Kiniro Mosaic: Thank You!!- An Anime Film Review, Reflection and Full Recommendation

“There will be times when your best isn’t good enough. There can be many reasons for this, but as long as you give your best, you’ll be okay.” –Robert De Niro

Third year is now in full swing: Karen’s ended up in Sakura’s class, while Alice, Shinobu, Yōko and Aya are now in Akari’s class. For their class trip to Kyoto, the girls start in Nara, where they check out Nara Deer Park and the Nara Daibutsu, a as well as Kofuku-Ji. Alice impresses Shinobu and the others with her knowledge of the destinations. The next day, after arriving in Kyoto, Honoka struggles to get a photo of her with Karen, and although Kana tries to help, various misunderstandings prevent Honoka from succeeding. After visiting both the Kinkakuji and Ginkakuji, Honoka manages to work up the courage and asks Karen for a photo, being overjoyed she’s succeeded. That evening, after sharing a bath together, the girls attempt to start a pillow fight, only for Aya to display an unexpected ferocity: she’s longed to swap love stories with everyone else. On their final day in Kyoto, Shinobu and Alice share a conversation about their future plans while at Kyoto Tower, although Aya reminds everyone that entrance exams await them once they return home. Back home, Yōko decides to practise for entrance interviews, and Aya decides to join, feeling it to be a chance to learn whether or not Yōko returns her feelings. While Alice is writing a letter back home, she begins to worry about Shinobu’s future. A squeal from downstairs rouses her from her thoughts, and it turns out Shinobu’s mother is going through old photos: Shinobu’s mother had studied in England during her time as a post-secondary student and met Alice’s mother here, which is why when Shinobu later wanted to do a homestay in a foreign country, she would meet Alice. For old time’s sake, Shinobu’s mother decides to hop on a FaceTime call with Alice’s mother after they return home from shopping. Back at school, Alice is struggling to explain to Shinobu that she wants to return home for her post-secondary studies, and upon hearing this, Aya becomes caught in the moment, thinking the time has come for Shinobu to do a kokuhaku with Alice. Once this misunderstanding is cleared up, Shinobu explains that she’s got the gist of what’s happening, having looked up Alice’s English earlier. Upon hearing this, Shinobu decides her future is settled: she’d very much like to go to England with Alice. However, the afternoon’s felt quiet: Karen’s missing, and it turns out she’s also struggling to choose her way forward. With their plans now established, everyone begins to study in earnest. While Aya, Yōko and Karen prepare to stare down entrance exams, Shinobu spends her nights preparing for the overseas exams. Izumi reflects on how once Shinobu is committed to something, she’ll give it her all, and decides to make her some fish and chips as encouragement. When the new year arrives, Akari and Sakura swing by the local shrine to pray for their student’s success. After running into Karen and learning that Yōko’s drawn bad luck, Akari decides to do a good luck dance, to the embarrassment of those around them. Entrance exams soon arrive, and the pressure from the exams is immense: Yōko, Aya and Karen are stressed beyond words. However, exams go well for all three: despite a terrifying few moments, the three have made it into their institute of choice. Graduation arrives shortly after, and while Shinobu, Karen and Yōko sit through the ceremony with a smile, Aya and Alice end up bawling their eyes out. Even Akari has trouble saying goodbye to her first group of students. After the ceremony ends, the friends prepare to part ways. Some time later, after Alice and Shinobu have settled into life in England, Karen, Aya and Yōko arrive to visit.

With Kiniro Mosaic now at a definitive end, Kiniro Mosaic: Thank You!! (Thank You!! from here on out for brevity) portrays each of Shinobu, Alice, Aya, Yōko and Karen gearing up to pursue their own futures while at the same time, remaining true to their promise of being together with one another. With their time as high school students winding down, everyone worries about whether or not they’ll be able to continue spending time together as friends, and this in turn prompts the characters to push themselves further for one another’s sake. Shinobu has her heart set on studying English abroad despite her still-weak command of the language, and ends up gaining admittance overseas to an English institute. Aya, Yōko and Karen end up at the same post-secondary, as well: Yōko and Karen move heaven and earth to succeed on their entrance exams for the sake of being together. While a few moments leave them feeling completely defeated, and even their instructors worry for them, all of this effort is met with a reward after the three gain admittance to their school of choice. In this way, Aya, Yōko and Karen get to remain together, mcuh as how Alice and Shinobu can continue to spend their futures together, as well. In this way, Thank You!! speaks to how people are willing to put in their best effort and go the extra mile for those around them, and moreover, when such raw determination and resolve manifests, miracles result. This is a heart-warming, and positive theme that is befitting of the gentle and cheerful world within Kiniro Mosaic. The film’s ending is particularly telling: although Alice and Shinobu move to England to pursue their futures, while Aya, Yōko and Karen study at a Japanese post-secondary institute, they’ll always be able to meet up again even if they are separated for the present. This leaves everyone free to cherish their old friendships while at the same time, remain open to new experiences. This aspect of high school is one that countless anime have covered, albeit in different fashions: Azumanga Daioh had left the post-secondary period ambiguous, while K-On! portrays Yui, Ritsu, Mio and Tsumugi as being able to stay together when they are admitted to the same institute. Thank You!! marks the middle of the road between these two extremes, showing how secondary is definitely not the end, and people will always have the opportunity of getting back together even if their paths diverge for the present. Consequently, Thank You!! represents an immensely satisfying conclusion to Kiniro Mosaic; after three years’ worth of discoveries, the characters are left in a better position to pursue their futures while at the same time, continue to enjoy time they’d spent together as friends.

Thank You!! enters the field populated by giants: 2011’s K-On! The Movie remains the definitive yardstick for what makes for a successful silver screen experience, and in an interview, director Naoko Yamada expressed that the biggest challenge was scaling the aesthetic and messages from the TV series into a much larger, moving experience. To this end, Yamada ended up zeroing in on how Tenshi no Fureta Yo! came about, transforming the film into an expression of gratitude through an all-new story. By comparison, Thank You!! directly adapts segments of the Kiniro Mosaic manga and ties them into a cohesive narrative, showing how everyone prepares for the future ahead of graduation. However, despite not utilising an original story as K-On! The Movie had, Thank You!! still succeeds in stepping into the realm of the silver screen. This is accomplished by opening the film with Shinobu and Alice’s class trip to Kyoto – although Kiniro Mosaic briefly portrays Alice and Karen’s homes in England, the series is predominantly set in Tokyo. Changing the pacing up by sending the cast over to Kyoto creates a feeling of adventure, and in this way, even though Thank You!! returns home for the girls’ entrance exams and graduation, the energy from the class trip carries on over to the girls’ everyday experiences, creating excitement and anticipation in viewers as Yōko, Karen and Aya strive to get into their post-secondary institute of choice. By re-tooling the manga’s story to fit the movie format, Thank You!! is able to strike a balance between the scale of a movie, and the cozier, more intimate feeling of a TV series: familiar moments, like Yōko’s straight-man quips in response to outrageous moments, or Isami’s blunt, no-nonsense attitude about Shinobu’s idea of a souvenir, are presented right alongside events with a much larger novelty or weight. Things like the class trip to Kyoto, and the graduation ceremony itself are pivotal moments for the characters, and to emphasise this, inset music is used to accentuate the emotional tenour of such scenes. Altogether, Thank You!! shows that, even if an anime film feels more like an extended episode thanks to frequent inclusion of elements that had been common to the TV series, use of devices can nonetheless create the sort of scale that gives the story a larger, more encompassing feeling as befitting of a film: Thank You!!‘s runtime and choice of moments to adapt from the manga creates a logical flow of events, showing how the girls prepare for their futures and say goodbye to the plethora of memories they created as students in such a way as to decisively, and definitively, conclude Kiniro Mosaic.

Besides acting as an enjoyable close to Kiniro Mosaic, Thank You!! also sets the precedence for what lies ahead for its sister series, GochiUsa. Similarly to Kiniro Mosaic, GochiUsa had portrayed life in an idyllic world, showing how friendships facilitate self-discovery. Both series show characters grow and mature, treasuring the time they share together as they hurtle towards the inevitable milestone that is graduation. Both series also use travel as a metaphor for stepping into the future. After graduation, Alice and Shinobu move to England, where Karen, Aya and Yōko visit. When Rize’s admittance into university is given, Chino expresses a desire to travel and gain a broader perspective of the world after realising she’d spent her life living in the wood-framed town. A glance into GochiUsa‘s manga shows that such a journey does end up happening, as Chino accompanies Maya, Megu, Cocoa, Chiya, Sharo and Rize in exploring a larger city. Visiting the city would represent a considerable departure from the everyday comings and goings at Rabbit House, or the classroom; it follows that Chino’s graduation trip would represent a major milestone in her life, sufficiently significant as to warrant a movie. Such a film would easily be able to scale up the GochiUsa experience for the silver screen, and perhaps even mark a stopping point for GochiUsa‘s animated form. While the manga is still ongoing, showing Chino’s experiences in high school, long-running series often experience the challenge of continually finding something meaningful to say. Running for extended periods may result in a work becoming stale – this is something that Bill Watterson had expressed as being his primary reason for ending Calvin and Hobbes where it did. Considering how touching GochiUsa has been in its run, this outcome would not be a had idea: allowing Chino’s journey to end at graduation, leaving her a clean slate to go exploring with, is equivalent to the blank slate that Shinobu and Alice have at the end of Thank You!!. Having taken that first step forward, viewers do have the reassurance that everyone will be able to succeed so long as they put their minds to it. This is where Thank You!! succeeds, and in doing so, also sets the bar for how GochiUsa might be able to end its story gracefully.

Screenshots and Commentary

• According to the blog archives, it would’ve been roughly five years since I last wrote about Kiniro Mosaic‘s last instalment, Pretty Days. This would’ve been a few months before I left for Japan, and even back in 2017, it would’ve been a full two years since Hello! Kiniro Mosaic finished airing. I came upon this series after finishing GochiUsa: I’d been looking for a similar series, and Kiniro Mosaic appeared to fit the bill quite nicely. I still remember watching the first episode at the lab on campus a few days before I was set to fly out over to Taiwan, and I ended up finishing the first season just in time for the second season’s arrival in the winter of 2015.

• While I originally felt that Kiniro Mosaic was eclipsed by GochiUsa owing to the latter’s distinct setting, in time, I would come to appreciate how Kiniro Mosaic was distinct from GochiUsa. This is one of the main joys about Manga Time Kirara series: although they may prima facie appear to be identical to one another, a closer look will find distinct flavours in each work. Thank You!! opens with a class trip to Nara and Kyoto, and perhaps speaking to Shinobu’s weaker knowledge, she imagines that Nara Park and its famous deer are in Kyoto. After Alice explains the significance of the deer as being the gods’ messenger, Karen hands her a biscuit, causing the deer to overtake her.

• Later, Karen decides to give her own spin on the Nara Daibutsu’s story and, in a manner reminiscent to Yuru Camp△‘s Aoi Inuyama, openly lies about things, causing her classmates, Akari and Alice to step in. On paper, it sounds like it should be relatively easy to spot tall tales in such stories, but the joke here is that while foreigners might not be fully versed in specific, small details in the history of some of the sights, there are details that even locals may not be aware of. On the flipside, Alice’s knowledge of Japan is encyclopaedic, rivalling the level of detail that Go! Go! Nippon!‘s Makoto and Akira Misaki present things to players.

• Here, Alice explains the stories behind Nigatsudo (a water drawing ceremony site) and Kasuga Shrone (shown here, home of Nara’s guardian deities). Although Thank You!! has Shinobu and Aya visiting them sequentially, there is actually quite a bit of distance between them: Nigatsudo and Kasuga Shrine are 1.2 kilometres apart as the mole digs. At a casual pace, it’d take about 10 minutes to walk on over. Shinobu and Aya express interest in these sites, but when Alice reaches Meoto Daikokusha, a shrine for couples, Aya becomes especially enamoured with it. Unlike Nigatsudo, Meoto Daikokusha is only about two hundred metres from Kasuga Shrine, making it a much easier walk.

• I will remark that I’ve opted to romanise Kiniro Mosaic without the extra dash: some sites choose to romanise things as Kin-iro rather than Kiniro, and I imagine this is because きんいろ is rendered as kin’iro in Hepburn. The apostrophe is meant to eliminate ambiguity; it is used to separate homophones that might be easily confused. In the case of Kiniro, if the apostrophe isn’t present, then one might accidentally transcribe きんいろ as きにろ. The dash is technically incorrect (the Third Edition of Kenkyusha’s New Japanese-English Dictionary specifies it’s a dash), having its origins from Victor-Tango-Victor and limitations in how their old custom PMWiki implementation could not handle some Unicode characters, but it’s persisted to this day, even being counted as the “correct” transcription of the title at Wikipedia. Conversely, the official English manga simply renders the title as Kiniro Mosaic, with neither dash nor apostrophe, so for ease of typing, this is what I’ve gone with.

