did through the original, and at my current rate of progression, I am hoping that I will complete this game before Halo Reach for the Master Chief Collection comes out on PC: once Halo: Master Chief Collection becomes available, I cannot see myself playing anything but Halo.

Insofar, I’ve been deeply enjoying the dynamics amongst Squad E’s members, and more recently, their interactions with the Centurion’s crew, plus Minerva’s gradual integration into Squad E. While warfare is brutal and unforgiving, the friendship and warmth in Squad E seems enough to ward off even the bitter cold of a Soviet Winter™. As navy and army forces set aside their disagreements to focus on a powerful and determined enemy, Valkyria Chronicles 4 shows the evolution of a game whose core mechanics have largely been retained, but also enhanced to give players a new challenge. Each mission is memorable, and Squad E’s members now are as familiar to me as any of Squad 7’s members – Valkyria Chronicles 4 has done an excellent job in warming up players to these new characters, and rolling over the game’s halfway point, the push is on to smash my way to the Imperial capital. My back-to-back scoring of A-ranks in every mission up until now have afforded me enough in-game credits to level each of my classes to elite status. I’ve made much fewer uses of orders in Valkyria Chronicles 4 compared to my run with Valkyria Chronicles so far, but I do expect that the game will only become more tricky from here on out, and having access to every tool will allow me a more diverse range of options to kick names and take ass.

Penguin Highway: A Review and Reflection

“Imagination is more important than knowledge. For knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution. It is, strictly speaking, a real factor in scientific research.” –Albert Einstein

Aoyama is a fourth-grader with an insatiable thirst for knowledge and spends his days making detailed observations of the world around him. With a strong sense of confidence, Aoyama encounters a lady working at the dental clinic, whom he takes a liking to. His effort to impress her lands him a conversation, and she consents to instruct him in chess. When penguins begin appearing in his town, the lady tasks him with solving the mystery of the penguins’ origins, and Aoyama sets about applying his own brand of logic and reason towards seeking a scientific solution to this fantastical phenomenon. With his best friend Uchida and the equally-inquisitive transfer student Hanamoto, Aoyama continues to work out how the lady and penguins are connected, discovering a mysterious orb that he dubs the “ocean”. From observations made while he hangs out with the lady, and also his own experiments, Aoyama finds that while he can identify patterns (such as how the lady can only conjure penguins under clear skies and that her well-being diminishes the further away from town she is), he is no closer to solving the mystery: the enigma surrounding this orb deepens when the Lego probe with instruments that Aoyama, Hanamoto and Uchida sends into it vanishes. After a typhoon rolls over the area, and the orb expands, Aoyama and the lady enter the orb to rescue researchers from the university, including Hanamoto’s father, who became trapped in the orb while investigating it. Upon finding the researchers, the lady destroys the orb and bids Aoyama farewell, but not before he confesses that he’s fallen in love with her. After she disappears, Aoyama’s life returns to normal. One day, while relaxing at the local cafe, he sees a penguin, runs off outside and finds that while it has disappeared, the Lego probe he’d sent into the orb previously has returned. This is Penguin Highway in a nutshell, a 2018 film about the boundless curiosity and impermanence of youth, and whose home release only became available in 2019.

While Penguin Highway has Aoyama attempting to ground his observations in the realm of science, it soon becomes clear that the whole of the film takes place in a world where the laws of Newtonian and quantum physics simply do not apply. Matter is freely transformed without adhering to the Laws of Thermodynamics, and the lady herself appears to be an embodiment of the world’s mysteries given human form. With a whimsical, fantastical setting, Penguin Highway speaks to how children perceive the world; while adults have a very procedural, structured way of approaching problem, children often have alternative insights precisely because they are not bound by the same methodologies that adults have. Aoyama, while longing to be an adult and exhibiting the logical and deductive skills of someone much older, shows audiences how there are some phenomenon, miracles, in the world that can defy explanation by conventional means. Even he is baffled and impressed with the sights that he witnesses: unable to formulate a hypothesis on why, Aoyama is taken on a ride with the lady, and comes to discover a new feeling – one of love, as he becomes drawn to the mystery that the lady represents. Penguin Highway suggests that, while adults often dismiss children as thinking in simple terms, their unique outlooks on the world are as complex as an adult’s, even if they cannot structure or organise their thoughts to the same extent. Consequently, the thoughts of children can be quite wondrous when one takes the time to consider them, and this is what Penguin Highway aims to convey. While the structuring of Penguin Highway is turbulent, it captures the raw curiosity of children as they attempt to work out the things they experience in the world.

Screenshots and Commentary

  • To give an idea of how busy things have been in the past while, I watched Penguin Highway halfway through back in late February, on a Sunday afternoon where my ISP went down. I had some work-related matters to deal with that day and left for the office so I could attend to those items. I finished the film post-F8 – after the conference ended, I had a chance have a coffee at the heart of San Francisco, drove the Golden Gate Bridge, and even had lunch (fried chicken and barbecue brisket) at the Facebook Campus in Menlo Park. On my last day, I had some of the best (and biggest) ribs I’ve ever had for lunch under a beautiful afternoon sun after visiting the Armstrong Redwoods State Park. Penguin Highway opens with a monologue from Aoyama, who wastes no time in establishing his superior intellect (“I’m smart, and I know I’m destined for greatness”). At his age, I was knee-deep into the natural sciences and history, reading every book I could get my hands on, and drawing out everything I learnt.

  • Aoyama is very bright, and able to deal with Suzuki (the class bully, Penguin Highway‘s equivalent of Calvin and Hobbes‘ Moe) with a dose of wit; at the dentist, he convinces Suzuki that the latter has an unknown, lethal disease, frightening the living daylights out of him. However, Aoyama’s thoughts also wander towards how attractive the woman working at the dental office is; the lady catches him checking her out when they first meet, and he blushes in embarrassment. Aoyama’s matter-of-act temperament draws her interest and she begins spending more time with him, instructing him in how to play chess.

