The Infinite Zenith

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Tag Archives: Miho Nishizumi

Girls und Panzer Das Finale Part Two: A Nine Minute Preview and Remarks on Release Patterns

“Delay always breeds danger; and to protract a great design is often to ruin it.” –Miguel de Cervantes

After Miho’s armoured column evacuates from the wooden bridge, they set up an ambush for BC Freedom’s tanks and push them towards a garden. Here, Mallard team causes chaos amongst BC Freedom’s tanks: after Saori had noticed that their Char B1 bis possessed the same turret as the Souma S35, Miho decides to give their tank a custom paint job and has Mallard sneak behind enemy lines to create instances of friendly fire. While BC Freedom can fight in a united manner under Marie’s command, Oshida and Andou’s animosity for one another ends up being exploited: the two wonder if there’s a traitor amongst them and disregard Ooarai, firing on one another instead. This is the short preview that has been presented for Girls und Panzer Das Finale‘s second act, which premièred in Japanese cinema back on June 15. Possessing a total runtime of 54 minutes, the second act will see the conclusion of Ooarai’s match with BC Freedom, whose outcome is foregone but where the journey to reach said outcome will still remain worthy of watching. With BC Freedom in the books, trailers show that part two will allow Miho a small break before their next match with Kinue Nishi and Chi-Ha Tan, where she spends some time at a Boko-themed amusement park with Alice. For folks, such as myself, who do not have the luxary of going to Japan to watch Das Finale‘s second act, this is about the most that is known for the present: a re-screening of both parts is scheduled for the Thanksgiving Long Weekend, and unlike Part One, whose home release date was announced a month after its première, no information has been provided as to when the home release for Part Two will be.

Screenshots and Commentary

  • I will come back and do a proper talk on Das Finale Part Two once it’s actually available; for now, we’ll have a chance to look at the nine or so minutes of footage that mark the opening sixth of the second act. It seems logical to start by talking about Marie. From what little has been seen of her so far, Marie has a haughty personalty and places great store in her skill as a commander. While capable of convincing Andou and Oshida to cooperate, Marie seems to care little for tactics, leaving her subordinates to fight while she eats cake even in the midst of a battle.

  • Conversely, Miho is always shown to be fighting alongside her comrades, directing them from the frontlines and encouraging them to do their best irrespective of the outcome. The gap in leadership and camaraderie amongst Ooarai’s Panzerfahren team is one of the reasons why they’ve always found ways to win over their enemies: other commanders tend to be confident and distant from other members of their team, Miho’s taken the effort to learn about everyone that participates alongside herself.

  • As a result of Girls und Panzer‘s previous performances, it is reasonable to suppose that Ooarai will win this match against BC Freedom, as well. The excitement comes from watching the process that leads to Ooarai’s victory, and I am now confident that it will be Momo who scores the winning kill: from a technical perspective, the FT-17 is a World War One era tank that was revolutionary for its time, but its maximum armour thickness of 22 mm would have offered no protection against the Jagdpanzer 38’s 7.5 cm Pak 39 (L/48), which could punch through 106 mm of armour at ranges of under 100 m.

  • Even at two kilometres, the Pak 39 is rated as being able to defeat 64 mm of armour if the round had hit its mark: the FT-17 would be useless, and Marie’s choice of tank is both to reflect on her preference to let her teammates do the fighting in their World War II-era, more capable tanks, as well as give Momo a fighting chance. I would further suppose that Miho’s determination to see Momo successful would mean that she’d sacrifice herself to make this happen, and so, I see her giving the order that causes her own Panzer IV to be disabled, which clears a way for Momo to take (and make) the winning shot.

  • Having done all of the housework and whatnot, today’s actually been a rather quiet day. Lazy weekends are the perfect time to spend making ludicrous foods: I had some grass-fed beef patties from earlier this month, and the time had finally come to break them out and use them to make burgers. Per request, these burgers feel like they come straight out of Man v. Food: besides a double patty, the burger I made was topped with cheddar cheese, bacon, sautéed onions and a fried egg. A side of fries and a tall glass of soda rounded things out. It was incredibly fun to put together and even more enjoyable to eat: grass-fed beef has an earthier, lamb-like taste, and the meat itself is leaner.

  • It is not lost on me that almost seven years have now passed since Girls und Panzer first began airing. Its success was unprecedented, and no one initially expected the franchise to do as well as it did. The reason for Girls und Panzer‘s unique success lies in the series emphasis on sportsmanship, finds ways of making each of the characters likeable, and for the incredible attention paid to detail. Appealing to military buffs and moé fans alike, there’s something in Girls und Panzer for everyone.

  • Capitalising on BC Freedom’s internal instability and the fact that Mallard Team’s Char B1 bis has the same turret as the Souma S35, Miho cleverly exploits their opponent’s weaknesses to create in-fighting during the match. Where Yukari had been dismayed to learn that the internal conflict at BC Freedom might have been a ruse, it turns out she was actually on the money: it is through Marie’s mediation that Oshida and Andou are able to nominally cooperate, but this cooperation is a fragile one.

  • While Der Film counted on spectacle and a scaled-up experience from the first season, Das Finale places much more emphasis on the skill-based elements of Panzerfahren. We can therefore expect creative tactics and problem solving approaches in upcoming movies, one of the few things along with the enjoyment factor, that is a constant with Das Finale. As frustrating as it is to be unable to do little more than wait, I fail to see the logic in going to Japan to see a movie that I won’t be able to write about in my usual format.

  • When Das Finale‘s second act finally comes out for home release and my copy arrives, I will be doing a much more in-depth talk about things. I expect that once BC Freedom begins tearing itself apart, it’ll be a short ways to the end of the match, and then the remainder of the episode will deal with Miho’s date with Alice to the Boko amusement park, as well as Ooarai squaring off against Chi-Ha Tan for the first time as opponents. With this preview in the books, I’ll be writing about Dumbbell wa Nan Kilo Moteru? next.