• The dinner that Alice and the others sit down to at their ryokan is a kaiseki-style dinner with wagyu beef as its centerpiece, reminiscent of the dinner I had at the Heritage Resort in Saitama. At its finest, Japanese cuisine is sublime to behold, resembling works of art rather than dinner; the sushi I enjoyed last week is an example of how is intricately and artfully prepared even seemingly-simple Japanese dishes are. This isn’t to say that other foods around the world can’t look as good as it tastes. Recent trends meant that even something like a breakfast poutine can look wonderful from a visual standpoint. Use of different colours and textures brings out the aesthetic in food, and one of my favourite examples is a local breakfast joint called OEB’s.

• Earlier today, I’d been out and about on a walk around the city centre to capitalise on the fact that the weather in the morning was beautiful. I’ve not been downtown for quite some time, since my office is located in a quiet corporate campus in a quiet neighbourhood, and since I primarily work from home now. On my morning walk, I passed by the Telus Convention Centre (where the local anime convention is hosted) and Steven Avenue mall, which are within walking distance of my old building. I ended up heading up towards the river, where a park is located. They’re currently undergoing some upgrades, so I couldn’t quite walk the whole thing, but here, one is afforded a pleasant view of the downtown’s buildings. Since it’s now late May, the cherry blossoms were also in bloom. Hanami happens in March in Japan, but owing to climate differences, these trees bloom in mid to late May. The morning concluded with a breakfast poutine at OEB’s, located underneath this cluster of office towers.

• This time around, I opted to go for their “Get Shorty Rib”. This poutine consists of duck-fat fried herbed potatoes, poached eggs and Saint Cyrille curds topped with succulent chunks of Philadelphia-style beef short-rib, a generous heap of wild mushrooms, bell peppers and red onions, with a generous helping of brown butter hollandaise sauce. It’s the heartiest offering on the menu, and I’ve never tried it until now: the beef and mushroom’s unami are balanced by the crunch of onion and pepper, making it an immensely satisfying, and delicious meal. Back in Thank You!!, Alice and Karen both appear to be enjoying their dinners immensely: Alice is blown away by the presentation, and Karen’s picked up enough rice to keep Special Week and Akagi happy.

• The next day, the girls head on over to Kyoto. Lovingly referred to as “Anagram Lover’s Tokyo” in Futurama, Kyoto in reality is the former capital of Japan, and is one of the few Japanese cities to be spared Allied bombing during the Second World War. As a result, many of Kyoto’s buildings are older and therefore, gives the city a more historical feel about it compared to other Japanese cities, which were levelled and extensively rebuilt. The historical elements are far from everyone’s mind, as everyone is more inclined to take things easy.

• In particular, Honoka’s taken a keen interest in having her photo taken with Karen: since the events of Hello! Kiniro Mosaic, Honoka’s developed a crush of sorts on Karen, and towards the end of the season, the two began to spend more time together. This aspect of Kiniro Mosaic was done to show how Karen was slowly beginning to fit in with her classmates: previously, Alice and Karen had known one another since childhood, and as a result, she ended up following Alice to Japan. In time, Karen would slowly come to find her own place in the sun, setting down the groundwork for her own way forward.

• In Kyoto, Yōko, Aya, Alice, Shinobu and Karen swing by Kiyomiz-dera, a Buddhist temple known for its legendary 13-metre balcony: founded in 778, the structures seen today were constructed in 1663. Legend has it that anyone who survives the drop would have their wishes granted, although for safety reasons, jumping became prohibited in 1872. Today, it’s a popular destination, and the site could be of interest to Aya, as it’s also home to a pair of stones which, if one could walk in a straight line between them blindfolded, their romantic ambitions may come true. However, the sights up here end up being more inspirational to Shinobu, who spontaneously composes a haikyu up here.

• For Honoka, nerves prevent her from asking Karen openly for a photo, and she ends up spending her wish at a shrine to get said photo with Karen. Karen, on the other hand, has no qualms about such a photo and is quite open to such a request. However, the moment never seems quite right for Honoka, and she even contemplates using a selfie-stick to insert herself into a photo. I’ve not seen selfie-sticks for quite some time now: they were all the rage in the mid 2010s, and while I had been in Taiwan and Hong Kong, one could hardly take a step without spotting a tourists rocking these sticks. The more advanced ones even have a BlueTooth transmitter that allows one to take the photo remotely.

• En route to their next destination, Shinobu reveals that all of her photos are of Karen and Alice – she feels that their blonde hair makes them particularly standout at Japanese destinations. This comes at the expense of the photos they were supposed to take as a part of their day’s assignment, prompting Yōko and Aya to try and take over as photographers. The last destination of the day is Kinkakuji, and at this point in time, I can say that I’ve seen this iconic landmark with my own eyes. It’d been a grey, rainy sort of day, but even under overcast skies, the Kinkakuji’s distinct gold siding shone with a regal brilliance.

• In the end, Honoka manages to get her photo at the Kinkakuji, and this leads everyone to want photos with both Alice and Karen. It typifies Kiniro Mosaic‘s ability to find heartwarming resolutions to the problems that characters face, and here, Aya is able to get in on things, as well. For this post, I’ve opted to go with eighty screenshots. The rationale was that Thank You!! has a runtime of 80 minutes, which corresponds to about four episodes’ worth of content. I imagine that at the time of writing, I’ve got what is the internet’s only full discussion of Thank You!!, complete with screenshots.

• With the second day drawing to a close, Alice, Shinobu, Yōko and Aya retire to their lodgings, where a beautiful dinner has already been prepared for them, allowing for a quieter meal that stands in contrast with the more energetic, communal meal from the previous evening. Alice is impressed with the distinctly Japanese aesthetic of the room and states it stands in stark contrast with Shinobu’s bedroom; the latter is furnished in a Western style and is something I’d be more familiar with. Japanese-style rooms have minimalist design about them that emphasises simplicity, whereas in the West, rooms are designed to be cozy.

• I imagine that the girls’ accommodations are at a ryokan: these Japanese-style inns are a ways more pricey than conventional hotels, but offer a distinctly Japanese experience. Many ryokan provide intricate kaiseki meals and have their own onsen on-site, which the girls here enjoy after dinner. I admit that my interest in relaxing at a ryokan does stem from seeing their portrayal in anime such as Kiniro Mosaic, and a few summers ago, I ended up picking up a coffee table book showcasing some of Japan’s most famous ryokan, ranging from ultra-modern establishments that blend tradition with cotemporary comforts, to classical establishments that give guests an entire wing of a building to themselves.

• Whereas Aya had wanted to talk about romance the previous evening, everyone had been exhausted by the day’s events. When presented with a second chance, Aya immediately seizes it: this second night, everyone’s wide awake and is prepared for a pillow fight of epic proportions (in a Ōsama dare da style game). Determine to have her love talk, Aya swiftly steals all of the pillows and pummels her opponents into the ground to win. Although the pillow fight is not shown, the end results bring to mind the likes of what happened after Ip Man fought ten black belts. Aya is typically presented as being physically weak, but when romance is concerned, she acquires supernatural strength that matches the likes of Rize, her counterpart in GochiUsa.

• While Shinobu’s already dozed off, Aya decides to ask Karen what her story is, and Karen’s reply is that her first love was Alice. As far as relevance towards Kiniro Mosaic‘s themes go, yuri manifests as desire to remain with those one loves. This is the driver behind some of the characters’ actions, spurring everyone to be their best selves, and in the process, creates a large part of the comedy here, as well. Conversely, because the relationships in Kiniro Mosaic are very clear-cut, there are no love tesseracts, and as such, what is colloquially referred to as “shipping wars” is practically nil.

• As it turns out, when people say they’re doing “analysis” on yuri, they’re largely referring to “shipping wars”, in which they assessing whether or not the characters are a good fit for one another. My own approach towards yuri, then, would be considered sacrilegious: I care very little for these so-called “shipping wars”, since I am of the mind that the author’s intentions, through the characters they pair together, speak volumes about the larger message. Disregarding this and going off on exercises in the hypothetical leaves me no closer to appreciating what a work is about. At Kyoto Tower, Alice wonders if something’s bothering Shinobu: it turns out Shinobu’s a little antsy about missing a travel programme she’s recorded, but beyond this, would be happy to go anywhere in the world, so long as Alice and her friends are with her. It is here that plans for a trip to England are laid down, but before any of these plans can be considered, exams now loom on the horizon.

• Upon returning home, Isami greets them, only to be disappointed by the lack of souvenirs: it turns out she’d given Shinobu a large list of things to pick up. I’ve always had a fondness for Isami: as it turns out, unlike Shinobu, who’d been head-over-heels with foreign cultures, Isami saw herself as being content to make Shinobu happy. Since then, she’s gone on to pursue post-secondary studies and models on the side. Like Mocha, Isami is portrayed as the reliable older sibling who dotes on her younger sibling, although unlike Mocha, Isami can be a bit blunt about what she wants.

• Shinobu appears to have crossed a line of sorts after she pulls a stunt similar to Pretty Days, where she brings back “love” as a gift of sorts for Alice and Karen after a cake run: she remarks that this time around, she’s returned an armful of memories to cherish. However, what follows is even more hilarious: Shinobu apparently also captured some sacred air from Kiyomizu-dera in a bag. This moment reminds me of a souvenir one of my relatives had: a bottle with a cork stopped labelled “Fresh Air from Ottawa”. As the story goes, after I began learning how to walk, I somehow found the bottle and uncorked it, resulting in much laughter from said relatives.

• Moments like these are why I’m so fond of Kiniro Mosaic: in disgust, Isami punches out the bag to show Shinobu her dissatisfaction. With air from any location, I imagine that short of vacuum-sealing something, the molecules will eventually diffuse over time, so even if a container were to remain sealed, it would mix in with local air whether I’d opened the cork or not. Consequently, such souvenirs are usually meant as a joke, and one’s only really paying for the price of the container and any branding it has, rather than for the air itself. Conversely, I do have a few bottles of fresh sand from my Cancún trip for an academic conference some six years earlier.

• With the Kyoto and Nara trip now over, Shinobu, Alice and Aya return to class. For their third year, Akari’s their homeroom instructor, while Sakura, who’d previously been their homeroom instructor, is now Karen’s homeroom instructor. Thank You!! drops viewers into the middle of their third year, and in adapting content from volumes seven through eleven of the manga, skips over many of the secondary moments (such as another class play, and a Christmas party). In spite of this, Thank You!! fully captures the most emotional of the moments to create a worthy finale to Kiniro Mosaic.

• After classes end, when the topic of entrance exams and admittance interviews come up, Aya pulls Yōko aside to practise, even though their schools of choice won’t have an interview: Aya is hoping to gauge whether or not Yōko returns her feelings, and although the conversations proceed in typical Kiniro Mosaic fashion, Aya soon finds her answer. Yōko sees Aya as irreplaceable, a comforting constant in her life. It is not lost upon Yōko that Aya’s been putting in additional effort to maintain their friendship, and this is what motivates her to do her best, as well. A look at the calendar finds that Thank You!! premièred in Japanese cinema last year, on August 19. According to the blog archives, I was playing through DOOM Eternal and watching Magia Record‘s second season at this point in time.

• I’ve long been interested in watching Thank You!! once I found out about the existence of a film – the project was announced back in March 2020, and by January 2021, the theatrical première date was known. However, discussions on the series has been limited every step of the way, and aside from folks excited to see Nao Tōyama back as Karen, there hadn’t been much buzz about Thank You!!. Ordinarily, such films would lead folks to speculate on whether or not the film would adapt manga chapters or feature all-new content, among other topics, but owing to the gaps between releases, I imagine that excitement for Thank You!! was limited to the most die-hard of Kiniro Mosaic fans (which is natural, considering the second season of Kiniro Mosaic finished airing seven years earlier).

• Shinobu’s room is a very clean space, free of clutter. The only hint of any personalisation from this angle comes from Alice: a glass case containing a pair of Japanese dolls, and a Kakemono can be seen, but beyond this, the room feels more like something out of a realty listing. It’s always interesting to see how anime portray interior spaces; most series have minimalist environments so that focus is kept on the characters, and as such, personal spaces are kept in excellent order. By comparison, Makoto Shinkai and Studio Ghibli fill their spaces with clutter to create a more lived-in environment.