  • Penguins begin appearing in Aoyama’s town: the name broadly refers to aquatic flightless birds of the family Spheniscidae, and the ones seen in Penguin Highway appear to be Pygoscelis adeliae, the most widespread of the penguin species. The penguins’ sizes in Penguin Highway are consistent with those of P. adeliae, although their bills are different. With their habitat being coastal Antarctica, P. adeliae possess adaptations to deal with the frigid conditions and lack of fresh water: it is unsurprising that their appearance in Japan would be quite surprising.

  • In revenge for Aoyama’s stunt at the dental clinic, Suzuki manages to catch Aoyama, whose attempts to escape fall short: he is tied to a vending machine, and the lady appears. After she frees him, she helps him pull his loose tooth, during which she creates a penguin. Such a phenomenon easily catches Aoyama’s eye, and the lady declares that her existence is a bit of a mystery, leaving him to try and solve it.

  • Using the scientific method, Aoyama manages to work out that the lady can only create penguins under clear skies, with bats being spawned in darkness and nothing happening during overcast days. The same techniques are applied (albeit with modifications to suit their needs) in various disciplines; when I debug software, I aim to only manipulate one variable at a time to ensure that an outcome is not caused by another factor. In Penguin Highway, however, the world hardly appears to conform with the laws of thermodynamics, and so, while Aoyama might be able to draw a correlation, causation cannot be so readily concluded.

  • The artwork in Penguin Highway is of an incredible quality, bringing life to Aoyama’s world. From details in the lighting to the choice of palette for a given scene, Penguin Highway‘s visual components add a considerable amount of immersion to the story. The cool of a rainy day, or the rush of wind can be felt as vividly as though one were present in the scene in person – on a rainy day, Aoyama visits the lady’s apartment, and the grey-blues of the day give a sense of gentle gloom.

  • Aoyama’s feelings for the lady begin from physical attraction: he outright admits to staring at her chest more often than he’d like and despite his stoic nature, never objects to spending time with her. Feelings of love in children are as authentic as those adults feel, and I imagine that this is common. For me, I had a bit of a crush on my art instructor/yearbook club advisor in high school, as well as my science instructor during my first year of high school. I expect that these feelings manifest from a combination of the physiological changes that adolescents go through, as well as taking interest in mature individuals that act as role models.

  • Aoyama’s father gives him an alternate perspective on things: he uses a small bag to motivate the notion that by inverting the bag, he is in effect, holding the whole universe in the bag, since relative to the bag’s exterior, the universe surrounds the interior. It’s a clever metaphor, akin to Stephen Hawking’s analogies and explanations for how multi-dimensional spaces might work. This explanation foreshadows the phenomenon seen later in Penguin Highway.

  • Hanamoto is on par with Aoyama in terms of intellectual curiosity and is skillful in chess. She invites Aoyama and Uchida to check out a mysterious phenomenon that has appeared in a clearing in the woods. While Suzuki has taken a liking to Hanamoto, she is more interested in Aoyama for being her peer in an intellectual capacity and is keen in having him help out in trying to work out the recent string of events.

  • It turns out this phenomenon is a wormhole that resembles a suspended sphere of liquid water – Aoyama and the others are quick to christen this sphere as the “ocean”. Its physical properties are completely unknown, beyond the fact that its surface reflects light from its surroundings. Over time, Hanamoto, Aoyama and Uchida collect various observations from it, learning that its size changes over time. While Penguin Highway makes extensive use of the scientific method, it is erroneously considered to be a science fiction story: the definition of science fiction is loose, but in general, it refers to stories that deal how human society reacts to advances in science and technology.

  • Since Penguin Highway does not have a societal component, the presence of the scientific method alone is not sufficient for the film to be considered as science fiction. Penguin Highway is better classified as a fantasy-adventure, following Aoyama’s journey and expressing the components of childhood curiosity in a visual manner for audiences. Aoyama is seen here running to a meeting with his friends, and the normalcy of the neighbourhood is apparent; it’s a beautiful summer’s day, and the blue skies invite exploration.

  • Summer is long associated with endless opportunity to explore, or else simply relax. Besides their research activities, Aoyama, Uchida and Hanamoto also partake in summer activities, such as sharing ice pops and visiting summer festivals. We’re now pushing towards the halfway point of May and are nearly halfway through spring – the days are lengthening, and I am now head home after a day’s work under sunshine. The weather, which has been persistently clinging to winter, has been remarkably nice of late, and I am hoping that the summer this year will be marked by beautiful days punctuated with a good rainfall at regular intervals.

  • During the summer festival, Hanamoto’s father shows up. He’s a researcher working with the local university and has taken an interest in the phenomenon that Hanamoto is studying, as well. During the summer festival, Aoyama and Uchida run into Suzuki and his cronies; Suzuki is interested in what’s going down between Aoyama and Hanamoto, and Aoyama quickly deduces that Suzuki is developing a bit of a crush on Hanamoto.

  • I admit that Penguin Highway was a bit more difficult to write for – I normally write about an anime series or film based on what messages a particular work aims to convey using the experiences the characters go through. By experiencing a disruption, characters mature and respond in a particular way, speaking to a life lesson that can then be discerned as a theme. Penguin Highway does not follow this particular approach and therefore, needed to be viewed with a different mindset in order for its theme to be identified. One review stands out as claiming that there is a substantial philosophical component in Penguin Highway, but fails to identify what this is.

  • The reason why this reviewer cannot identify what philosophy is being presented is simple: there is no overarching philosophical element in Penguin Highway to identify. It comes across as being disingenuous to readers when reviewers for larger sites make factitious claims that an anime is “smarter” than it is, and I make it a point to never do this with my own discussions. Penguin Highway is not a film intended to make audiences feel smarter, but strives to present a very specific picture about children and their curiosity. As their understanding of the orb’s properties increases, Aoyama, Hanamoto and Uchida decide to send a Lego probe into the orb. It is promptly absorbed into the orb and becomes unretrievable.

  • After Suzuki and his gang appear, Aoyama boldly claims that Suzuki must have feelings for Hanamoto and earns a beat down for his cheek. The lady appears and uses her penguins to scare off Suzuki and his gang. When the penguins try to interact with the orb, the orb reacts adversely and begins shooting out water that damage the surroundings. Hanamoto is shocked to learn that Aoyama had not shared this with her: Aoyama claims to have done so to keep the lady safe, and this moment is a subtle reminder of how dissemination of information in academy goes, with secrecy being a part of things as academics work to be the first to present their findings.