More optimistic estimates for Das Finale‘s second part to have a home release will put the date as being in December 2019, supposing that the re-screenings also double as an announcement for the next release. Previously, I had made the assumption that there would be a three month gap between the theatrical screenings and the home release for Das Finale, with an average of eighteen months between the different acts. By these estimates, this month was when Part Two was supposed to be released in full. Since these were off, the future release pattern for Das Finale becomes much more challenging to forecast. While I appreciate the effort going into the production of Girls und Panzer Das Finale to ensure that each instalment is of a high standard, Actas is proving to be about as reliable as 343 Industries when it comes to release dates. Following Das Finale is a bit of a painful endeavour on account of these wait times, and I do apologise to my readers for the considerable delays encountered in writing about Das Finale. My ability to write about this six-part film series is entirely dependent on the home releases, as I aim to provide detailed discussions, with high-quality screenshots. While I could be financially irresponsible and fly myself out to Japan for the singular purpose of watching the film to provide a pure-text summary, I would be compromising the quality of my content by taking this route. This is the cost of quality, and I will resolve to get a proper talk on Das Finale‘s second act as soon as the home release is available, a talk that I hope readers will find satisfactory.

A Valentine’s Day with Miho Nishizumi: A Brief Introspection

“All you need is love. But a little chocolate now and then doesn’t hurt.” – Charles M. Schulz

What would Valentine’s Day with Girls und Panzer‘s Miho “Miporin” Nishizumi look like? A first date would likely entail an afternoon spent at a Teddy Bear Museum, followed by a visit to a patisserie selling macarons and tea. A later date could encompass a quiet meal for two cooked together, followed by an evening watching a movie. Quiet, cheerful and shy, but utterly devoted to her friends, Miho falls into the category of an ISFJ, the defender archetype. Supportive, reliable and imaginative, Miho’s strengths are being able to rally her friends from difficult situations and devising creative solutions to challenges that she faces. She is, however, very reserved and quite unwilling to discuss her problems with others until she opens up, and she can be very stubborn despite her adaptability in Panzerfahren, being uncompromising about her friends’ well-being. Throughout Girls und Panzer, Miho is presented as being fiercely loyal and determined, even when it comes at the expense of her own well-being, and this is a personality flaw that makes Miho a believable character – putting others ahead of herself, Miho often forgets about her own happiness and takes on more responsibilities than she might otherwise be able to handle. Fortunately, in the company of friends like Saori, Hana, Yukari and Mako, Miho begins striking a finer balance and matures as an individual, coming to rediscover her love for a sport and a new reason to love it. Far from perfect, and far from invincible, Miho is a solid lead for Girls und Panzer whose capacity as a commander on the field is balanced by a very human, plausible personality off the field.

  • Miho is strikingly similar to CLANNAD‘s Nagisa Furukawa in many ways; since I earlier wrote about the INFP-ISTJ dynamic, I figured to mix things up, I’d suppose that Miho is an ISFJ. The ISFJ-ISTJ relationship is a little more compatible than the INFP-ITSJ one, and so, this post is a little shorter: for my part, I am open-minded, can be more outgoing than my introverted preferences suggest if the situation demands it, and despite my preference for logic, I have found myself slowly becoming more attuned to my sensing side, as well. Perhaps for the future, I’ll take a look at a personality type that’s my opposite, such as Harukana Receive‘s Haruka Oozora, and see what the consequences of such a pairing are, to mix things up and produce more interesting discussion for readers.

In a relationship with ISFJ personalities such as Miho, folk like myself (ISTJ) would immediately respect one another’s desire for quiet time and also be able to share interesting conversations with one another. I’d find Miho’s compassion and warmth a major strength, while Miho would benefit from my ability to approach situations from a logical, structured manner. We’d make decisions based on a range of factors to reach a conclusion that’s best for everyone. From our personalities’ sums, our household would be organised, and there’d be a healthy respect for planning and schedules. However, there are drawbacks in the ISFJ-ISTJ pairing, as well: our mutual introversion means that we might not communicate enough. We also tend to overthink situations and jump to the worst-case conclusions during times of difficulty. My bluntness may also hurt Miho, whereas Miho’s aversion to conflict may make it difficult for her to be honest about how she feels about some things. However, difficulties notwithstanding, sustainable, healthy and rewarding relationships can definitely result from a ISFJ-ISTJ pairing. Good communication and a respect for one another is key here, and as partners get to know one another, they definitely could understand and support one another. Of course, these are just hypotheticals; while fun to write for, I’m sure that whatever happens in reality, a healthy dose of open-mindedness, a willingness to listen and communicate will mean that as far as romance and relationships go, any personality type will be compatible as long as the love is present. Finally, for having made it this far in the post, I would also like to wish my readers a Happy Valentine’s Day!

Girls und Panzer Das Finale Part One: Review and Reflection

“On ne passe pas.” –General Robert Nivelle

While using telemetry to search for additional tanks in the Ooarai, rumours that Momo might be held back circulate. It turns out that she was not accepted to an university; this coincides with a Winter Cup, which was re-instated in preparation for the upcoming World Cup. Aiming to leave her legacy for Miho and her juniors, Momo resolutely led the search for new tanks so Ooarai’s future was assured, and when it is mentioned that some universities accept students based on extracurricular merit, Ooarai’s Panzerfahren team decide to make Momo commander, banking on a win at the Winter Club to help her with post-secondary admissions. Miho and the others decide to descend into the bowels of Ooarai’s ship. Sodoko refers area to this as the “Johannesberg of Ooarai”, and after she’s abducted by a pair of students, Mako follows in pursuit, leading them to Bar Donozoko. Miho and her friends liberate Sodoko and explain that they’re searching for a tank, but the bar’s patrons challenge them to a series of contests. Miho’s crew come out triumphant, earning the respect of the group’s captain, Ogin. It turns out that Ogin and her friends were indebted to Momo, who saved from some expulsion some years ago, and after learning that their smoker is the tank that Miho was seeking, Bar Donozoko’s crew decide to man the tank, introducing themselves and swearing to help Momo. At the opening draw, Momo draws for the first match, which will be against BC Freedom Academy. Beyond the knowledge that BC Freedom is typically eliminated from round one, Miho remarks that nothing is known about them, prompting Yukari to perform her usual reconnaissance, learning there is a deep division that runs at BC Freedom. On the day of the match, Ooarai’s Panzerfahren team is introduced to their newest group, the Shark Team and their Mark IV. BC Freedom is late to the party, but once they arrive, the match begins. They split up, leading Momo to keep her main column together and determine where BC Freedom’s armour went. Deducing BC Freedom’s flag tank location, Ooarai advances to the suspected position to engage, but when when crossing a wooden bridge, they suddenly find themselves being shelled. Surprised at the exemplary coordination BC is exhibiting, Yukari apologises for having failed in her reconnaissance duties. With the bridge beginning to fail, Miho proposes using the Mark IV as a ramp, allowing all of Ooarai’s tanks to safely leave the bridge. BC Freedom orders a tactical retreat while Miho and her forces regroup.