• While Shinobu’s mother is looking through an old album, Shinobu’s practically beside herself with excitement and is reduced to a squeaky mess; it turns out that Shinobu’s mother had met Alice’s mother back when she’d been studying abroad, but after the former had finished her programme and returned back to Japan, they began drifting apart. Noticing Shinobu’s interest in foreign nations, Shinobu’s mother would later send her overseas after getting in touch with Alice’s mother. This bit of a story shows how some things can seem like they happened by fate, and it adds additional depth to the friendship that Shinobu and Alice share.

• After Shinobu’s mother shares this bit of history, she and Shinobu head off to pick up some groceries. While Shinobu feels like she’s got a full heart, her mother begins sulking a little and considers skipping dinner for one evening. After the jokes pass, Shinobu finds herself with a newfound determination to see her dream of studying English overseas fulfilled; her mother’s confident that Shinobu can achieve whatever goals she sets her mind to. When Alice witnesses this, she becomes filled with a desire to have a conversation with her mother, too, and thank to the powers of FaceTime, are afforded such a conversation.

• Back in class, Shinobu notices that Alice seems a little down: and it turns out that Alice has plans to return back home to pursue her post-secondary. However, she’s worried about how Shinobu will take the news, and in attempting to explain her future to Shinobu, Alice ends up reverting back to English. I’ve heard that multi-lingual people tend to revert to their native tongue whenever they’re stressed: Tom Clancy slides in such a detail in the novel Locked On, and I read a paper titled “Why do bilingual code-switch when emotional?” that explains this phenomenon in more detail.

• It turns out emotional intensity decreases cognitive control and spontaneously causes code-switching. In my case, I tend to think and curse in English, primarily because it’s the language I’m most comfortable with, and because I don’t know any Cantonese expletives. Conversely, when things get exciting, I do occasionally transition into Cantonese. Alice’s voice actress, Manami Tanaka, speaks English in an accented, but perfectly understandable fashion, and I have no trouble understanding what Alice is saying. After hearing this, Shinobu voices her concerns with Aya, Yōko and Karen.

• Aya immediately jumps to the conclusion that Alice must be lovesick: in Thank You!!, Aya’s fixation on romance becomes increasingly visible. However, far from taking away from her character, this makes her more endearing. Kiniro Mosaic had shown Aya as being studious and perceptive, possessing a serious streak that occasionally gives way to embarrassment whenever Yōko was concerned. By the events of Thank You!!, Aya’s become a little more open and assertive, even if she does still struggle with her feelings from time to time.

• Worried about Alice, Shinobu decides to hit the library and makes an attempt to look up what Alice has said so she can find a way of reassuring Alice and respond properly. I imagine that despite her weaker command of English, Shinobu would still be able to match enough patterns to get the gist of what’s being said, although a large part of competency in a language is vocabulary. This is something I’ve noticed, even when I watch Cantonese films – I’ve got a solid idea of what’s going on, but I’m missing a few words here and there, and when I get those clarified, my understanding of a given scene improves considerably.

• While Shinobu attempts to do things the old-fashioned way, appropriate given her aspirations, Aya and Yōko decide to do things in a manner more befitting of Kiniro Mosaic: they imagine that what Alice needs is the reassurance that Shinobu still loves her, and to this end, have kitted Shinobu out with a kimono, as well as a kokuhaku script. Such moments are typical fare for Kiniro Mosaic: the series is driven by the classic manzai routine, in which humour is created between a joker and stooge. Their interactions create misunderstandings that lead to comedy. For the most part, Yōko provides the tsukkomi lines.

• Excitement leads Aya, Karen and Yōko to watch from the bushes: initially, everything appears to proceed to plan as Shinobu reads from the script. However, the tranquility in the moment soon leads Alice to be more truthful about how she feels, and she’s finally able to voice her concerns to Shinobu. Once the truth is out, Shinobu replies that she’d actually been thinking the same thing: after giving her future some thought, she feels it best to travel and study abroad for her post-secondary. When things start going off-script, Karen, Aya and Yōko break cover.

• Although Aya and Yōko are relieved that Alice is her usual self again, Karen becomes disheartened; whilst heading home from school, she suddenly disappears. The manga has this happen a few pages later, occurring under a completely different context. Thank You!! manages to weave these moments together seamlessly and create a smooth transition, allowing for the manga’s most poignant moments to come together for the film. Within the manga, things are split up, and this breaks up the flow of things in a different way. Whereas the film places an emphasis on how diverging paths can be difficult to accept when one initially hears about them, the manga utilises the same moments to create gentle humour.

• The group splits up to search for Karen, who’s hiding in a cardboard box that Alice readily spots. It turns out that Karen’s feeling a little left out after learning of Alice’s plans. The two had been together for as long as Karen can remember, and while ordinarily, Karen would simply have done as Alice has done, she’s now come to greatly treasure her time here in Japan, as well. She’s torn between staying in Japan with her friends, and returning home with Alice. Alice feels as though she’s directly in competition with an entire nation, but once she hears Karen out, she’s able to offer her own suggestions.

• Alice believes that separation isn’t going to be a problem because they’ll always be together in their hearts, and moreover, the fact is that everyone is closer than they think because of the internet. In this moment, Thank You!! makes clever use of lighting to show how Karen and Alice are feeling. Since Karen is down, she’s shrouded by shadow, whereas Alice is in the light. When Karen is able to see the point Alice is making, the shadows suddenly clear, and Karen’s old spirits return to her. Visual effects in Kiniro Mosaic are nowhere nearly as vivid as those of a Kyoto Animation work, and even GochiUsa is more detailed. However, the subtler use of visual effects here in Kiniro Mosaic are to the series’ advantage, allowing one’s eye to remain on the characters while the background gives a hint of they’re feeling in the moment without overwhelming the viewer.

• With Karen back to her cheerful self, she announces that she intends to stay in Japan, plans on visiting England as often as she can, and moreover, has been eying the same university that Yōko and Aya had been planning to apply for. Given that Karen’s able to outline her future so clearly, it is likely the case that she’d already given her future some thought, but had simply been doubting whether or not she wanted to follow her heart and stay in Japan, or do as she’d previously done. Thank You!! overcomes this particular barrier in a manner befitting of Kiniro Mosaic: talking it out with people close to oneself.

• During Hello! Kiniro Mosaic, in response to the antics Alice and her group were engaged in, Akari had remarked that this particular group of students were just like primary school students, and the conversation subsequently went towards how pets show a truer side of one’s personality. Manga Time Kirara series have long placed emphasis on adorable characters that exude the same aura as that of a small animal, creating a sense of catharsis amongst some viewers, including myself. This approach does not work for everyone, and some folks steer clear of Manga Time Kirara series because the characters can come across as unrealistic.

• In a few heart-to-heart conversations, each of Aya, Alice, Karen, Yōko and Shinobu’s respective futures suddenly take on a newfound clarity. This gives everyone a clear target to focus all of their energies towards: Shinobu is especially motivated, and even Karen is psyched about working towards a future where she can be with everyone. However, Yōko’s long been weaker in her studies, and while she’s determined all the same, she ends up becoming exhausted much more quickly than the others even as they study together.

• In particular, seeing Shinobu study with such concentration is a sign of the times: Kiniro Mosaic had presented Shinobu as scatter-brained, with an eye for making extremely intricate and well-crafted outfits, and not much of a mind for studying. However, with a promise to Alice to fulfill, Shinobu has all of the motivation she needs to prepare ahead of admissions to a post-secondary in England. Seeing this, Isami recalls how she’d been quite worried about Shinob Hu when the latter decided to do a homestay in England. After Shinobu returned home, Isami was impressed with how she’d always given her passions her all, no matter what they were. To support Shinobu, Isami’s whipped up some homemade fish-and-chips for her with help from their mother to show her support. Fish-and-chips would be a bit heavy to eat at night, but the gesture shows Isami’s kindness all the same.

• Although Shinobu is surprised, she finds the fish and chips delicious and is thankful Isami is looking out for her. This dish is an iconic English food: originally, fried fish was inspired by immigrants who prepared fish by coating it in flour before frying it in oil. By the mid-1800s, fish and chip shops became widespread in England, and gained widespread popularity because it was an inexpensive by hearty meal the working class loved. I’ve not had fish and chips for some years now, but luckily, a good plate can be had at virtually any pub in the city.

• The seasons begin passing in the blink of an eye, and soon, the new year is upon everyone. With exams on the horizon, even Akari and Sakura are a little nervous about their charges: for their New Year’s Shrine visit, Sakura and Akari show up to pray for everyone’s successes. Akari is especially stressed and is prepared to offer ten thousand Yen per student in her class. This corresponds to a hundred Canadian dollars per student at the current exchange rates. Of late, high interest rates in American banks has resulted in a weaker Yen, whereas the previous exchange rates had been closer to 120 Yen per Canadian dollar.

• The weaker Yen makes it especially attractive to pick up merchandise from Japan now, and recently, I placed an order for both Violet Evergarden: The Movie and Hello! Kiniro Mosaic‘s TV animation guidebooks to capitalise on the weaker Yen, as well as to see how shipping works after I’d moved. Both books were sold out and could only be resolved via proxy shipping at CD Japan, but the weaker Yen is softening up the costs (otherwise, I’d be paying about 20 percent more). Back in Thank You!!, after making their offerings, Sakura shares with Akari the trick she used for passing exams: a dance of sorts.

• While such a dance might seem hokey, there is actually merit in dancing: it increases circulation, and physical activity also generates endorphins, which in turn helps with concentration and focus. Slice-of-life anime often employ unusual behaviours to drive comedy, but some actions do have a scientific basis. However, dancing out in public could seem unusual: Yōko’s siblings, and Kana’s younger sister, immediately spot Akari and Sakura and feel it’s best not to look. They then begin discussing their own new year wishes. Both Kōta and Mitsuki pray for Yōko’s success.

• Shortly after writing down their wishes (Akari wishes for her students to be constantly smiling, or, as I know it, 笑口常開), Akari and Sakura run into Yōko and Karen having a snowball fight. Here, Shinobu can be seen with an adorable hood with flaps that make her resemble a lop-eared bunny. The dance had been showcased on Kiniro Mosaic‘s official Twitter channel last year, and while this can be counted as a spoiler, it turns out this moment happens mid-movie. One of the biggest challenges associated with watching trailers is that folks who are movie-savvy can inevitably put two and two together from moments in a trailer.

• I feel that a good trailer, and good promotional materials shouldn’t show content from the final third of a given film. Fearing that Karen could catch a cold, Akari immediately shuts down the snowball fight and gives Karen additional layers when the latter sneezes. It goes without saying that Thank You!! is basically 80 minutes of non-stop warmth, and moment such as these serve to accentuate that no matter what happens in these anime, everything is going to turn out okay.

• This is why, even when Yōko picks up a fortune marked “terrible”, viewers don’t really need to worry too much about her exam performance: such stories are always written in a way as to ensure a happy outcome for all characters. Some folks contend that this is “predictable”, but I counter that slice-of-life series tend to worry more about the journey than the destination, and as such, “predictable” is an invalid criticism because such anime are, by definition, written around showing how a good outcome is reached. As an aside, drawing misfortune is a common enough joke for New Year’s shrine visits in anime, but as Akari states, fortunes are secondary to one’s own determination and skill.

• Since Alice and Shinobu are studying abroad, they’re not taking the same exams that Yōko, Aya and Karen are. However, Alice is plenty worried about them and prays that they’ll be successful. The moment brings to mind the feeling my classmates and I had after we’d finished exams: amongst the health science students, we had the post-exam ritual of “press F5 in the student centre every five minutes” as we waited for the results to come out. This speaks to how strong the bonds are amongst this group of friends.

• To lighten the moment up, Shibobu appears with a video camera belonging to Isami – she’s filming Alice for kicks and had imagined that Alice was trying not to hit the bathroom. For the class trip to Nara and Kyoto, Shinobu had borrowed Isami’s camera, and it suddenly hits me that Isami has a lot of recording devices. This brings back memories of YuruYuri‘s Akane Akaza, whose love for Akari is next-level. While Isami dotes on Shinobu, she’s also a bit strict and will not hesitate to nudge Shinobu back on course, but inwardly, she loves Shinobu very much.

• The girls’ first exam leaves everyone defeated: the first test is always the toughest, and I recall my first-ever MCAT experience. During mid-June, I had my first-ever simulated full-length exam, a four hour experience that took an entire morning. I scored a 14 on it and, while I was rendered exhausted after the fact, I was immensely grateful that a part of MCAT preparations includes the test itself. Taking simulated exams allowed me to prepare myself mentally for the exam format and structure: as the MCAT preparation course wore on, I took several more simulated exams, scoring 22, 27 and 33 on the subsequent exams.