  • Aoyama is very blunt in his manner, and when he asks to suspend all investigation into the sphere after spotting a Jabberwock (inspired by Lewis Caroll’s Jabberwocky, a poem about the killing of a creature), Hanamoto loses her cool, accusing Aoyama of doing this because he’s got a crush on the lady and her physique. Aoyama is unfazed by this and openly admits this. As a bit of trivia, there are articles written from two years back that assert that staring at someone’s mammaries increases longevity. The precise mechanism behind this is not well-understood, but some hypotheses suggest that it increases positive thinking.

  • During a bright summer’s day, the lady decides to take Aoyama to the coastal town in her memories despite Aoyama being no closer to solving the question of who she is. However, as the lady travels further from their original town, she becomes weaker, eventually collapsing on the train station. Mysterious entities begin spawning into the platform, but these dissipate over time, and the pair agree to return home. Wondering if diet could be anything, Aoyama feverishly decides to stop eating to see if the results can be replicated, but falls ill in the process.

  • While trying to sleep off his cold, Aoyama’s dreams are turbulent and confusing. Because the mechanisms behind dreams are not understood, the reason why we have repetitive dreams while ill is similarly poorly understood: some speculate that the sheer amount of energy the body has diverted towards fighting illness leaves the brain in a state of producing stranger, more limited dreams. When Aoyama wakes up, he finds the lady by his side. Frustrated by his lack of progress and the events around him, Aoyama allows himself tears.

  • Aoyama recovers the next morning, and learns that the orb has grown to a gargantuan size. Earlier, Suzuki and his gang were interviewed by scientists to learn more about the phenomenon around town, but these scientists have disappeared. He, Hanamoto and Uchida plan on sneaking out after an evacuation order is issued, and are confronted by Suzuki’s gang: they decide to help out, as Suzuki wants to get back into Hanamoto’s good books. Never one to hold grudges, Aoyama readily agrees, and the gang come in handy for helping Aoyama and the others eluding patrols around the school.

  • After Aoyama appears to have escaped from the pursuing law enforcement officers, he runs into the lady but come face-to-face with more patrols. When it looks like they are cornered, the lady summons a veritable army of penguins to get them back into the forest, towards the orb. The spectacle is nothing short of impressive, and there are hundreds of penguins on the screen at once: the sight is comparable to the scale of the final fight in Avengers: Endgame, which I just had the pleasure of watching mere hours ago. This is not a talk about Endgame, so readers should not expect any spoilers here.

  • As the penguins carry Aoyama and the lady through the city streets, the world becomes increasingly surreal, foreshadowing the film’s complete departure from anything resembling reality. While Penguin Highway retained a largely realistic world throughout its run, as the climax approaches, this is discarded. I’ve heard comparisons for this scene to a similar moment in Hinata no Aoshigure and Fumiko no Kokuhaku, which featured a likewise chaotic scramble towards their ends: I have seen the latter, but not the former.

  • After a wild ride into the forest and upon entering the orb itself, Aoyama and the lady find themselves resting on a raft of penguins, watching the sunset in a strange world. The sort of events in Penguin Highway can only  be explained with magic approaching those conferred by entities like the Infinity Stones, and for me, I feel that approaching Penguin with the expectation for adventure, rather than instruction, is the most appropriate way to get the most from things. If and when I am asked, Penguin Highway makes extensive use of the Space and Reality stones to drive its events.

  • After entering a town where buildings float and defy physics, in a world that appears as though it were the sandbox environment for a game developer, Aoyama and the lady find the missing researchers. They decide to close off this world, even if it comes at a great cost to the lady. The setting feels infinitely peaceful, with its vividly blue skies and vast ocean. I’ve been referring to the lady only as such because she has no given name, and is referred to as onee-san throughout the movie, accentuating her enigmatic presence.

  • It’s been a week since I returned from F8, and it’s been remarkably busy, hence my low number of posts. On Tuesday, I spent the evening catching up with an old friend: we swapped stories over ramen at a local restaurant (their daily special was a pork ramen so hot that I felt the effects for the whole of the next day), and then I stepped out for lunch on Friday at a restaurant that I was sure was a furniture store, and where every item on the menu, including their Swiss-mushroom burger, was six dollars. In the aftermath of F8, there’s a great deal of work to do, and while travelling has been fun, I have enjoyed settling back into my daily routine.

  • The page quote comes from Albert Einstein, who is best known for his work in relativity and contributions to quantum mechanics. The events of Penguin Highway tend towards the creativity that Einstein described as being essential for tackling new problems – approaching problems from the realm of what could be possible, rather than what already is, allows minds to envision new solutions and approaches in ways that purely using existing knowledge cannot.

  • By the film’s end, it becomes very clear that Penguin Highway is more about imagination than about knowledge – existing reviews out there similarly identify imagination as being one of the biggest strengths in the film. Back in the real world, the orb collapses, releasing a torrent of pure water that flows through the city streets. Penguins that the lady have conjured run about, popping the water spheres in the streets, and bemused, Hanamoto’s father can only stare at what occurs. In the aftermath, Suzuki and his gang return to the school, while a tearful Hanamoto embraces Aoyama upon finding out that he’s alright.

  • Aoyama’s farewell to the lady is an emotionally-charged one: with the source of her power gone, she prepares to head off. Aoyama’s forward manner allows him to openly declare that he’s in love with the lady, and she embraces him warmly before stepping out into the evening sun. After she leaves, a new status quo is reached. Aoyama is still more or less who he was before, firmly believing he is a genius destined for greatness, but subtle changes are seen: Hanamoto teaches Suzuki to play chess, and the hostility between Aoyama and Suzuki’s group seems lessened.

  • After thirty screenshots, I feel like I’ve given a modestly succinct collection of my thoughts for Penguin Highway. Overall, I enjoyed it for its portrayal of what youth feels like – the adventure that Aoyama goes on during the film’s run is a reminder of what my days in primary school were like. I used to spend a great deal of time drawing, reading and making sense of the world. While I’m nowhere as brilliant or verbose as Aoyama, I think that even now, a bit of that childish desire to know and understand everything endures in me.

