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Travelling Shimarin: Yuru Camp△ 2 OVA 2 and The Official Guidebook Yagai Katsudo Kiroku Volume 2 Review and Reflection

“Exceeding expectations is where satisfaction ends and loyalty begins.” –Ron Kaufman

In the near future, a manned Mars lander enters the planet’s atmosphere and prepares for a historical achievement. However, as the lander approaches the surface, its camera array picks up something surprising: the profile of a young girl camped out on the surface, nonchalantly grilling meat. Mission control identifies this as Shimarin, and are shocked beyond words that mankind’s next giant step has been beaten out by the solar system’s greatest camper. At least, this is what Ena imagines Rin’s camping will take her; it turns out that as the night sets in on their latest camping trip, the Outdoor Activities Club and Rin are swapping stories about the sorts of adventures Rin might have once she gets her advance license. Once Hokkaido opens up to Rin, Nadeshiko suggests that Rin will be able to have all sorts of delicious food from Hokkaido, while Chiaki imagines Rin as being an aruki-henro rocking the Shikoku Pilgrimage on her trusty Vino 50. Meanwhile, Aoi supposes Rin would be able to push herself further during the winter to enjoy the warmth of various onsen. However, Rin feels that these adventures are a bit outlandish and unlikely to be within the realm of her usual travels This is the second of the Yuru Camp 2 OVAs accompanying the third and final Blu-Ray volume, being a gentle fireside conversation about camping that was probably set during the second night of Rin and the Outdoor Activities Club to the Izu Peninsula. Unlike the previous OVA, the second Yuru Camp 2 OVA is gentler in nature and lacks the mean-spirited cut of Nadeshiko camping at a work camp; a chat around the campfire about camping is the best way to wrap up what will be the last bit of Yuru Camp△ viewers see prior to 2022’s Yuru Camp: The Movie.

The contents of Yuru Camp 2‘s OVAs both stem from the manga’s Heya Camp△ segments; this time around, elements were drawn from segment 33 in volume five, and segment 65 in volume eight. The adaptation of content from Heya Camp△ for OVAs demonstrates how much material there is within Yuru Camp△: unlike the regular manga’s story, which is grounded in reality, the Heya Camp△ segments are fanciful, imaginative and creative, presenting a more comedic and exaggerated side of camping that otherwise wouldn’t fit into the regular story. The end result is a fantastic means of allowing the series to poke fun at itself and also remind viewers that at the end of the day, Yuru Camp△ is about having fun. Further to this, the second and final OVA to Yuru Camp 2 also hints at what is upcoming for the series; by choosing to portray Rin in a variety of different camping trips quite unlike anything that we’d seen previously, the OVA is hinting at the fact that Yuru Camp: The Movie will be doing something bigger and bolder than before. This isn’t too surprising, as anime films have typically taken concepts from their original run and then expanded it such that the scope matches what one expects from a silver screen feature presentation. Given that Yuru Camp△ has continued to expand the scale of Rin and the Outdoor Activities Club’s adventures, one can reasonably surmise that the camping trip within the movie will be both further away and features more people than anything the series had shown until now. This prospect is most exciting, and while it probably won’t see the girls reach Mars ahead of NASA or CNSA, I am rather curious to see what destinations and experiences await this group of friends.

Screenshots and Commentary

  • As it is right now, the United States and China possess the greatest likelihood, technology and scientific know-how to run a successful manned Mars mission: such an undertaking has been given serious thought since the 1950s, and the subject of no small discussion in academic circles and fictional works alike. The second Yuru Camp 2 OVA parodies this by giving Rin the ultimate advantage: a manned Mars mission is estimated to cost five hundred billion US dollars, so, seeing Yuru Camp△’s most proficient camper can trivially accomplish something that the world’s brightest and best minds were so close to reaching, drives the humour in this first scene.

  • The scientists running the mission are reduced to incoherent puddles, and I imagine that it would be a considerable shock to see five hundred billion dollars and decades of effort be defeated by a girl’s power to desire grilled meat anywhere in the solar system. One detail I liked was how everyone is speaking broken Japanese during these scenes; the Yuru Camp manga has everyone speaking in English. Of course, such a feat is well outside the realm of possibility: Rin is wandering the surface of Mars without a pressure suit, but Mars’ atmosphere is two orders of magnitude thinner than Earth’s, lacks the oxygen content and can drop down to around -70ºC by nightfall, forcing the inevitable conclusion that this is a bit of fantasy.

  • Unsurprisingly, this turns out to have been a what-if scenario from Ena. The manga supposes that this is another one of Rin’s dreams, and it speaks to the strength of both Yuru Camp△’s anime and live-action drama that aspects of the manga are so cleverly written into a different context without breaking immersion. Besides the Yuru Camp OVAs, one moment from the manga’s Heya Camp segments was the idea that keeping everything packed makes it easier to clean up the next day, and the Outdoor Activities Club decide that they can pack up everything, even their tents, before the next morning, leaving them to sleep in the open air. The drama ended up bringing this to life for laughs.

  • Given the jackets that Rin and the Outdoor Activities Club are wearing, coupled with the fact that Minami are accompanying them, I concluded that Yuru Camp 2‘s second OVA was set during the second night of the Izu trip. It doesn’t seem quite so outlandish to have everyone telling campfire stories before turning in for the evening, and par the course for Rin and the Outdoor Activities Club, their stories are all camping-related. This is what lends itself to the second OVA’s title, which had long hinted that the OVA’s contents would be related to Rin in some way.

  • The second Yuru Camp 2 OVA is nowhere near as fleshed-out as Heya Camp△’s Sauna, Meal and A Three-Wheeler OVA, which saw Rin do her weekend camping trip on a loaner Yamaha Tri-City motorbike. When I watched the first of the Yuru Camp 2 OVAs, I was a smidgen disappointed that it was only four minutes long and lacked the same level of content as did the Heya Camp OVA, but I subsequently recalled that the OVAs were largely adaptations of the manga’s omake content. As such, entering the second Yuru CampOVA, I tempered my expectations and anticipated a shorter, but still enjoyable segment.

  • This time around, Yuru Camp 2‘s second OVA exceeds expectations for being enjoyable to watch, and matching the remainder of the series in tone. The first OVA, Mystery Camp, was fun in its own right, but the middle vignette saw Nadeshiko go to a work camp. It was utterly heartbreaking and demoralising, and to the best of my knowledge, was a new story written specifically for the OVA. While funny in a twisted, cruel way, I did remark that doing something like that again would be a tough pill to swallow – I am therefore glad that Yuru Camp 2‘s second OVA is much more in keeping with the tenour as the rest of the series.

  • Nadeshiko’s ideal camping destination for Rin is Hokkaido: the northernmost island would be a fun place to ride, and they do have some of Japan’s best food: from top left going clockwise, Nadeshiko imagines Rin riding off to have kaisendon (a seafood bowl of white rice topped with sashimi, crab, prawn, squid and roe), baked potatoes topped with butter, yūbari melon, Genghis Khan (a grilled mutton dish) and corn off the cob. I certainly would like to go visit Hokkaido purely for their food alone, although the northernmost Japanese island is no slouch in attractions, either: Hakodate is supposed to be beautiful owing to its distinct night-scape, and Sapporo is famous for their ice sculptures.

  • Chikai’s vision of a travelling Shimarin entails Rin travelling to Shikoku for the 88-temple pilgrimage, decked out in the aruki-henro‘s garb. The aesthetic of Chiaki’s suggestion casts Rin as being similar to Kino of Kino’s Journey, wandering to different parts of Japan and gaining spiritual enlightenment as a result. While I’ve not seen the original Kino’s Journey, curiosity led me to give the 2017 anime a go. I was promptly impressed with the thematic aspects, and how much effort was paid into making each nation unique, noteworthy. Kino herself is well-suited for the journey, possessing exceptional sharpshooting skills to keep herself out of trouble, and despite her stoic mannerisms, is polite and open-minded.

  • Earlier today, my copy of the Yuru Campofficial TV guidebook arrived. I had pre-ordered it back in June when the listing was first created, and figured that to save a few bucks, I’d go with unregistered airmail, which was ten dollars less costly than the other options. Airmail takes an estimated five to twelve days, and since my copy of the guidebook came on day eleven, I’m very happy. After opening the package, I was impressed with the book’s heft: it’s a fully twenty-five percent larger than the first season’s guidebook while at the same time, costs only twenty percent more.

  • Most impressive was the fact that the guidebook details every location, both in and around Minobu, as well as the different campsites, restaurants and attractions for both Yuru Camp 2 and Heya Camp△. Besides locations, concept art of every dish is shown, and in conjunction with the cast interviews, the guidebook really demonstrates the level of effort that went into making the series. The guidebook’s extra materials come from the fact that Yuru Camp 2 has one more episode than Yuru Camp did, as well as the fact that it fully covers Heya Camp△, as well: the stamp card Nadeshiko completes is also included.

  • Altogether, the Official Guidebook Yagai Katsudo Kiroku Volume 2 is the ultimate resource for Yuru Camp fans, and I’m immensely glad to have picked it up when I did. I’ve heard rumours that an election is about to take place here in Canada, and with mail-in ballots being one of the primary options on account of the ongoing health crisis, it is suggested that Canada Post could slow down as they need to make additional deliveries, so the guidebook couldn’t have come at a better time.

  • I had been a little worried after the first OVA: the Dystopian Camp, as it is known, is really just a work camp, and puts Nadeshiko in a piteous situation. With this being said, the anime adaptation has nothing on the manga; during one of the omake comics in volume eight, Chikai and Aoi discuss how to keep the campsite clean, but then Nadeshiko interjects and states it’s fine to eat any waste they produce. The panel is horrifying to behold, and as it turns out, Chiaki had been having a nightmare.

  • Conversely, owing to Rin’s not-so-secret love of onsen, Aoi supposes that Rin would want to push her enjoyment of the hot springs to the limit by travelling in increasingly cold weather, only to hit the thermal waters immediately after. This is something I’d like to try, and since my area is blessed with bitterly cold winters, as well as geothermal hot springs an hour over, it would be possible for me to hop over to the Upper Hot Springs in Banff during the winter. I have considered doing an overnight stay during the winter, during which I would hit the hot springs early in the morning, then don a thick woolen sweater and then sip a hot cocoa on a café down Banff Avenue before returning to my lodgings and sit down to a warm, hearty dinner.

  • In Aoi’s mind’s eye, Rin even gets to bathe with the Japanese Macaque (Macaca fuscata), an Old World Monkey (differentiated from New World Monkey by the lack of a prehensile tail and arboreal preferences) found in Nagano. In reality, the Japanese Macaque were first seen bathing in open-air hot springs belonging to a hotel in 1963, so to give the monkeys a place of their own, Jigokudani Monkey Park was constructed. It is only in the imagination where one could bathe with the Japanese Macaque – hygienic factors preclude such an activity in reality, altough one cannot deny that Yuru Camp has a talent for visually portraying comfort through the characters’ fuzzy eyes.

  • While a winter hot springs trip to Banff would be fun, I suddenly realise that it would also be immensely relaxing to spend a few days at a ryōkan, especially one with private baths and an in-house kaiseki dinner. There is a draw about the aesthetic of peace and simplicity at a ryōkan that conventional accommodations do not offer, and being able to soak in my own private onsen while overlooking the mountains as Rin does here would be a once-in-a-lifetime experience. While ryōkan are no slouches in terms of price, I have been working for a while and could go on such a trip, so long as I plan for a trip where I’m not busy with work.

  • While I’m not keen on driving a moped though the snow as a part of said vacation on account of that being my everyday life for eight months of the year, I suppose that I should treat myself to a ryōkan experience at some point in the near future – for the past four years, I’ve not travelled out of country except for work (including business trips to Denver, Winnipeg, and attending F8 2019), and I’ve not taken any vacation time off for myself because I’ve been so focused on building stuff for start-ups. Since I was the only iOS developer around, it was always all-hands-on-deck, so it was difficult to get away. However, I am working with a larger company now, and since there are other developers, it would be possible for me to take some proper time off: since I now have five years of experience, I have three weeks of vacation time.

  • I can get by well enough with just the statuary holidays – I live to solve problems. However, I do appreciate that work-life balance is important, and from the other side of the coin, I also solve problems to live. Three weeks of vacation time (15 days off) is quite a lot, and I could go on a one-week trip to Japan for a ryōkan stay, and still have enough left over for a week off at the end of the year, plus five more days of time for things like other appointments. With this sort of timeframe, I’d definitely be able to give the ryōkan experience a go: I’d previously had a similar experience during my travels to Japan, during which I was served sukiyaki nabe and sashimi for dinner, before going for a soak in the hotel’s onsen.

  • Such a trip is something to look forwards to in the future, but for the shorter term, there’s also Yuru Camp: The Movie to look forwards to. With Aoi’s thoughts of winter onsen in the books, the second Yuru Camp 2 OVA draws to a tranquil close, being a warm and light-hearted way of wrapping up the second season. While Yuru Camp△ came with three OVAs, including a particularly enjoyable romp on a deserted tropical island, one cannot fault C-Station, since all of their present efforts are probably directed at the film.