• After their first exam, Yōko appears as though her very spirit is being drawn from her, much as how I’d felt after my first full-length practise exam (I would’ve been in the seventh percentile). Karen finds this hilarious, to Yōko’s displeasure: outwardly, Karen seems quite unfazed by the exams. However, on closer inspection, her bun’s on the right side (where it’s normally to her left), and her socks are mismatched. This can actually be seen as the three walk out of the exam venue; for me, one of the joys in watching anime come from catching these small details, which serve to tie different scenes together.

• To help Karen settle her nerves, Alice lends her a pencil and promises that when it’s time to return said pencil, Karen will have passed already. Karen immediately considers using it as a die of sorts. Yōko gets in on the good luck charms: she’s still got the hairpins Aya had lent her from middle school. When Aya begins feeling a little left out, Shinobu gives her a homemade kokeshi hairpin. Although the hairpin was made in goodwill, Aya gets bad vibes out of it, as though it were a Sith artefact. Kokeshi dolls are given to children as a good luck charm, and in Kiniro Mosaic, Shinobu’s resemblance to a kokeshi doll is mentioned on several occasions. Because they’re iconic, I decided to buy a keychain-sized kokeshi while in Japan five years earlier.

• After hearing Kana’s been accepted into her school of choice, Sakura is overjoyed. Akari is worried for her students, feeling that some of their aspirations might not have a happy ending. In fact, Akari has been so concerned that she’d forgotten that this is the same day Karen’s set to take her exam, and to take her mind off things, she’s made a bunch of plushies of her students, including Karen, Aya, Yōko and Honoka. While Akari initially appears to be a strict, no-nonsense instructor, it turns out that she is just as caring and considerate as Sakura was, but simply had a tough time showing her students her true self.

• If memory serves, Akari had actually been Sakura’s junior when they’d been students, and while she had intended to be a proper teacher for her students, Sakura’s example leads Akari to try and strike a balance between strictness and kindness. Out of stress, Akari even begins talking to the Karen doll. In reality, something like this would be indicative that one would need to unwind and decompress. In anime, however, such actions convey an adorable sense of helplessness, akin to watching ducklings attempt to clear a flight of steps.

• On the morning of their next exam, the tension is palatable in the air: everyone’s done everything they can to achieve their aspirations, and after a group hug, it’s off to the examination centre. Since I’m a Canadian student, I’ve never had to take entrance exams – instead, when secondary school wraps up, my province administers standardised exams for us to take, which impact whether or not we’re admitted into the institute and faculty of our choosing. I’d actually been quite nervous about my English exam: the Faculty of Health Sciences requires a minimum grade of 80 percent to gain admittance, and I was barely holding onto an 80 average in that class.

• In the end, effort would carry the day, and the next truly terrifying exam I stared down would be the MCAT. This exam was a foe of a proportion I’d not seen previously, and while preparations for said exam would be gruelling, it left me better equipped to deal with all exams in the future. I’ve never had a head for memorisation, so I approached the exam from a first principles standpoint: know enough of the basics to quickly re-derive whatever I needed to solve a problem. Memorisation is not a sign of intelligence, and while I imagine a few classmates from my secondary school’s IB program would disagree, I can say this with authority because nothing I do in my day-to-day involves memorisation.

• Yōko, Aya, Karen and Honoka thus sit down to take on the exam that determines whether or not their aspirations for the future will be realised. Thank You!! shows glimpses of the exam questions themselves, including geometry, Japanese literature, English and chemistry. The me of twelve years earlier would have been able to trivially solve everything without trouble, although since then, my knowledge has become highly specialised towards software development. Although I retain a fundamental level of knowledge in biology and chemistry, I am no longer able to delve into stoichiometry and predicting organic reactions as I could during the MCAT: it is fair to say that, while I am a moderately competent software developer, I’m no longer smarter than a fifth grader.

• Upon returning home that evening, Yōko, Karen, Honoka and even Aya look completely defeated; Aya had been looking forwards to post-secondary life with her friends, and she states that if anyone should fail, she’ll fail alongside them so they can be together. This remark is made in jest, but interpreted from a certain point of view, one might see Thank You!! as suggesting friends are more important than one’s future. I’d strongly disagree with this sentiment: to draw a parallel, I’ve known folks who’ve gone to university so they could continue hanging out with their friends, but this four years would not be productive: rather than pursue the education that aligns with their career interests, these individuals were motivated simply by old friendships, and the cost can be high, as one ends up with a skill-set that may not be consistent with their passions.

• However, I am aware that this is not what Thank You!! is going for, and just because there comes a point where Aya might be considering such a route does not mean Kiniro Mosaic is intending this to be a part of its themes. This is a critical part of being a fair viewer: unfairly dismissing a work because one was jumping to conclusions is to be insincere. Back in Thank You!!, exam results become available: Aya, Yōko and even Karen are anxious about the results. To this end, they’ve brought Alice along as moral support, and Shionbu’s kitted her out with an adorable færie costume.

• The large crowds mean Alice initially has trouble getting to the board where successful applicants were posted, but she ends up reaching them in the end. Here, she spots Karen’s number and hastens to report back to her friends, who immediately dissolve in tears of joy. However, Alice has only found Karen’s number, and it takes Yōko and Aya some courage to look for themselves. To their immense relief, they’ve also passed, and in her exuberance, Aya decks Yōko.

• Once the tension gives way to relief, Aya, Karen and Yōko can relax a little, with Karen joking that Aya has staved off being turned to the Dark Side of the Force. More so than passing and getting into the school of their choice, the joy in this moment comes from the fact that, for the next four years, everyone will get to be together with one another. This is quite touching, and a well-deserved outcome for each of Karen, Yōko and Aya. While everyone’s majors are never stated, it is sufficient to go to the same university because in between classes, one can still hang out with their friends during breaks and in various events.

• Of all the people in my graduating class, I was the only one to have entered the Health Sciences programme: none of my classmates joined me, and I ended up making all-new friends as a result. However, enough of my old friends had also gained admittance to the university, so we always had a chance to hang out during lunch breaks, and on some occasions, we even ended up on the same classes. To Yōko, Aya and Karen’s surprise, Honoka and Kana are also around; Honoka had arrived earlier to check for her number, and she’d made it in, as well.

• As the moment sinks in, large cherry blossoms suddenly begin flying through the air. This seems fitting for the moment, being a bit of pleasant symbolism to show that something new is beginning, at least until one realises that everyone’s still wearing their winter coats, and that it’s a bit early for hanami: Aya is the first to notice these “blossoms”, and it turns out they’re coming from Alice’s dress. It turns out that, perhaps when Shinobu had been sewing the outfit together, she might’ve not made it up to her usual standards because she’s distracted both by her friends’ successes, and her own studies.

• However, one other possibility is because Alice had made her way through such a tight crowd, the movements may have loosened the threading. In the ensuing chaos, Aya implores the others to quickly retrieve the bits of Alice’s skirt that’s fallen off. While this is happening, Karen and Honoka are too busy enjoying the moment to help, and the scene switches over to Akari and Sakura, who’ve shown up to see how their students are doing, as well. Both are reduced to tears of happiness at the sight before their eyes.

• The page quote was chosen because effort is ultimately what underlies everything in Kiniro Mosaic: whether it be Aya and Yōko putting in their best effort for a school play, Karen and Shinobu hitting the books to stay afloat, and Alice learning to express herself more openly, everything that’s happened in Kiniro Mosaic happens because everyone makes the effort to realise their goals. While efforts may sometimes fall short, there is no penalty for trying, and seeing what happens when one applies oneself is always rewarding. As a result, even if one’s best “isn’t good enough”, one at least knows where their limits lie and can look back on things without regret.

• A few weeks have passed, and spring approaches, bringing with it cherry blossoms, and graduation. On the day of their ceremony, Alice and Shinobu are very nearly late because the latter is having trouble waking up, but with some help from Alice, the pair get out the door just in time. Thank You!! supposes that this is Shinobu being her usual self, but in the manga, everyone had taken a graduation trip over to England to visit Alice’s family and check out London’s sights. Thank You!! skips over this entirely because the film had been focused on Shinobu, Alice, Karen, Aya and Yōko finding their way: going to London, as fun as it would be, wouldn’t directly contribute to this particular story.

• I would imagine that bringing the graduation trip segment of the manga to life would’ve entailed doing some location scouting to ensure that the animated adaptation of London was true-to-life, and recalling that Thank You!! was produced during the global health crisis, travel might’ve been trickier, hence the decision to keep the story in Japan. There is a sufficient amount of material that could result in another OVA later down the line if Studio Gokumi and AXsiZ do end up picking up Kiniro Mosaic again, but for the present, the girls’ graduation marks the end of the series.

• En route to their graduation ceremony, Alice, Shinobu, Alice, Karen, Aya and Yōko run into Honoka and Kana: in a bit of a clever callback to the second season, Honoka’s doing her balancing act to relieve her nerves, causing the others to comment that this scene is probably going to be burnt into their minds forever. Curiously enough, I only have the vaguest memories of the days I attended my graduation ceremony, and assuming this to hold true for the characters of Kiniro Mosaic, I imagine that Honoka’s balancing act will not endure.

• Anime typically present graduation as an emotional event: it marks the end of one era and time spent with people one would’ve become very close with. However, my own experiences with graduation were dramatically different: there were no tears to the best of my recollection, only excitement. Having said this, the portrayal of graduation in anime feels a lot more tearful than their counterparts over here in Canada – classmates appeared more interested in partying it up after the ceremony, and so, there never felt like there was much weight behind walking across the stage and shaking faculty hands.

• The gap in reactions is symbolic, as Shinobu is quick to point out: those who smile at graduation are happy with the memories they picked up, whereas those who cry enjoyed themselves and wish they could live in the moment for longer. One touch I particularly liked was how Karen hands Aya a full roll of toilet paper, almost as though she’d foreseen that Aya would cry during the principal’s speech. Sure enough, when even a handkerchief fails to cut it, Aya falls back on the toilet paper.

• For me, graduation never represented the end of something, but rather, a new beginning. Separation from friends never was much of a bother because even during my time as a secondary student, electronic communications like instant messaging had already been quite mature, and social media was slowly taking shape, allowing me to keep in touch with people more readily. Kiniro Mosaic‘s manga began running in 2010, a time when these technologies were present, so I imagine that the reactions harken to a more romantic era when communications were slower.

• For Alice, her yearning to spend more time with everyone outweighs her desire to push forwards into the future, and when Shinobu replies how she’s smiling for all the good times they had, Alice is torn between smiling and crying at the same time. The last time I saw an anime graduation this emotional was Azumanga Daioh, which saw Chiyo dissolve into tears during the singing of Aogeba Tōtoshi. Conversely, in K-On!, Yui and her friends crossed the stage, all the while worrying about whether or not Sawako would find out about the farewell surprise they had planned for her; it wasn’t until Yui, Ritsu, Mio and Tsumugi perform for Azusa where the waterworks begin.

• The sharp-eyed viewer will probably find everyone wearing their uniforms in the default setup to be unusual: two seasons and an OVA, over nine years, has seen to it that viewers have acclimatised to Yōko’s messy style, Karen’s Union Jack coat and Alice’s pink cardigan. For viewers who’d been around when Kiniro Mosaic‘s first season aired, all the way back in 2013, their journey would have been even longer. When an anime runs over such a long period of time, it can feel as though the series has accompanied them through their own experiences, too.

• For me, the anime that accompanied me through university was Gundam Unicorn: I didn’t come upon Kiniro Mosaic until late 2014, and in retrospect, it would’ve been nice to have watched this series while it had been airing during the summer of 2013. Back then, a historic flood had ravaged my province, and I was left in a depression after my summer plans dissolved. Watching the gentle comedy of Kiniro Mosaic might’ve proven to be the panacea I needed to get back on my feet a little more quickly: I had finished my Health Sciences degree that year and was still deciding on what my own future would be at the time.

• After the graduation ceremony, the students return to their classroom to receive their diplomas, and Akari is so overcome with emotion that she’s struggling to remain coherent. Karen’s sudden appearance surprises her, and it turns out Karen’s here to receive her diploma from her a second time, feeling it appropriate considering how much she’d been bothersome to Akari. Thank You!! does a wonderful job of showing what it must feel like from the instructor’s perspective, to watch students start in their class and then go through all of the trials and tribulations that lead to graduation.