  • We thus come to the end of this talk for Penguin Highway, which I think has the internet’s first proper collection of screenshots. With this one in the books, along with Avengers: Endgame, I look ahead into May. I have finished Yama no Susume‘s second season and have passed the halfway point of Valkyria Chronicles 4, which I’ve enjoyed so much that I’m considering purchasing the DLC for it. On DLC, I am also looking to buy the season pass for Ace Combat 7. In addition, Gundam Narrative will release on May 24, giving me a chance to watch the continuation for the events of Gundam Unicorn, and I will naturally be writing about this. Finally, I will need to get my Nagi no Asukara review off the ground at some point: I understand that there is interest in this series from readers.

The art and animation of Penguin Highway are a major contributor to its thematic component; while the theme initially appears to be about the limits of intellectual curiosity (seen in Aoyama’s persistence in attempting to apply logic in piecing together cause and effect), the visually stunning transitions between the real and fantastical appear to emphasise childhood wonder and excitement about the world as a whole. As a result, Penguin Highway is unique in that the deliberate choice of artwork and animation forms a part of the message the film aims to convey, and that in its absence, the theme would have found itself much more difficult to discern. This is likely why there are so few discussions on the thematic elements in the film: most existing reviews are from newspapers, which tend to focus on the enjoyment factor instead, and I’ve not seen any other reviews on the movie. The theme in Penguin Highway encompasses more than the outcome of its narrative and character growth: sight and sound come into play, as well. Penguin Highway therefore comes across as being less of a story and more of an immersive experience whose engaging presentation outweighs the story’s weaker cohesion and direction. Although I do not believe that Penguin Highway is suited for anyone looking for a good mystery or will be useful for those seeking to understand the philosophical ramifications of how children think, the film earns a recommendation for viewers who are open-minded towards a highly visceral and visual romp through the mind of a child – I hope that more people would give Penguin Highway a watch, and look forwards to seeing what others make of the film.

Yama no Susume Season 2: A Review and Reflection at the Halfway Point

“If the mountain defeats you, will you risk a more dangerous road?” –Saruman, The Lord of The Rings: The Fellowship of the Ring

After Aoi is moved by a sunset during a sleepover, Hinata decides to surprise her with a trip to Mount Mitsutōge, from which there is a spectacular view of Mount Fuji. On the day of their trip, Hinata, Kaede and Kokona do their best to keep Aoi surprised; she learns of the truth anyways and is happy that her friends have gone to such lengths to make her happy. En route to Mitsutōge’s summit, Aoi manages to clear a cliffside path with support, and enjoys the view of Mount Fuji from the top of the mountain. Following their descent, the girls relax in an onsen, with Aoi partaking despite her embarrassment. Later, when Hinata accidentally mangles something Aoi is knitting, Aoi refuses to speak to her. With help from Kokona, Hinata makes amends with Aoi. Aoi later wants to ascend Mount Fuji to see the sunrise from its summit, and her mother initially refuses, but relents after seeing Aoi’s determination. Despite this, Aoi worries about whether or not she’ll make it, and decides to proceed with encouragement from her friends. During the ascent itself, Aoi grows tired from the increasing altitude, and eventually develops a headache shortly before reaching the Eighth Station from pushing herself. Kaede remains behind to look after her, while Hinata and Kokona continue their climb. They are met with a beautiful sunrise and explore Mount Fuji’s caldera, while Kaede accompanies a dejected Aoi back down the mountain. This is the sum of what happens in Yama no Susume‘s second season’s first half – airing in the summer of 2014, amidst the development of The Giant Walkthrough Brain, Yama no Susume‘s second season continues with Aoi’s journey to mountain climbing.

With the first season setting up the premise and introducing all of the characters, Yama no Susume‘s second season (admittedly, an unwieldy title, which will heretofore be referred to as Yama no Susume 2) proceeds into showcasing the natural progression of Aoi’s friendship with Hinata, Kaede and Kokona as they get to know one another better. This results in a group hike up Mitsutōge, and eventually, an attempt to scale Mount Fuji itself. This is a gargantuan undertaking representing the culmination of everyone’s friendship – to defeat the tallest mountain in all of Japan would be a momental feat. Unsurprisingly, Aoi finds herself ill prepared, both physically, and mentally, for the task at hand: even with support from her friends, exhaustion and altitude sickness precludes her making it to the top, showing that in spite of how far she’s come, Aoi is not quite ready to make the climb just yet. There’s still a bit more learning left, and while Aoi does fall into a melancholy for her failure, this sets the stage for her to grow further as a character. Yama no Susume 2‘s deliberate portrayal of Aoi being defeated by the mountain shows that in life, there are things that one cannot quite conquer even with help; it is sometimes the case that one’s own limitations are the cause, and it ultimately falls on the individual to further themselves, rising to the occasion and finding different solutions, that allow them to overcome their setbacks. It’s a change of pace from series where friendship is a decisive factor in helping an individual out, and Yama no Susume 2 represents a refreshing approach towards advancing character growth.

Screenshots and Commentary

  • I’ve actually jumped ahead to the actual hike to Mount Mitsutōge: thirty screenshots is not enough to showcase every moment in Yama no Susume 2, and quite honestly, this is a series where one could have realistically done episodic talks for each episode despite being a short. Unlike the first season, Yama no Susume 2‘s episodes run for half the length of a conventional episode, rather than three minutes, allowing each episode to cover more turf than available in the first season.

  • On their way up Mount Mitsutōge, Kaede encounters clear mountain streams and drinks out of them, offering Aoi to do the same. The mountain is indeed known for its pure, clean water, and it is possible to drink from the water flowing out of the mountain, although whether or not I would do this is debatable: even the cleanest-looking water may host invisible pathogens, and the risk simply isn’t worth it.

  • Here, Aoi slowly makes her way along a narrow cliffside path. Despite her fears, she manages to make it, and the group advances up the mountain. The trails in Mount Mitsutōge are depicted as being well-marked and maintained: this stands in stark contrast with the Windtower, which has poorly marked trails, and when I hiked here last June, I had to press myself along a narrow cliffside path that was 12 inches wide, dropping off 20 meters. I feel that I’d gone off the trail, and this was quite terrifying to know that any screw ups would have seen my endgame. Compared to that, Mount Mitsutōge feels absolutely safe.