  • With this final OVA and the second season’s official guidebook, I’ve had a very Yuru Camp△-focused year: I also ended up watching the live-action drama and bought both Yuru Camp Virtual experiences for my Oculus Quest. Having had a chance to try things out now, I conclude that the Oculus Quest is the best way to enjoy Yuru Camp Virtual. Unlike the mobile app for iOS and Android, the Oculus Quest is completely immersive, and unlike the HTC Vive, Valve Index or Oculus Rift, the Oculus Quest is unencumbered by wires, offering the most freedom of movement.

  • Now that I think about it, I’m been pretty picky about what I about what I buy for the Oculus Quest, and a full two years after picking up my complementary Oculus Quest from F8 2019, the only apps besides Yuru Camp Virtual I paid for are Wander and SUPERHOT VR. Although VR has improved dramatically since the days I put my virtual cell into the earliest Oculus Rifts, the technology is still quite limited, so I don’t spend too much time in VR. I’ll close off with the OVA’s final moments, which has Rin rocking her moped on the surface of Mars. In the near future, I have plans to write about Action Heroine Cheer Fruits, which I recently finished, along with some thoughts on Far Cry 5 following the free weekend, a special post on Kanata no Astra, and of course, a talk on The Aquatope on White Sands now that we’re six episodes into the series.

Besides the second Yuru Camp 2 OVA, I also recently picked up the official TV guidebook for the second season – the first TV guidebook had impressed with its thorough presentation of the behind-the-scenes in Yuru Camp△, featuring character design, concept art, cast interviews, location stills and never-seen-before artwork, as well as a summary of all the episodes and OVAs. The first season’s TV guidebook sold for 2500 Yen, and so, when I learnt that the second season’s TV guidebook would retail for 3000 Yen, the price increase suggested to me that this would feature more content: Yuru Camp 2 is bigger than its predecessor, after all. I therefore hastened to pre-order my copy – these guidebooks always offer phenomenal insight into series that online discussions alone do not provide, and while I made the choice of going with a slightly less expensive shipping option (which resulted in my copy taking a bit longer than usual to arrive), it becomes clear that the wait was well worth it. Yuru Camp 2‘s official TV guidebook is bigger and badder than its predecessor. With 160 pages over its predecessor’s 128, the second season’s guidebook showcases the new locations in hitherto unseen detail (in particular, having information about what went into the Izu Peninsula segment of Yuru Camp 2 was most illuminating). In addition, it also details the new equipment that Rin and the Outdoor Activities Club utilise. To my pleasant surprise, the guidebook’s increased price tag means that Heya Camp△ is also presented, and with it, the locations that Nadeshiko visits with Chiaki and Aoi on her stamp rally, along with Rin’s experiences while she’s rocking the Yamaha Tri-City bike. The guidebook acts as a tangible copy of Yuru Camp 2, allowing me to catch details that I missed during my initial watch of the series, and reading through it, I am thoroughly impressed with the level of effort that went into Yuru Camp 2. There is no doubting that C-Station will continue to put on an impressive showing for Yuru Camp: The Movie – if Yuru Camp 2 was anything to go by, we viewers can reasonably expect to be blown away by the adventures that Rin and the Outdoor Activities Club share.

Yuru Camp△ 2 Live Action Adaptation: Whole-Series Review and Reflections

“There’s no WiFi in the mountains, but you’ll find no better connection.”

Worried about Chiaki and the others, Minami drives over to Misaki Camping Grounds at Lake Yamanaka and is relieved to see everyone’s alright. She reminds the girls about the importance of letting others know of their travel plans, before partaking in food and drink with the Iidas and Outdoor Activities Club. Later, Nadeshiko asks Rin about solo camping, having been inspired by Rin’s remarks at Hamanatsu. Rin offers five critical suggestions, and encouraged, Nadeshiko heads over to Fujikawa’s Nodayama Health Green Space Park. Meanwhile, since Rin has a break of her own, she decides to visit the Hayakawa valley, where she runs into Sakura. While Nadeshiko enjoys shigureyaki, Rin and Sakura share a conversation before parting ways. However, Rin eventually grows worried about Nadeshiko after noticing she’d not received any new messages. She heads over to Nodayama Health Green Space Park and finds Nadeshiko’s been doing well; Nadeshiko had decided to try roasting vegetables over charcoal and befriended two children. Relieved, Rin prepares to head back and runs into Sakura, who had the same idea. They head off for dinner and allow Nadeshiko to enjoy her solo camping. Later, the Outdoor Activities Club prepare for a trip to Izu Peninsula on suggestion from Minami, who’d been itching to go and give the Iidas a visit. Readers familiar with Yuru Camp△ 2 will need no reintroduction to the events from the drama’s second half, which are largely faithful to Rin and the Outdoor Activities Club’s adventures from the original series. While Yuru Camp△ 2‘s live action drama covers familiar stories from a new perspective, the decision to conclude the drama’s second season with the Outdoor Activities Club gearing up for Izu following Nadeshiko’s solo camp adventure dramatically alters the story’s flow, and with it, the central messages. Whereas the Yuru Camp△ 2‘s second season had been about gratitude and appreciation owing to where the ending occurred, Yuru Camp△ 2‘s drama presents a different perspective on things.

By having the series wrap up with Nadeshiko’s solo camping adventure, and the Outdoor Activities Club preparing for their trip to Izu, the live-action drama for Yuru Camp△ 2‘s places an emphasis on the idea that being open to approaching one’s interests from new directions opens one up to the joys of their own preferred modes of enjoying something. In other words, Nadeshiko’s favourite way to camp is with a group of friends. When she enters a campground on her own, however, rather than sharing Rin’s experience with solo camping, she is able to befriend some children and ends up enjoying a meal with them. This is Nadeshiko’s own brand of camping; solo camping ultimately confers a completely different experience for Nadeshiko, who rolls with things with her typical manner. Unsurprisingly, even on her own, Nadeshiko’s camping entails meeting people and having fun with folks of different backgrounds, mirroring her extroverted personality and natural ease in speaking with people around her. Even when she’s on her own, Nadeshiko is so engrossed in her world, so busy having fun that those around her cannot help but desire to get in on the fun, as well. Yuru Camp△ 2 had done a particularly good job of showing this, but in the drama, the decision to have Nadeshiko’s solo camping adventure wrap up the travel means that for viewers, the focus is on the fact that Nadeshiko has come a long way as a camper and is now familiar enough such that she can go on her own adventures if she so wishes. The implications this has on Nadeshiko’s skill as a camper is one of reassurance: as she and the Outdoor Activities Club go on increasingly exciting adventures, viewers can be confident that Nadeshiko knows enough to keep out of trouble and have the best time possible. Changing where the series wraps up changes the emphasis, and while the message in the drama might not be at the same scale as what was seen in the anime, it remains an important theme for Yuru Camp△ as a while; having the drama focus on this thus provides viewers with a slightly different perspective on the same story to appreciate how Rin’s influence on Nadeshiko is a decidedly positive one: much as how Nadeshiko’s fun with the Outdoor Activities Club convinces Rin to try group camping, Rin’s contemplative solo adventures encourages Nadeshiko to see what camping alone is like.

Screenshots and Commentary

  • Last I wrote about Yuru Camp△ 2‘s drama, Chiaki, Aoi and Ena found themselves in trouble after being unprepared for the cold at Lake Yamanaka. Continuing on from that point, a serendipitous meeting with the Iidas save the three from trouble. When Minami arrives, she imagines that the three are caught up in some sort of racket upon seeing their tents deserted; like the manga, this vision entails shadowy, cloaked figures surrounding the three and chanting T A B L E C L O T H. While Yuru Camp△ 2‘s drama differs from the anime considerably, some elements from the manga are faithfully reproduced.

  • Par the course for Yuru Camp△ 2, closeups of food are always welcome: the anime already does an exceptional job of rendering food, but there’s nothing quite like the glisten of fat and the sparkle of juice from a given dish’s real world equivalent that only live action works can capture. Nabe is indeed perfect for a cold winter’s night, and for me, it’s a bit of a New Year’s Eve tradition to enjoy homemade nabe (which I know best as 打邊爐). I am reminded of the fact that a Chinese bistro near my place actually does individual-sized hot pot, and while I prefer their sizzling plate meals, I should at least try their hot pot at least once.

  • I’d love to try kiritanpo at one point, as well: it hails from the Akita prefecture, and the rice is pounded into a tube shape for consumption after being roasted over an open fire. I imagine that cooking over an open fire would impart a slightly smoky outdoorsy taste to things, which drives my interest to see what kiritanpo is like. The closest Cantonese equivalents I can think of is 糯米饭 (jyutping no6 mai5 faan6), a delicious sticky rice with shiitake mushroom, 臘腸 (jyutping laap6 coeng2), sometimes chicken and a healthy helping of soy sauce, or zongzi, which is sticky rice and a variety of toppings wrapped in bamboo leaves.

  • As with the anime and manga, Chiaki, Ena, Aoi and Minami spend the night in Minami’s vehicle, and the next morning, Ena awakens to a gorgeous sunrise before whipping up some tempura for breakfast. Whereas Yuru Camp△ 2‘s anime overlaid the end credits over the breakfast scene, the live-action drama chooses to showcase the cooking and enjoyment of fish tempura in all of its glory. This had been a scene I’d been looking forwards to watching animated after reading it in the manga, and I’d been a touch disappointed that the presentation of breakfast in the anime had precluded screenshots. Because there was no equivalent frame in the anime, I’ve chosen to skip over the moment in this post, but readers have my word the tempura looks delicious.

  • After putting so much mileage on her moped, Rin decides to give it a good cleaning to get all of the accumulated dirt and grime off its body. Because the pacing in the live action drama and anime differ so dramatically, the live action is actually able to present moments from the manga that were not shown in the anime: in one of the drama’s post-credits scenes, Rin has a nightmare in which her bike takes on Hermes’ traits from Kino’s Journey and asks to hang with Rin inside her tent, where it’s warmer. The differences in what Yuru Camp△ 2‘s drama presents is why I conclude that the old debate between source material and adaptation is irrelevant.

  • To gain the most complete experience, one simply needs an open mind and check everything out, or at the very least, allow others to enjoy things differently. Back in Yuru Camp△ 2‘s live-action drama, Nadeshiko and Ena pray to Rin, feeling her to have transcended into being a deity of safe travels. The idea that Rin’s portable grill is an offertory box makes a return, a clever reference to the first season, and one surmises that Rin’s particularly fond of this little grill if she’s bringing it to school with her. Eventually, Ena heads off, and Nadeshiko is able to ask her about solo camping. Once Rin shares with Nadeshiko five essential elements (tell someone where one’s going, keep an eye on the forecast, pick a site with cellular reception, research a campsite’s facilities and plan to do an activity of some sort), Nadeshiko is geared up for her first-ever solo camping trip, inspired by Rin’s words back when they were at Hamamatsu.

  • While Nadeshiko travels south for Fujinomiya, Rin heads deep into the mountains for Akasawa, about seventeen kilometres from Motosu. By road, it’d take Rin about twenty-five or so minutes to make the drive here from her place, and upon thinking about this, I grow a little envious because this happens to be how long my commute is. I’ve now been back to the office for two weeks now, having gotten both doses, and while it’s been great to work in a focused environment where I have a dual monitor setup again, the office remains quite quiet.

  • In fact, I’ve been feeling a little down of late: work’s been keeping me busy, but the fact was that the whole of July saw the skies over my province covered with a noxious layer of forest fire smoke. There’s no end in sight for the unnaturally hot weather and lack of rainfall even as we enter August, so it looks like the forest fires all around are going to continue burning: having seen footage of the fires, I ended up making a donation to the fire recovery efforts the province over. The smoke and dry weather is demoralising, but it is nothing compared to the tragedy these wildfires are causing, so I figured any help I could give would hopefully be of use.

  • The weather during this long weekend is looking a great deal like it did last year, except it’ll be a lot smokier and hazier. I vividly recall the decision to explore Blackrock Depths in World of Warcraft on my private server then. The heat of this dungeon was particularly visceral for my decision, and the temperatures this long weekend have proven to be what they’d been last summer. This stands in contrast with the brisk spring morning Rin gets to enjoy: like the anime, Rin comes across the Shimizu-ya Café, asks whether it’s open and then in minutes, finds herself seated at their kotatsu.

  • Rin begins to melt from the warmth of the kotatsu, feeling the cafe to  The anime has Rin’s entire head becoming round whenever she grows comfortable, and more so than Yuru Camp△, the second season really showed Rin’s adorable side. There is an Amanchu and ARIA-like character to these moments; in both series, penned by Kozue Amano, individuals take on a distinct art style when flustered or surprised, unique to their character. Yuru Camp△ appears to have inherited some of these traits, as well: although nowhere near as noticeable as Amano’s style, it is visible enough to denote to viewers how a character is feeling in a given moment.

  • The live action version is able to capture the same feelings without use of the same exaggerated facial expressions, using timing to convey Rin’s feeling of comfort. However, thinking about warmth now is to make things a little uncomfortable; the hot weather back home is a world apart from the cool of Akasawa, and while mamemochi and amazuki would be bliss on a brisk spring day, my thoughts turn towards that of an ice-cool lemonade or freshly-cut watermelon. While such days usually invite hikes or walks, the smoke from forest fires across the country has left the skies a noxious orange-brown.