• It speaks volumes to how effective Kiniro Mosaic is, that even a full five years after Pretty Days, it feels like only yesterday that I finished writing about Aya and Yōko preparing for their culture festival. Despite a half-decade passing, all of the characters still feel as familiar as they did when I first watched the series, and in a manner of speaking, Akari and Sakura’s tears mirror the viewers’ own feelings at the fact that Kiniro Mosaic has drawn to a close. The manga itself ended back in 2020, and while the title had been given to Yui Hara by an editor, over time, Hara came to try and shape her stories to fit with this title.

• In the manga’s afterword, Hara hopes that she’s managed to convey what a “Golden Mosaic” is. I would contend the manga and anime have both succeeded in this. The colour gold is associated with prosperity and success, but also could refer to the blonde-haired girls in the story (Alice and Karen). In coming to Japan and brightening up everyone’s lives, Kiniro Mosaic can be seen as a mosaic, or collection, of these moments. As the graduation ceremony rolled, moments from both seasons, and the Pretty Days OVA, are shown, each of them being positively radiant and providing a golden mosaic for viewers.

• Thank You!! ends with Karen, Aya and Yōko meeting up with Alice and Shinobu in a gentle field somewhere in England. This spot feels like the verdant fields and rolling hills in J.R.R. Tolkien’s Shire, and in this moment, it is clear that even though everyone’s graduated and is pursuing their own futures, they still have the means and opportunity to hang out together again. We’re getting close to the end of this post now, and here, I will note that this is probably the largest post I’ve written this year: at 11151 words, this reflection took over ten hours to write, and once I’m done, I plan on taking a short break before continuing on with regularly scheduled programming come June.

• Because Thank You!! offers such a satisfying and conclusive ending to Kiniro Mosaic, issuing this series a final grade of A+ (4.0 of 4.0, or 9.5 of 10) was a straightforward decision: this film acts as a final send-off to the series, bringing back everything that originally made Kiniro Mosaic so enjoyable while at the same time, indicating to viewers that everyone’s on a good course for the future. I hope that all fans of Kiniro Mosaic will have a chance to watch this movie when they get the chance: it is the capstone entry in a series that has been around for twelve years, and represents a swan song that brings things to a definitive close.

Overall, Thank You!! acts as the fitting swan-song for Kiniro Mosaic, bringing back all of the things that had made Kiniro Mosaic so enjoyable. While Thank You!! does not up its visuals (background artwork remains simplistic, much as it had in the TV series), where the film excels is the character animation, voice acting and use of inset music to really accentuate the emotional tenour of a given moment. Rather than attempting to go big with its visuals, Thank You!! places its emphasis on the characters, counting on their motions and dialogue to deliver how everyone is feeling as they push towards graduation. From stress and joy, to sorrow and defeat, every aspect of Thank You!! goes towards showing viewers how the characters are feeling, to the extent that by the time Shinobu and her friends pick up their diplomas, viewers are likely to be crying alongside Alice, Aya and Akari. The use of inset music to serves to further augment the emotional punch of these moments; the songs’ lyrics speak This particular aspect has always been a strength in Kiniro Mosaic: in the TV series, the hilarious moments everyone shares together, and Shinobu’s often non-sequitur train of thought, all come together to create humour and punctuate quieter scenes with laughter, bringing Shinobu and Alice’s world to life. In bringing these aspects into Thank You!!, the film becomes a love letter to fans of the series – it is aptly named, thanking viewers for having accompanied them after all this time and giving them one final set of memories to smile about before Kiniro Mosaic concludes. For folks who’ve not seen Kiniro Mosaic, on the other hand, Thank You!! would become a little more difficult to follow, and its emotional payout is diminished: Thank You!! is dependent on a priori knowledge of the series and its nuances, being meant for existing viewers who’ve been following Kiniro Mosaic since its initial airing nearly nine years earlier. With Thank You!! in the books, Kiniro Mosaic reaches its ending, wrapping a heart-warming and emotional journey up in a conclusive manner, leaving no doubt in the viewers’ minds that Shinobu, Alice, Aya, Yōko and Karen are ready to embrace what lies ahead in their respective futures.

Kiniro Mosaic: Pretty Days OVA- A Review and Full Recommendation

“Hey chief, you screwed up. There’s nothing in here.”
“Oh, it might appear empty, but the message is clear. Play Santa again, and I’ll kill you next year!”
— Bender and Robot Santa, “A Tale of Two Santas”, Futurama

Kiniro Mosaic: Pretty Days released back in November 12, 2016; it was only a week ago that it finally became available, and if this is the trend for OVAs, I imagine that the wait for the upcoming Gochuumon wa Usagi Desu Ka?? OVA could be a non-trivial one, as well. With preparations for the culture festival ongoing, Shinobu finds herself completely immersed in her class project, contributing both the script and her considerable talents as a seamstress to making costumes for everyone. Amidst the busy activities, Aya finds herself feeling distant from Shinobu, wondering if Shinobu is closer to Yoko, Alice and Karen for their own attributes. When Shinobu steps out with Isami, Aya begins to reminisce about the time she’d spent with Shinobu in middle school, where Yoko and Shinobu were struggling with examinations for high school. While on break one day, they take a walk and visit Moegi High SChool, where they run into Sakura and get a tour of the grounds. After guidance from Aya and much effort on Yoko and Shinobu’s part, the girls manage to make it into the same school; Aya herself had her sights set on a more prestiguous all-girls school, but decides to join Shinobu and Yoko at Moegi high when they are all accepted. Back in the present, the play itself hits a hitch when the student playing the princess is afflicted with the flu, forcing Aya to step in. Despite the play starting off on the wrong foot, the girls pull together and manage to improvise something with Shinobu’s help, turning the play into a success. In the aftermath, Aya is grateful to have chosen the same high school as Yoko and Shinobu. A touching story with the light-hearted, warming feel that Kiniro Mosaic excels at presenting, Pretty Days is a welcome return to a series characterised by a colourful group of characters whose life in high school is filled with hope, wonder and a never-ceasing sense of cheerfulness.

In its premise, Pretty Days is centered around Aya and her memories of middle school with Yoko and Shinobu. While she’s initially doubtful that her friendship with Shinobu is a strong one, Yoko recounts their pivotal moment in middle school when it was Aya who motivated the two to buckle down and study for their entrance examinations such that they could be admitted to the same school. Even when Aya receives an admissions offer from a more prestigious academy, she ultimately turns down their offer, suggesting the strength of their friendship with one another. Although such an action might be seen as a poor decision from a certain perspective, Pretty Days presents this as a heart-warming choice that underlines just how strongly Aya cares about her friends, if she’s willing to pick being with them over a high school that might help her with post-secondary admissions. In addition to a well-executed central narrative, Pretty Days also brings back all of the elements that made Kiniro Mosaic so entertaining, whether it be Shinobu’s gifting of “heart” to her friends, or her determination to ensure the success of their class play, exhibited when she goes to the length of improvising lines for Karen and Aya when their original play disintegrates after Karen completely forgets her lines. The end result is fifty minutes of comedy that captures the spirit of Kiniro Mosaic, being an indispensable watch for all audiences who’ve enjoyed Kiniro Mosaic. While folks entering sans familiarity with Kiniro Mosaic may find some elements in the OVA a bit unusual, the overall pacing and structure means that this OVA can still be quite enjoyable.

Screenshots and Commentary

• Owing to Shinobu’s tendency to not wake up on time in the mornings, the girls are forced to sprint the distance to their school, leaving Aya short of breath. It’s been quite some time since I’ve written anything about Kiniro Mosaic: the last time the likes of Aya, Yoko, Shinobu, Alice and Karen graced this blog, it was the middle of summer 2015, when I had turned my focus entirely towards building visualisations of biological spaces in the Unreal Engine. This OVA is a fifty-minute feature and as such, features thirty screenshots rather than the usual twenty.

• After Yoko expresses a wish to see Aya on stage when everyone is discussing their roles in their classes’ respective activities, Aya grows a bit sulky and is seen here with the classic anime pouty face. Conversation drifts towards reminiscence, where Yoko recounts how Shinobu’s been excited about performances and events for as long as she can remember. This is the conversation that gets Aya thinking; she becomes a little envious of Yoko and Shinobu.

• With the culture festival arriving rapidly, everyone heads over to Shinobu’s house to continue working on the costumes for their play. Alice and Karen have already arrived, modelling Shinobu’s old middle school uniform and Isami’s high school uniforms, respectively. One common criticism I often hear for anime such as Kiniro Mosaic are the fact that the characters’ voices are too squeaky, having the acoustic properties of ultrasound, taking the form of noise complaints. As it turns out, higher frequency sounds are easier to discern because our ears are not quite so effective at picking up lower frequency sounds.

• While Shinobu may not be particularly studious, her talents as a seamstress are ridiculously high, and from an objective perspective, she’s much more likely to be at home in an occupation involving sewing and adjustments, as opposed to linguistics and diplomacy. With this in mind, my perspectives have changed dramatically since my time as a high school student: during this time, dreaming big is an asset, allowing youth to explore their options. However, as time wears on, reality also kicks in, and people gradually choose paths that strike a balance between what they enjoy doing and what they’re good at doing.

• In this moment, the characters’ personalities are captured succinctly in what they’re doing: Shinobu is plainly very focused and into her tasks, while Alice and Aya help out as best they can. Karen and Yoko, by comparison, are totally slacking off. However, Shinobu is whisked off with Isami on an errand of sorts, and when Alice wonder about how everyone knows one another, it is Yoko who steps up to the plate and recounts the story of their time as middle school students.

• After Shinobu and Yoko receive their latest test scores following an in-class exam, their spirits plummet when Aya lectures them about the importance of performance in helping them get into their high school of choice. The girls decide to take a walk, and it is here that they visit Moegi High School for the first time, running into instructor Sakura Karasuma (Satomi Satō, best known for being K-On!‘s Ritsu Tainaka, Gochuumon wa Usagi Desu Ka?‘s Chiya Ujimatsu and Hyouka‘s Eru Chitanda). After some introductions, Sakura gives them a short tour of campus.

• Despite their prospects appearing low, Sakura encourages the girls to work their hardest and even gives them a cheer that Aya finds embarrassing. One of Sakura’s strongest traits is that she can go to great lengths to help the students even if her actions can come across as embarrassing; her students find this endearing and consequently, place a great deal of faith in her, accounting for why she’s held in high regard by the student population.

• In the Canadian education system, there are no entrance exams, and students moving from middle school to high school are placed based on their geographical location relative to the school. There are provincial standardised exams that students must take, which influence the courses they can take once in high school. With this in mind, while the education systems here are less competitive, once folks finish their education, things become much more difficult when it comes time to find an occupation (whereas in Japan and other parts of Asia, the education system is gruelling, but finding work becomes a little more straightforwards based on which institution one graduates from).

• For the time being, I’m done my education – I’ve stared down countless exams throughout my post-secondary career. Of my conventional exams, the most difficult exam I’ve ever written was for my Organic Chemistry II and Data Structures II course during my second year, while the worst performance was for Introductory Biochemistry (which I only just passed). The best exam was my Physics II (Electricity and Magnetism), written when I was in fourth year, during which I was still considering medicine as a career path, and the fastest I’ve ever finished a final was ten minutes (where I ended up missing exactly one question).

• These exams pale in comparison to the MCAT (2012), my undergraduate honours defense (2013) and my Master’s defense (2016): these exams took a considerable amount of time to prepare for, and of the three, the MCAT was probably the most challenging. I have vivid recollections of spending the summer of 2012 studying for the exam even though it’s been nearly five years since I wrote the MCAT. Back in Kiniro Mosaic, Aya steps into the summer sun to visit Yoko’s house, where they may continue studying for their own exams.

• Friends are often depicted studying together in things like Kiniro Mosaic: I’m predominantly a lone wolf who prepares independently for exams, but for several courses during my undergraduate degree (most notably, organic chemistry) and the MCAT, I was fortunate to be in similar company. The advantage about studying together is that help is available; this might offer a different perspective towards a problem that makes it easier to solve, and if there are people in the group who are unsure about a concept, teaching them can also help one reinforce their own knowledge.

• With that being said, I’ve never studied with friends at my place (or theirs) before: the environment of a library or quiet room is rather more conducive towards work – Yoko, Shinobu and Aya captialise on such a space to shore up their own knowledge. Clean and minimalistic, the artwork in Kiniro Mosaic is intended to keep the viewers’ focus on the characters; this is quite similar to the approach taken in Yuyushiki, and drives home the notion that Kiniro Mosaic is more about the characters than their setting.