The opening act of Das Finale is functionally equivalent to two standard episodes, so after forty minutes of play, Das Finale’s first instalment follows in the same manner as its predecessor; circumstance dictates the recovery of an additional tank, and a match begins to set the tone for the remainder of what is upcoming in Das Finale. Das Finale is motivated by rather different reasons than the TV series and Der Film, with more senior students considering what their futures entail. With Momo in a difficult spot, Ooarai’s students rally to help her out: all of this is only possible because of the strong bond that everyone shares. Momo has long been presented as a person who has a remarkably tender spirit despite her tough exterior, and so, Das Finale‘s choice to focus on her gives an opportunity to weave a different narrative than what viewers had seen previously from Girls und Panzer. While Das Finale also retains a familiar, tried-and-true story, there are enough novel elements to keep Das Finale fresh. The comedy of watching Ankou Team somehow manage to kick the asses of everyone at Bar Donozoko is amusing, as is Ooarai’s clever use of the Mark IV as a makeshift ramp to escape a collapsing bridge. In its execution, Das Finale‘s first act is conventional, setting the stage for what lies ahead for Ooarai and their Panzerfahren team: Girls und Panzer has traditionally excelled in depicting the journey, rather than its destination, and so, while the first part moves in a highly foreseeable manner, Das Finale introduces enough new elements while returning to the skill-based roots of the TV series to result in a highly entertaining start for Das Finale. While off to a solid start, one element to keep in mind for new-coming viewers is that Das Finale is set after Girls und Panzer and Der Film: mission-critical elements are explored in earlier instalments, so in order to fully appreciate where Das Finale is going, one should take the time to ensure they are familiar with events of both the 2012 anime and the 2015 movie. The plus side about this is that Girls und Panzer isn’t particularly long, and with the second act’s theatrical screening date unknown, there is plenty of time for interested viewers to do so.

Screenshots and Commentary

  • Because Das Finale is releasing six movies, it stands to reason that each movie is equivalent to two episodes. From this, I will be doing what is essentially an episodic review; each post for Das Finale will feature forty screenshots, and I will attempt to ensure a reasonable distribution of screenshots for all of the critical moments in each part, or act. We open up this discussion with Momo reacting to headlines in the school newspaper about her repeating a year while on the hunt for new tanks; of all the characters, Momo is the most prone to being depicted with what I call “funny faces”.

  • Understandably concerned for her, the entire Panzerfahren team shows up to learn the truth from Momo, who is shaken. While she and Anzu were among my least favourite of the characters when Girls und Panzer‘s first few episodes aired, they quickly earned my respect in their respect for Miho and dedication to Ooarai. A subtle sign of their commitment is that during their tank selection, they went with the Panzer 38(t), a light tank with thin armour and a weak primary armament. While they would upgrade later to the Hetzner, that the student council willingly took the weakest tank illustrates that they have faith in Miho and her abilities.

  • One of Girls und Panzer‘s great strengths was being able to adequately flesh out all of the secondary characters despite only having twelve episodes to work with. By Das Finale, Miho, Yukari, Saori, Hana and Mako’s personalities are well-established, and second to Ankou Team, Turtle Team’s members figure prominantly in Girls und Panzer. Anzu and Yuzu’s characters are relatively straightforward compared to Momo; both get into their preferred institutes and performed reasonably well in matches. As such, the choice to have Momo leading Ooarai for Das Finale is a chance for audiences to see her shine, having been given the short end of the stick in Girls und Panzer and Der Film.

  • More insight is provided on Ooarai’s school ship: during the third OVA (which I wrote about a shade more than five years ago), the school ships of the Girls und Panzer universe were presented as well-maintained, orderly facilities where girls learned practical skills. Besides the default general studies group, there are also students dedicated towards the maintaining of the ships’ basic functions. Most of these folks are well-kempt and disciplined, but Das Finale shows that the sheer size of these vessels gives rise to the slums phenomenon that plagues large urban areas, as a result of inadequate resources to maintain law enforcement in all areas.

  • The depths of the Ooarai school ship are known as “Johannesberg”, a city in South Africa affected by serious urban decay, but when I see this side of Ooarai’s school ship, it bring to mind the likes of Hong Kong’s Kowloon Walled City and Útulek Complex in Deus Ex: Mankind Divided. The girls’ pensiveness is evident here, especially Miho, who’s contracted in fear. While a fearsome tank commander and strategist, on foot, Miho and her diminutive 5’2″ frame is not particularly intimidating. Miho reminds me a great deal of Slow Start‘s Hana Ichinose, whom I’ve long felt to me what Miho might be like in the absence of Panzerfahren, and seeing her body language in this side of Ooarai’s school ship definitely reinforces this.

  • After falling into a wine cellar while in pursuit of Sodoko, Miho and the others find themselves in Bar Donozoko. Unfamiliar with the setting, everyone orders something with milk in it, leading the patrons to mock them. While long seen as a drink for children, nutritional experts recommend that adults continue to drink milk because it’s got a variety of compounds that make it a healthy option, and bodybuilders consume it precisely for this reason. I admittedly prefer it over coffee, and where possible, I try to have two glasses every day.

  • Each of Yukari, Saori and Mako manage to hold their own against Bar Donozoko’s challenges: Yukari’s expertise in knots allow her to quickly unknot a rope presented to her, Saori has become very versed in communications and is able to work out the semaphore message given to her, while Mako bests Rum in a thumb war. Goaded beyond endurance, Murakami makes to kick Miho’s ass, but Miho demonstrates a hitherto unseen side to her: she dodges all of the strikes and bows in apology, lifting Murakami into he air and throwing her behind the bar. Hilarious and surprising, it seems Miho is much stronger than her slender frame suggests; besides being relevant in Panzerfahren, hip strength also has other uses.