  • While Rin relaxes at a quite mountain café, Nadeshiko kicks off her Fujinomiya adventure. The sheer amount of gear she’s carrying is even more apparent in the live-action; it is impressive that Nadeshiko is able to move as swiftly as she does despite carrying upwards of what must be forty to fifty pounds of camping gear with her. Here, she stops by Fujisan Hongū Sengen Taisha Shrine to pray for a safe and fun trip. I’ve covered most of the major locations in Yuru Camp△ 2 in an earlier post, so folks looking to learn a little more about Yuru Camp△ 2‘s locations can do so, and this leaves me free to focus more on the moments, as well as the composition of each scene.

  • When Nadeshiko notices the pleasant smell of yakisoba wafting from Fujinomiya Yakisoba Antenna Shop, a place near Fujisan Hongū Sengen Taisha Shrine, she is tempted to stop and have lunch here. There is a great deal of visual clutter in this scene; the anime frames Nadeshiko so she’s quite visible, whereas in the live action drama, the moment is presented so that Nadeshiko blends in with the crowd. The anime always tries to ensure the main characters are distinct from the background, but the drama consciously places the characters as a part of each scene to create a more natural moment.

  • For this discussion, I’ve skipped over the part where Ena invites Chiaki, Nadeshiko, and Aoi over to check out Chikuwa’s doggie-tent and cook up sausages. Rin arrives later and runs into Ena’s father, who seems to be a bit of a trickster: there were no equivalent moments in the anime, and therefore, no corresponding comparison screenshots, but I enjoyed the divergence all the same, since it demonstrated that the Yuru Camp△ drama had enough creativity to fill in the holes resulting from minor changes to the order of events. The observant reader will note that in my original location hunt, I wasn’t able to find this spot owing to a lack of patience, but this time, armed with the Oculus Quest and a bit of determination, I was able to locate the little policeman statue Rin passes by on her way deeper into the mountains.

  • Rin subsequently spots Sakura’s Nissan Rasheen and decides to tail her for a bit before she’s burned by a stray notification from Nadeshiko. The difference in framing between the drama and anime creates a different feeling; the anime indicates Rin’s discomfort with tailing Sakura by means of facial expressions, but since Harka Fukuhara can’t be reasonably expected to change her eyes, her feelings within the live action needed to be conveyed differently. Framing Rin’s smallness in the environment does the trick here.

  • Watching the chef at Okonomishokudō Itō whip up their legendary gomuku shigureyaki in the live action drama was every bit as enjoyable as the anime, and a side-by-side comparison shows just how faithful the anime is to real life – it is clear that the staff had actually gone to this restaurant in Fujinomiya and watched the chef cook it: this unique dish combines the crispy fried noodles of yakisoba with the savoury bacon, shrimp, mushrooms and fried egg of okonomiyaki. Nadeshiko becomes antsy watching the dish being made.

  • While a tough-looking sort of fellow, Yuru Camp△ shows the chef smiling at Nadeshiko’s expression of pure joy. In the live-action drama, the chef is kindly looking and reassures Nadeshiko her meal will be ready in a few moments. One aspect of the Yuru Camp△ drama I was particularly impressed with was that the secondary characters managing campsites and running restaurants and shops were surprisingly close to their anime appearances. One wonders if Yuru Camp△‘s drama ended up just featuring the actual staff at these restaurants and shops, and similarly, it is possible that the secondary characters in the manga were based on their real-world counterparts (albeit modified slightly to avoid issues surrounding likeness).

  • Sakura and Rin share a somewhat awkward meeting, but the instant Rin recalls that Nadeshiko had mentioned Sakura as a fan of Moped’s Journey, Sakura’s demeanour immediately changes. She becomes a lot livelier, and surprises Rin with her energy. Sakura is portrayed by Yurina Yanagi, and as with the rest of the characters, Yanagi is styled so she closely resembles her anime counterpart. Here, I will note that I was mistaken about Moped’s Journey being an in-universe equivalent of Kino’s Journey – it turns out Sakura is referring to the Gentsuki no Tabi, a Japanese reality show that I would liken as being similar to Rick Steves’ Europe or Great European Railway Journeys, albeit done on a Super Cub rather than by rail or other modes of transport.

  • While Nadeshiko tucks in to the shigureyaki, I’ll share a story; I’ve had okonomiyaki at a local Japanese culture festival some five years earlier while checking things out and while it was tasty, it was in Osaka’s Kansai International Airport where I had authentic Japanese okonomiyaki while awaiting a flight to Hong Kong. This okonomiyaki blew me out of the water and was the dish I’d been longing to have ever since watching Tamayura. In a hilarious turn of events, my brother was resolute on finding a good yakisoba joint, having been inspired by Mugi’s love of yakisoba in K-On!. After lunch was over, we linked up and boarded our flight. To my surprise, Your Name was playing, so I immediately set about watching the movie en route to Hong Kong.

  • It soon becomes clear that besides their enjoyment of solo adventures, Rin and Sakura also care greatly about Nadeshiko. To their pleasure, both Rin and Sakura receive a message from Nadeshiko, indicating she’d arrived at Fujikawa Station and, having done her shopping, is ready to head to her campsite. While Yuru Camp△ mainly had Sakura act as Nadeshiko’s driver, Yuru Camp△ 2 would expand her role more greatly and show that she’s quite similar to Rin, which in turn would explain why Rin would come around with Nadeshiko; from regarding her as a nuisance of sorts in the first season, to being worried about her well being by season two, it becomes clear that Nadeshiko also helped Rin to have new experiences, and for this, Rin is grateful.

  • Onsen scenes in the Yuru Camp△ drama are much more disciplined than their anime counterparts, and for this reason, I would count the drama as being a bit more family-friendly than the anime, where the studio has no qualms about showing how stacked Sakura, Minami and Aoi are. I imagine that because of the optical properties of water in real life, certain considerations (e.g. camera angles) needed to be considered in order to ensure the onsen sequences were appropriate for all viewers; in a given anime, artists can alter the opacity of water at will and side-step the challenges that real life imposes.

  • Back at Fujikawa, Nadeshiko’s begun her ascent to Nodayama Health Green Space Park, and like the anime, Yuru Camp△ 2‘s drama has Nadeshiko enjoying the scenery on her way to the top. The side-by-side comparison emphasises just how much attention was paid to detail within the anime: the through-arch visible here is a part of a pipeline, and a paper mill can be clearly spotted in the city below for both the anime and live-action. Nadeshiko worries that admiring the view here would diminish it, and covers her eyes before proceeding with her hike to the summit.

  • Upon arrival at Nodayama Health Green Space Park, Nadeshiko realises she more or less has the entire place to herself and sets about exploring the facilities, saying hello to the other group (a small family) and prepares her campsite. Like Rin, Nadeshiko makes the mistake of damaging one of her pegs in the anime, but experiences nothing of the sort in the live-action: she’s ready to go in no time at all as a result of her experience with the Outdoor Activities Club.

  • Earlier, Rin had mentioned that unlike group camping, solo camping requires one to find something to occupy her time. While I’m not a camper myself, I do appreciate how to fill my time up when I’m on my own: exploring places is something I’ve always been fond of doing when on my own, and wandering trails or pathways is a fantastic way of losing an entire afternoon. This is not unlike something Rin would do, whereas Nadeshiko sees solo camping time as a chance to experiment with different recipes. She decides to go with a simple foil-roast to see which vegetables would be good to pick, and has brought everything from tomatoes and yams, to carrots and potatoes.

  • Curiosity leads Sakura to wonder what preparing bear paw would be like, but the process is as complex as brewing a batch of felix felicis, and upon hearing the fact that the ingredients need to be stewed for several hours before one can even begin removing the hair off the paw, after which the paw must be stewed again, Sakura decides to go for a simpler deer meat. Compared to beef, deer is leaner and has a gamier taste to it; folks count it as being tastier than beef when properly prepared. On game meats, my personal favourite is probably moose or elk; several years back, I had a cookout with the extended family as thanks for having helped with a project, and on the menu was grilled elk and moose. It’s not often I have the two, so I can’t really say which one I prefer over the other, but I do know that game meats like these are extremely delicious.

  • Finding the tunnel Rin is stopped by proved to be a fun exercise; while I’d initially thought it was a mountain pass and looked on the eastern side of the Haya river, I ended up spotting a few tips in the surroundings and concluded that Rin was still in the river valley, near a bridge of sorts. This lead me to search the bridges on the Haya river: by narrowing the size of the search area, I eventually found the spot. I’ve heard that some folks who specialise in anime location hunts flat-out refuse to share their techniques and addresses/coordinates of the locations in things like Yuru Camp△ 2.

  • I’ve never been one to believe in acting like this towards readers: while keeping some locations undisclosed makes sense if they’re residential areas or in private spots (thereby preventing visitors from disrupting the locals), the places in anime like Yuru Camp△ 2 are attractions or otherwise unremarkable, and there should be no problems in showing people where they are. This is why I always aim to share the location of different scenes from the anime via Google Street View, allowing readers to gain an idea of where everything is. This is helped greatly by the fact I have Wander of Oculus Quest, where having full immersion in the space really helps from a spatial standpoint.

  • For completeness’ sake, I ended up buying Yuru CampΔ: Virtual Camp‘s Fumoto Campsite chapter a few days ago. Like Lake Motosu, Fumoto Campsite impresses from an aesthetic perspective; Gemdrop’s games completely capture the look and feel that defines Yuru CampΔ. This time around, there are several hints to suggest that the VR experiences presented occur some time after the first season, since Rin and Nadeshiko reference their first-ever camping trip together at Fumoto Campsite. Both Yuru CampΔ: Virtual Camp experiences capture an entire day’s worth of camping and feature conversations that give insight into how Rin and Nadeshiko’s friendship grows over time, and at Fumoto, players see things from Rin’s perspective.

  • Having now had a chance to play both Yuru CampΔ: Virtual Camp chapters, there are some minor things I noticed. Firstly, some translations of the Japanese into English aren’t 1:1, but this doesn’t detract from the overall experience. Similarly, there’s no anti-aliasing, and some elements (like shadows) look quite jagged, but overall, both games look very good. At Fumoto Camp, embers from the campfire and steam effects demonstrate good use of particle systems. One aspect I was fond of was the fact that Rin can spot a shooting star; the night skies look quite gentle, and I definitely see myself returning to enjoy the night scenery in the future using the game’s viewer mode.

  • Altogether, Yuru CampΔ: Virtual Camp was worth the cost of admissions. Both together cost around 48 CAD before tax, and while offering much less content compared to something like DOOM Eternal (which I got for 40 CAD, including The Ancient Gods DLC), the offset is that it allows VR headset owners to really immerse themselves in Yuru CampΔ‘s two most iconic campgrounds. While Nadeshiko enjoys a roast tomato here, I’ll share with viewers the Swiss Melt Dogs I made for lunch earlier today. I ended up trying them with both Dijon mustard and BBQ sauce, both of which conferred a great experience. The natural flavours of the Swiss cheese and white mushrooms complement one another nicely, and next time, I’ll give the onions a little bit more flavour by sautéing them with some brown sugar and a sprig of Worcestershire sauce.

  • After Nadeshiko invites the two children to try her cooking, the older sister is impressed that something like roasted vegetables could taste so good and takes on a newfound interest in camping. Even in her solo adventures, Nadeshiko has a knack for meeting new people and sharing her joy with them. This is an integral part of Nadeshiko’s character, and back during Yuru Camp△, Rin notes that Nadeshiko has a talent for making anything look tasty. Ayano echoes this sentiment in season two, attesting to how Nadeshiko’s got Adam Richman’s skill for really selling food. Even more so than heading her own outdoor equipment company, Nadeshiko feels like she’d excel as the host of a travel show about local eats.

  • After making the lengthy drive from Villa Amehata to Nadeshiko’s campsite (62 kilometres, requiring around an hour and a half’s drive), Rin is relieved to see Nadeshiko is well. Earlier, Rin had begun to grow extremely concerned after realising Nadeshiko hadn’t sent a single message since arriving at Fujikawa Station, and worried that the worst had happened, she sets off to check up on Nadeshiko. It turns out her fears were unfounded, but Rin herself suffers a shock when Sakura shows up, as well. The anime is able to utilise exaggerated facial expressions to convey Rin’s panic, but both drama and anime alike has Rin crying out in terror in a squeaky manner that leads the two children wonder if it’s a deer or similar.

  • It turns out that Sakura had been similarly worried about Nadeshiko and drove a similar distance to check up on her. This really accentuates the similarities between Rin and Sakura. This moment was particularly touching; despite rarely spending any time together, Rin and Sakura get along just fine and share a mutual love of quiet time that is balanced out by the energy Nadeshiko brings into both their lives.

  • Since Yuru Camp△ 2‘s live action drama ended its main story with Rin and Sakura checking up on Nadeshiko, the resulting theme in the drama differs from what the anime and manga conveyed: the drama speaks to the joys resulting from enjoying one’s hobby from a different perspective. Yuru Camp△‘s first season had Rin slowly come around to the idea that group camping had its merits, so in Yuru Camp△ 2, it makes sense that Nadeshiko, who started her camping journey with a group, would become curious to see what solo camping was like.