• During the New Year, Yoko, Aya and Shinobu pray for their success in examinations at a local Shrine, as well as for one another’s success. The Chinese have an equivalent saying as a form of New Years’ wish: “學業進步” (Mandarin pronunciation xué yè jìn bù, literally “improvement in [your] studies”), but no such equivalent prayer. Some elements in anime, such as praying at a Shrine for success in studies or love, bring to mind some of the pre-game rituals people, especially athletes, have prior to a major event or trial. Mine is to halt all revisions twenty four hours before an examination and do something completely unrelated, whether it be study something else or outright stop studying altogether.

• The rationale for this is that, if I were to be in trouble for an exam, a day is likely not to make too much difference; in the typical case, I could also lose confidence as I encounter material that may or may not be outside the scope of the exam. By relaxing, I calm my mind and allow the material that already exists to be consolidated. This strategy is my own exam-writing technique and may not work for everyone. During the winter, Shinobu and Yoko run into Aya, who’d just passed the exam for her first choice. However, feeling that she might be giving up time with her friends, she also applies to Moegi High School.

• Although the exam turned out to be slightly more difficult than even Aya had imagined, Yoko and Shinobu put in their best efforts. The exam leaves the two slightly dejected, and this time, it’s Aya who picks up the slack and suggests that everyone relaxes with something delicious. Following my MCAT in 2012, contrary to the suggestions from a friend to have ice cream, I went for a hearty dinner at a Chinese Bistro and then proceeded to sleep like I hadn’t slept all summer. While my ability to recall things is quite powerful, I cannot recall what I did the day after the MCAT.

• When the results for Moegi High School are made known, Aya is offered admissions. Yoko and Shinobu are initially frightened to learn their results, but with Aya’s encouragement, the two find that they’ve also been accepted. While Aya is normally presented as a shy but disciplined, no-nonsense type of person who is quick to dismiss the others’ antics, Pretty Days makes it clear that she’s also got a more caring side to her, as well.

• Ultimately, Aya turns down her acceptance offer to the more prestigious high school in favour of Moegi High, much to Yoko and Shinobu’s surprise. This attests to the strength of their friendship, and the moment also presents an opportunity to see everyone wearing the Moegi High uniform properly: in Kiniro Mosaic, only Shinobu wears her uniform properly Yoko dispenses with the outer jacket, while Aya wears a sweater over hers. Karen wears her uniform in a very casual fashion, while Alice has a pink Cardigan over hers.

• Alice and Karen both find this to be a very moving story. Karen’s reaction is rather adorable, and Alice is outright crying at the journey. A cursory glance at the calendar on the wall suggests that it’s 2014: Kiniro Mosaic originally began its manga run in 2010, and the anime dates back to summer 2013, although I only picked up the anime one term into my graduate program in late 2014. Unlike most anime, which I procrastinate to an extent most folks would find ridiculous, I managed to finish Kiniro Mosaic just in time for the second season to start.

• It turns out that Shinobu and Isami went on a cake run; after Shinobu returns allegedly bearing gifts, Alice and Karen become rather excited, only to wilt in disappointment when it turns out the gift is Shinobu’s love. This forms the motivation for the page quote, where Bender receives a similar “gift” from Robot Santa in one of the Futurama holiday specials. The Futurama incarnation is rather darker with respect to its comedy, standing in contrast with the lighter atmosphere conveyed in Kiniro Mosaic.

• Shinobu plainly remembers all that Aya’s done for her, and even though she might spend more time with Alice and Karen, Shinobu has never forgotten just how important Aya is to her. Thus, while Alice and Karen might recoil at Shinobu’s “gift”, Aya is well aware that Shinobu is being serious and genuinely appreciates their friendship, leading to this moment here.

• Isami reveals that a cake is also on the table as a gift, turning Alice and Karen’s mood around instantly. Isami is voiced by Yukari Tamura, whom I also know for her roles as Sakura Yoshino (Da Capo), Mai Kawasumi (Kanon), Mei Suonohara (CLANNAD), Tabane Shinonono (Infinite Stratos) and Remon Yamano (Ano Natsu De Matteru). It’s actually a bit of a surprise to see just how much anime I’ve watched over the past ten years, and in the near future, I’ve got a special post reviewing the Ah! My Goddess The Movie, which was my entry into anime. It’s a thrilling story, and I wish to do it justice, so that story will be explored in full once I kick that post off.

• Looking back, I’ve never done anything quite with the atmosphere of a culture festival during my time as a secondary student, but in university, I’ve participated in many open house events, speaking with parents and prospective students about the health science program. During my final year of graduate studies, I also had the opportunity to participate in a special celebration for the university’s fifteenth anniversary, alongside a TEDx talk: while not quite as festive as a cultural festival, things were nonetheless quite enjoyable.

• Sakura enjoys a corndog and candied apple here prior to the play’s start, much to Yoko’s surprise. Today, besides marking the beginning for this year’s Daylight Savings, also saw an afternoon outing to watch the critically-acclaimed Logan. Prior to the movie, I stopped at Opa’s for lunch: I admit I’ve never eaten at the one on campus in all of my time there as a student, so at my friend’s recommendation, I went with the lamb wrap and fries, as well as sharing a plate of fried calamari. After lunch was over, with another friend inbound, and the movie set for a few hours later, I dropped by BestBuy to pick up a new USB hub.

• Logan, with its thematic elements and violence (though, not quite as violent as either Wolfenstein or DOOM), sits quite far removed from the likes of Kiniro Mosaic, being a direct and forward film that is to-the-point with the presentation of its narrative. I can say that Logan is worthy of the praise it has garnered, but as the movie is still a new one, and partially because this is a Kiniro Mosaic post, I won’t go into further details.

• With encouragement from Alice and Yoko, Aya begins her performance, masterfully delivering her lines despite being drafted at the last possible moment to perform. Despite her aversions to publicity, Aya can be quite capable, and here, she embraces her role, giving audiences a chance to see a side of her personality hitherto unexplored. It is in this play where most of the artwork comes from, then: in the aftermath of the OVA’s theatrical release, Japanese artists generated a non-trivial amount of artwork.

• In anime such as Kiniro Mosaic, unexpected setbacks are presented for the sake of comedy rather than for drama: Karen’s completely forgotten her lines and immediately falls back on her improvisational skills. Unsurprisingly, Aya is unable to keep up, and the entire play seems to be at jeopardy. This brings to mind the Giant Walkthrough Brain from several years back, where a thunderstorm knocked out the power mid-game during the show’s first performance at the Banff Centre. Jay Ingram and his band excel at improvisation, and the use of laptops meant that we didn’t skip a beat: the show transitioned smoothly back in once power were restored, and the first performance ended up being a great success.

• With the play in peril, Shinobu activates her NT-D summons a blonde wig and begins writing new lines in response to Karen and Aya’s predicament. While typically air-headed and incapable as a student, Shinobu’s highly talented in other areas. Academics is not everything, and while education systems place a very strong emphasis on academic performance, I’ve found that, especially in graduate school, the learnings and take-away messages from a course far exceed one’s grade: the thing I value the most of my graduate school experiences isn’t the Unity or Unreal Engine, how to formally describe a multi-agent system or mine data, but rather, how to communicate effectively.

• Thus, what was supposed to be a structured play quickly turns into a free-for-all musical that winds up being a great success. Pretty Days grossed a total of 26 million yen (around 300000 CAD) on its first weekend. The original news article announcing Pretty Days is a deliberately misleading one, reading that Pretty Days would be predominantly about Shinobu’s situation when Yoko and Aya notice that she’s been overextending herself for the culture festival. Giving nothing away about the OVA’s contents, this blurb turned out to be a blessing and contributes to the OVA’s impact.

• The Pretty Days OVA reaches its conclusion, with Shinobu and her classmates receiving warm applause for their performance in spite of all of the setbacks they’ve encountered. With Pretty Days in the books, eyes now turn towards the Gochuumon wa Usagi Desu Ka? special. Titled “Dear My Sister”, the OVA was announced back during the Rabbit House Tea Party in 2016 and originally set to receive a limited theatrical screening in May this year – it is speculated to involve more music than seen in the anime proper. At present, it’s been delayed by production issues, and the updated release date remains unknown.

• At present, even OVAs are receiving the anime movie release pattern, taking at upwards of a half-year to finally become available in the home release format now; the wait for these OVAs has become as long as those for movies, accounting for why Pretty Days, released in November 2016, is only being reviewed now. In spite of the waits, I will definitely be returning to do a talk on the Gochuumon wa Usagi Desu Ka? special once that is available, and for the present, regular programming resumes as I push towards the end of Sora no Woto.

As is the modus operandi for OVA posts, one wonders if the OVA is the end-game, or merely a stepping stone for a continuation. Kiniro Mosaic performs reasonably well with respect to sales, and with the manga ongoing, it is possible that an animated adaptation depicting Shinobu and the others’ third year could come to fruition in the future, dealing with the girls as they finish their third year and move towards graduation. Nineteen months separated the first and second seasons, and by this trend, if Kiniro Mosaic is to receive a third season, it would likely be aired during the Winter 2018 anime season, just slightly less than a year from now. In comparison to my remarks that a second season of Yuyushiki, would be unlikely owing to how much time has elapsed since 2013, Kiniro Mosaic has already received its second season: the Pretty Days OVA comes at an intermediary point, so I am a bit more optimistic about the prospects of a third season. A continuation of Kiniro Mosaic would therefore be most welcome, acting as a conclusion of sorts to the series. Aside from graduation, a continuation could also open the possibility of Shinobu and her friends visiting England once more before they set off for whatever their futures have in store for them (with this being said, such an adventure might even be presented as a movie).

Hello! Kiniro Mosaic: Whole-series review and reflection

“Everything looks cute when it’s small.” —Cynthia Rowley

The adorable and immensely entertaining anime that is Hello! Kiniro Mosaic comes to an end after twelve episodes. Since the third episode, the anime has followed Alice and Shinobu’s life as second-year high school students. Outside of their studies, Alice and Shinobu experience an idyllic ever-day life. With Yoko, Aya and Karen, their adventures encompass a shopping trip with Isami to lift her spirits, participating in a trading quest inspired by The Straw Millionaire, Yoko’s attempt at conquering the Adam Richman Parfait Challenge and spending a day at the beach during the summer. Hello! Kiniro Mosaic also provides more insight into Karen and Alice’s friendship in a flashback to their time back in England, and the finale has Shinobu and Alice reunite after the latter spends a week in England with Karen. This is, in short, an anime that follows in the footsteps of numerous slice-of-life anime that preceded it. What allows Hello! Kiniro Mosaic to really stand out is the excellent capitalisation on the strong bonds between Alice and Shinobu, as well as Aya’s feelings for Yoko, and Karen’s boisterous presence to drive events forwards. However, the second season does not merely limit itself to the first season’s cast: Akari and Honoka add new dimensionality to the interactions within the second season, allowing for a new side to be shown to members of the old cast.

Hello! Kiniro Mosaic might be seen as the counterpart to Gochūmon wa Usagi Desu ka: both anime place an emphasis on transforming the mundane into the extraordinary, and both anime make extensive use of characters that are endearing to the viewers. There is a biological basis behind why this is so effective: I mentioned in a previous review (whose title and topic elude me) that cuteness in general is intended to encourage nurturing and child-caring tendencies in adults. These traits are desirable from an evolutionary standpoint, as adults who have a propensity towards cute things tend to pay more attention to their offspring and logically, would raise them effectively such that they survive. Thus, when viewers are watching anime like Kiniro Mosaic or Gochūmon wa Usagi Desu ka, the anime are designed in such a way as to invoke similar feelings: this is no different than watching baby bunnies eating a carrot. The natural predisposition to find enjoyment and tenderness in watching what is idiosyncratically referred to as “cute girls doing cute things”, accounts for why anime done with such an emphasis has continued to endure (despite the aesthetics’ prevalence).

Screenshots and Commentary

• It’s good to see that the screenshots this time turned out with a much better colour saturation: the last Kiniro Mosaic talk I did featured screenshots that were oversaturated, and could not be corrected because my image host somehow skewed their colours on upload. Here, Shinobu and Yoko admire flowers in bloom; Alice’s flowers are late in blooming, leading to some concern.

• Isami’s melancholy is implied to have stemmed from not spending as much time with Shinobu ever since Alice’s arrival, but noticing this, Yoko and company decide to take her on a shopping trip of sorts. A model and university student by the events of Hello! Kiniro Mosaic, Isami is depicted as elegant and cool, but also seems to have a more mischievous and idle side to her, as well.

• I’m confident that this is the only blog that will ever mention Adam Richman’s Man v. Food in conjunction with Kiniro Mosaic; Yoko takes on a massive parfait that costs some 80 CAD, and the challenge conditions state that finishing it means the dessert will be on the house. The challenge is quite similar to the ice cream challenge in Man v. Food, which saw Adam take on the Kitchen Sink challenge. Unlike Yoko, who is utterly defeated by food, Adam wins his challenge at the 45 minute mark of the hour-long time limit.