  • Frustrated by Miho and her friends’ resilience, weapons are drawn as Bar Donozoko’s patrons prepare to escalate things. Yukari readies a M24 Stielhandgranate. While there’s no white marking or relief texture on the handle to indicate thus, I imagine it is a smoke grenade variant, since it would be outright obtuse to use an explosive grenade at this range: using it would almost certainly flatten Miho and her friends along with Bar Donozoko’s patrons. Ogin steps in and says that a drinking contest, rather than an all-out fight, seems more appropriate; she’s visibly impressed with what Miho and her friends can do.

  • Because the consumption of alcohol by minors isn’t exactly sanctioned, when the drinking contest comes, a non-alcoholic rum is used. The challenge comes from it being spicy, and I imagine that it’s likely using ghost chili extract, otherwise, the taste of rum would be defeated. Hana holds her own against Ogin, who is no novice, managing to put Ogin on the floor. While presented as a gentle and polite girl, there’s a sexy quality about Hana when she becomes more serious.

  • While bearing the characteristics of delinquents, once Ogin is aware that Miho and her friends are aiming to help Momo, Bar Donozoko’s patrons immediately become more friendly and more in line with how girls from all of the other teams are. They might be a tough-talking, rowdy bunch, but they also possess a sense of honour and respect. Ogin is voiced by Ayane Sakura, better known as GochiUsa‘s Cocoa Hoto, Akane Isshiki of VividRed Operation, Tsubaki Sawabe from Your Lie in April and Kantai Collection‘s Nagato. She reveals the location of the tank and recruits her friends to help Momo out.

  • Now that we’ve got everyone in the frame in lighting conditions that throw each character into sharp relief, from left to right, we have Murakami, Cutlass, Ogin, Rum and Flint. They respectively become the gunners, commander, driver and radio operator for the Mark IV. Momo reacts in joy to seeing them here, pleased to see them again after all this time, and that Momo once saved them from expulsion provides further insight into her as a tough-but-fair individual who is actually quite driven by emotions: of everyone in Girls und Panzer, she cries the most.

  • Glimpses of other schools can be seen during the Winter Cup’s ceremonies, including the rather interesting team just ahead of Ooarai, whose dress style is evocative of the Spanish Legion. Girls und Panzer has hinted previously that there are a very large number of schools, and that Panzerfahren is an international sport. While I wager that the series was created as a one-off, the world-building has been handled well enough so that the series is very scalable: keeping things fresh is as simple as adding more schools and ensuring that they’re properly written. I’ve mentioned this somewhere at another point in time, but to re-iterate, I’d love to see a Canadian-style team featuring all of the Canadian stereotypes.

  • Should a Canadian team be featured, I expect to see stereotypes including: a love for the winter matching Pravda’s, non-stop chatter about ice hockey (so, the girls would argue about whether some goals should be waived off for being offside mid-match), adding Maple Syrup to bloody everything and apologising for every kill, even more than Miho. Such a team would also fight with the ferocity of a beaver: mirroring our actions at Vimy Ridge. Back in Das Finale, Momo’s draw sends Ooarai into a match with BC Continuation school. Looking back on Das Finale‘s first act, while Yukari will later believe that it’s an act, the animosity at BC Academy is quite real according to supplementary materials.

  • With their opponent known, Yukari sneaks off to BC Freedom Academy and learns that the school has two distinct factions as a result of a merger. This setup is based off the divide in France during the Second World War, with the BC faction being more relaxed and easygoing than the strict, disciplined Freedom faction. The division in ideology means that brawls are common on the BC Freedom Academy school ship, and during her excursion to BC Freedom, Yukari is caught in one such fight, learning very little about their opponent beyond a seeming lack of unity. The video she presents includes a knockoff of the LucasFilm™ logo; to quote Bubblegum Tate from Futuama, “Hello, lawsuit”.

  • Yukari is distinctly woebegone after returning from her reconnaissance mission, but is in fine spirits; a school such as BC Freedom would be at a disadvantage during Panzerfahren matches owing to their division, similar to Mao Zedong’s Communists and Chiang Kai-Shek’s Nationalists, who nominally cooperated to repel Imperial Japanese forces, but otherwise, considered one another worse enemies than they did the Japanese. The implications of BC Freedom’s factions could lead to the impression that they are a pushover, but par the course for Girls und Panzer, it’s more likely that BC Freedom has a few tricks up their sleeves.

  • Many familiar faces make a return in Das Finale‘s first act; each of the schools previously seen discuss their future directions in Panzerfahren, and audiences learn that Darjeeling plans to study in the United Kingdom, while Maho’s gone to Germany for her post-secondary education. I’ve chosen not to feature all of those moments here, since doing so would drive the screenshot and figure caption count above what I’m willing to commit to writing this post, but on the topics of time and the future, it’s been five years since Girls und Panzer first aired. A lot can happen in five years; I finished my Bachelor and Masters’ degrees, began working and I’m a ni-dan now.

  • The higher-ranked delegates and officials prepare for the match’s opening. A St. Chamond tank is visible on the table: only four hundred were manufactured, and lacking a turret of modern tanks, it nonetheless is considered as a development in armoured warfare. With a 90 HP gasoline-electric hybrid engine, the St. Chamond could reach a maximum speed of 12 kilometers per hour despite its mass, and later models were armed with a 75mm cannon. Its design made it unwieldy and unsuited for crossing trenches, but its Battlefield 1 incarnation is surprisingly fun to operate: it’s my second-most used tank after the Mark V.

  • BC Freedom Academy’s late arrival to the match leads Saori and the others to wonder if they can win by default; while Ooarai remains hopeful for such an outcome, from a narrative perspective, this approach is impossible (I formally define impossible from a mathematical perspective as “this event is not in the set of events that can occur”), as it would cause the story to end too quickly and lead to a large number of disgruntled viewers. Indeed, BC Freedom Academy arrives fashionably late to foreshadow that they are not necessarily what they seem.

  • The patrons of Bar Donozoko are made operators of the Mark IV tank that Miho and the others found in the bowels of Ooarai, giving their tank a pirate theme. The predecessor to the Mark V, which is seen in Battlefield 1, the Mark IV is the most iconic tank of World War One, being the fourth model in a line of vehicles designed to smash through fortifications and break stalemates. Battlefield 1 presents the Mark V is a superb platform for offense, and while it’s the slowest tank in the game, it’s got the best offensive options for anti-armour engagements. By the time of World War Two, the Mark V and IV would have been woefully inadequate, with its low speed, outdated armament and armour making it vulnerable to period armour. In Girls und Panzer, it is appropriate that the pirate-themed crew helm the Mark IV, whose lineage is informally referred to as “Landships” in Battlefield 1.