  • The hike to Mount Mitsutōge’s summit and back takes around seven hours, spanning some twenty kilometers and sees an elevation gain of around 1328 meters. This is more than any hike I’ve done: hiking the Big Beehive two summers ago was only around four hours, covers 10.3 kilometres and has an elevation gain of 647 meters. When the girls reach the summit, they enjoy a spectacular view from up here before making the descent back down.

  • Even with the trekking poles Kaede’s provided, Aoi’s knees begin giving way. While I normally would crack a joke (perhaps in poor taste) at Aoi’s predicament, the numbers on the Mitsutōge hike are double that of what I’ve hiked previously, and I vividly remember being slightly weak-kneed after completing the Big Beehive, even though I’m considered moderately fit. Hence, I won’t judge Aoi, and would in fact say that Kaede, Hinata and Kokona’s endurance and fitness probably outstrips my own.

  • As evidence of this, when the girls reach the onsen at the foot of the mountain, they’re still in good enough condition to sprint for it, leaving Aoi in the dust. Aoi’s rather sensitive about others seeing her body and therefore is embarrassed about going into the onsen. I admit that back during my trip to Japan two years previously, I was a little unsure about being naked, but the prospect of doing something I’d only seen in shows up until now outweighed my embarrassment. The onsen I bathed in was at the Hotel Heritage in Saitama, a ways outside of Tokyo, and there was a bit of a walk through the brisk spring air from the hotel to the onsen itself.

  • I thus stripped down, even though there was a female staff cleaning the change room, and headed for the men’s bath. I honestly was not expecting the bath to be empty, and after thoroughly scrubbing myself down as I’d seen in countless shows, I stepped into the bath and melted with a look of bliss on my face. Aoi’s expression here mirrors exactly how an onsen feels, and I can honestly say that none of the mineral hot springs in any Canadian National Park comes close to matching an onsen in terms of comfort.

  • While Aoi might have become friends with Kokona and Kaede, she’s still uncomfortable with being around people sans clothes. A clever touch in this moment is that Aoi’s placed herself behind a stone in the bath itself. Yama no Susume‘s portrayal of the water in the bath is par the course for what anime are wont to doing: whereas the water in a real onsen is clear, there is a bit more opacity here for obvious reasons.

  • I must admit that I deeply enjoy Aoi’s different facial expressions in response to various situations; they add a tremendous amount of depth to her as a character, and shows that she has a full emotional range. Here, she reacts to the realisation that she’d just boldly stood up to deliver a retort, and subsequently shrinks away into the water with embarrassment. The spotches of F3D9C5 in the image are motion blur of her arms waving around.

  • While Kokona and Hinata enjoy some refreshments post-onsen, Aoi dozes off and wakes up after vividly seeing a warning about bears. I loved this moment, since it came completely out of the blue, and it paints Aoi as being rather endearing. The ride back home is rather uneventful, but Aoi is charged up about the hike – this is the first time everyone’s done a hike together.

  • Yama no Susume 2 is animated by 8-bit, who had previously done Yama no Susume. Here, the girls hang out at Kannon-ji Temple, which dates back to 810 AD. Despite its age, it’s actually pretty modern in its approaches, and it does have a distinct feature in the white elephant statue on its ground. The girls spend an afternoon here with crepes, and it is clear that between the two seasons, the quality of the animation and artwork have improved slightly.

  • After Hinata accidentally pulls down Aoi’s skirt and exposes the latters’ pantsu, Aoi grows mad and refuses to speak to Hinata, but she decides to visit to apologise. Aoi’s no longer angry with Hinata over the pantsu, which is apparently a common incident between the two. Instead, Hinata’s curiosity leads her into a “out of the frying pan and into the fire” situation – she accidentally wrecks something Aoi is working on.

  • When speaking with Kokona, Hinata learns that Aoi had been working on knitting a hat of sorts for her. This explains why Aoi is particularly angry with Hinata, and it takes Hinata learning the fundamentals of knitting herself to convince Aoi that she’s genuinely sorry for what’d happened. When meeting up with Aoi next, Hinata manages to make up with Aoi. While this is a small moment in the grand scheme of things, showing the dynamic between Aoi and Hinata as one with ups and downs does much to increase the relatability of the characters.

  • Yama no Susume 2 is a series that manages to me smiling through its entire run, and in the aftermath of Hinata and Aoi’s disagreement, it’s Aoi’s turn to accidentally pantsu Hinata. She dismisses the incident in very nearly the same way that Hinata had, and again, seeing Aoi do something like this seems out of character for her – Aoi had always come across as more shy and doubtful of herself, but her tehepero expression here shows a side of her that shows there’s more to Aoi than just being fond of indoors activities and being shy.

  • The girls set their sights on the king of all Japanese mountains: Mount Fuji is on their table next, and with a height of 3776.24 metres, it is the toughest hike the girls have planned so far. Inspired by a memory Hinata’s father shares, Hinata decides to try and ascend Mount Fuji’s by night so that they could reach the summit in time to see the sunrise. It’s a momentous undertaking, and Aoi worries she might not make it, but Hinata and Kokona reassure her that they’ll be there for her.

  • After Aoi convinces her mother to allow her this journey, the girls take some downtime, where Aoi searches for a swimsuit following Hinata’s challenge to find one that’s “sexy”. She digs through some of the more wilder and impractical designs, but inclement weather pushes back their ability to hang out in the Azuma river, they decide to hang out at Hinata’s place instead. Later, the girls prepare for their climb to Mount Fuji, buying an assortment of snacks and drinks to keep everyone energised and hydrated per Kaede’s suggestion.

  • During my trip to Japan two years earlier, the fifth station was one of the destinations that I ended up visiting. It’s the highest point that one can drive up to, and offers a variety of dining and shopping options. While we did not go any higher, lacking the gear to do so, this is the starting point for Aoi and the others on their trek up the mountain. Presently, while I’m not trekking up a mountain, visiting the F8 Facebook Developer Conference proved to be a similarly intense experience.