• In a flashback, Akari recounts how she first met Sakura. Despite being absentminded, Akari finds Sakura to be reliable and kind, as well. It turns out that Akari is younger than Sakura, and because of this, Sakura prefers that Akari does not refer to her as a senior, especially in front of the students, lest this gives her true age away.

• Akari smiles after the flashback ends: most viewers out there regard smiles from seemingly-cold characters as a very rewarding thing to see, as it signifies that the characters have another side to them.

• After an incident where Karen fell off a bridge’s ledge, Karen shouted out to Alice in mangled Japanese to catch her attention, and since then, Karen has regarded Alice as a hero to her. Here, the “i” below the “o” isn’t actually an “i”: in Japanese, “ー” is used to indicate that a particular sound is to be stretched

• Aya’s shyness is an impediment that leads her to botch a phone call to Yoko; she’d intended to create a study schedule to help Yoko out, but one thing leads to another: after swapping clothes with Aya to see how the former may look in a skirt and accidentally spilling barley tea on Yoko while studying, Yoko ends up in her undergarments right as Kota and Mitsuki show up. The build-ups for the various scenes are well-executed in each episode, which is no small feat.

• If I were to detail every amusing or noteworthy moment in Kiniro Mosaic, these posts would end up being behemoths rivaling the Gundam Unicorn: Over The Rainbow post in size. Thus, one of the challenges in making any blog post is to pick and choose moments that are conducive towards discussion, and I often go back to review a specific moment so that I might have something to say about it: here, after Shinobu jokingly suggests that she is going to dye her hair blonde, Alice reacts negatively.

• Honoka Matsubara (right) is Karen’s classmate, and like Shinobu, loves blonde hair. She’s a member of the tennis club, and strikes a fast friendship with Karen. Her family owns a restaurant chain, and Honoka often gifts sweets to Karen, although it isn’t until season two that she summons the courage to talk to her.

• While it’s not likely to happen, it would be quite nice to see Shinobu, Yoko and Aya pay a visit to England in an OVA; while Kiniro Mosaic is generally done in with simple artwork, the animators at Studio Gokumi seem to pay the ornate dresses more attention, and it does allow for some fanciful artwork of the characters in formal dresses that wouldn’t otherwise been seen elsewhere in the anime.

• Shinobu’s talent as a seamstress is nothing short of impressive: she’s able to create elaborate dresses from scratch, and later repairs Mitsuki’s stuffed bear to perfect condition in seconds. One of the things that I find most entertaining in Kiniro Mosaic is Alice’s squeals, which are heart-melting and amusing at the same time.

• In season one, Shinobu and company took a summer trip to the mountains; after much discussion, the group decides that this year, they can go to the beach. There’s a Mobile Suit Gundam reference in this episode: after getting a little too friendly with Yoko, Karen gets swatted, leading the latter to remark that “Not even my own father hit me!”. The dicussions at AnimeSuki picked this up, but I’m surprised that Tango-Victor-Tango’s viewers somehow missed this.

• Aya and Yoko’s interactions manage to remain fresh throughout the entirety of Hello! Kiniro Mosaic, and as with Alice, watching Aya cry is at once hilarious and heart-melting. Rise Taneda plays Aya’s role exceptionally well, although Aya’s timid personality stands in stark contrast with her role as Gochūmon wa Usagi Desu ka‘s Rize Tezeda.

• Sakura and Akari enjoy a day at the same beach that Shinobu at the others are visiting, and while most viewers were expecting their paths to cross, the decision to leave the two groups separate allows the story to maintain a more peaceful feeling.

• I’m modestly surprised that I was able to find the time to push this post out today: the weekend did not feel like much of a weekend, as I spent the entirety of it building furniture. However, it was very satisfying to finish- most of the furniture was for my parents, although I was able to assemble a new desk chair for myself, as well. The furniture building was punctuated by a much-welcomed break for Dim Sum during lunch hour on Saturday, and while yesterday was cloudy, the weather had cleared up in the afternoon.

• Honoka and Karen spend a relaxing day together: regarding the sentiment out there that the two’s friendship deserved more screen-time, I agree wholeheartedly. This season saw the start of a wonderful new friendship, and it’s likely that if there is a continuation, we could see Honoka become closer with Alice, Shinobu, Aya and Yoko, as well.

• Honoka also has an uncanny talent to balance on balls. While seemingly frivolous, inclusion of this element adds another side to Honoka and cleverly reflects on the idea that all people have hidden depths to them, far more than is initially visible.

• As the season draws to a close, Alice and Karen make a week-long trip to England. This segment in the anime makes the most explicit indications regarding the strength of Alice and Shinobu’s friendship. Here, Alice attempts to pack Shinobu such that the latter might accompany her to England, and in Alice’s absence, Shinobu falls into melancholy. Fortunately, Yoko and Aya step up to the plate to keep her company. Back in England, Karen also catches wind of Alice’s loneliness, and decides to film her own impersonation as Shinobu to keep Alice happy.

• Karen and Alice bake pastries at the Cartelet residence in England. With this post nearly over, I turn my eye on what’s next, and it’s going to be busy. There are a handful of posts that will need to be written before we’re too far into July, including one of my overall experiences with Call of Duty: Modern Warfare 3, my initial impressions of the Deus Ex: Mankind Divided E3 gameplay footage, and the concluding posts for both OreGairu Zoku and Hibike Euphonium. I’ll also need to watch and write about the Sabagebu! OVAs. This is going to be exacerbated by the fact that I’ve got a concert to attend tomorrow evening, and a movie on Friday…but I’ll make it work.

• Alice, Karen and Shinobu joyfully reunite around halfway into the finale. As with the previous season, the finale ends proper once the main arc resolves, and the remainder of the episode is dedicated to a side story. This one follows Shinobu as she attempts to study for an English exam under Alice’s watchful eye, and although not quite as amusing as the one from the first season, was still entertaining to behold.

When everything is said and done, Hello! Kiniro Mosaic is ultimately a solid continuation to Kiniro Mosiac, taking advantage of familiar characters to explore their everyday lives in greater detail, and introducing new characters liven the atmosphere up. Here is a series that has settled into the unique situations and accompanying humour that is possible with Alice, Shinobu, Yoko, Aya and Karen, and although the setting might not be as unique as that in Gochūmon wa Usagi Desu ka, Hello! Kiniro Mosaic opts to play to each characters’ strengths to provide non-stop comedy, as well as more tender moments that illustrate just how deep everyone’s friendship with one another is. Hello! Kiniro Mosaic concludes as the students gear up for entrance exams in their third year of high school, so it’s quite possible that a third season will eventually be adapted. If we go by trends, then said third season will likely be premièred in Winter 2017, although in the absence of more concrete information, this date remains pure speculation.

Hello! Kiniro Mosaic: Reflection and review after three

“Good teachers know how to bring out the best in students.” —Charles Kuralt

The sequel to Kiniro Mosaic, Hello! Kiniro Mosaic marks a welcome return to the gentle, slow-paced humour that characterised the first season, which saw Alice and Shinobu resume their friendship after the latter’s homestay in England five years prior to the present. When the first season ended, Alice and Shinobu were advancing into their second year of high school, but were separated on virtue of being in different classes. The second season picks up right where the first left off; Aya, Shinobu and Karen have Akari Kuzehashi as their homeroom instructor, and owing to her strict, intimidating presence, are having a difficult time adjusting. Karen’s efforts eventually leads Akari to open up somewhat, and by episode three, Hello! Kiniro Mosaic has settled right with the pace of things, with Yoko’s younger siblings making an appearance and Alice expressing a desire to be with Poppy, her pet dog.

For most viewers familiar with Kiniro Mosaic, the first season concluded nearly two years ago, and it was only a few months ago where a second season had been given the go-ahead and announced. On my end, it’s only been two months since I finished the first season. Consequently, I still recall vividly what the first season was like; the second season is off to an exceptionally strong start, offering incredibly amusing situations that allow the characters to bounce off one another. It is quite reminiscent of Bill Waterson’s Calvin and Hobbes, where the jokes became consistently better as Waterson continued to tune his craft. Hello! Kiniro Mosaic does just this: all of the sheer ridiculousness of some of the situations, whether it’s Karen’s determination to befriend Akari, the antics that ensue when everyone tries to reproduce an authentic English High Tea experience or Alice’s desire for a pet indicate moments that were are well-polished, intended to be accessible for new viewers, while simultaneously reacquainting those familiar with the show through some of the more subtle moments that allow the audience to learn more about the characters.

Screenshots and Commentary

• Alright, we’re back to Kiniro Mosaic, and I’m commentating this while I watch, picking up where I left off, let’s do this. I’m feeling magical; I can complete this review…in roughly thirty seconds. For newcomers, Hello! Kiniro Mosaic is quite accessible, although watching the first season is recommended, since there are subtle call-backs to the first season that make the second season doubly enjoyable to watch.

• The first few episodes deal predominantly with Akari, a new character who is the home economics instructor and also Aya, Karen and Shinobu’s homeroom instructor. Much of the humour in the episodes is dramatic in nature, with Karen mentioning Akari in a moderately unflattering light and subsequently learning that Akari happens to be standing right behind her.

• While she’s actually quite kind-hearted and enjoys working with her students, Akari’s intimidating appearance causes her students to become quite distant as a result. Karen sees her as a tiger for her ferocity, and speculates that she’s even eaten students.

• It comes across as somewhat unnerving in reality, and Kiniro Mosaic manages to turn Alice’s recording observations of Shinobu into something that’s endearing and entertaining. Not every anime can pull this off, but in the remarkably relaxed, carefree world that is Kiniro Mosaic, something like this is not unplausible.

• Karen somehow manages to acquire a Sherlock-esque garb in her investigation to figure out Akari, and in the process, learns that Shinobu is also quite mysterious, as well. Together with Aya, Yoko and Alice, they follow Shinobu around to no avail, and later, Shinobu reveals that her wish to learn English and become an interpreter was brought on by a memory from her childhood, where she saw someone converse with a native English speaker.

• While Karen is rather rambunctious, she’s also kind-hearted and is quick to befriend others. Her determination to get on good terms with Akari is quite endearing, and in fact, brings back memories of when I was an assistant instructor for kindergarten-aged children at a Chinese language school. It was there I realised the joys of piquing students’ enthusiasm for learning things.

• Upon hearing Sakura’s suggestion about “squeezing something cute”, Yoko and even Aya gets in on it. Kiniro Mosaic is remarkably similar to GochiUsa with respect to atmospherics and pacing, despite their respective manga’s different authors. The time difference between Kiniro Mosaic‘s first and second seasons’ start points is 21 months, so assuming this trend to hold, GochiUsa‘s second season will probably air during Winter 2016.

• Shinobu proposes that everyone gets together for afternoon tea, and after spending an afternoon just making the scones and biscuits, they’re forced to reschedule it. Afternoon tea has its origins in the 1840s amongst the British upper classes, and thus, can be said to be a relatively recent custom. A direct translation into my native tongue yields “yum cha” (飲茶), although rather than British staples, such as pastries and crumpets, dim sum is served instead. It’s one of my favourite events, and I’m especially fond of har gow.

• Karen decides to give some of the additional cookies she’d made with the others to her classmates as thanks for offering her sweets previously. Karen’s ever-lively personality and openness lends Kiniro Mosaic a very energetic feel: prior to her arrival in the series, things felt much slower, more laid-back in pacing. Something similar is happening in The Disappearance of Nagato Yuki-chan: now that Haruhi’s back, the show feels like it’s really picked up.

• Despite knowing that happi coats don’t require measurements, Aya takes Yoko’s measurements anyways. Read directly in Chinese, 法被 has no meaning in Hanzi, but refer to the happi coats in Japanese kanji; these are typically worn during festivals and its phonetic similarity has led them to be referred to as “happy coats”, which Akari tries to make a joke out of.

• While Shinobu may be under-performing as a student, her love of clothing means that she’s quite a seamstress, impressing Akari with her craftsmanship. On my edge, I tend to be similarly impressed with students who submit exceptionally well-done programs that satisfy the assignment criteria. These assignments are the easiest to mark, and I typically begin the marking procedure by separating assignments into two piles: the pile that outright works, and the pile where I give the assignment a closer look so they can be fairly evaluated.

• After a conversation with Sakura, Akari gradually figures out how to interact with her students without scaring them. One of the things that students look for in an instructor is their approachability: ever since I took the position of being a TA, I strive to present myself as being available to help the students to the best of my ability. While this means my inbox typically fills up (even with emails from students in other sections), it is immensely rewarding to see students learn and grasp the material.

