Kirakira Special Issue: An Examination of Critical Perspectives on Slice-of-Life Anime and A Case Study In Negativity Directed Towards Koisuru Asteroid

“我係一個練武之人，遇到不公義嘅事情，我一定要企出來。呢個就係我哋學武嘅初心。” –葉問, 葉問4: 完結篇

Every season, it appears that there is always some sort of controversy surrounding anime; being a medium in which a wide range of topics are covered, it is inevitable that some series can invite trouble for their candid or graphic portrayal of certain events. The slice-of-life genre, on the other hand, is one characterised by an emphasis on themes of discovery, teamwork and camaraderie. Such series delve into topics that viewers might find unremarkable with the aim of presenting them in a new light and indicating that journeys of learning are always meaningful. These easy-going series offer viewers with a sense of calm and catharsis, focusing on everyday experiences and the mundane over anything dramatic, being particularly well-suited for helping viewers to relax and find peace in a high-paced world. As such, when slice-of-life series find themselves amidst a controversy, it is always baffling that people would go to such lengths to express their displeasure at anime they do have the option of passing over. Koisuru Asteroid finds itself at the heart of the latest bit of controversy: this unassuming but sincere anime follows Mira Konohata and Ao Manaka on their journey to fulfil a childhood promise and discover an asteroid together. While the series has been warmly-received early in its run, detractors began appearing mid-season, citing the pacing and progression as being unrelatable and boring. From a certain point of view, this is understandable; Koisuru Asteroid had given the impression it would be about the Koisuru (恋する, “In Love”), but instead, chose to focus extensively on the scientific aspects, namely, the Asteroid part of the series’ name. Koisuru Asteroid‘s detractors at MyAnimeList were the most vocal with their displeasure: they took to voting down the series, dropping it from a 7.11 to 6.86 within the space of a few weeks, and articulated their discontent in the forums. Here, it became clear that Koisuru Asteroid‘s detractors fell into one of two camps: those who were simply disappointed in the direction the series took and did not relate to the science, and those with a larger chip on their shoulder surrounding the portrayal of the sciences in the series.

Koisuru Asteroid admittedly does not progress as a typical love story would, and instead, more closely resembles a documentary or NOVA special in its execution. Much as how documentaries and NOVA specials tend to focus on the background, motivation, methodologies and results of a scientific endeavour, Koisuru Asteroid has geology and astronomy take centre stage: the anime aims to convey the idea that the sciences are multi-disciplinary, that knowledge and approaches from different fields, when used in conjunction with one another, is how new discoveries are made. To this end, Koisuru Asteroid focuses on the techniques and aspects of the field, providing enough detail such that a viewer can see the similarities between geology and astronomy to appreciate how the Earth Science club’s formation is actually beneficial to Ao and Mira’s dream. The same time spent on portraying the sciences is to take away from the time spent on the characters; while perhaps detrimental for an anime, documentaries invariably do not suffer from the same challenges because the lead scientists and technicians are on the show not to show their personal and professional development, but rather, to walk viewers through a process. In Koisuru Asteroid, the “character” gaining the most growth would therefore be the act of discovering an asteroid; Ao and Mira are merely the conduits to facilitate this process. With this in mind, Koisuru Asteroid‘s documentary-like feel can be off-putting for those who entered the series expecting a love story, and for folks who count the series as boring for covering directions they had not anticipated, I can sympathise with them, remarking that documentaries are similarly not for everyone. People are free to watch and enjoy the shows that they do, and it is inevitable that occasionally, some shows simply won’t work for some people based on expectations or delivery. It happens to be the case that I enjoyed Koisuru Asteroid greatly, but I have no problem acknowledging that this anime isn’t for everyone.