  • On the evening of my arrival, I linked up with a coworker and we visited a Japanese place in San José for dinner, where I ordered a ramune and curry katsu that, while simpler than Hinata’s Volcano Curry in presentation, was still delicious. The next morning was spent planning out our itinerary for F8 in Palo Alto, and after a stroll around the Stanford Dish pathway under beautiful skies, we returned to Palo Alto’s downtown for lunch before taking the train back to San José’s McEnery Convention Center to pick up our badges and finalise registration for F8. Dinner came a little later, at a quaint establishment that makes a solid barbequed shrimp po’boy.

  • Facebook really can throw parties: live music, arcade machines, and food ranging from potato martinis and dim sum to hot dogs were provided. On the second day, after attending the morning keynote and the afternoon sessions, we attended the closing reception and made our way north to Santa Rosa. Attending F8 and visiting Silicon Valley was a powerful reminder that the world is vast, and that as a developer, I should always be mindful of the fact that there is always something new to learn and master. Back in Yama no Susume 2, Aoi and Kokona are seen carrying climbing stick souvenirs, which one can get stamped at each station they visit. For Yama no Susume 2, they act as a bit of a visual metaphor for progress, tangibly marking how Aoi and her friends have gone.

  • With each passing step, Aoi and her friends are treated to increasingly stunning views of the landscapes below, but the air is also thinning. Altitude sickness is a concern while ascending Mount Fuji: symptoms include dizziness, nausea, headaches and fatigue – most people begin feeling the effects after 2500 metres. While Aoi does fine earlier on, she begins experiencing fatigue, and by the eighth station, is unable to continue.

  • Altitude sickness can impact anyone, and personal fitness levels do not always correlate to the severity of one’s symptoms. As evening sets in, Kaede gives Kokona and Hinata the option to continue pushing forwards towards the summit while she will look after Aoi. It’s one of the more tense moments in Yama no Susume 2, and while I was hoping Aoi would recover in time for a storybook finish, she ends up requiring a bit of rest time.

  • Avoiding mountain sickness usually requires acclimitisation, spending time in a higher elevation area to give the body a chance to produce more erythrocytes to pull oxygen out of the air. Aoi is suffering from acute mountain sickness, and carrying some medications like ibuprofen, acetaminophen and aspirin, can help alleviate the symptoms of headache and nausea. There more more sophisticated treatments, but for Aoi, these don’t appear necessary. Aoi’s mountain sickness is a bit of a warning that inadequate preparation can be one of the biggest enemies of mountain climbing.

  • There is therefore a sense of melancholy as one watches Kokona and Hinata continue the climb on their own. With two of their number now down at station eight, Hinata resolves to finish off the climb and do so for Aoi. Audiences tangibly feel Hinata and Kokona’s doubts: on one hand, they are worried about Aoi, but they also know now that there is no turning back. Their journey up is a difficult one, even with a brief pit stop for curry rice, but seeing the dozens of other climbers making the same trek, and the beauty of the night sky spurs the two on.

  • With the sky beginning to glow, Hinata and Kokona make one final push. Their efforts are rewarded – they see the sun break over the horizon, flooding the land in a gentle light and washing the sky with hues of red, orange and gold. It’s a sight for the ages, and for Kokona and Hinata, it is the experience they had put in their efforts towards realising. Down at the eighth station, Aoi watches the same sunset from a lower elevation, and tears fill her eyes.

  • Improvements in Yama no Susume 2‘s artwork and animation mean that every moment is more visceral, and speaking frankly, the visual elements of Yama no Susume 2 far exceeded my expectations for a series whose episodes only span thirteen minutes each. This is a series where episodic reviews could have been possible, as there is so much to talk about and consider for each episode. From the mountain climbing itself, to everyday events, Yama no Susume is very much a series with strong messages about persistence, adaptability and having faith in one’s friends.

  • Kaede is not bothered by missing out on the sights: for her, the mountains will always be there to await their challenge. By comparison, Aoi becomes very melancholy, both at having failed and for feeling like she’d kept Kaede from a wonderful experience. However, Kaede treasures Aoi’s well-being more than an experience: having friends who genuinely care for one is critical in moments such as these, and in time, Aoi will come to count on her friends again.

  • Under full daylight, Kokona and Hinata celebrate a successful ascent. The top of Mount Fuji is about as barren as the surface of Mars, and while the two take a moment to explore, their stay up here is a shorter one: it is exceptionally windy up here, and while the view down is phenomenal, the summit itself is somewhat less scenic.

  • After making the four-hour descent back to the fifth station, Kokona expresses a desire to climb Mount Fuji again someday while on horseback, before turning to find Kaede and Aoi. This is the basis for the page quote: for Aoi, the mountain has literally and metaphorically defeated her, and she does risk taking a more dangerous road, of losing interest in mountain climbing. Yama no Susume 2 shows that slice-of-life needn’t always be sunshine, lollipops and rainbows: life has its share of adversity, and what matters most is overcoming this adversity.

  • I leave readers with a dejected, downtrodden Aoi calling home to report that she’d not successfully made the ascent to Mount Fuji’s summit. Moving ahead, Aoi’s recovery and return to the mountains will be the focus of Yama no Susume 2, and I am definitely looking forwards to seeing the second half. Readers can expect more Yama no Susume posts from me in the near future: even now, I’m a little surprised that I did not give this series the attention that it has merited, and so, will be remedying this fact on short order.

One aspect of Yama no Susume that continues to stand out is Aoi: despite possessing the characteristics typical to a protagonist of a slice-of-life series (Aoi is quite, reserved and doubtful of her abilities in some areas), she’s also considerably more expressive than characters in a similar role. Aoi can be upset by the things her friends do, grow embarrassed under some conditions, and can be a bit mischievous in her own right. The fifth episode, dealing with Hinata attempting to make things up to Aoi, shows Aoi as exhibiting a wider range of behaviours: she stubbornly refuses to talk to Hinata after Hinata wrecks her knitting project, and later brushes off an accident with an unexpectedly insensitive manner after she trips and pulls down Hinata’s skirt. This was the magic moment in Yama no Susume 2: Aoi’s developing interest in mountain climbing, as well as dejection in failing to best Mount Fuji, underlies the complexity and multi-faceted nature of her character, making her more relatable and plausible as a character. With distinct flaws, audiences are therefore more inclined to root for Aoi as she picks herself back up and rediscovers the joy of the outdoors once again. This is the appeal in Yama no Susume; while the first season was a pleasantly gentle ride, season two definitely shows that there is much to be gained by watching the characters interact more freely with one another in a wider context. I am looking forwards to seeing where Yama no Susume 2 heads, and remark that it was indeed episode five in this second season that convinced me to thoroughly go through the series.