  • Watching Rin and Sakura together was remarkably heart-warming; fans have long seen the similarities between the two, and having now established that both share a mutual respect for one another, as well as the commonality of being worried about the carefree and happy-go-lucky Nadeshiko, it is possible that with the upcoming Yuru Camp△: The Movie, one could see the largest camping trip the Outdoor Activities Club goes on; perhaps Ayano will join them, and the large group means that Sakura might be asked to help drive people around, too.

  • If this were to be the case, it would be most appropriate for Yuru Camp△: The Movie; the series has been steadily expanding the scope and scale of the Outdoor Activities Club’s adventures, so it makes sense that the film would take things to the next level. Here, after Rin and Sakura receive a message from Nadeshiko, who’s found a spot where she’s got a single bar of reception, Sakura decides to treat Rin to dinner. One of the key visuals for Yuru Camp△ 2 had Rin and Sakura eating okonomiyaki together during the evening. I imagine this is Okonomishokudō Itō, the same restaurant Sakura had suggested to Nadeshiko earlier, and while I would’ve loved to have seen this happen, I imagine that the suggestion to eat dinner together alone demonstrates the closeness that’s developed between the two to a sufficient extent.

  • Whereas the live action drama cannot have access to the same array of facial expressions as the anime or manga might, the actresses do a fantastic job of conveying the emotions seen in the anime and manga. Here, Ena smugly points out that she knows of Rin’s excursion to check up on Nadeshiko. Rin is left speechless, confident that she’d never told anyone of this side trip. The anime adaptation of Yuru Camp△ 2 shows how this came to be in a post-credits sequence, and the drama has this as a part of the main storyline: while out at a convenience store, Nadeshiko’s mother runs into Rin and shares the story.

  • Rin looks shocked in the drama at this revelation, whereas in the anime, her head becomes rounded and she pouts. I’d always been fond of this scene; while Rin might be a stoic character, she is quite expressive in her own right, and as Yuru Camp△ 2 wore on, this became increasingly apparent. Haruka Fukuhara’s portrayal of Rin is spot-on throughout the live-action drama: she is faithful to Rin’s characterisation, and the fact that the characters so closely resemble their fictional counterparts serve to remind viewers that the events of Yuru Camp△ could very well happen for real.

  • With the Izu trip now a reality, Minami and the Outdoor Activities Club begin laying down the groundwork for their largest trip yet. Unlike the anime, Rin is absent from the proceedings, a consequence of the changes the drama made, but I imagine that the drama will similarly show that it won’t take much effort to convince Rin to accompany the Outdoor Activities Club on their trip. Yuru Camp△ 2‘s live action drama closes off with the Outdoor Activities Club and Rin heading home together ahead of the Izu trip, signifying that this group of friends is now at a point where they’re ready to travel together.

  • The drama ends at what corresponds roughly to the halfway point in Yuru Camp△ 2‘s ninth episode. I’m not sure if the ongoing global health crisis may have affected principal photography of the Izu segment, but I do hope that viewers will have a chance to see the Izu trip in the live-action format, too: Yuru Camp△ 2 had indicated that the food and destinations were next level, and consequently, I had been especially excited to see the alfonsino burger and shellfish fried rice that the Izu Peninsula saw. Having said this, Yuru Camp△ 2‘s drama nonetheless picks a good place to conclude for the present: I will be returning later this month to write about the second Yuru Camp△ 2 OVA which I imagine will be the last bit of Yuru Camp△ I write for, at least until Yuru Camp△ : The Movie in 2022.

Because this dramatic change in where the series wraps up, Yuru Camp△ 2‘s drama tells the same story over a longer timeframe compared to the anime. In spite of this, however, the drama never seems to drag on, and when spaces are introduced, elements from the manga are utilised to fill in the void. The tablecloth scene from the manga, so noticeably absent in the anime, makes a comeback as Minami imagines that the worst has happened to Chiaki and the others on the shores of Lake Yamanaka, as does a scene where Chiaki becomes excited to pick up inexpensive firewood for the Outdoor Activities Club’s stockpile, only to learn that all supplies are out by the time she arrives. The drama also has an all-new scene where Nadeshiko, Chiaki and Aoi swing by Ena’s place to check out Chikuwa’s doggy-tent and fry up sausages together: this moment is unique to the drama and not seen in either the anime or manga. Despite the changes, however, Yuru Camp△ 2‘s live-action drama continues to successfully capture the look-and-feel of Yuru Camp△ during its runtime. I certainly enjoyed this series and what it adds to Yuru Camp△; a slight change in the execution led me to see the series from a different angle, and for me, this is a reminder that the old debate between source and adaptation materials is a largely irrelevant one. Various perspectives on a work allow one to fully appreciate what the creators thought to be important, and it is by appreciating both source and adaptations that one gains the most complete experience. Similarly, because Yuru Camp△ 2‘s live-action drama ends with the preparations and anticipation for the Izu Peninsula trip, I’m left wondering if there will be an adaptation of the Izu trip: the anime had portrayed Izu with a high degree of precision, and admittedly, I had been hoping to see the delicious alfonsino burger everyone enjoys on their first day. For now, I have no news of whether or not a continuation of the drama is in the works, but if it turns out such a continuation is going to be made, I’d have no objection to picking things up and seeing how the live action drama chooses to adapt one of Yuru Camp△ 2‘s biggest adventures yet.

1337 Posts, and Yuru Camp△ 2 Live Action Adaptation: Review and Reflections At The Halfway Point

“Plan for what it is difficult while it is easy, do what is great while it is small.” –Sun Tzu

Rin spends time with Nadeshiko and Ayano in Hamamatsu before heading back home with her grandfather. Nadeshiko ends up taking a part time job to pick up the gas lamp she’d longed for, and Chiaki spends some time seasoning her new cast iron skillet, as well as removing the lacquer from a wooden bowl. She later plans out a camping trip at Lake Yamanaka with Ena and Aoi (Nadeshiko and Rin are busy with work). After picking up some gear from Mont Bell and swinging by an onsen, the group head towards their campground at the eastern edge of Lake Yamanaka. They meet a young woman and her corgi, but after settling down for some drinks, they realise the temperature’s plummeting quickly, and moreover, they’ve not prepared at all for the cold night ahead. This is where Yuru Camp△ 2‘s drama after six episodes, coinciding roughly with where Chiaki, Aoi and Ena end up at Yuru Camp△ 2‘s halfway point. By now, it is apparent that Yuru Camp△ 2‘s live action has taken several liberties with the order of events and progression: Chiaki preparing a cast iron skillet and wooden bowl originally during the first season prior to exams. However, speaking to the finesse of the writing, the Yuru Camp△ 2 drama never skips a beat, and changes in the events are smoothly integrated with the original timeline to create a very smooth story that stands of its own accord. In its execution, the Yuru Camp△ 2 live action shows how even with substantial modifications to the storyline, by virtue of omission or altering when it occurs, some stories can still flow elegantly. The end result is that I half expect there to be a few more surprises in store for the Yuru Camp△ 2 drama’s second half; seeing these differences (sometimes subtle, and othertimes obvious) has made the live-action adaptation engaging in its own right. While we might be retreading a familiar stories, minor variations keep the experience quite fresh.

In retrospect, Yuru Camp△ 2‘s first half is initially quite similar to the first season in that it covers the experience surrounding local camping, of visiting spots reachable by mass transit or moped. However, the combination of new locations explored and new lessons learnt add depth to the adventures; Nadeshiko is now close enough to get an honest answer from Rin about why solo camping has its own joys, and while the first season’s winter camping had been all fun and games, Chiaki, Aoi and Ena’s lack of research into the nighttime lows at Lake Yamanaka remind viewers of the importance of being properly prepared. The second season’s first half thus speaks to the idea that while the Outdoor Activities Club had become familiar with camping, there were a few things they needed to be made aware of before they could go on larger-scale outings. Having Chiaki, Aoi and Ena learn the importance of research and letting people know of their plans is vital for safety’s sake, and once this lesson is applied, viewers can rest assured that the characters are aware of the procedure to keep safe on their adventures. The messages are consistent across both the live action adaptation and the anime; this is, after all, a central part of the series, and disparities between the two notwithstanding, both the anime and drama do an outstanding job of conveying their messages across. One of the things I did notice about the live-action drama was that, while the episodes seem to space things out more, things never seemed to drag on. This is the mark of an engaging series – camping is a fun activity many partake in, but Yuru Camp△‘s uncommonly powerful presentation has encouraged people to take it up for themselves.

Screenshots and Commentary

  • Last I wrote about the Yuru Camp△ live action drama was about a month and a half ago; attesting to how busy things’ve been, I’ve only been able to catch up on the live action recently, having spent almost all of my time finishing up Cold WarSuper CubYakunara Mug Cup Mo and Gundam SEED. Fortunately, shows don’t go anywhere, and so, I was able to pick up with the drama right where’d I had left off last.

  • Having the drama around meant my Yuru Camp△ withdrawal isn’t quite as severe as I initially imagined: I’ve long been impressed with how faithful the live-action adaptation was to events in the anime. Filming this second season can’t have been easy, especially since many of the events were related to phenomenon around the New Year’s timeframe, and in order to keep things authentic, the producers would’ve had to do most of their principal photography in winter. The end results, however, speak for themselves.

  • One of these days, I’d love to watch or read about a behind-the-scenes of how Yuru Camp△‘s drama was filmed: besides showing things like set design, I’m very fond of outtake reels and the like. A well-done movie or TV show is totally immersive, and with strong acting, it becomes easy to forget that we’re watching women and men completely embracing their roles to bring a certain world and its story to life. Being able to watch moments where actors and actresses flub a line or burst out laughing reminds us of the effort that goes into making these show come to life.

  • I did not cover this in my original post, nor did I feature this moment in any location hunt: Hamanakoo Bridge is located immediately north of Nagisaen Camping Ground at the western edge of Hamamatsu, and in both the anime and drama, the observation tower from Hamanako Garden Park can be seen. The lighting in the drama suggests a warmer day than the anime, but being Canadian, I’ve been around the block long enough to know that one cannot reliably ascertain ambient temperatures visually.

  • While waiting for Shizuhana to open, Rin is shocked that there are so many people here to buy strawberry daifuku so early in the day. Like the anime, Rin finds herself hoping that there’ll be enough to go around, since she’s only looking to grab a few for Nadeshiko, and all of the other customers are interested in buying large numbers at a time. The uptick in recent reviews for this confectionary store suggests that more locals are beginning to go out and about; traffic back home certainly has increased of late, and my provincial government have opened things up for people in my cohort to take their second vaccination.

  • I ended up getting my second shot yesterday, and once the vaccine does its thing within two weeks, it means I’ll have an acceptable level of protection against the virus. This doesn’t mean I’m in the clear yet (I’ll probably still carry a mask and hand sanitiser around for a ways after), but having the peace of mind that the most severe symptoms will be prevented is most welcome. At some point in the near future, once case numbers are consistently low, I do look forwards to returning to my favourite poutine joint this side of the world.

  • This moment is why Haruka Fukuhara is paid the big bucks to play Rin: Fukuhara’s portrayal of Rin’s reaction to the insane price of unagi is priceless, being even more amusing than her “eyes fall to the ground in shock” in the anime. Moments like these accentuate the greatest difference between anime and real life; whereas actresses and actors have the advantage of facial cues and body language, anime need to work twice as hard in order to convey the same feelings. Yuru Camp△ has no trouble with this in its anime incarnation, so it was especially fun to see how certain moments were conveyed in real life.

  • Yuno Ōhara herself is no slouch in bringing Nadeshiko’s mannerisms to life, either: Nadeshiko covers her eyes whenever something frightens or surprises her, and this is adorable. Ōhara even nails the facial expressions. The act of watching unagi being prepared is a little much for Nadeshiko, and while I’ve never had a problem with seeing the guts and whatnot from preparing fresh meat, I do appreciate that some people can become uncomfortable with it (Les Stroud mentions this in the opening disclaimer for Survivorman episodes and occasionally cuts away some scenes where he’s preparing something he’d caught).

  • Whereas the anime had Nadeshiko’s grandmother and Rin tugging on her cheeks, the drama has Ayano do so instead. Like Rin’s place, Nadeshiko’s grandmother’s home is not precisely placed; in real life, an empty lot occupies the spot where Nadeshiko’s grandmother’s house is supposed to be located. Instead, the drama uses a building located a hundred and thirty-three metres to the east as the location for exterior shots, and I imagine that interior shots are filmed either on a sound stage or at an undisclosed location.

  • Prior to Nadeshiko’s departure, Ayano had encouraged her to pick up something new, and in the half-year or so since Nadeshiko moved to Yamanashi, she’d picked up camping, to Ayano’s joy. Here, she and Nadeshiko both learn the reason behind Rin’s preferences for solo camping. It was here that Yuru Camp△ really struck a resonant chord with viewers; most anime would opt to emphasise that there’s joy to be had in groups, but Yuru Camp△ ended up saying that people can enjoy solo activities as well, which comes with its own set of merits. Rather than attempt to leave viewers with only one message, Yuru Camp△ therefore suggests that there is no right or wrong way to approach a hobby so long as one is doing so safely.