The second group of individuals dissatisfied with Koisuru Asteroid, on the other hand, are impossible to sympathise with: they argue that Koisuru Asteroid is an inadequate and inaccurate portrayal of the sciences. Such individuals are characterised by claims such as “even [someone who knows little about the topic] wouldn’t say that this series isn’t enough to satisfy those who’re looking for pure substance…this shouldn’t be seen as some sort of replacement for the real deal” and that “[a] good SOL would squeeze out interesting and engrossing scenes from the most uninteresting material”. In particular, one individual goes far as to suggest that “if you do enjoy the subject matter (sciences) it doesn’t give you enough”, and that, since “this is an Astronomy and Earth Science anime, MAKE ME CARE ABOUT THOSE SUBJECTS! When showing the view through the telescope, SHOW THE DAMN PLANETS…And I am someone who cares a shit ton about the subjects”. Remarks such as these indicate a holier-than-thou attitude, that creates the impression that these individuals mean to present themselves as experts in the field and therefore have a well-defined reason for disliking Koisuru Asteroid. Another outspoken individual indicates that “A friend told me about this series because I’m a big fan of space. I wanted to love the series but I really feel no inspiration”. Folks acting as though they are experts on the topics at hand (astronomy and geology here) and using this as a justification to tear down Koisuru Asteroid are no different than those who fall on purple prose and obtuse, arcane academic vocabulary to intimidate and obfuscate. By claiming an interest in astronomy, these two individuals make an appeal to authority, which is a logical fallacy: they feign knowledge and experience with astronomy to create the impression that, if a legitimate fan of astronomy dislikes Koisuru Asteroid, then it must be the case that Koisuru Asteroid failed to do their research and faithfully portray the elements at the heart of the series. This is, of course, untrue, and I find it highly disingenuous that people would be willing to play this card in order to sound more convincing. Such individuals are very much lacking in intellectual honesty for resorting to such means, and further lacking in intellectual curiosity if they genuinely believe that Koisuru Asteroid was an unfaithful and untruthful portrayal the sciences, where in fact, the opposite is true: the anime is very well-researched and does a phenomenal job of showing the methods used in astronomy and geology. The reality is that anyone who’s got even rudimentary knowledge with earth sciences and astronomy will be able to ascertain the authenticity and correctness of what is seen in Koisuru Asteroid, because they’ve used the equipment or have familiarity with the methods, in turn leaving them able appreciate what this anime is presenting to viewers.

Additional Remarks

• I’ve deliberately timed this post to line up a month after Koisuru Asteroid‘s finale aired, to give things a chance to settle down before entering the fray for myself. Having said this, I’ve deliberately chosen not to name any names in this post because I am aware that the negative MyAnimeList crowd can be very touchy about opinions differing than their own: apparently, negative opinions are a form of “good writing” that “should be celebrated, not silenced”. I couldn’t disagree more: good writing is simply that which is effective at conveying an idea, and more often than not, I find that negative rants tend to devolve into incoherency because the individual holding the opinion is writing on raw emotion rather than reason.

• The negative remarks surrounding Koisuru Asteorid at MyAnimeList’s forums are mostly criticisms limited to only a single sentence, offering no detail as to why such a lack of personal enjoyment should translate to discouraging others from watching this series, which offers very little insight as to what the rationale is. As noted earlier, people have simply dismissed Koisuru Asteroid as being “bland”, “boring” and “mediocre”. I personally dislike use of certain buzzwords in anime reviews. “Bland” and “mediocre” are terms taken straight from Behind the Nihon Review’s playbook – these words have somehow become universally accepted as the harshest criticisms one can throw at a slice-of-life work, and those who wield them seem to operate under the entitled belief that saying this about a given slice-of-life series automatically gives their opinion credibility. As it stands, without a proper justification, those words are meaningless on their own.

• In particular, describing a show as “mediocre” is to be misleading: the common definition of mediocre itself appears to be a contradiction, being taken to mean “average, adequate” and “low quality, poor” simultaneously. As it turns out, “mediocrity” has a very specific use case: its original definition is something that is neither good or bad, but not average, either. Average is a mathematical construct with the implication that it represents a true “middle” in a data set. When people say something is “mediocre”, then, they are saying something is not consistently good, bad or average. This is a very roundabout way of describing inconsistency, and a competent writer can express this in a much more direct manner. As it stands, only an unskilled writer would use “mediocre” to describe something as “unremarkable”: when the word is used (if at all), it should be used to indicate “inconsistency”.

• Meanwhile, the word “bland” just doesn’t roll off the tongue well, and the word itself is overused in the realm of reviews: when I see this word thrown around anywhere, I gain the impression that the speaker was unable to articulate themselves fully and are falling back on a meme to express themselves, rather than taking the effort to look back and what they were saying and elaborate more on their intentions. Similarly with the word “mediocre”, I see usage of “bland” being used in writing as an example of being an appeal to authority fallacy: imitating the style of Sorrow-kun won’t help enhance a good argument further, and it won’t make a weak argument true, either.