  • Compared against the immaculately clean uniforms of Ooarai, Oshida (closest to the viewer, blonde hair) and Andou (between Marie and Oshida) are visibly beaten up, having been seen fighting with one another on the way in. Marie displays a degree of flippancy in refusing to bow (like Gōjū-ryū, we bow to our opponents before beginning a competition), and with the formalities out of the way, the teams are off. Unbefitting of this blog and its usual manner, I remark that Miho’s seen some “character growth” since the events of the first season and movie, being a subtle sign that time is passing.

  • The faded grey skies and yellow-green terrain is a reminder that this battle is set during the winter; while the match against BC Freedom is set in a temperate grassland with some woods as cover, one cannot help but wonder if we’ll see more winter combat in later instalments of Das Finale. The setting admittedly reminds me of Battlefield 1‘s Somme Map from the Apocalypse DLC; I’ve been playing Battlefield 1 only intermittently as of late thanks to The Division running a series of global events, but while working on some community missions, I’ve seen a dramatic improvement to my performance, and have really enjoyed the upgraded SMG 08/18, which is nigh-unstoppable.

  • Based on information from Duck and Leopon teams, Miho deduces that most of BC Freedom’s forces will have taken the high ground. Because the aim of a flag tank match is to kill the flag tank, the match can be concluded in a very decisive manner very quickly. Miho is seen drawing on a Magna Doodle-type device, which operates by using a magnet in the stylus to align magnetic particles. While unsophisticated compared to an iPad, Magna Doodles do not require dry-erase markers, ink or graphite, making them a powerful reusable tool that reduces the need to carry writing equipment into the field.  Miho’s choice of equipment underlie her personality: while she can seem quite childish, Miho is also remarkably practical, making use of the best tools for the task at hand.

  • Despite being quick to bark out orders under normal circumstances, Momo is unaccustomed to fulfilling the role of commander, and is seen constantly asking Miho for advice. Miho encourages Momo and provides feedback to ensure that Momo makes the calls for Ooarai that will lead to victory.

  • The artwork in Girls und Panzer‘s original run was of a high quality, but with the release of Der Film and Das Finale, the amount of detail that’s gone into landscapes and lighting effects have much improved. From crisp blades of grass on the ground to details in the trees and volumetric lighting effects, Das Finale looks and feels amazing. While the improvements are not as pronounced as the jump from Battlefield 3‘s Frostbite 2 Engine to Battlefield 4 and 1‘s Frostbite 3, subtle differences nonetheless indicate that that Actas is constantly improving the visuals to ensure they are eye-pleasing.

  • The number of World War One tanks in Das Finale‘s first chapter brings to mind DICE’s return to World War One for Battlefield 1; one of the most challenging aspects that Girls und Panzer faced following the TV series’ conclusion was designing an enemy more potent than Black Forest. Der Film was somewhat unsuccessful, falling upon an enemy that was superior in terms of equipment alone, and with Das Finale, the introduction of BC Freedom Academy has allowed the series to return to its roots in a skill-based battle over sheer spectacle alone.

  • The volleyball team move into a deserted urban area in pursuit of BC Freedom Academy’s tanks. The urban combat in Das Finale‘s first part is minimal, and they manage to locate a part of the BC Freedom armour before coming under fire. The small number of enemy armour encountered and light combat insofar serves to build the suspense. I experience the same in any shooter; when the map becomes too quiet and I’m given a great deal of resources, I prepare myself for a massive engagement.

  • While scouting ahead, Momo and Yukari locate BC Academy’s main force. Yukari is seen using the same Entfernungsmesser EM 1M R36 binoculars that she used in Der Film. They spot BC Freedom’s students playing games and relaxing on the hill. Some viewers will note that the images cannot be expanded to be viewed in greater detail: I’m treating Das Finale like an episodic review rather than a special movie review, and so, won’t give this series the silver screen review treatment.

  • While attempting to traverse a rickety wooden bridge, Miho’s forces find themselves under heavy fire from the BC Freedom Academy tanks. They begin targeting the unstable wooden support columns and manage to trap a majority of Ooarai’s armour on the bridge. A plunge in the river would spell certain doom for Ooarai here, and the situation looks quite dire for Ooarai, who have walked into a trap of sorts. It’s a bit of a callback to the second episode of the TV series, when Miho finds her tank caught on a bridge between their classmates’ tanks during training, and the first sign of trouble is optics glint that the Student Disciplinary Committee spot. This is why I do not run with high-powered optics in Battlefield 1 unless necessary: seeing scope glint prompts me to immediately take cover and find a different route, so as a sniper, I could stand to lose kills once the opposing team’s players are alerted to my presence.

  • The flag tank that BC Freedom Academy selects for the match is the Renault FT-17, a revolutionary light tank that formed as the predecessor to modern tanks. With its revolving turret, rear-mounted engine and front crew compartment, its design forms the basis for all tanks as we know them. The FT-17 was successfully deployed in 1918 against German forces, and continued to be used into World War Two, but they were completely outmatched by period armour. In Das Finale, it remains to be seen as to whether or not the FT-17 that Commander Marie is fielding is outperformed, or if it is as capable as the FT-17 seen during Battlefield 1‘s open beta, during which I managed a 20-streak with it. The FT-17 has since been re-balanced, with a lower ammunition capacity and longer self-repair time to counter the fact that it was nigh-unstoppable during the open beta.

  • Realising that this is probably the first time she’s let Miho down with her intelligence-gathering, Yukari is seen with tears in her eyes, and even with Miho’s reassurances, the fact remains that elimination could very well be imminent. BC Freedom Academy’s execution here is what motivates this page quote. French for “They shall not pass”, it’s an idiom for expressing determination, and the sustained shelling has a noticeable moral impact on Ooarai’s crews. Miho retains her calm and begins working out a solution, asking Momo to pass on the orders for the option that she’s devised.

