The Infinite Zenith

Where insights on anime, games, academia and life dare to converge

Tag Archives: Yuru Camp△ 2

Travelling Shimarin: Yuru Camp△ 2 OVA 2 and The Official Guidebook Yagai Katsudo Kiroku Volume 2 Review and Reflection

“Exceeding expectations is where satisfaction ends and loyalty begins.” –Ron Kaufman

In the near future, a manned Mars lander enters the planet’s atmosphere and prepares for a historical achievement. However, as the lander approaches the surface, its camera array picks up something surprising: the profile of a young girl camped out on the surface, nonchalantly grilling meat. Mission control identifies this as Shimarin, and are shocked beyond words that mankind’s next giant step has been beaten out by the solar system’s greatest camper. At least, this is what Ena imagines Rin’s camping will take her; it turns out that as the night sets in on their latest camping trip, the Outdoor Activities Club and Rin are swapping stories about the sorts of adventures Rin might have once she gets her advance license. Once Hokkaido opens up to Rin, Nadeshiko suggests that Rin will be able to have all sorts of delicious food from Hokkaido, while Chiaki imagines Rin as being an aruki-henro rocking the Shikoku Pilgrimage on her trusty Vino 50. Meanwhile, Aoi supposes Rin would be able to push herself further during the winter to enjoy the warmth of various onsen. However, Rin feels that these adventures are a bit outlandish and unlikely to be within the realm of her usual travels This is the second of the Yuru Camp 2 OVAs accompanying the third and final Blu-Ray volume, being a gentle fireside conversation about camping that was probably set during the second night of Rin and the Outdoor Activities Club to the Izu Peninsula. Unlike the previous OVA, the second Yuru Camp 2 OVA is gentler in nature and lacks the mean-spirited cut of Nadeshiko camping at a work camp; a chat around the campfire about camping is the best way to wrap up what will be the last bit of Yuru Camp△ viewers see prior to 2022’s Yuru Camp: The Movie.

The contents of Yuru Camp 2‘s OVAs both stem from the manga’s Heya Camp△ segments; this time around, elements were drawn from segment 33 in volume five, and segment 65 in volume eight. The adaptation of content from Heya Camp△ for OVAs demonstrates how much material there is within Yuru Camp△: unlike the regular manga’s story, which is grounded in reality, the Heya Camp△ segments are fanciful, imaginative and creative, presenting a more comedic and exaggerated side of camping that otherwise wouldn’t fit into the regular story. The end result is a fantastic means of allowing the series to poke fun at itself and also remind viewers that at the end of the day, Yuru Camp△ is about having fun. Further to this, the second and final OVA to Yuru Camp 2 also hints at what is upcoming for the series; by choosing to portray Rin in a variety of different camping trips quite unlike anything that we’d seen previously, the OVA is hinting at the fact that Yuru Camp: The Movie will be doing something bigger and bolder than before. This isn’t too surprising, as anime films have typically taken concepts from their original run and then expanded it such that the scope matches what one expects from a silver screen feature presentation. Given that Yuru Camp△ has continued to expand the scale of Rin and the Outdoor Activities Club’s adventures, one can reasonably surmise that the camping trip within the movie will be both further away and features more people than anything the series had shown until now. This prospect is most exciting, and while it probably won’t see the girls reach Mars ahead of NASA or CNSA, I am rather curious to see what destinations and experiences await this group of friends.

Screenshots and Commentary

  • As it is right now, the United States and China possess the greatest likelihood, technology and scientific know-how to run a successful manned Mars mission: such an undertaking has been given serious thought since the 1950s, and the subject of no small discussion in academic circles and fictional works alike. The second Yuru Camp 2 OVA parodies this by giving Rin the ultimate advantage: a manned Mars mission is estimated to cost five hundred billion US dollars, so, seeing Yuru Camp△’s most proficient camper can trivially accomplish something that the world’s brightest and best minds were so close to reaching, drives the humour in this first scene.

  • The scientists running the mission are reduced to incoherent puddles, and I imagine that it would be a considerable shock to see five hundred billion dollars and decades of effort be defeated by a girl’s power to desire grilled meat anywhere in the solar system. One detail I liked was how everyone is speaking broken Japanese during these scenes; the Yuru Camp manga has everyone speaking in English. Of course, such a feat is well outside the realm of possibility: Rin is wandering the surface of Mars without a pressure suit, but Mars’ atmosphere is two orders of magnitude thinner than Earth’s, lacks the oxygen content and can drop down to around -70ºC by nightfall, forcing the inevitable conclusion that this is a bit of fantasy.