Battlefield V: An Incursion into Firestorm and remarks on Battle Royale

I fell into a burning ring of fire
I went down, down, down
And the flames went higher
And it burns, burns, burns
The ring of fire, the ring of fire

– Johnny Cash, Ring of Fire

Introduced with the third Tides of War chapter, Firestorm is Battlefield V‘s answer to the wildly popular battle royale genre. Set on Halvoy, a vast map of snowy forests, lakeside cabins and mountain roads in the Nordic landscape, Firestorm features the biggest map to ever figure in a Battlefield game. The principles are the same: eliminate enemies, stay alive and move to a safe area whenever the ring of fire shrinks the playable area. The mode can be played independently, as well as in squads of two or four people, and for Firestorm, Battlefield V offers a modestly intuitive and efficient inventory management system, allowing players to swap out their gear, use additional support items like armour plates, health kits and gadgets and determine what ammunition they ought to carry. Weapons and gear items come in different rarities, with higher-end items being more suited for their intended roles. However, even low end items can still be useful, and immediately after touchdown, it is important to immediately kit up before seeking out better gear, and making one’s way to the next play area. This is about the gist of Firestorm, and prior to its introduction, I had no inclination to play it whatsoever. Battlefield V‘s Tides of War, however, required that I at least acquainted myself with the mode in order to complete several of the challenges. During my time with Firestorm, I found a mode that was unexpectedly refreshing from the usual tenour of Battlefield V‘s core offerings.

Battlefield has traditionally been about large maps and large scale, setting it apart from the close-quarters frenzies of titles like Call of Duty, and the more tactical, slower experiences that Rainbow Six Siege and Counter Strike offers. Not quite as hectic as an arena shooter, but also faster-paced than tactical shooters, I’ve long enjoyed Battlefield for modes like conquest and domination, which offer large-scale battles. Battle royale modes like Firestorm modify this dynamic entirely, pitting individual players and their map knowledge against other players. The pacing is even slower than that of a tactical shooter, since players aren’t ever really too sure of what lurks around the corner or over the next hill: this sense of foreboding and anticipation creates a suspense that elevates the immersion. With the stunning visuals and performance afforded by the Frostbite Engine, Firestorm offers a unique battle royale experience that has impressed. There are certainly merits to a mode like this in Battlefield V, although the dubious decision to only make this available to existing Battlefield V players means that the mode might not have as much staying power in the long term. For me, the pacing is not something I particularly look for in a game despite being enjoyable and a different experience than Battlefield V‘s traditional modes: I’m more inclined to enjoy modes where I am able to respawn back into intense warfare involving infantry and vehicles.

Screenshots and Commentary

  • During my first match of Firestorm, I dropped into a snowy area, found a common rifle and then proceeded to get melted by another player with an epic weapon. The different tiers are differentiated by the specialisations and optics on the weapon, with rare tier weapons having better characteristics. Epic weapons have two specialisations and an optic that improves its performance, although damage is unmodified, and so, players can go toe-to-toe with other players even if their weapon is of a lower tier.

  • My favourite part of the Halvoy maps are set in the areas with less snow, more grass and some of the Nordic-style cabins. The water effects here are amazing, and the houses around tend to old common or rare items. I tend to discard ammunition I find for shotguns, only holding onto ammunition for a weapon that I currently have active.

  • My first kill in Firestorm was using the Sten: this submachine gun has good hipfire performance, and I noticed that another player was hanging around the house I was chilling in. I eventually baited this player into the house, and with the Sten, proceeded to get the kill on them. It’s a bit of a dirty play, since I normally avoiding using camping techniques in normal play – Firestorm encourages the camping approach.

  • Besides healing pouches and armour plates, I usually make it a point to carry anti-personnel explosives if I can find them. I’ve not encountered any players in vehicles, mainly because the solo game mode means players going on foot rather than use vehicles and attract attention to themselves. This means that anti-armour weapons are usually of lesser use, although they can be useful in blasting open houses enemies are camping.

  • While battle royale intrinsically is more suspenseful than any other gamemode in Battlefield V, the scenery is exceptionally good, and Halvoy is beautiful. The diversity of landscapes and terrain on Halvoy allow everything from snowy fields to lakeside cabins to be portrayed in beautiful detail, and there’s an unusual tranquility on the map found nowhere else in Battlefield V. It would be worth going into Halvoy and avoiding enemy players just to explore the different points of interest.

  • My typical strategy for Firestorm is to drop where players are not, and then continue moving through cover to avoid being shot at. Since the objective of the solo game mode is to avoid death for as long as possible, keeping away from unnecessary combat and letting other players whittle one another down. Of course, if I do get the drop on another player, I will opt to eliminate them if it is safe to do so.

  • In a straight-up confrontation, I usually end up winning owing to a combination of superior reflexes and weapon understanding. Where I unexpectedly come under fire, I usually end up losing the firefight if my opponent is more hidden away. While Firestorm uses a completely different health and armour system, the time to kill is still relatively quick.

  • Every battle royale game involves a shrinking game area. In Firestorm, a literal ring of fire surrounds the map and burns areas inland as time wears on. Players are eliminated instantly from this inferno, so it is imperative to always continue moving inward as time wears on. This naturally increases the risk of running into other players, and having good weapons becomes more important as a match progresses.

  • During my best match, I found an epic FG-42 with 3x optics, and it was a superbly effective weapon that allowed me to score three kills in total. I had secured the requirements for the Tides of War achievement, but was also desperately low on ammunition for the FG-42. I ended up dying in an ambush. While I’ve not put enough time into Firestorm to win a match, it is fun to see how far I can progress.