• While the forums have been host to most of the discussion, the most appalling and disgraceful display of ignorance was found in one of the reviews: on the same day that Koisuru Asteroid‘s finale aired, a highly negative review was quickly published and in the space of a few short hours, had accrued some 35 upvotes. This review was a nonstop torrent of abuse directed at Koisuru Asteroid, asserting that it was nothing more than a “being regurgitated tropefests[sic] without substance merely appealing to the base emotions of escapist fanatics”. This review was, in short, insulting to the readers: the text supposes that it is the case that those who disagree with the review’s conclusions are ignorant.

• In doing so, this reviewer closed the door to conversation. How one approaches the subject matter is important, and the reviewer demonstrated a complete lack of understanding for their review’s audience with such a claim. Someone who does not enjoy slice-of-life anime is unlikely to watch Koisuru Asteroid, but for fans of the slice-of-life genre, being told that their detractors are correct would sound very jarring. The review had just spent a paragraph telling readers that slice-of-life detractors are wrong, giving the impression that she is more knowledgeable, authoritative than the reader, but now, in falling back on the opinions of others (specifically, those they’d just insulted) to validate their own, the reviewer comes across as being indecisive and uninformed.

• As though the reviewer was uncertain as to whether or not people would listen, they next appealed to readers, begging them not to watch Koisuru Asteroid: “Do not waste your time on this superficial emulation of something you can get better anywhere else. And if you were thinking about watching this to bridge the wait until the Yuru Camp sequels come out, please just watch something else. I mean it.” An effective reviewer never tells the reader what to do – a capable reviewer never needs to resort to this because their review convinces the reader on its own merits. In presuming to tell the reader what to do, it again creates hostility with some readers who will inevitably ask, on what grounds would the reviewer have the authority to tell others how to conduct their lives?

• As a reader, I certainly have no obligation to accept this reviewer as the authority in spite of what their review expects me to do. Telling readers what to do is a sign of a weak, ineffective review: the position the argument poses, and the evidence selected to support this position, should stand of their own merits. A reader can then make their own judgment (either agree with the review because the points are sound, or admit that the review makes fair points, and then disagree). As it stands, a good review gives the reader an impression of what made a work worthwhile (or where it was unsuccessful) and allows the reader to form their own conclusions of things.

• I have clearly defined what I find in a worthwhile review. However, the standards for what constitutes a good review at MyAnimeList seems quite arbitrary, and other prolific reviewers have praised this review as being “quick, intelligent, and very readable…succinctly [summarising] its issues; Like [the reviewer] said, its[sic] an amalgamation of genre trappings with little substance”.  While definitely quick and perhaps easy to read, this individual’s approach certainly was not intelligent.

• Amidst the discussions about the review, some claims do stand out: their review is suggested as being “…pretty neat and scathing (yet not too ranty[sic] or in particularly bad faith towards those who enjoy it)”. The opposite is true: this review was written entirely in bad faith – this was most evident in the first paragraph, where the writer suggests that those who hate on the slice-of-life genre and its viewers have a valid reason for doing so. The entirety of said review is one long rant, complaining about how Koisuru Asteroid fell short of the mark without a satisfactory explanation of why this was the case.

• Consequently, I completely disagree with the praise for this review: the writing fails to convince the reader because it was unable to adequately provide the required evidence, on top of its other deficiencies. The exact shortcoming of Koisuru Asteroid for the individual were never presented, and all readers have to go on is that the anime makes use of too many tropes, so on their verdict, other viewers should skip it. The self-congratulatory tone of MyAnimeList’s reviewer community is one of the reasons why I do not count reviews posted here being anything approaching useful. The up-vote system, which denotes how “helpful” reviews are, are similarly meaningless.

• Fortunately, MyAnimeList’s users are aware of the shortcomings of their system. One user notes that the disproportionately high “helpful” ratings of poorly-written reviews come from being the first to write something, and from what is described, it appears that the key to having a large number of highly up-voted reviews, is to simply possess a fanatical dedication to being the first to tear down something, which increases said review’s visibility but otherwise says nothing of the review’s actual quality.

• I have no qualms about opinions that differ than my own, but I do take exception when people agree with untenable positions with no justification, especially when the opinion-holder makes it clear that they’re not interested in discussion, and still somehow manage to be rewarded for their actions. As it was, this individual (which I won’t mention by name so that they don’t gain any more attention) does not deserve any of the upvotes they received. I (jokingly) remark that, if folks were to go ahead and upvote the other reviews to the top of the page to push this one off, that’d be helpful to some capacity, although what I’d like most is to understand why this reviewer took the approach that they did.