  • When Marie realises what the Ooarai tanks are doing, she recoils in shock. Rarely seen without a cake in hand, Marie is a call-out to Marie Antoinette, a rather infamous figure who personified the ills of the old French monarchy. Marie’s cakes are likely a reference to the phrase Qu’ils mangent de la brioche, better known in English as “let them eat cake”. Commonly attributed to Antoinette, there is actually no record she said this; the misconception comes from a line in Jean-Jacques Rousseau’s autobiography.

  • BC Freedom employs a hybrid style between Napoleon I’s manoeuvre warfare to disrupt the enemy, and a defensive approach inspired by the Maginot Line. While BC Freedom Academy had such a difficult time getting the different schools to cooperate, both approaches were formed into a “Marriage Approach”. It is this that Ooarai squares off against during its match, but even BC Freedom cannot anticipate the innovative methods Miho applies towards Panzerfahren.

  • In Das Finale‘s first act, BC Freedom is seen fielding the ARL 44 heavy tank, which was designed off older heavy tanks, such as the Char B1. They were intended to trade blows with the Tiger II, but saw no combat during World War Two, only making it into production in 1949. The model proved underwhelming, and only sixty were produced; their role would be fulfilled by the American M47 Patton. Besides the ARL 44, BC Freedom also uses the SOMUA S35, a cavalry tank that could fulfill both anti-personnel and anti-armour roles. Historically, the S35 proved effective in battle, but were also expensive to produce.

  • Working with Miho means an acceptance of the unorthodox; while each of the other schools (save the University team) retain a structured, well-known strategy based off their historical equivalents, Ooarai’s approach to Panzerfahren has become one of improvisation, actively attempting to understand the environment and determining how to best utilise it to gain an advantage. Through Miho’s examples, each of the tank teams have since adopted a penchant for improvisation, and it speaks volumes to Ooarai’s capacity for improvisation when using the Mark IV as a ramp to escape the stricken bridge does not qualify as one of the most outrageous things they’ve done.

  • A glance at the calendar shows that March is very nearly over, which is bewildering. This month has evaporated, and things at work are turning around as spring returns to the world. This post comes right as the winter anime season draws to a close, and after a lunch of garlic-herb breaded sole fillets with fries, I turned my attention towards getting this talk on Das Finale live: nowhere near as large as the post on Der Film, it’s nonetheless taken upwards of four hours to assemble.

  • While Das Finale predominantly makes use of incidental pieces from Girls und Panzer‘s original run and Der Film, there are some new songs that accompany the BC Freedom Academy’s moments. No news of a soundtrack has yet reached my ears, so we return to the actual combat: on the topic of aural elements, Das Finale performs much better than Der Film did. The sounds from each tank firing their main armament sounds much beefier in the former, whereas in the latter, some of the cannons sounded like a marksman rifle from Battlefield 3.

  • Seeing that the hunter has become the hunted, Marie orders all of her tanks to make a withdrawal. Inspection of the exchange of shell fire finds that Ooarai’s gunners hit a few of their marks, but deal glancing damage. The fact that both teams still have their armour suggests that the narrative is going to go in a direction where it’ll be a showdown between Ooarai and BF Freedom’s flag tank, and I wager that Momo will finally land her first kill, having spent the whole of the TV series and movie missing even the most trivial of shots.

  • Having driven off BC Freedom Academy for the present, Miho apologises for having put everyone in such a situation. Thankful everyone’s alright, she rallies her forces and states that they will regroup. Ending the first act of Das Finale on a cliff-hanger and no known release date for part two means we’re likely in for a long wait before seeing how Ooarai manages to best BC Freedom Academy. Having said this, we know now that there will be a three-month gap between theatrical screenings of Das Finale and the subsequent home release, so once the opening date for act two is known, we can reasonably estimate when the attendant home releases (and subsequent opportunity to talk about the different acts) can occur.

  • Retreating to the plains, BC Freedom Academy’s students begin singing a variation of the French song, Chant de l’Oignon (Song of the Onion). A funny-sounding song, it’s thought that the song came from Napoléon, who saw some of his soldiers adding onions to their bread and remarking on its taste. Napoléon replied that this was the taste of victory, and so, the march was born. This brings my Das Finale post for the first part to an end, and with the learnings from this writing this post, I think it’s safe to say that I will try and have Das Finale talks out within two to three days of the home release. Posts coming in the near future include a talk for Slow Start‘s finale and A Place Further Than The Universe‘s finale, but for now, it’s time to take a bit of a breather.

Consequently, with the first act of Das Finale in the books, it would not be surprising to anticipate that the remaining instalments will likely play out in a similar fashion. However, as we are only the equivalent of two episodes in, it is not appropriate to consider thematic elements that apply in Das Finale just yet; the journey is just getting started. With this being said, I will take the time now to note that I’ve got a bit of a love-hate relationship with Girls und Panzer; a technically superb series in characterisation, animation and sound engineering, Girls und Panzer is simultaneously stymied by a production challenges and a release pattern as uncertain as that of Half-Life 3. The long release time and decision to release Das Finale as six movies rather than a weekly programme makes it superbly difficult for the narrative to retain its momentum and draw anticipation in viewers. Similarly, one of Girls und Panzer‘s greatest strengths is the incredible attention paid to depicting the tanks and their engagements in a plausible manner, but the emphasis on detail also has created unrealistic expectations for what Girls und Panzer ought to be. For me, a credible advancement of the story and presentation of entertaining, logical stages in the narrative is more critical than whether or not the tanks and their operators behave precisely as they should in the real world. This particular perspective is not shared by everyone, and there have been some interesting situations where I’ve run into folks who believe that realism is paramount, to be favoured above all other elements in a show when determining its worth. Numerous disagreements about the characters’ behaviours and actions have surfaced over the years, and it’s a bit wearing to deal with individuals who are unwilling to look past this and consider Girls und Panzer as a whole. Summing this up, I love the series for what it is, but I’m not big on its release pattern and some members of the community. Overall, as Das Finale continues, a part of me would prefer that Girls und Panzer would have concluded with the film, sparing me both the long waits and the occasional lecture on why my beliefs make me unfit to count myself as human, but on the flipside, I am reasonably confident I’ll continue to enjoy Das Finale – the opening is off to a good start, and while the second act will release at an unknown date in the future, it will invariably deal with the outcome of the match between Ooarai and BC Freedom Academy.