  • Back home in Yamanashi, Chiaki relives Rin, Nadeshiko and Aoi’s travels in food form, but since the curry requires preparation to enjoy, she stows it away for later use. We’re now back in Motosu, and it’s a welcome return to the school grounds, which had sat empty until Yuru Camp△ popularised the site anew. When I first heard about the drama via social media, I’d only been tangentially interested, but after trailers began appearing, and I noticed that the Outdoor Activities Club’s clubroom at Motosu High School was actually based off the real-world location, I immediately wished to check the drama out for myself.

  • Classic scenes like Nadeshiko acting as a makeshift pole make a return in Yuru Camp△ 2‘s live action, right down to the facial expressions. It initially feels a little mean-spirited to suddenly spring a game of scissors-stone-cloth to determine who should be the pole, especially in the knowledge that Chiaki and Aoi have known one another for a long time and roughly know what to expect. Nadeshiko eventually swaps herself out for an easel, and remarks that if Chiaki needs her as a pole again, she’ll have to charge her an hourly rate for such a service.

  • With the money she’d earned from work, Ena ends up buying a dog-sized tent for Chikuwa that costs as much as any tent for people. The price is consistent with what I’ve found for North American equivalents, and camping with dogs does require an extra bit of research to ensure good times – some campgrounds are more dog friendly than others, and it’s probably worth ensuring one’s dog is up to speed on their vaccinations. For now, however, the winter cold means that it’s probably not the best idea to bring Chikuwa out to camp, and Rin is left to wish that she could see Chikuwa and his little tent in person.

  • After her contract with the post office comes to a close, Nadeshiko laments that all of the part time jobs suitable for secondary schools are located in Kofu a ways to the north. I absolutely sympathise with how Nadeshiko feels about things: in my corner of the world, most technology-related jobs are for oil and gas companies, and a majority of the mobile development jobs are either out west or east. However, changing circumstances means that more companies are okay with hiring remote workers, and there may come a future where I’ll have to grow accustomed to working remotely. I joke that so long as I have a computer, power supply and internet connection, I could work anywhere in the world, although in Nadeshiko’s case, practical constraints mean that she’s limited to whatever is available in the Minobu/Nambu area.

  • Sakura comes through one day – she invites Nadeshiko out to dinner at a local soba restaurant that serves a delicious ebi tempura and remarks that they’re hiring, but because they’d only just opened the position, there were no ads in the local classified. For the first time, Nadeshiko is even more excited about the job than she is about the meal she’s about to enjoy, and Sakura asks her to at least have dinner before getting psyched about being able to work hard and earn some coin.

  • With her first paycheque from the soba restaurant, Nadeshiko finally has enough money to pick up the gas lamp she’d long adored. The anime had Nadeshiko trip on a shoebox and nearly drop her new purchase, but the live-action sees her toss the box into the air out of excitement. This minor change did feel a little disingenuous to Nadeshiko’s character – she’d grown quite a bit since the series began, and however excited Nadeshiko might be about the new gas lamp, she’d also realise the effort it took to get here. Fortunately, one of the store’s clerks are on hand to help out. He makes a stunning catch worthy of the Calgary Stampeders and cheers alongside the others.

  • Back home, Nadeshiko lights the gas lamp for her parents. While Nadeshiko had taken a liking to the lamp owing to its appearance, Yuru Camp△ also has it become a tangible representation of Nadeshiko’s maturity. From getting lost on a bike shortly after moving to Yamanashi, to taking up camping and learning the ins and outs, as well as picking up a job so she can pursue camping more throughly, the milestone of earning enough to buy said gas lamp was the surest sign that for us viewers, we needn’t worry about Nadeshiko, since she has the resolve and drive to make discoveries on her own and ask for help when needed.

  • Having this confidence in Nadeshiko thus opens Yuru Camp△ up for new adventures of a much larger scale, and further driving this point home, Nadeshiko’s decision to gift Sakura a reusable hand-warmer shows that, while she may be ditzy and a glutton who lives in the present, she’s also kind and very aware of those around her. The anime and English-language materials don’t say anything about how old Sakura is, but having picked up the Yuru Camp△ official guidebook back in 2019, I ended up learning that Sakura is a university student.

  • The biggest surprise for me about Yuru Camp△ 2‘s drama was that, after Nadeshiko buys her gas lamp, the story switches over to Chiaki and Aoi discussing fancy camping implements; over the weekend, Chiaki had managed to pick up a cast iron skillet and wooden bowl, plus a small table cloth and rack that can be used as a makeshift table. This particular story was a part of Yuru Camp△‘s first season, where Chikai totally procrastinates for her exams by taking some time to season the skillet and remove the lacquer from the bowl. While jarring, the drama ends up fitting things seamlessly into the second season, portraying Chiaki’s exercise as preparations for their next camping trip and also foreshadowing the group that will go camping next.

  • The Yuru Camp△ live action adaptation’s first season had omitted this altogether so everything could be fit into the season, but I’m glad that Yuru Camp△ 2 found a way to incorporate it back in – the segments where Chiaki, Aoi and Ena go through how to properly season cast iron cookware and prepare wooden bowls for holding hot food are reminiscent of the step-by-step processes seen in something like MythBusters, turning a prima facie boring process into an instructive and engaging one. Of course, not shown in the live-action is Aki Toyosaki’s adorable scream of pain when she accidentally comes into contact with the hot skillet: Yumena Yanai’s portrayal of Aoi, while still faithful, lacks the same good-natured antics that Toyosaki brings to the table.

  • With the weekend here, Chiaki, Aoi and Ena set off for their first-ever camping adventure without Nadeshiko: she and Rin were scheduled for work this weekend. Their trip opens at Mount Fuji Station in Fujiyoshida, reachable from Minobu by taking a train into Kofu and then switching over to the bus that takes them to the station. While the drama frames the shot from a different angle, the same energy and excitement from the anime is conveyed – I imagine that the choice to frame the shot this way was also to show how large the world is, foreshadowing what would happen on Chiaki, Aoi and Ena’s Lake Yamanaka trip.

  • The scene of Chiaki slipping and falling on ice at Mount Fuji Station was omitted in the drama: instead of creating a situation that leads Ena to snap a photo of Aoi trying to keep Chiaki from falling, she simply feels the need to sneeze and has the sneeze fail. For some inexplicable reason, sneezes feel very satisfying, so when a sneeze “dies”, it can be accompanied with a strange feeling of frustration.

  • While Chiaki is quite pleased with herself for having secured an inexpensive transit option, the sparse schedule means that the trio must sprint off to catch their bus, lest they’re stuck waiting for another hour for the next ride. Public transit in Japan remains more accessible than anything I’m familiar with back home; the sprawl of Canadian urban design means that infrastructure costs more per capita, and simply put, it costs more to run bus lines when there are fewer riders, causing the price of tickets to rise. In Hong Kong, for instance, the price to ride the tram from North Point to Central is 2.60 HKD, or 42 cents. However, back home, an adult transit ticket costs 3.50 CAD and is only valid for 90 minutes.

  • I’ve long been a proponent of higher-density developments that make things more accessible in the absence of a car; this stands in stark contrast with home developers’ insistence that the 2400-square-foot home is good enough for everyone, and indeed, their resistance to building differently is astounding. A few years ago, my city’s mayor was involved in a lawsuit after suggesting that he would push to increase density and increase the costs for home developers to construct single-family subdivisions. The case was settled out of court, and while the city has plans for sustainable growth, the reality is that I’ll probably continue to see McMansions pop up at the edge of town in the years to come, and will probably need to resign myself to the fact that my city isn’t going to be walkable for a while yet.

  • Chiaki gloats about how nice it feels to go relax while others are working, a clever callback to the idea that she’s still a little salty about having spent the whole of her winter break working. Rather than mean-spirited, however, this moment feels hilarious and speaks to Chiaki’s love for hanging out. The group’s first destination is Montbell, an outdoors store even larger than Kofu’s Elk. Whereas the anime had presented Montbell as a larger Caribou branch, the live-action adaptation shows Montbell in its original glory, right down to the giant stuffed bear at the front of the store.

  • These stuffed bears are exactly what I was referring to while writing about Yuru Camp△ 2‘s fifth episode a few months earlier; the anime had substituted a giant caribou for the bear, and in the manga (as well as one of the Heya Camp△ segments), Aoi is seen to have developed a great fondness for Caribou-kun: after buying the entire plushie, she takes him on camping trips. These giant stuffed animals are a common sight in Banff, and today, being Canada Day, is a time where I spend time with family hanging out in the mountains.

  • This year, we’ve chosen to have a quieter day at home to deal with some household stuff: the temperatures today are expected to top out at 36°C, and it’s been this hot all week on account of the persistent heat dome that’s settled over our area. It’s certainly a far cry from Yuru Camp△ and its wintery conditions; at Mont Bell, where Chiaki attempts to determine what the best option she has for a lightweight hammock with a frame is. After performing a dance of sorts for the clerk, the clerk has just the thing. The anime kept this a surprise for viewers, while the drama simply shows the solution for Chiaki: two low chairs.

  • After their purchases are completed, Ena receives a set of pictures of Chikuwa enjoying his new doggy-tent immensely. This immediately leads Aoi and Chiaki to melt, and then wonder how on earth Chikiwa could be sending the photos himself. It is shown Ena’s father is taking and sending the photos, which was a very clever way of showing the cordial relationship Ena has with her family. In the anime, Ena is never shown as receiving the photos and therefore can be surmised to have taken them before they’d set out for Lake Yamanaka.

  • With an ambient temperature of 1.4°C, Aoi, Ena and Chiaki struggle to leave the onsen. It had been Ena who’d suggested to Rin that she try the Nordic Cycle out during Heya Camp△‘s OVA, suggesting that it’s good for circulation; presumably, after feeling particularly invigourated after leaving the waters and stepping into the brisk winter air, Ena felt it might be something Rin would probably like. This is what led me to surmise that Rin’s weekend trip was probably set after the events at Lake Yamanaka, but before their trip to Izu.

  • Whether it is the drama or anime, Yuru Camp△ has always excelled with its portrayal of enjoying the small moments in life. After unwinding in the onsen, Chiaki, Ena and Aoi enjoy ice creams prior to their next destination. I’ve always had a fondness for Japanese soft-serve: the ice cream out here tends to be very hard and is much cooler, whereas in Japan, their ice cream is creamier and smoother. Moreover, soft-serve ice cream has a lower fat content and is served at a slightly higher temperature, reducing instances of brain-freeze.

  • Chiaki melts into the floor from comfort, prompting Aoi to try and wake her up before she falls asleep, which would set them back on their schedule (this had happened on the Outdoor Activities Club’s first trip to Fuefuki), and with the bus routes as infrequent as they are, this could prove challenging. However, Aoi’s problems are doubled when Ena does the same. The humour of Yuru Camp△ translates well into reality, and Aoi’s frustration is apparent as she tries to get her friends going.

  • Nadeshiko’s expertise with nabe is what allows the Outdoor Activities Club to experience great-tasting hot pot while camping. A bit of ingenuity and substituting out ingredients that are easier to transport and prepare means that the original recipe’s flavours are largely retained, without demanding additional preparation or storage constraints while out on the campgrounds.

  • After one more bus ride, Ena, Aoi and Chiaki finally arrive at Misaki Camping Ground on the eastern edge of Lake Yamanaka. The drama takes the time to show how beautiful the area is, and again, it is apparent that the producers used drone footage to shoot scenes over the lake itself. Drones have definitely allowed producers, both with high and low budgets, to shoot some fantastic footage; Les Stroud began using drones in his later seasons, and with the technology become increasingly inexpensive, he even encouraged his drone operators to go for style, since if a drone was wrecked, he’d simply buy another one.

  • I found that the manager at Misaki Camping Ground resembles Hong Kong’s Jimmy Lai, and the itself moment quite hilarious; while it might be disappointing to Chiaki, Aoi and Ena, there are practical reasons for disallowing campers to set up their tents on the cape itself. While Yuru Camp△ had presented camp ground managers as being quite friendly and polite, here at Misaki Camping Ground, there did seem to be a bit of tension here which again, foreshadows the fact that Lake Yamanaka offers a sort of challenge that previous camping grounds did not.

  • I also ended up purchasing Yuru CampΔ: Virtual Camp for the Oculus Quest today; developed by Gemdrop, I’ve been eying the games since they launched earlier this year. There’s one set at Lake Motosu and one at Fumoto Campsite, retailing for 25 CAD each, so I figured I’d start by playing as Nadeshiko on the shores of Lake Motosu and then return at a later time to give Fumoto a shot, if Lake Motosu impressed. As it turns out, the VR experience is quite compelling; while it isn’t physically demanding as something like SUPERHOT VR, the scenery and character models are well rendered. One thing that became very apparent is that Rin’s character model is absolutely tiny; her height is given as being 144 cm (even smaller than K-On!‘s Azu-nyan, who’s 150 cm).