• If this reviewer were ever open to suggestions (which I highly doubt), my first suggestion would be not open with a passage that makes any assumptions about the readers. The aim of a review is to inform and (where necessary) persuade: insulting those with a different opinion than oneself is not likely to be effective at convincing those same people to listen to the merits of one’s arguments. It would have been more appropriate to simply describe the genre, its general traits and where Koisuru Asteroid missed the mark, rather than petty name-calling against those who disparage or enjoy the slice-of-life genre.

• Rather than taking a roundabout way of implying that she was more knowledgeable and authoritative than readers in her first paragraph, this reviewer would have done better to present a thesis statement (e.g. “Koisuru Asteroid‘s premise of discovering an asteroid with a childhood friend sounds promising, but in practise, the series did not succeed for the following reasons”) summarising what the review intended to provide evidence for.

• I further note that being more tactful in closing things off would be more persuasive for readers. Egregiously calling a series a “waste of time” and telling others not to watch something because it did not not satisfy their own expectations is unlikely to leave the reader convinced, since it now creates a challenge. Instead of telling others how to think and what to do, a good review will note that a series has failed to entertain them for the reasons specified, but then also note that there may be a set of viewers who may enjoy it. Doing this is fairer to the reader, who then can make their own call as to whether or not a work is worth watching, given the evidence presented. Finally, I note that tearing down is trivially easy, requiring no skill and naught more than a chip on one’s shoulder, so being able to critique without ranting and criticise while keeping the bigger picture in mind is a skill that not all reviewers can cultivate.

• Between the up-voting of bad reviews and use of vocabulary sourced straight from Sorrow-kun’s playbook, it is apparent that MyAnimeList is a community of excesses. Outside of the reviews, forum discussions are similarly lacking: at least a handful of people characterised “the astronomy/geology [as being a] just barely relevant twist” in Koisuru Asteorid, and that the anime “doesn’t make its main subjects of astronomy and earth sciences very appealing” (which is decisively false). The adverse reaction to the sciences in Koisuru Asteroid holds the implication that anime fans who strongly disliked the anime lack intellectual curiosity and respect for the scientific method, valuing their own ideology and emotional responses over indisputable fact.

• While Koisuru Asteroid‘s focus was on astronomy, the anime covers ground well outside the realm of astronomy. Despite there being a bullet-proof justification for this (the study of asteroids also requires a similar skill set in geology, charting their trajectories and mapping them involves techniques from cartography, and optical astronomy is weather dependent, so meteorology is important), the anime can appear to be all over the place. Focusing Koisuru Asteroid purely on astronomy in a vacuum might allow the series to really look at astronomy in depth, but it would also diminish the idea that science is increasingly multidisciplinary.

• The page quote is sourced from Ip Man 4: The Finale, and translated, gives “I am a practitioner of martial arts. When I encounter injustice, I must stand up (and fight). This is what it means to be a martial artist”. In this context, I am standing up for Koisuru Asteroid, a series that does have genuine heart and an earnestness that makes the series worthwhile. To watch closed-minded people tear it down was something I wasn’t going to stand for, and while I typically turn a blind eye to the capers at MyAnimeList, the attitudes towards Koisuru Asteroid were callous enough to prompt me to step up. This post is a reminder that there are those who have enjoyed this series, and we are more than capable of justifying this enjoyment.

• The takeaway message of this post is a simple one: criticisms of Koisuru Asteroid are untenable, and in the long term, those with an open mind and a positive attitude will end up happier for it. I never understood the need to tear down a series with the intent of stopping others from enjoying it, and would be curious to hear from those who hold a perspective contrary to my own. It is also my hope that I’ve reasonably countered some of the more negative stances on the show to demonstrate there are justifications for why people did enjoy Koisuru Asteroid. With this one in the books, I do not believe I’ll be writing about Koisuru Asteroid again in the foreseeable future, at least until any sort of continuation is announced, and I return to the regularly scheduled programming, with a talk on KonoSuba‘s second OVA on the immediate horizon.