• Naturally, I do not intimidate my students quite to the same extent that Akari does, and while I remind my students of important dates, since said students are undergraduates and adults, I expect that they are able to manage their own schedules and become aware of the deadlines.

• This year for April Fools’ Day, I changed my relationship status on Facebook from what it normally is to “In a Relationship”. It was a remarkably effective prank, since numerous of my friends did in fact fall for it, but those who know me quite well would know that it’s unlikely that such a thing would happen on such short notice. I thought it was fairly amusing, until I found out about Matimi0’s April Fools’ joke, which deceived even me.

• In fact, I would argue that those who read my blog and the accompanying image captions for each post would probably know me better than those who see my news feed on Facebook. This blog does act as an electronic diary of sorts, even if it is not quite as detailed as other online diaries. Apparently, dogs do not get along with Shinobu and bark in her presence.

• Last season, we had Alice bursting into tears after a New Year’s Dream near the series’ end, although this time around, the wait for such a reaction was not quite so long. My posting schedule’s been thrown off by the fact that I’ve been remarkably busy over the past while: on Sunday, I attended brunch with my professor for multi-agent systems and classmates; the morning had been quite gloomy when I drove there. As I sat down to plates of scrambled eggs, bacon, sausage, hash browns, a freshly made omelette, honey glazed ham, mini-steaks and chicken quesadillas, discussion turned to applications of multi-agent systems in real-world scenarios.

• Discussions feel much more informal outside of the classroom, and after I finished cheesecake some time later, the weather had cleared out completely, leaving skies of blue and sunshine.  I spent the remainder of the day grading assignments. Back in Kiniro Mosaic, Alice has fallen from a strong desire to pet and play with Poppy again. Such visuals add a great deal of humour to the scenario.

• Despite suggestions to pet Yoko in Poppy’s stead, Alice remarks that it’s different. Akari remarks that the students feel more similar to primary school students, and to an external observer, this is quite true. It’s only in anime where characters are able to act much younger than their ages would otherwise suggest, and the unique environment here allows this to be executed quite well.

• Sakura goes to extreme lengths to help her students, even managing to mimick Poppy’s barking to resuscitate Alice. Today marked the end of my first year in graduate studies; I completed an oral exam for the multi-agent systems course and summarily received my grade to continue my perfect streak. Now that the summer’s practically here, I finally picked up the Wolfenstein bundle (The New Order and The Old Blood) and will be starting on that quite soon. As well, I’ll be concluding April with a post on Hibike! Euphonium and my impressions of the finale to Gundam Build Fighters Try.

• Shinobu later makes a robotic dog for Alice to keep her company until she returns to England and sees Poppy again. Whatever lies ahead for Hello! Kiniro Mosaic will be something that I look forwards to seeing, as the academic term gives way to the summer. I anticipate that having humour of this calibre will be particularly helpful as I gear up to learn the Unreal Engine and begin my thesis in earnest.

Moving forwards, it appears that several new characters will be added to the line-up, offering the possibility of pushing new adventures and humour forwards. The second season’s off to a fine start: the first season was quite enjoyable to watch, but here, the situations seem to segue into one another very neatly, making each moment more enjoyable. If this trend holds for the remainder of the season, audiences will be left with a fantastic comedy that is sure to entertain in every moment. It’s been a while since I’ve watched a well-executed comedy; insofar, Hello! Kiniro Mosaic is something that’s very easy to recommend, and while this second season can be watched without having watched the first, there are some nuances that can only be understood if one’s watched the first season. We are still reasonably early into Hello! Kiniro Mosaic, so catching up before the fourth episode is not a particularly momentous undertaking.

Kiniro Mosaic: Whole-Series Review and Reflection

“In England, we have such good manners that if someone says something impolite, the police will get involved.” —Russell Brand

I’m now ready for Hello! Kiniro Mosaic, having officially finished the first season of Kiniro Mosaic. This anime thus joins the ranks of GochiUsa, Non Non Biyori, SoniAni, Tamayura and K-On! as Iyashike in my library, and when mentioned, I will remember this one for the unique sort of jokes that arise from Alice and Shinobu’s love for Japanese and English cultures, respectively. Alice quickly becomes accustomed to life in Japan with Shinobu, Aya and Yoko. Karen Kugo, Alice’s friend from England, also transfers to Shinobu and Alice’s school in the neighbouring class. After acclimatising to her new class and making new friends, Karen joins the others in sharing coursework and summer vacation, as well as a school culture festival and Christmas, together. As the series rolls to a end, the girls’ second year begins, and although they’re in different classes now, Shinobu reassures Alice that they’re still close togther.

Kiniro Mosaic tells a story about cultural differences, the perspective that people gain when they see aspects from said cultures, and that friendship is sufficient to transcend these differences. Kiniro Mosaic specifically deals with English and Japanese culture: Alice takes a great interest to all things Japanese, while Shinobu loves every aspect of British English culture. Their mutual respect and interest in the other’s background means that the two get along swimmingly, and are closer than any of the other characters in the series. While their friendship is close, Alice and Shinobu do not steal the spotlight from the other characters; whether it be Yoko’s forward, cheerful mannerisms, Aya’s shy, tsundere-like tendencies or Karen’s boisterous presence,  the unique combinations of personality allow for everyone to share the spotlight and have a solid contribution to the atmosphere for whatever they find themselves doing. Anime of the present tend to rely on familiar character archetypes, but by mixing up the different archetypes together, Kiniro Mosaic is able to capitalise on everyone to produce an endearing comedy.

Screenshots and Commentary

• My killstreak for posts ended with the Spring 2015 anime preview: I posted on five consecutive days, but now that Reading Week’s over, it’s time to get back to work. Shortly after arriving in Japan, Alice brought along a Japanese-style doll and tried to find Shinobu by asking for a girl who looked like said doll.

• Shinobu is wont to wear some rather unusual outfits on her outings with friends, which take the form of the Gothic Lolita style.

• Karen is introduced in episode three and speaks in broken Japanese with a rambunctious manner reminiscent of Kantai Collection‘s Kongou (this isn’t surprising, since they share the same voice actor). If we have to nit-pick about the English in Kiniro Mosaic, I’d say that Alice and Karen are lacking the British English accents. I personally find British, Scottish and Australian English to sound infinitely better than American/Canadian English; the latter sounds a little flat.

• The oil-paper umbrella originates from China, entering Korea and then Japan during the Asuka period. Known as wagasa, these umbrellas became popular during the Edo period, and were ornately decorated with period art. They are associated with Japanese culture, with different colours being used by different customers (e.g. Geisha, dancers and actors use purple, pink and black umbrellas, respectively).

• Isami is Shinobu’s older sister and is a fashion model who worries about Shinobu’s careless and absent-minded tendencies. She’s particularly fond of taking photographs of Shinobu and her friends.

• Aya and GochiUsa‘s Rize are very nearly identical in terms of appearance, and as the Kiniro Mosaic manga predates the GochiUsa manga by nine months, one might suppose that Rize’s physical appearance was inspired by Aya’s. Crossover artwork frequently depict the two together, and save their hair colour, it’s quite difficult to tell the two apart.

• Sakura Karasuma is an English teacher with a kind personality, but is also quite absent-minded as well, and often makes vague jokes whilst moving about in the school’s hallways. She’s well liked amongst the students, and although she understands that Shinobu’s command of English is weak, nonetheless tries to encourage Shinobu to pursue her dream of being an interpreter.

• During a summer day, the entire party goes on a day trip to the mountains. Karen’s talent for catching fish leaves Alice in the dust; the latter had intended to try and impress Shinobu, but is resigned to eating the fish that Karen has caught. I’m almost certain that the cleaning aspect was carried out, but the anime had spared us the necessity of watching the process: in Survivorman, Les Stroud skips over the portions of cleaning out whatever fish and game he catches.

• It’s been quite some time since I’ve seen anything to do with Yuyushiki, and I was pleasantly surprised to see it again. I believe that when I watched it last, I was working on a serialised computer model that allowed two simulations running on different computers to share information, and it was also the summer of Half Life 2, Metro Last Light and Garden of Words. Kiniro Mosaic is run in Manga Time Kirara Max, a subset of Manga Time Kirara, which runs Yuyushiki and K-On!, hence the permissions to grant Yuyushiki a cameo appearance here.

• Besides Shinobu, whose got some sort of hybrid kimono that integrates traditional and Western elements, Yoko, Aya, Alice and Karen all wear traditional kimono to their local summer festival.

• After an evening of takoyaki and other Summer Festival foods, running into Sakura and lighting sparklers, the girls close the evening and episode off with a firework. It’s the quintessential summer experience, and one that I’ve seen in too many anime to name.

• After masquerading as a mysterious guest, Isami blows her cover during the school festival when she aims her camera at Alice. Shinobu’s class does a hybrid cafe that combines Western and Japanese elements together, and despite Aya’s protests about donning a maid’s outfit, their class does a fine job.

• Alice’s first culture festival turns out to be a wonderful experience, and despite the minor misunderstanding that arises when Shinobu forgets that it’s the anniversary of when they’d first met, Alice manages to gift a hair ribbon to Shinobu after the culture festival draws to a close.

• For no reason at all, and occupying a precious slot reserved for screenshots, I will show off the pièce de résistance of Aya’s cooking: king crab. Crab is a food best enjoyed by handling it directly with one’s fingers. As skilled as I am with a fork and knife, nothing beats opening the crab shell and sucking out the succulent meat within. King crab is usually something I have during the New Year’s or during the summer, and for other events of the year, Dungeness Crab (Metacarcinus magister) cooked with ginger and green onion accompanies the dinner.

• Aya decides to invite everyone over for a sleepover when her friends learn that her parents are out. Aya is quite the opposite of Rize: while the latter is confident, disciplined and forward, Aya is quiet, although there are some situations where the former acts similarly to the latter (and vise-versa) in their respective animes.

• I didn’t expect anime such as Kiniro Mosaic to produce much in the way of discussion, and for the most part, aside from reviews, discussion about Kiniro Mosaic tends to be short, sweet and to the point, expressing how the anime is able to leave a warm, favourable impression on its audiences. A second season was announced somewhere back during April 2014, and with the success this series has experienced, this is not surprising and much welcomed.

• GochiUsa and Kiniro Mosaic take the audiences on a journey through the year, and despite being created by different authors, manage to be quite similar to one another in some regards. Quite personally, the European setting in GochiUsa, and the fact that I watched it first, makes it more memorable for me, but this is not to say that Kiniro Mosaic was unenjoyable.

• It’s 2015, and moments such as these still melt my heart. After a New Year’s Dream, Alice speaks in nothing but English about her experiences back home in England, anxious about Shinobu losing interest in her because she was growing too accustomed to Japanese culture. Shinobu finds her own English completely outmatched, and after Alice tearfully reveals the truth, she reassures Alice that things will be fine.

• By the start of their second year, Alice and Yoko are separated from Aya, Shinobu and Karen, leading to disappointment until Shinobu notes that their distance is trivial compared to the separation they had after Shinobu returned to Japan when her homestay period concluded. The second season will focus on how Aya and Alice grow accustomed to classes without their friends, and may even feature a group visit to Alice’s home.

• The finale is a little unusual: the end credits roll about halfway into the episode, and the remainder of the time is spent on a dramatisation of Shinobu’s story, featuring her and Alice as princesses, Karen as a pirate, Aya as a mermaid and Yoko as a prince. It’s sufficiently moving as to garner an ovation from her classmates and even moves Aya to tears. Typically, the end of the post comes with speculation, although this time, this isn’t strictly necessary, as we know there is a second season.

While Kiniro Mosaic offers nothing new as a slice-of-life anime to quite the same extent as GochiUsa and its warm, European setting, it is able to rearrange enough of the character archetypes and premise into an anime that remains entertaining for fans of the slice-of-life moé genre. This is an anime where the artwork is relatively simple, emphasising the dynamics of yet another group of friends. The relatively minimal artwork means that the viewers are drawn towards the characters, reinforcing a common theme for slice-of-life anime: that it’s the people one spends time with, rather than where they are, that matter. I personally would’ve liked to have seen more content set during Shinobu’s homestay in England, and the segments in Japan feel like a well-worn path, frequently tread and familiar. However, with Sinobu, Alice, Yoko, Aya and Karen keeping things interesting, I’ll be following the second season as this Spring 2015’s Iyashike even though it’s almost certainly going to feature more of the same: as I’ve enunciated in many other posts about slice-of-life, the whole point of such anime is to sooth and entertain. If I want something with a solid story, I’ll re-read H.G. Wells’ The Time Machine.