  • Yuru CampΔ: Virtual Camp shows that a part of the anime experience can indeed be faithfully reproduced in the VR environment, and I wouldn’t mind giving the Fumoto Campsite version a go, as well. Players can navigate between the different scenarios quite easily, but also choose to just lose themselves at a given time of day and admire the scenery. One thing I particularly liked is the fact that Nadeshiko can call out to Rin with her signature Rin-chan~! as the sun is setting, and while the story itself is quite short, I do see myself returning to chill on the shores of Lake Motosu in the future. Having said this, capturing footage from the Oculus Quest is a bit tricky, so it’ll be an experience I can’t readily write about here.

  • While pitching one’s tent may be prohibited on the cape, there’s nothing that says one can’t set up their chairs here and kick back. Chiaki thus goes about setting up a fancy drink, a hot buttered rum, for everyone. The girls’ phones don’t appear to be a problem at this point in the drama; the anime and manga had the phones run out of juice from the cold, which complicates things. Fortunately, Chiaki, Aoi and Ena have a guardian angel in the form of Rin: unlike the others, she knows that Lake Yamanaka can get cold from its elevation, so she eventually becomes worried about the three.

  • Choko and her owner show up after the hot buttered rums are prepared in the drama; here, Chiaki wonders if the Corgi is Nadeshiko manifesting in spirit form. This was originally present in the manga, but was never mentioned in the anime, so seeing it return in the drama was a pleasant touch. After giving Choko pats, they turn back to their drinks, only to find that in the short time Choko was occupying their attention, everything’s frozen solid. As the temperatures cool, Chiaki realises they’re in trouble unless they do something immediately to turn their situation around.

  • While the anime really drove up the stakes by having the group only realise their situation after the sun had set, there’s still a little light in the drama when Chaiki runs off to the nearest convenience store for some heavy-duty warmers while Aoi and Ena attempt to get firewood, only to spot the manager leaving for the day. Such a moment would be quite suspenseful, but since most viewers would undoubtedly be watching the drama after seeing the anime and/or having read the manga, what happens next isn’t too much of a concern. This post has been a fun one to write for, and I’ll be returning at some point in the future to wrap up Yuru Camp△ 2‘s drama. In the meantime, it’s time to catch up on Higurashi SOTSU‘s first two episodes, then spend the next little bit wrapping up talks for Gundam SEED86 EIGHTY-SIX and Higehiro before delving into the summer season’s shows: I only have plans to write about The Aquatope on White Sand and Magia Record at present, with the idea being that a lighter blogging schedule hopefully translates to being able to play more DOOM Eternal.

I’ll briefly stop here to note that with this talk on where I stand with Yuru Camp△ 2‘s live action drama with six of twelve episodes in the books, I’ve reached yet another milestone with this blog: thirteen hundred and thirty seven posts. This number is significant and is a callback to the earlier days of the internet – originally, 1337 was a numerical spelling of the term “elite” and had been associated with the hacker subculture, denoting formidable skill and knowledge in the area. The substitution of numbers in some spellings spilled over to the world of gaming, and eventually, 1337 became an adjective for “awesome”. That I’ve written 1337 posts over the past nine-and-a-half years has spoken to two things: the first is that having an awesome reader base, one that provides honest feedback, shares recollections and sets me straight if should I step out of line, has been most encouraging. Without you, the readers, I’m certain this blog and the various misadventures I’ve been on over the years, would’ve never endured for as long as it did. The second is that in the journey of life, there’s always something worth sharing: Yuru Camp△ 2‘s live action adaptation is one of them, and I’m certainly having fun writing for these posts and whipping up the images comparing and contrasting a given moment in the drama with its counterpart in the anime. At the end of the day, this is what blogging boils down to – it’s a matter of having fun writing what we write about, and knowing that even if a post has helped one individual’s day in some way, whether it’s answer any questions the reader had about something or giving them something to smile about, the post has accomplished its goal. Similarly, Yuru Camp△ 2‘s live action drama consistently puts a smile on my face, and while the series has finished airing, I am a little behind on things, so I’ll aim to continue watching this one and write about my final impressions once that’s in the books.

Mystery Camp: Yuru Camp△ 2 OVA Review and Reflection

“Mystery is at the heart of creativity. That, and surprise.” –Julia Cameron

Aoi shares three vignettes surrounding camping to viewers to encourage them to pick up the hobby for themselves. The first segment has her and Nadeshiko using a handy app to rent camping gear, only to learn that they’re missing Chikai for their trip and therefore, decide to rent a Chiaki-in-a-box, too. Later, Nadeshiko’s solo camping takes her to a dystopian camp where her days consist of working in a factory, subsisting on meagre rations, burning hazardous chemicals for warmth and sleeping in a cardboard box. Later, Rin and Nadeshiko roast some marshmallows, and although Nadeshiko begins thinking of all the different recipes she could make with s’mores, the roasted marshmallows Rin gives her turn out quite unlike what she’d been expecting. After all three stories are told, Aoi invites viewers to head out and give camping a go on account of how one can have some remarkable adventures. This is Mystery Camp, the first of the Yuru Camp△ 2 OVAs that accompanied the second BD collection. The first season’s OVAs were imaginative and fun, being both supplementary materials to the series and sending the characters on adventures that would otherwise be counted as unrelated. Here in Mystery Camp, the trend continues, capitalising on Aki Toyosaki’s excellent voice acting to deliver Aoi’s lies in a compelling manner. The three stories are unlikely to be considered canon in any way, but instead, serve to act as what-if segments that allows the studios to put the characters in unusual situations in the name of comedy. However, unlike the previous season’s OVAs, which were denoted as a part of Heya Camp△, this OVA lives up to its name as Mystery Camp: and Aoi’s stories are so far removed from what Yuru Camp△ had presented as camping that one cannot help but feel that this is yet another one of Aoi’s elaborate lies.

The middle act, which sees Nadeshiko coming across a work camp, was probably the most heart-wrenching of the stories: the reason why it’s so effective is because Yuru Camp△ unfailingly puts Nadeshiko in gentle, easygoing scenarios where she is able to learn and relax, and where any challenge is overcome with creativity. As such, when Nadeshiko enters a work camp instead, traditional camping activities are replaced by something considerably more grim. Seeing Nadeshiko will herself through everything becomes particularly saddening, and while she’s doing her best to hold together, nowhere else in Yuru Camp△ do we ever see Nadesiko look so defeated. Consequently, viewers would be relieved to know that such things don’t actually happen to Nadeshiko as this OVA draws to a close. I appreciate that something similar was done during the first season, when Aoi spent an entire OVA lying to Nadeshiko, even getting everyone to pretend to be Rin and causing Nadeshiko to question reality itself. Because it’s so adorable to see Nadeshiko in this manner, I expect that this OVA was a chance to have Aoi continue on with her tall tales and perhaps drive up the feeling of pity for Nadeshiko, who otherwise has a very happy-go-lucky experience in Yuru Camp△.

Screenshots and Commentary

  • Aoi’s pranks are at best, hilarious, and at worst, mean-spirited. This is greatly augmented by the fact that Aki Toyosaki’s delivery of Aoi’s lines is done with a gentle and soft kansai-ben: with her voice, it’s almost impossible for Nadeshiko to tell when Aoi is lying, and this has resulted in a great many jokes throughout Yuru Camp△. I’ve long found Aoi to be an amalgamation of K-On!‘s Yui Hirasawa and Tsumugi Kotobuki: Toyosaki’s voice and Tsumugi’s eyebrows make Aoi quite standout in terms of appearance, although I imagine that Aoi’s other attributes make her notable.

  • The first of the stories indicates that while Nadeshiko and Aoi had made use of a rental service to swiftly get gear delivered to them for their latest winter camping excursion, they’d forgotten to bring Chiaki along with them. No camping trip would be complete without Chiaki, so they decide to rent one, too. This is a hilarious oversight that wouldn’t otherwise happen in Yuru Camp△: of the Outdoor Activities Club members, Chiaki is the most rambunctious of the bunch, and sooner or later, it should have dawned on Aoi and Nadeshiko that they were missing their club president.

  • As far as camping gear goes, Aoi and Nadeshiko have brought almost everything of note in this vignette, from the standard tents and sleeping bags, to chairs, campfire stand and cookware: one of the biggest joys of the series was watching everyone in the Outdoor Activities Club grow; as everyone became more familiar with camping and its implements, they were able to tailor their experiences to their liking. Over the second season, Nadeshiko, Aoi and Chiaki begin buying gear to fit their own style, rather than simply following Rin’s setup. This is a pleasant indicator that everyone’s learning their own style of doing things.

  • Mystery Camp is the first of the Yuru Camp△ 2 OVAs to be released, accompanying the second Blu Ray set which had become available back on May 26. I’d been rather looking forwards to the OVAs, and while my enthusiasm is shared by other fans of the series, I cannot say that I am surprised by the fact that there isn’t more discussion about the OVAs, since it’d just come out (at the time of writing, I think this is the only discussion around for the OVA). I’d originally planned on watching the OVA at a later time, but the realisation that I’d otherwise have a tad too many Cold War posts out in rapid succession led me to change things up.

  • This weekend, it was to thundering skies I’d waken up to, and with this first thunderstorm of the year, I also caught wind that there’d been a small tornado south of the city. The thunderstorms began in the morning, paused briefly during the afternoon and then returned in full force during the evening before ceasing again. I was fortunate that it was during the respite that my haircut had been scheduled: the skies relented long enough for me to finish, and after I returned home, it hailed and rained briefly. Today, while the skies were quite moody, but much of the day remained reasonably dry even though the clouds overhead gave every impression that a storm was going to happen.

  • We did get some rainfall towards the end of the day, and while the sun did appear briefly, it’s overcast again now. Back in Mystery Camp, the second of Aoi’s stories is the highlight; Nadeshiko is geared up for another solo camping trip, but upon reaching the campsite she’d made the reservation for, she’s shocked to find it to be quite unlike anywhere she and the others had previously camped at. Noxious fumes emanate from the site, a far cry from the pleasant mountain air that Nadeshiko had come to expect from camp sites she’d previously utilised.

  • It soon becomes clear that this camp is no ordinary camp: it is a barren field of concrete, pole-mounted CCTV cameras, electric fences and smokestacks. Up until now, Yuru Camp△ had always been about displaying the splendor of nature in all its glory, so to see something so industrial and unnatural was jarring, most unlike the aesthetic that Yuru Camp△ is known for. A drone greets Nadeshiko at the gates, and she reluctantly walks towards the central tower to check in.

  • A row of androids greet Nadeshiko once she arrives: the cold, monochrome environment is quite uninviting, and the absence of other humans creates a sense of unease. A major part of Nadeshiko’s enjoyment of her solo camping adventures came from being able to explore on her own and meet new people in the process, so to completely strip this away would be to take away the very thing that Nadeshiko most enjoys doing.

  • As soon as Nadeshiko’s checked in, she is relieved of her camping gear, given a drab garb and is assigned menial labour as part of camp activities. The look on Nadeshiko’s face is heartbreaking, and she assembles what appears to be an inexpensive plastic toy on the production lines. Because anime are often limited by how they convey emotions, certain cues are retained here – Nadeshiko’s eyebrows speak volumes to how disheartened she is with camp activities. Slice-of-life anime usually feature eyebrows in three distinct styles: ordinary round eyebrows for a neutral or happy expression, v-shaped eyebrows for anger, determination or surprise, and finally, reverse-v-shaped eyebrows for sadness, melancholy or mortification.

  • To emphasise things, Nadeshiko’s eyebrows can be seen through her cap, and of the people at camp, she’s the only person with her eyebrows visible. The moment the camera pulls back out and shows other individuals on the same production lines, it becomes clear that Nadeshiko’s checked into a labour camp. Such a topic is no joke, and it was therefore surprising that Yuru Camp△ opted to use this as one of Aoi’s stories. This can potentially be seen as being insensitive, although in good faith to the writers, I will suppose they’d intended to show the dramatic difference in what “camping” entails through Nadeshiko’s sorrow.

  • The moment that really hit hard was watching Nadeshiko down camp rations in an empty room whilst sitting on a folding chair – this is so far removed from the joyful meals she’s enjoyed while camping that one cannot help but feel an inclination to offer Nadeshiko a good nabe and perhaps a hug. One clever touch about this segment was that, as Nadeshiko’s day progresses, things become increasingly monochrome. The only detail that suggests to me this camp is more in line with Futurama‘s Spa 5 labour camp (and therefore, that Aoi’s story is meant to be taken lightly) was that when Nadeshiko is given a pile of solid fuel to burn for heat, she’s at least given a gas mask to keep her from succumbing to the fumes.

  • While burning these chemicals, Nadeshiko sadly notes that there’s no warmth in the fire. whatsoever. With the day over, a dejected Nadeshiko prepares to turn in, the colour fully stricken from her world. The aesthetics here brought to mind the likes of Girls’ Last Tour, an anime set in a post-apocalyptic world filled with engineering marvels whose purpose were lost to time. Such settings inevitably create a sense of melancholy, and while Yuru Camp△ might not deal in things like finding purpose in a world inherently lacking meaning or similar, there is no denying that when the moment calls for it, the series can create very compelling aesthetics that evoke certain emotions.