The outcome of providing counterarguments against the negativity against Koisuru Asteroid should make two things apparent: the anime is not the disappointment people make it out to be, and that there are some who believe that they can simply say they have a background in astronomy or geology to sound more convincing, where in fact, they only succeed in demonstrating their own ignorance. I appreciate that I am a very steadfast defender of slice-of-life anime, on account of how they present useful life lessons. However, I will also remark that not every series hits these notes for me. I have previously gone through series that left me disappointed, and fairly explained why my expectations were not fulfilled, based on the show itself. I certainly didn’t claim that my own background or skill-set rendered my opinions absolute, nor did I resort to using buzz words, or insult my readers (or certain portions of the audience) in any way. I strove to fairly detail why expectations were not met and never begged the reader to accept my review as fact. So, one invariably asks, can I produce an instance of a useful critical review satisfying my own criteria? The answer to this is yes: some time ago, I wrote about how Stella no Mahou lacked magic in spite of its title. I drew upon New Game!, an anime which had a very similar premise, and gave a succinct account of what New Game! accomplished that was missing in Stella no Mahou. I concluded that I was unhappy with Stella no Mahou because the path to Tamaki’s accomplishments were fraught with challenges that did not contribute to her growth, and the supporting cast never gave her the support that she needed. In the end, the achievements Tamaki did experience felt small, diminished by setbacks that overshadowed the joys of putting out a game. In my review, however, I also sought out some positives about the series (the moments that do show teamwork are heartwarming to watch, and I believe I also praised the consistently good artwork), as well as noting that while I did not like it, the series may work for others. This is what it means to write a fair critical review: instead of vehemently tearing down a series, one must apply the same critical thinking to properly express what fell through, and what one was expecting. In addition, a fair reviewer must also see why there are some who like the series, as well as work out who may enjoy the work. In a positive review, one similarly can look at what could further augment a work, and determine what kind of viewers may not find things so enjoyable. Finally, a good reviewer respects the reader’s agency and will never tell readers what to do: this is why I typically only remark on whether or not a series has my recommendation, leaving it to the reader to make their own choices.

K-On! as Healing Anime: An Alternative Outlook

I was hoping to at least persuade Sorrow-kun to ask his reviewers to provide a second opinion of K-On! If they were not willing to raise its score up to a 6 of 10, at the very least, I believe that the reviews should be re-written to be more consistent with a 5 of 10 anime.

I’ve come across a non-trivial number blogs criticising K-On! for being an anime that is lacking in their eyes for a range of reasons. These blogs are perhaps the more well known ones, such as Behind the Nihon Review and Anime History; with a wider viewership, their opinions are (however invalid or poorly explained) much more likely to be heard than those of bloggers that are less well-known (such as myself), and as such, have the potential to negatively influence community opinion of anime that are respectable in their own right. I submit that K-On! carries a set of characteristics that allows it to be classified decisively as a “Healing Anime”, a sub-genre of slice-of-life. These anime are characterised by their depiction of life as a series of seemingly-unrelated events that may or may not reach a conclusion. These anime tend to focus on subtleties in the character’s environment, progressing at a very slow rate and depicting friendship dynamics in a manner as to invoke feelings of warmth, nostalgia and even melancholy. Thus, these anime can be seen as portraying elements in life that are oftentimes overlooked owing to our own mindset, and reminds us that sometimes, it is worthwhile to stop and smell the roses. The end result of watching such anime is analogous to aromatherapy in that the viewer exits feeling calmed. Definitions on what constitutes as a true healing anime vary: a open-minded viewer will consider an anime to be a healing one if it can evoke feelings of warmth and relaxation, while more stringent definitions will only allow these anime to be set in worlds considerably more different compared to our own. In general, healing anime are highly satisfying to watch during times of stress and trouble, but may come across as disappointing, underwhelming and insubstantial during times of peace and happiness (in the same individual!).

• The original posts I refer to were written way back in June 2009. I come to the party about three-and-a-half years too late.

• It’s business as usual, then, with images and captions that barely have any relevance to the text simply to liven up what would otherwise be an all-text article.

I do not intend to analyse the origins of the definition in this particular discussion, given that attempting to analyse anime and its related matters from a pseudo-academic perspective is counterproductive. At least one discussion out there has tried to define healing anime specifically by comparing it to the Greek term catharsis, but because anime is a current trend rather than something set in a particular, well-defined social context, the discussion is forced to make assumptions that are not necessarily true. Granted, their considerations about the Greek approach is correct because it is well-established, but these considerations cannot be contrasted with anime with seemingly similar effects. Another discussion attempts to strongly define the anime using literary contexts (specifically, plot and atmosphere). This proves inadequate for similar reasons: the examples they attempt to analyse are modern elements, and therefore, lack a third-party perspective, again, forcing the definition to be built upon assumptions. We will thus leave the definition for the present, and use the notion that “healing anime are ultimately successful at calming a viewer for depicting friendship and subtleties in life that are overlooked in reality” as our working definition.