  • Supply drops become available in Firestorm that act as mini-objectives – offering superior equipment, they also give incentive for players to converge on a point and engage one another for better equipment, as well as to score a few kills before moving on. I’ve never been close enough to these supply drops to do anything meaningful with them, such as taking potshots at enemies or securing better gear.

  • Firestorm did allow me to utilise the M1928A1 Thompson, which I’ve still yet to unlock in the multiplayer proper. This iconic submachine gun is one of the best weapons available to the medic class, and its base version is fairly powerful, having a high fire rate and good accuracy. While stymied by a low ammunition capacity, the weapon can be upgraded to have a fifty round capacity. At the time of writing, I’m level nineteen with the medic and will be unlocking the Thompson shortly.

  • On the whole, I’d say that the simplified experience that Firestorm offers, in conjunction with being powered by the Frostbite Engine, makes it the superior battle royale game compared to the likes of Fortnite or Player Unknown’s Battlegrounds, which have comparatively more sophisticated mechanics and therefore, has a slightly larger learning curve.

  • The Bren Gun excels at medium ranges: while it has a slower rate of fire, it is accurate and hits fairly hard, making it a solid choice for maps with wider open spaces. Its main limitation is its top-mounted box magazine, which severely obstructs visibility. Perrine’s weapon of choice in Strike Witches, the Bren has served her well in missions against the Neuroi, although like most movies, Perrine is shown operating it for much longer than its box magazine allows.

  • I’m almost certain that carrying a Liberator pistol around is meant to be a joke: the weapon does pitiful damage and cannot kill with a single headshot. Hampered by an uncommonly long reload time, the Liberator lacks the Kolibri’s headshot damage multiplier and firing rate (a skillful player can kill up to two opponents with eight back-to-back headshots): Hikari used the Liberator to great effect in Brave Witches in finishing off the Gregori Neuroi Hive, but the incredibly poor characteristics, in conjunction with a lack of behemoths, means that accomplishing what Hikari did in Battlefield V is outright impossible.

  • If the rumours are to be believed, updates to Battlefield V will introduce the American and Japanese factions, plus the Pacific Theatre, in addition to the Boys Anti-Tank rifle. This will allow me to run the Lynette Bishop loadout, where I attempt to run around with the Boys Anti-Tank rifle as a primary weapon as Lynette does, and attempt to snipe enemy players. The inclusion of the American M4 Sherman will also let me run the Kay loadout: if one of the upgrade paths includes a 17-pounder, that would be phenomenal.

  • On the Japanese side of things, being able to utilise the Type 99 Mk. 2 Model Kai would allow me to run an authentic Yoshika Miyafuji loadout. While the weapon is technically an autocannon, firing 20mm rounds, its firing rate is closer to that of a heavy machine gun. The weapon was used in an anti-air role capacity, and this may reduce the odds of it being an infantry-portable weapon. While the Japanese did have their own LMGs and MMGs, they’re quite unremarkable as weapons (the Type 96, for instance, outwardly resembles the Bren).

  • While Battlefield V has continued to suffer from an unclear content release schedule and limited content, I note that Star Wars: Battlefront II has done exceptionally well of late. With sustained new content and a revision of the in-game currency system, Battlefront II has reached its launch player counts and is said to be a solid game that handles well. Continued support for the game after a rough launch has turned it into a respectable title, and given DICE’s track record, I expect that Battlefield V will very likely become a highly enjoyable and solid instalment to Battlefield, as well.

  • The promise of Pacific Theatre content is definitely encouraging, and in the meantime, I’ll periodically play Battlefield V to completely the weekly Tides of War assignments. I am going to have to miss this week’s assignment, which yields the Tromboncino M28 on completion. This weapon is a variation of the Carcano Carbine and has the distinction of being able to act as a bolt action rifle with anti-vehicle capabilities: it fires grenades, as well. Here, I eliminate an enemy in Firestorm using the M1A1 Carbine.

  • We’re now two days into May, and the reason why I’m going to miss this week’s assignment is because I’ve been in the Bay Area and Silicon Valley for Facebook’s F8 conference. I applied back in March and was pleasantly surprised to learn that I was invited. The F8 conference represented a fabulous opportunity to speak with Facebook’s engineers, network and also watch their keynotes in person. Aside from the technical presentations and sessions, the conference was a solid opportunity to also converse with other developers, try out the new Oculus Quest and partake in the evening events.

  • With F8 now over, I’ll be offering a few thoughts on my experiences in upcoming posts. I am pushing forwards with Yama no Susume‘s second season and will have my thoughts on the first half in due course. In addition, I am moving through Valkyria Chronicles 4 – the eighth chapter appears to be the equivalent of the Batomys engagement at the Barious Desert, and I’m still figuring out an optimal moveset for finishing this fight. Finally, entering May, I am pleased to announce that I am hosting June’s Jon’s Creator Showcase, an initiative to share and discuss noteworthy blog posts. Come June, I will be gathering posts from the month of May of all sorts. More information on this will become available towards the end of the month, and I will be applying my own unique brand of discussion towards this programme, which is geared towards increasing exposure to different blogs out there.

For me, my lack of patience in gaming means that the slower, methodical gameplay of battle royale games means that I have not particularly found the fad to be one I could get behind. Having only played the solo mode of Firestorm, it is clear that battle royale’s merits come with playing in a squad, where one is able to coordinate with other players to create some genuinely exciting moments of strategy and cunning. As I am very much a lone-wolf player when it comes to gaming, battle royale is a mode I’ve not gotten too much out of. With this being said, Battlefield V‘s implementation shows that the Frostbite Engine is indeed capable of accommodating a technically solid battle royale mode, and with the right adjustments to Battlefield mechanics, battle royale can be quite engaging in its own right. There’s a market for this game type, and while I personally might not be it, rolling out a standalone Firestorm launcher and allowing interested players to play freely would definitely allow Firestorm to reach more players. In the meantime, it’s a mode that remains little more than a curiosity as I push further into the Tides of War programme – the hunt to unlock new weapons has provided incentive enough to continue with Battlefield V even though there’s been no new maps.