  • After spotting a cardboard box, Nadeshiko prepares to turn in for the night with naught more than the box as bedding, remarking it’s at least a little warm and wonders where she’d seen such a box before. This segment reminded me of Varlam Shalamov’s Kolyma Tales, during which he remarked that his fellow gulag prisoners lived moment to moment and whose sole joy in the day was determined by if their soup was thick or not. If Yuru Camp△ ever creates a vignette similar to this again, there is no guarantee that I will be able to keep my composure: this was one of the saddest things I’ve seen in a while, and I think that I’ll need to remedy this by watching Nadeshiko experimenting with fire-roasted vegetables again, to convince myself this is only an OVA at the end of the day.

  • I’m always fond of such dinners, since they represent a nice change of pace, and because driving out to the Chinese restaurant is admittedly fun. Hot food on a cooler evening is especially welcome, and with things looking up locally, I am hoping that we’ll be able to return to restaurants, movie theatres and fitness facilities soon. Over dinner, the conversation topic turned to what we’d like to do once things reopen, and while dining out is high on the list, one activity that came up was a potential trip out to the province over: we have our own hot springs here at home, and a year ago, I’d set up an itinerary for such a potential trip before the health crisis put those plans on hold.

  • Excited at the prospect of marshmallows, Nadeshiko wonders if s’mores could be made into other things like a spread for toast, tarts or even in ice pops. Because s’mores are just graham cracker, melted marshmallow and chocolate, their colour and flavour can be easily replicated and previously, anything with these combination of ingredients are marketed as having the same great taste of s’mores, only without the need for a campfire. I imagine that basic s’mores could hypothetically be used as a spread on toast, and that would result in a relatively tasty and easy treat to whip up.

  • Similarly, if one were to go for the pre-made route, smokes could be made into tarts, too, with the crust standing in for the graham crackers. However, I imagine s’more ice cream popsicle would be a little trickier to make, and one wonders if this is something worthy of Binging with Babish. Of course, if Binging with Babish were to do foods from Yuru Camp△, the ajillo from the Izu trip would probably be more interesting to make. Back in Mystery Camp, Rin finally remarks that things are ready to eat and hands one over to Nadeshiko, who is brimming with joy about this camping confectionary.

  • However, Nadeshiok quickly realises that what she’s eating most certainly isn’t a s’more: it’s a King Trumpet Mushroom (Pleurotus eryngii). This reminds me of a classic stunt I’d love to pull off one day using 番薯糖水 (jyutping faan1 syu2 tong4 seoi2): a sweet yam soup. The family recipe calls for Dioscorea alata, or the purple yam, a bit of ginger and rock sugar. The resulting product is sweet and delicious, but when purple yams are used, the soup itself resembles grape juice. The prank would then entail setting aside some of the soup after straining it and the making an attempt to convince people it’s grape juice.

  • Because purple yams don’t have a grape-like taste, the shock people would have when eating it would be hilarious. I approve of low-level pranks such as these because no one gets hurt, and Aoi’s stories very much fall into this category: while Nadeshiko might be quite gullible and falls for Aoi’s lies regularly, I don’t believe that Aoi ever means for her jokes to have a malicious outcome. Instead, her enjoyment of jokes and lies seem to derive from the moment of dawning comprehension that such jokes can create.

  • It should be to no one’s surprise that Aoi’s been lying through her teeth for the whole of Mystery Camp: in fact, the level of trolling here inexplicably brings to mind Higurashi GOU‘s Eua for reasons even I can’t begin putting into writing. However, it’s impossible to feel shafted, since Aoi’s elaborate lies are always so adorably crafted. The way she rolls the ですか at the end is hilarious, and with this, the first of the OVAs for Yuru Camp△ 2 draws to a close.

Altogether, despite a short runtime of only four minutes and forty-five seconds, the first of the Yuru Camp△ 2 OVAs represents an amusing addition to the series. I am aware that in general, reception to Yuru Camp△‘s OVAs have generally been nowhere near as positive as they are for the anime proper, and this is because most of the effort in the series have indeed gone towards ensuring that the episodes themselves are of a very high standard. By comparison, the OVAs can feel more slipshod, being more of an afterthought rather than an integral part of the experience: we’ve seen Yuru Camp△ at its best during the TV series, and the OVAs are instead, a chance to place familiar characters in scenarios that would otherwise not fit with the series itself, with the aim of eliciting a few laughs. Having said this, the OVAs aren’t always about humour: the first OVA had shown how Chiaki and Aoi founded the Outdoor Activities Club with the aim of sharing their love for camping with others, and more recently, Heya Camp△‘s OVA had Rin head up to Hokuto on a loaner three-wheeled moped. With the upcoming OVA being titled Travelling Shimarin, I imagine that there will be a greater focus on Rin and her explorations to some capacity; while it may not necessarily be a straight exploration episode as Heya Camp△‘s OVA was, it could be fun to see more comedy come into a (non-canon) version of Rin’s solo travels, as well. The second OVA is still a ways off, releasing in July 28, so for the time being, I’ll return my attention to the Yuru Camp△‘s live-action drama, which, despite having fallen behind in, is something I’m still enjoying immensely.

Yuru Camp△ 2 Live Action Adaptation: Review and Reflections on the Opening Special

“Celebrate endings, for they precede new beginnings.” –Jonathan Lockwood Huie

While the conclusion of Yuru Camp△ 2 doubtlessly left viewers with a bit of melancholy once it ended, the live action drama has thankfully filled in the void, revisiting the events of Yuru Camp△ 2 in the live-action setting. The second season for Yuru Camp△ 2‘s live action drama was announced in November 2020, and began airing back in April. Before the drama’s new season began airing, however, a special episode was released. This episode summarises events from the first season and portrays Rin’s solo camping adventures in Omaezaki and the coastal regions of Shizuoka, as well as Nadeshiko’s part-time job at the local post office and the Outdoor Activities Club’s New Year sunrise misadventures together. Yuru Camp△‘s drama had been well-received amongst both Japanese and foreign viewers: this series captures the spirit of the anime and brings it to life in a different medium, and speaking to how well both the manga and anime were made, the transition into the real world does not impede Yuru Camp△ in any way. The characters are faithful to their original counterparts in personality and appearance, the real-world settings look even more stunning, and the food is more enticing than what was seen in the anime. The positive reception to Yuru Camp△‘s live action drama is therefore unsurprising, and with the first season as the precedent, it became clear that the drama would be of a similar quality and aesthetic. The announcement of a special episode initially proved unexpected, and early in the live action drama of Yuru Camp△ 2‘s second season, I skipped over this special. I assumed it would be a recap of the first season and so, my journey started when the series proper began airing on Prime. I was therefore surprised to see Rin already in Hamamatsu waiting for Nadeshiko to show up. Evidently, I jumped the gun, and hastened to back up a little, starting the journey properly as Rin embarks on her last solo camping trip of the year while the Outdoor Activities Club have their own fun in trying to catch a pair of New Year sunrises.

Having already covered the themes, symbolism and motifs of Yuru Camp△ 2 ad nauseam in my episodic posts for the anime, there prima facie seems to be little incentive to go back and write about the live action drama again, especially given that the drama follows the anime and manga’s events very closely. However, the different formats mean that the aesthetics between Yuru Camp△ 2‘s anime and live action drama become apparent, altering the look-and-feel of every different scene. Yuru Camp△ 2‘s anime had crafted an infinitely peaceful and relaxing setting, using a gentle colour palette and reduced saturation to ease viewers into every moment, whether it be Rin’s introspective solo camping moments or the rowdy adventures that follow Nadeshiko, Chiaki, Aoi and Ena. In the live action, colours and scenes are sharper, accentuating the mood of each scene. Rin’s calm experiences are ever more relaxing, while the Outdoor Activities Club’s travels become more rambunctious: together with the fact that the drama is presenting the actual scenery and food everyone enjoys, it creates an unparalleled sense of immersion. If the anime had been about conveying a sense of tranquility and a reminder to appreciate the smaller moments, the drama demonstrates to viewers that what Rin, Nadeshiko, Chiaki, Aoi and Ena experience is very much a reality, awaiting the viewer’s decision to go and give things a go for themselves. The dramatically different aesthetic in the drama do not degrade themes and messages from the original anime or manga, and as such, for being able to show viewers what things might really look like were one to follow in Rin and the Outdoor Activities Club’s footsteps while simultaneously being respectful to the original, the Yuru Camp△ drama was very well received amongst viewers. Season two looks no different, and the beginning of a familiar journey from a fresh perspective is off to a solid start.

Screenshots and Commentary

  • A few days ago, a reader commented on Haruka Fukuhara’s excellent portrayal of Rin: Fukuhara does indeed capture Rin’s personality very well, right down to the facial expressions and mannerisms that Nao Tōyama brings to the table when voicing Rin. Altogether, I was very impressed with how closely Yuru Camp△‘s drama characters resembled their anime counterparts: minus the hair colours, and the fact that Nadeshiko usually wears hair in twin-tails, the character designs in the drama are solid.

  • The second season had been prefaced by a 40-minute special that covers moments from the second half of the second season’s first episode before segueing into events from the second episode. Here, Ena and Nadeshiko sit down to lunch together between their shifts at the Minobu Post Office. When Yuru Camp△ 2 aired, I immediately set about trying to locate Minobu Post Office for my location hunts. The Yuru Camp△ drama uses real-life locations precisely as they are, and where the anime and manga could fake locations, the drama must instead find a suitable counterpart.

  • I’d felt bad for Chiaki when she was faced with a heavy work schedule while her friends got some time to themselves, and in the live action, this feeling was amplified thanks to Momoko Tanabe’s spot-on acting. Chiaki lacks the fluffy and warm air that Rin and Nadeshiko convey, and instead, acts as the excitable, energetic club president similarly to Ritsu had been the club president in K-On!. Archetypes in anime are unavoidable, but I’ve never really held it against a series if their respective equivalents for Yui, Mio, Ritsu, Tsumugi and Azusa were obvious: character traits aren’t the sole determinant of whether or not a slice-of-life anime will succeed.

  • While Rin had intended to visit Izu, the prospect of New Year’s crowds leads her to stand down. Her mother suggests Omaezaki and Iwata in lieu of Izu: besides safer driving, Rin’s mother is also hoping that Rin might be able to swing by a special tea shop in the mountains just south of Kakegawa. With her destinations locked in, Rin prepares to head from home out to Shizuoka, a lengthy 126-kilometre long drive. The site of Rin’s house in the live-action drama was posted to Google Maps about a year ago by some enthusiastic fans of the series, although out of respect for the residents, I submitted a report about the inappropriate listing shortly after finding out.

  • Google only got around to processing my report a few weeks earlier, and the location of Rin’s house in the drama has now been stricken from Google Maps. I get that the Japanese fans who created the listing will probably be a trifle disappointed, but especially with current circumstance, hassling a private residence isn’t the best idea at this moment. Back in Yuru Camp△, Fukuhara’s joyous expression is breathtaking, even if it only happens within her mind’s eye: Yuru Camp△ 2 had Rin imagine expressing pure joy at seeing the ocean, but in the anime, Rin’s expression is a little more ambiguous. In the live action, subtle cues like the shape of Fukuhara’s eyes helps one to more readily ascertain that the ocean is positively making Rin happy.

  • Rin was shown as arriving in Cape Omaezaki to check out the lighthouse by mid-morning in the anime, but the lighting in the drama suggests that the scene was filmed early morning. I wonder when the principal photography for the second season was shot: while most of the scenes involve Rin and the Outdoor Activities Club, there are some scenes that feature crowds (most notably, when Rin is buying strawberry daifuku in Kanzanji and later, when Nadeshiko visits an okonomiyaki place in Fujinomiya).

  • Both the anime and drama has Rin swing by Kimikura Teahouse to pick up some tea for her mother. In my post for the anime and location hunt posts, I wasn’t able to actually go inside the teahouse for comparison. The live action drama allows me to remedy this, and it becomes clear that the anime did indeed take the pain of replicating Kimikura’s interior and uniforms accurately. Here, a member of the staff greets Rin, and she recognises Rin from a few months earlier, when they’d met at Yashajin Pass.

  • Like Rin, I’m a complete novice to Japanese tea: she ultimately ends up asking the clerk for a recommendation. On my end, I am better versed in Chinese and other teas: my favourite tea is probably Tieguanyin, an oolong tea that Cantonese restaurants commonly serve. It’s got a mild but distinct flavour that makes it particularly quenching (great for when eating at Guangdong restaurants whose fares are often explosively flavourful). By comparison, my family in Hong Kong prefers Pu’er tea, which has a much stronger taste. Typically, I prefer a good cup of Moroccan mint tea or ginger tea when Chinese teas are not available.

  • Whereas Rin only learns about her mother giving her an additional 1000 Yen to enjoy the café at Kimikura after having made her initial purchase in the anime, here in the drama, Rin finds out as soon as she phones home to inquire about the tea. Instead, Rin struggles to decide whether or not she should live in the moment or put the extra money towards her camping fee. In the end, Rin caves and ends up ordering the tea set. I imagine this was meant to also incorporate the moment in Yuru Camp△ 2‘s anime, where Rin ultimately gives in to temptation and orders a pizza slice from the food truck at Ryuyokaiyo Koen Campground.