• My main reason in providing counterexamples to what well-known bloggers are citing as K-On!’s weaknesses is that I am looking to contest the claim that “popularity makes right” in the anime community. That is to say, just because a blogger is well-established does not give his opinion any more worth than those of a freshman.

• My website is nearing its 5-year mark and is similar in age to more popular anime blogs. Unfortunately, it has not had anywhere near the same traffic or reach because of my provider’s limited bandwidth.

K-On! possesses all of the necessary traits to be considered a healing anime. The slow pacing and emphasis on the character interactions and their friendship, strongly establish that K-On! is not intended to be musically focussed. Tamayura ~Hitotose~ is an anime that definitively falls under the definition of a healing anime, and while the promotional material suggested that it was an anime about photography, the anime itself integrated photography with aspects of everyday life to drive character dynamics, much like how music is the underlying motivator for the girls in K-On! Tamayura ~Hitotose~ (and its predecessor OVAs) were well-received for being successful at doing so and will get a second season come Summer 2013. However, despite being designed in a similar manner, K-On! has been more widely criticised for its shortcomings. This is equivalent to hating Tamayura simply because the technical details of photography are absent; this would be an absurd reason. Both anime depict subtle elements in life, whether it be food, sunsets, weather or random occurrences, as well as how the characters respond to them and how their relationships grow as a result of these seemingly trivial events. Critics of K-On! claim that character growth (a vital aspect of the entire slice-of-life genre) is lacking. While the character growth of the individual is unchanged (and this is probably what the critics are noting), I contend that individual growth is not the sole determinant of slice-of-life. Instead, the character interactions as a group must be considered, specifically, how the group as a whole matures and how their relationships become reaffirmed as they pass through their experiences. In this regard, we see a rag-tag band experience festivals, school trips, days without air-conditioning or a club room to practise in, equipment-buying and performances together, becoming more familiar and close with one another as time progresses. Azusa herself notes that the group of characters possess flaws in their musical technique, but together, sound excellent anyhow. This mirrors their relationship, where individually, they are probably lacking, but as a group, synthesise interactions that make their music so heartfelt and parallels the importance of friendship, a critical aspect of healing anime.

• Being late to the party sucks, although truthfully, I was not a K-On! fan back when the original articles and reviews were written and thus, disregarded them. My concerns are probably unfounded: at the very least, there appear to be plenty of K-On! fans out there.

• I know what you’re thinking: great. Here’s another guy who thinks he can look Sorrow-kun and the other anime reviewers intellectually in the eye. Well, guess what? Anime cannot be assessed from an academic perspective.
  

Thus, in response to critics, I am probably offering one of the more well-defined counter-examples for why K-On! is allowed to be executed in the manner that it was. Fans of the series quickly pointed out the classic “it is what it is” arguments and maintained that K-On! was never intended to be ambitious to begin with. This is true in a sense; K-On! carries traits that allow it to be considered as a healing anime, rather than a classic moé comedy. I never felt comedy to be a vital or deliberate aspect in K-On!; the moments that induced a smile were motivated by a sense of endearment rather than through outrageousness. Ergo, K-On! critics will feel that K-On! is lacking because they are comparing it with anime from a different classification altogether. K-On! cannot distinguish itself from the moé-comedy genre because it does not fall into such a category. Similarly, people who went into K-On! expecting a drama of sorts would be disappointed for similar reasons: imagine a customer who is accidentally given a New York Cheesecake when they ordered a filet mignon. Those who walked in looking for over-the-top comedy are likely to be disappointed because the girls in K-On! do not go out of their way to make amusing things happen: rather, they react to changes in their environment and it is through these reactions that the heartwarming and occasional amusing moment emerges. This is, again, a prominent aspect of healing anime. Summarily, K-On! cannot be something more ambitious because simply, it is something else entirely. That is to say, it doesn’t need to be more funny per se because it does its job as a healing anime sufficiently well.

• In truth, I believe that people who vehemently object to K-On! can simply choose not to watch it. Despite being an obvious solution, I have a feeling that those who do hate on it watch it precisely looking for things to hate. On that note, there is no such thing as ‘well-justified hate’ from an academic standpoint.