Miporin no Etymology, and a preview of Girls und Panzer: Das Finale

“My chi is mad focused, yo.” —Tanker, Battlefield 3

This post is a double-feature — with the release of a new Girls und Panzer trailer for Girls und Panzer: Final Chapter, now appearing to be re-designated as Girls und Panzer: Das Finale, there is an opportunity to look at what Das Finale is looking to illustrate, as well as answer a long-standing question about Miho’s nickname, whose derivation and meaning has proven to be quite elusive. It is reasonably well-known that appending -rin to the end of someone’s name has an endearing quality to it, typically used by younger females to make something sound cuter. By this reasoning, Yukari becomes Yukarin, Kaori becomes Kaorin, et cetera. However, in Girls und Panzer, Saori refers to Miho as “Miporin”, and this seems to break the convention somewhat — porins are, after all, beta barrel proteins that cross membranes to act as a channel that molecules can diffuse across. Their large size allows molecules to freely move through them, including water, sugars and amino acids, and as an interesting aside, UC Berkley’s Hiroshi Nikaido is accredited with the discovery of and extensive research into porins, earning him the moniker “Porinologist”. While it might appear possible that Miho’s nickname stems from this unrelated field, the lack of intersection between Girls und Panzer and porin research means that there must be another explanation of how Miho’s nickname came about. As it turns out, the -ho (ほ) in Miho’s name has a rougher sound from a phonetic perspective, and applying the usual conversion, which would yield “Mihorin”, does not convey a sense of endearment. So, a modification using the handakuten (半濁点, lit. “half voicing mark”) is applied: ほ thus becomes ぽ, which in turns yields “Miporin” (みぽりん). As per its name, the handakuten creates a shorter sound that comes across as less harsh and results in a name that sounds more endearing. This is not unique to Miho: Shioho is similarly nicknamed “Shiporin” by Chiyo Shimada, her longtime friend and head of the Shimada School, and there’s a Japanese movie titled Miporin no ekubo (lit. “Miporin’s Dimple”). With this particular question about the origin and meaning behind Miho’s nickname addressed, we turn attention towards Girls und Panzer: Das Finale.

  • The title of this post is a play on words, albeit a very pathetic attempt at creating a clever title requiring some Japanese to pick up: if read from a purely English perspective, it would look very strange. For readers familiar with Japanese, the proper title for this post would be ”みぽりんの語源” (“Miporin no Gogen”, or “The etymology of Miporin”), but I figured that “etymology” is similar enough to “ekubo”, and since Google-Fu consistently turns up Miporin no Ekubo, I figured that I’d go for something in between.

  • Here’s a secret bit of trivia: Miho and Hana are my two most favourite characters from Girls und Panzer. Hana’s inherited the president’s position by the events of Das Finale, and here, a keyboard resembling Apple’s Magic Keyboard 2 can be seen on her desk. I’ve recently upgraded to a 2017 iMac at work to compile and build projects faster, finally allowing me to retire my early-2015 MacBook Pro from active service. The new machine’s been great, but I’m still getting used to the small size of the Magic Keyboard 2.

  • While the tank battles will certainly be a part of the attraction in Das Finale, the movie raised the bar considerably with the inclusion of late WWII-era armour to give Miho’s crew a credible challenge to best. I’ve long noted that strategy is probably a viable alternative to overwhelming technological and numerical superiority – a battle fought on strategy can be even more exciting to watch, and the Anzio OVA demonstrated this point effectively, providing a thrilling match for audiences despite the firepower advantage that Ooarai possesses.

  • The song in the trailer, “Long and Shining Road”, is performed by Miho, Saori, Hana, Mako and Yukari’s voice actors. The opening song is titled “Grand Symphony”; it will be used for the first three episodes will be performed by Sayaka Sasaki, who did the Anglerfish Dance, and Choucho will return in the final three episodes to perform the opening. Music has always been of a high quality in Girls und Panzer, so I look forwards to seeing how things will play out in Das Finale.

  • Besides some footage for Das Finale‘s first act, the latest footage also showcases gameplay from Girls und Panzer: Dream Tank Match, which is an upcoming game for the PS4. I’m hoping there will be a PC version, since I’ve longed to match wits against the Nishizumi and Shimada styles with my own take on things in a proper Girls und Panzer game and show that Sun Tzu’s approach, combined with my own über-micro, could school both fairly easily. Of course, I’m not sure how likely a PC version is, but if one does not materialise, at least I have additional Battlefield 1 DLC and Wolfenstein II: The New Colossus to look forwards to.

As the folks driving Girls und Panzer‘s trailers are quite seasoned, the latest trailers betray nothing about what Das Finale will entail. What is known, however, is that Hana, Saori and Yukari have inherited the mantle of being the student council’s President, Secretary and Vice-President, respectively, and that there will be French tanks in the first part. The preview also showcases the new song “Long and Shining” road. With the plate set for December, I imagine that more previews will come out between now and the release date. Moreover, the trailer footage is only for the first part of the six planned movies. The shift from “Final Chapter” to “Das Finale”, however, is quite telling: the Girls und Panzer franchise will conclude Miho’s story, bringing things to a conclusion, and if there will be additional instalments to Girls und Panzer, these will likely take the form of spin-off series. Whether or not these speculations hold any water remains to be seen, and for the present, the largest question on my mind will be the release patterns; these affect how efficiently I can write about them. It is evident that a release pattern similar to Yūki Yūna is a Hero: Washio Sumi Chapter will be very conducive towards timely reviews, whereas a Strike Witches: Operation Victory Arrow release pattern will be a bit more problemmatic on my end. Regardless of the manner that Girls und Panzer: Das Finale releases in, the conclusion of Das Finale might also mark a pivotal milestone for this blog, as I may gradually step away from writing in order to do other things with my time.