  • After Kimikura, Rin heads for Mitsuke Tenjin Shrine in the hopes of meeting Shippeitaro III, a fox-like dog who defeats monkey spirits per Japanese færie tales. Upon arriving, she decides to make this her New Year’s Visit, as well, and prays for another peaceful year. Unfortunately, it turns out that Shippeitaro III had already passed on, and in a moment of contemplation, Rin phones Ena and asks about how Chikuwa is doing. One aspect of Yuru Camp△ that I never noticed during the first season was the fact that Chikuwa is a long-haired Chihuahua – his breed is not explicitly mentioned early on. However, there were hints that Chikuwa is a Chihuahua; he dislikes the cold and loves to burrow in blankets.

  • The founder of the company I’d previously worked for has a long-haired Chihuahua, and back before the pandemic hit, we’d spend a half hour of our day talking her out on a walk with the entire team: our office building had been dog friendly, and having a long-haired Chihuahua around every day was such a morale booster. If I were running into challenges with auto-layout or the Stripe SDK, I could always take a five minute breather, cuddle with the Chihuahua and then return to my desk fully refreshed. This Chihuahua was a mixed-breed and therefore larger than a purebred Chihuahua, but was still a small dog by all definitions. In spite of this, she was always energetic and loved getting petted, occasionally approaching my and my coworkers’ desks and pawing our chairs for pats.

  • Throughout Yuru Camp△, it is shown that dogs have a considerable presence, and despite not having a dog herself, Rin is very much a dog person (the drama shows her as having a shiba inu sticker on her phone case). Rin goes out of her way to pet the dogs she runs into and visit shrines with a dog deity, Nadeshiko waves to dogs on her way to school, and Aoi comments on how Nadeshiko’s enthusiasm is puppy-like.

  • While finding Ryuyokaiyo Koen Campground proved to be a straightforward task, Google Street View doesn’t have coverage down here, and so, during my location hunt, I wasn’t able to simply walk up to the campground and obtain images for the post through Street View alone. Having said this, the drama again demonstrates the original manga and anime’s faithfulness to reality. Everything from terminology to procedure and prices are properly captured – it is unsurprising that interest in camping has increased since Yuru Camp△ aired: with the series’ detailed instructions in camping and the availability of information on the internet, interested parties can purchase the basic gear and look up how to get set up, beginning their own adventure, without too much hassle.

  • Rin swiftly sets up camp and turns her attention to preparing her New Year’s Eve meal; here in the drama, she doesn’t take a brief walk around the campground and take in its sights with the same enthusiasm as the anime presents. Instead, she immediately begins setting up her campfire and evening meal. Previously, I’d commented on how the mannerisms seen in the anime did not necessarily translate so elegantly into real life, where exaggerated actions would feel out of place in a drama and perhaps be more appropriate for a stage play. It’s a bit early to tell, but with this special kicking off the second season, it does seem like the drama has decided to dial some things back a smidgen to make things fit with real life a little better.

  • Rin ends up striking a pose with her blade before beginning the process of creating a feather stick in a drama, as a clever callback to the first season. Shortly after Yuru Camp△‘s drama began airing last year, YouTubers immediately created videos comparing and contrasting the live-action series with the anime, and reception to the series was very positive on the whole. Were I to do video reviews, I would probably be inclined to do things like a Survivorman: Director’s Commentary, with me as an inset, and the events I’m talking about on the larger video. However, as a blog post, I’ll keep to my current format, which has worked rather well for me: the Survivorman: Director’s Commentary series from last year is what inspired me to take this approach for writing about the Yuru Camp△ live action series.

  • Rin’s New Year’s Eve meal looks even more delicious in real life: this simple soba recipe calls for nameko mushrooms, scallions, seaweed, a slice of fried fish and egg, topped with a sprig of shichimi pepper, which is a blend of seven spices that has a citrusy, nutty flavour accompanying the heat that chili peppers bring. Rin enjoys her meal immensely, wrapping up what was an exciting year in style. Yuru Camp△ excels in showing how even something like a bowl of soba can be livened up, and putting in the effort to prepare the food makes it all the more enjoyable. It therefore goes without saying that morale and good food go hand-in-hand: occasionally treating oneself with foods that aren’t commonly eaten is a fantastic way of breaking up the routine, and surprises can sometimes be quite nice.

  • This past weekend, we figured it would be nice to pick up some southern fried chicken for dinner, but since our usual place didn’t have any white meat, we ended up with all dark meat quarter chicken pieces. This wasn’t any sort of impediment: dark meat is tastier, and their gravy was as good as we remember. Today, we used the last of the chicken burgers with a side of yam fries for our afternoon meal and I’ll note here that, having had homemade burgers for the better part of a year, I’ve become a little spoiled by how fresh the ingredients are compared to conventional burgers. Yuru Camp△‘s emphasis on homemade food is therefore not without merit – the girls often shop for ingredients right before heading to their campsite, and even Rin, who usually prepares parts of her meal ahead of time so things can be put together easily at the campsite, uses fresh ingredients. The level of effort that went into preparing the food for Yuru Camp△‘s drama is respectable and shows how this effort contributes greatly to food enjoyment.

  • The surest sign that Rin’s accepted Nadeshiko as a friend occurs when the two are exchanging messages: Rin smiles as she considers how typically, she’d stop camping after January, but having met Nadeshiko and her boundless energy, Rin supposes that the new year is going to be action-packed. This moment set Yuru Camp△ 2 down a path towards the message it wished to convey: the first season had been about open-mindedness, and the second season was about how the act of saying “thank you” can manifest in different ways to really let people know what they feel about the memories they share together.

  • While Nadeshiko’s got work the next morning, Chiaki and Aoi meet with Minami in order to go check out the New Year’s sunrise ahead of Aoi taking off for Takayama. She drives a first-generation Suzuki Hustler, an SUV-crossover classified as an ultra-mini. Japan has a large market for these compact vehicles (ultra-minis command a third of the market share in Japan) owing to their dimensions and affordability, but these vehicles are much less successful overseas: North Americans are fond of larger cars for offering more leg room and more powerful engines, so these smaller vehicles are less popular, feeling comparatively cramped and under-powered for long road trips. Of course, for shorter drives of less than two hours, smaller vehicles are perfectly comfortable.

  • Observant readers familiar with my previous Yuru Camp△ drama post will have noticed that I’ve continued with the picture-in-picture this time around. Despite being a time-consuming process, it was very entertaining to compare and contrast equivalent moments between the anime and drama, allowing me to really highlight similarities and differences between the two. It becomes clear that the drama cannot always capture the moments in areas where the anime excels, such as when Akari jams a snowball up Chiaki’s shirt, although I will remark that Momoko Tanabe does an exceptional job of capturing Chiaki’s character: Chiaki is the most expressive and dramatic of anyone in Yuru Camp△, and I can’t imagine that this was an easy role.

  • While Aoi is played by Yumena Yanai, Akari is played by Aina Nishizawa. I was impressed how the producers cast someone who had looked similar enough to Yanai for the role; Yuru Camp△ has shown that Aoi and Akari are similar in appearance save their eye colours (Aoi’s eyes are green, and Akari’s are blue), to the point where Chiaki calls her chibi-Inuko. Yuru Camp△ doesn’t give Akari’s age, but her mannerisms are consistent with someone who’s eight or nine. Conversely, in the drama, Akari looks around ten or eleven: her actress is, after all, twelve. Mischievous and fond of pranks as Aoi is, Akari’s presence was greatly expanded in Yuru Camp△ 2.

  • Originally, I hadn’t been planning on writing about the second Yuru Camp△ live action drama this early, but after I found myself ahead of schedule with my other posts, I figured that I might as well get the party started now while I’ve got the time, afforded by a long weekend. While the weather on Saturday had been pleasant, yesterday and today had been cold and rainy, perfect for staying in and taking it easy. As soon as this post is done, I’ll turn my attention to finalising the set of screenshots for my final Modern Warfare 2: Remastered post, as gear up for a Terrible Anime Challenge talk on last year’s Kanojo, Okarishimasu, which I’ve got some thoughts about, and kick off Call of Duty Black Ops: Cold War: news of Higurashi: Sotsu has reached my ears, and that means I need to write about Higurashi: Gou, as well as the unusual connection that I’ve found Higurashi and Black Ops to share.

  • The yomogi that Aoi, Akari and Chiaki buy at the summit of Mount Minobu look even tastier than they did in the anime. The way the yomogi are grilled here reminds me of shioyaki, the practise of skewering a fish and then grilled over charcoals via indirect heat: hitting the fish with an open flame would cause the juices to evaporate, resulting in a very dry final product, and the same holds true of yomogi, where keeping them around a bed of charcoals on skewers would render them pleasantly warm, making them perfect for a chilly New Year’s morning.

  • While doing her morning rounds, Nadeshiko receives messages from Rin and Chiaki, sharing their sunrises. While she might not be there to see them for herself, it warms Nadeshiko’s heart that she’s still connected to her friends and their adventures. In this opening episode, Nadeshiko doesn’t have too much screen time: she’s played by Yuno Ohara, who captures Nadeshiko’s spirited personality very well.

  • The advantage about real life is that one can capture stunning shots with a drone: anime require highly-skilled animators to capture the same effect, and in Yuru Camp△ 2, the sunrise at Fukude Beach was presented by panning across a wide-angle shot of the scene at ground level. The drama, on the other hand, has the camera flying over the beach towards the ocean. While traditional gear is doubtlessly used in Yuru Camp△‘s filming, I imagine that drones are also used: even mid-range models can equip solid cameras now, allowing for shots that would otherwise require a helicopter to be obtained.

  • I would be quite curious to watch the behind-the-scenes for Yuru Camp△ 2‘s drama to see how things are shot and set up. It feels like that principal photography and edits would require a majority of the time for producing Yuru Camp△, since the series doesn’t require anything like special effects or elaborate costumes on account of its setting. I imagine that anything shot at the old Motosu High School would’ve required props to be assembled and the presence of extras to give the site a more realistic feeling, but beyond this, Yuru Camp△ doesn’t look like it’d require a massive budget to film, certainly not anything approaching what WandaVision and The Falcon and The Winter Soldier needed.

  • After taking in the Mount Minobu sunrise, Chiaki offers the suggestion that it might be possible to get a second New Year’s sunrise out of the day: because of Mount Fuji’s elevation, the sun doesn’t rise up above the summit for a few minutes. Photographs do indicate that being able to see a Diamond Fuji would be breathtaking, although a quick glance at the topology and road maps of the area suggest that making the drive from Mount Minobu to a suitable observation point could be quite tricky.

  • Whereas Aoi and Akari are content to give Chiaki a dirty look for having gotten the Diamond Fuji time incorrect here in the drama, in the anime, they proceeded to immediately hammer Chiaki with snowballs, and I found Akari’s use of a bowling-ball sized snowball hilarious. Since there’s only a dusting of snow on the ground here, it would’ve felt out of place to have Aoi and Akari suddenly conjure snowballs out of nowhere. I’ve never really been a stickler for 1:1 faithfulness, and always will assess adaptations based on how well they work on their own, so minor details like these aren’t a concern for me.

  • After seeing the first sunrise of the year, Rin settles down for the morning and prepares to head home. Rin’s rush for kohaku manjū and subsequent enjoyment of a pizza slice is noticeably absent in the Yuru Camp△ drama: should the drama take a route that allows the characters to act a little more naturally, I’d be completely okay with this. In the first season, everyone behaved similarly to their anime counterparts, and while this worked in the anime, in real life, it feels a little more exaggerated. Dialing back a handful of these moments would work to Yuru Camp△ 2‘s favour.

  • Rin is shocked to learn that a snowfall in the Minobu Valley is preventing her from returning home, and the funds she had, originally intended to last two days, will now need to be extended somewhat. With the special done, I’ll return to look at the adventures covered at the series’ halfway point at some point in the future. The drama is every bit as enjoyable as the anime and offers a different perspective on familiar events, making it a worthwhile experience for me.

Entering Yuru Camp△ 2‘s live action drama, my only expectations for the series will be that it continues to portray camping eats as it did in the first season: Yuru Camp△ 2 gets everything right, but there are limitations to how effectively anime can render food. The contrast in colours and textures on well-crafted dish in real life are unparalleled, and this was where the live action adaptation stood out from the anime. Because Yuru Camp△ 2 had an emphasis on food, to an even greater extent than its predecessor, it would be most enjoyable (and perhaps hunger-inducing) to see all of these foods in the real world. Beyond the food, I am very much looking forwards to seeing how Yuru Camp△ 2‘s live action drama brings the events of the second season to life: the first drama had done a phenomenal job in mirroring the camping excursions at Lake Motosu, Koan, Lake Shibire and Fuefuki, to name a few, so I am definitely excited to see new locations (especially the geospots at Izu) brought to life. Finally, while Yuru Camp△‘s drama is typically faithful in reproducing the order of events from the anime and manga, the series has also previously made minor adjustments to fit things a little better, so I am interested to see how any changes to things like locations will be helpful for folks who wish to visit these same places in the future. At present, I do have plans to write about Yuru Camp△ 2‘s live action drama once I’ve hit the halfway point, as well as after the finale airs: while I’ve already covered everything from a thematic point of view, there’s a unique charm about the drama, and I’m certain that there will be enough things to say about it as to warrant a few extra posts.