• Spoiler alert: Kaioshin-sama was banned from AnimeSuki for his hard-line stance against KyoAni, as far as I can tell. While I might agree with his aim of making amends, I cannot sympathise with his plight, as he simply refuses to understand any of the merits found in K-On!

I began watching K-On! in the second academic term of my second year in University, a time period where my resolve and conviction as a honours student was tested to their limits. At the time, I was enrolled in organic chemistry II and data structures II, both of which are immensely time consuming courses. It was nearing the end of my semester, and I was not in satisfactory standing in either course at that point owing to the workload. Up until then, I was making a near-unreasonable time commitment to both courses to ensured that I had at least maintained a passing grade, at the expense of my other courses, and up until that point, I was faring poorly in my other courses as a result. As exams were approaching, I realised that I needed at least a little time off to relax, and picked up K-On! out of vain curiosity. I would watch these episodes at night after I had completed by work for that day, and I found myself loosening up a little after successive episodes. I began to perform as I once had and had finished the series as the finals began. I would end up raising my term mark back above satisfactory standing (in an honours program, that’s a 3.3, not a 2.4) once everything was said and done, and would proceed to watch the second season of K-On! after exams had ended. The relaxing, endearing moments in K-On! provided me with the calming I had required and allowed me to survive a difficult semester. Just this last summer, I watched the K-On! Movie on the day before I was scheduled to take the MCAT. I had already completed several practise full-length exams, but I was nonetheless concerned about the exam itself. Watching the girls run across the roof of their high school near the end was surprisingly calming, and I would walk into the exam room the next day with a slightly less anxious mindset.

• In the post I refer to, the AnimeSuki moderator that banned Kaioshin-sama stated that the latter was insisting that the former was unable to grasp how people can claim something is excellent even where Kaioshin-sama himself did not see any merits. The entire post simply sums up to “the show sucks, and everyone who disagrees with me sucks”.

• Sorrow-kun took a different, more civilised approach towards explaining his position than his team of reviewers at Nihon Review and Kaioshin-sama, explaining that while he didn’t accept the current arguments, he was willing to hear what others said and noted that at least there was a recommended audience.

A moé-comedy certainly would not have directly influenced my mindset quite to the same extent as a healing anime. Other individuals have attributed watching K-On! to partially help them in getting through difficult times during their lives, as well, reinforcing that K-On! can full well be classified as a healing anime. People find K-On! enjoyable because it delivers the everyday happenings in the Houkago Tea Time in a simple manner, while the critics appear to have missed the point entirely in their attempts to analyse the anime from the assumption that K-On! could be a different genre. Thus, when I see well-known bloggers like Sorrow-kun and Kaioshin-sama write their own reflections on their series, I see a perspective that is guided by the assumption that K-On! is a moé-comedy. The series does not work for them because they are looking at it from a different angle. Consider the analogy of aromatherapy that was mentioned earlier: a stressed individual would doubtlessly find the scents to be soothing, whereas that same individual may be indifferent to or even be slightly irritated if they were to be calm and presently happy. Similarly, I find that K-On! falls under a similar pattern. Immensely enjoyable to those who are stressed, the show is a little difficult to stomach when one is already happy.

• I have thus presented a similarly civilised approach towards providing a more detailed explanation of why the “it is what it is” and “ambition is irrelevant to K-On!” arguments are perfectly valid if elaborated upon as I’ve done here.

• If I’m real lucky, Kevo, Fuu and AC will update their articles to better reflect the scores they gave. I also hope to have convinced the well-known anime bloggers that there is merit in K-On! from a particular perspective, and that hating it for the moé elements alone aren’t really justified regardless of the vocabulary one tries to use to defend their position.

Unfortunately, my assessment comes to the party a little too late: Sorrow-kun announced his leave of absence from Nihon review not more than two days ago given the completion of his PhD, and Kaioshin-sama was permanently banned from AnimeSuki for sabre-rattling. I was hoping to at least persuade the former to ask his reviewers to provide a second opinion of K-On! If they were not willing to raise its score up to a 6 of 10, at the very least, I believe that the reviews should be re-written to be more consistent with a 5 of 10 anime. Why do I defend K-On! as an anime? The answer is clear: it has helped people, myself included, pass through periods of trial and stress, it would be unfair to turn prospective viewers away simply because it seemingly doesn’t do its job from an alternate perspective. Of course, K-On! probably doesn’t need any backing: its sales figures indicate that it is an enjoyable anime for most people 🙂