Reflections Through a Preview of Girls und Panzer: The Final Chapter

“Every new beginning comes from some other beginning’s end.” —Seneca

Announced back during the Girls und Panzer Heartful Tank Carnival event back on August 28, Girls und Panzer is set to return with a sequel titled Girls und Panzer: Saishuushou (“Final Chapter”) at some indeterminate point in the future. The trailer has just become available on the ‘net, and over its forty-second run, showcases Ooarai’s students in their winter regalia. A group of Leichter Ladungsträger Goliath (Sd.Kfz. 302/303a/303b) units, essentially remote-controlled armoured mines, can be seen in the trailer’s opening moments, followed by students handing out newspapers carrying what appears to be breaking news. At present, it is known that Girls und Panzer: The Final Chapter will be a six-part OVA (not unlike Gundam Unicorn), with the first instalment released to Japanese cinema in December 2017. However, what Girls und Panzer: The Final Chapter will entail is similarly a riddle, wrapped in a mystery, inside an enigma. From a financial perspective, that Girls und Panzer would be getting a sequel is not particularly surprising, although from a narrative perspective, it will be quite intriguing to determine what will await audiences once this sequel does become released.

Screenshots and Commentary

  • These Goliath here are German mobile armoured mines, seen rolling in formation under snowy weather reminiscent of that seen in Tom Clancy’s The Division. Beyond the setting during the winter season and the occurrence of a large news event, the trailer does not tell much more about Girls und Panzer: The Final Chapter, leaving much speculation in its wake.

  • The student handing out the newspaper in this image bears a remarkable similarity to Sore ga Seiyū‘s Futaba Ichinose, minus the purple hair. The trailer has been available at 1080p, and as such, details in the newspapers can be made out. They suggest that the events will take place over the course of a day, leading some to (incorrectly) speculate that this will be an OVA. However, I present the counterargument that trailers do not usually tell the full story, and it is possible that these students are handing out newspapers with information that act as a catalyst for what will occur within Girls und Panzer: The Final Chapter. Ergo, a one-day event being shown on a newspaper in a trailer does not sufficiently show that The Final Chapter will consist of a single OVA episode.

  • Ooarai is seen making use of barrage balloons to further broadcast news: barrage balloons were historically used to dissuade enemy attack by holding up cables that could disrupt aircraft operation, although modern aircraft can easily circumvent their function by flying at much greater altitudes than the balloons. Such balloons are not widely used in contemporary militaries, but such balloons have been re-purposed to carry nuclear devices higher into the atmosphere for testing purposes.

  • Whereas an immensely long wait would await audiences if Girls und Panzer: The Final Chapter were to take the form of another film, a TV series would allow for superior accessibility, followed by an OVA series. As it stands, I am hoping that Girls und Panzer: The Final Chapter will take the form of a  TV series — any wait extending beyond April 5, 2018 would extinguish the English-speaking community’s capacity to watch and review a movie short of flying to Japan.

  • Screenshots of Momo and some other students operating under night lighting conditions immediately surfaced on Twitter following the announcement of Girls und Panzer: The Final Chapter, and at the time, I noted in my DOOM impressions post that I would refrain from discussing this sequel announcement in detail until more information became available. Nearly four weeks later, a trailer has appeared, and I’ve made substantial headway into DOOM, having just completed Kadingir Sanctum.

  • That “more information” takes the form of a 40-second trailer, and as I’ve got ten screenshots in this here post, down from the original fourteen, suggests a screenshot density of  twenty-one images per minute, making this one of the posts with a large number of screenshots relative to the media length. The red lighting seen here is a common attribute in military settings active under dark: red light has a longer wavelength than other colours and disrupts night vision to a lesser extent. For civilian applications, astronomers also use red flashlights to consult star charts, and some stargazing apps now come with a night vision mode that renders all elements in red.

  • Going into a continuation, I personally was not expecting one to be announced so soon, but upon realising that Girls und Panzer Der Film‘s box office performance was impressive, such a development became much more plausible. That this will be a sequel is interesting, and I am looking forwards to seeing what directions Girls und Panzer will take next, but the prospect of another movie is not one I would enjoy: the wait for Girls und Panzer Der Film was not pleasant, especially on account of the social media reactions of the film’s contents and the knowledge that a chance to see the film for myself would require at minimum a half-year’s wait.

  • Girls und Panzer never explicitly provided a timeline for when its events occur, but using a bit of reasoning, Miho transfers to Ooarai in around March, and most of the events of the TV series and movie occur between April and August and September, respectively. The depiction of snowfall and winter uniforms suggests that Girls und Panzer: The Final Chapter will take place in November or later, which is not particularly far away from the events of the movie.

  • Some viewers have suggested that the presence of winter uniforms indicate plans to make Girls und Panzer: The Final Chapter a TV series. Winter uniforms alone are an insufficient indicator that there are plans to make The Final Chapter a full TV series: the Locodol OVAs featured new footage in their openings, despite no known plans to create a second season. With that being said, I see no evidence to firmly suggest that the continuation will be a single OVA and as such, I’m hoping that The Final Chapter will be a full-fledged TV series.

  • I was planning on doing a DOOM post now that I’ve crossed the halfway point, and that would have brought my no-anime-post-streak up to a month, but the Girls und Panzer: The Final Chapter trailer released earlier today, giving me a non-gaming topic to discuss. With that in mind, the trailer is quite short, and in the absence of further intel, it’s time for me to return to ripping and tearing my way through DOOM. I cannot guarantee that I’ll be on top of Girls und Panzer-releated news as I had been for the film owing to real-world obligations, but I will do my best to blog about information as it becomes available, as well as Girls und Panzer: The Final Chapter itself once it does come out.

Going solely from the title, it would appear that Girls und Panzer: The Final Chapter will be the conclusion to the Girls und Panzer franchise. After the events of Girls und Panzer Der Film, the ultimate fate of Ooarai’s Panzerfahren team remained indeterminate — they had succeeded in saving their school carrier a second time, but the accomplishment itself disclosed little about what experiences Miho and her classmates would encounter in their future Panzerfahren endeavours. Ergo, a successful continuation would need to address what the significance of Ooarai’s accomplishments are for its students, and as such, Girls und Panzer: The Final Chapter would have been ideally be granted a TV series in which to adequately explore developments for Ooarai’s Panzerfahren team. For the first time in living memory, the entire Girls und Panzer community’s perspectives align with mine: a TV series would be a fantastic means of creating such a narrative, and allow Girls und Panzer to utilise time as a means of presenting more strategically-driven Panzerfahren scenes, as opposed to the spectacle in the movie. More is known about Half-Life 3 than about Girls und Panzer: The Final Chapter, for the present. With this in mind, I will be keeping two eyes on developments pertaining to Girls und Panzer: The Final Chapter.