  • Unsurprisingly, this turns out to have been a what-if scenario from Ena. The manga supposes that this is another one of Rin’s dreams, and it speaks to the strength of both Yuru Camp△’s anime and live-action drama that aspects of the manga are so cleverly written into a different context without breaking immersion. Besides the Yuru Camp OVAs, one moment from the manga’s Heya Camp segments was the idea that keeping everything packed makes it easier to clean up the next day, and the Outdoor Activities Club decide that they can pack up everything, even their tents, before the next morning, leaving them to sleep in the open air. The drama ended up bringing this to life for laughs.

  • Given the jackets that Rin and the Outdoor Activities Club are wearing, coupled with the fact that Minami are accompanying them, I concluded that Yuru Camp 2‘s second OVA was set during the second night of the Izu trip. It doesn’t seem quite so outlandish to have everyone telling campfire stories before turning in for the evening, and par the course for Rin and the Outdoor Activities Club, their stories are all camping-related. This is what lends itself to the second OVA’s title, which had long hinted that the OVA’s contents would be related to Rin in some way.

  • The second Yuru Camp 2 OVA is nowhere near as fleshed-out as Heya Camp△’s Sauna, Meal and A Three-Wheeler OVA, which saw Rin do her weekend camping trip on a loaner Yamaha Tri-City motorbike. When I watched the first of the Yuru Camp 2 OVAs, I was a smidgen disappointed that it was only four minutes long and lacked the same level of content as did the Heya Camp OVA, but I subsequently recalled that the OVAs were largely adaptations of the manga’s omake content. As such, entering the second Yuru CampOVA, I tempered my expectations and anticipated a shorter, but still enjoyable segment.

  • This time around, Yuru Camp 2‘s second OVA exceeds expectations for being enjoyable to watch, and matching the remainder of the series in tone. The first OVA, Mystery Camp, was fun in its own right, but the middle vignette saw Nadeshiko go to a work camp. It was utterly heartbreaking and demoralising, and to the best of my knowledge, was a new story written specifically for the OVA. While funny in a twisted, cruel way, I did remark that doing something like that again would be a tough pill to swallow – I am therefore glad that Yuru Camp 2‘s second OVA is much more in keeping with the tenour as the rest of the series.

  • Nadeshiko’s ideal camping destination for Rin is Hokkaido: the northernmost island would be a fun place to ride, and they do have some of Japan’s best food: from top left going clockwise, Nadeshiko imagines Rin riding off to have kaisendon (a seafood bowl of white rice topped with sashimi, crab, prawn, squid and roe), baked potatoes topped with butter, yūbari melon, Genghis Khan (a grilled mutton dish) and corn off the cob. I certainly would like to go visit Hokkaido purely for their food alone, although the northernmost Japanese island is no slouch in attractions, either: Hakodate is supposed to be beautiful owing to its distinct night-scape, and Sapporo is famous for their ice sculptures.

  • Chikai’s vision of a travelling Shimarin entails Rin travelling to Shikoku for the 88-temple pilgrimage, decked out in the aruki-henro‘s garb. The aesthetic of Chiaki’s suggestion casts Rin as being similar to Kino of Kino’s Journey, wandering to different parts of Japan and gaining spiritual enlightenment as a result. While I’ve not seen the original Kino’s Journey, curiosity led me to give the 2017 anime a go. I was promptly impressed with the thematic aspects, and how much effort was paid into making each nation unique, noteworthy. Kino herself is well-suited for the journey, possessing exceptional sharpshooting skills to keep herself out of trouble, and despite her stoic mannerisms, is polite and open-minded.

  • Earlier today, my copy of the Yuru Campofficial TV guidebook arrived. I had pre-ordered it back in June when the listing was first created, and figured that to save a few bucks, I’d go with unregistered airmail, which was ten dollars less costly than the other options. Airmail takes an estimated five to twelve days, and since my copy of the guidebook came on day eleven, I’m very happy. After opening the package, I was impressed with the book’s heft: it’s a fully twenty-five percent larger than the first season’s guidebook while at the same time, costs only twenty percent more.

  • Most impressive was the fact that the guidebook details every location, both in and around Minobu, as well as the different campsites, restaurants and attractions for both Yuru Camp 2 and Heya Camp△. Besides locations, concept art of every dish is shown, and in conjunction with the cast interviews, the guidebook really demonstrates the level of effort that went into making the series. The guidebook’s extra materials come from the fact that Yuru Camp 2 has one more episode than Yuru Camp did, as well as the fact that it fully covers Heya Camp△, as well: the stamp card Nadeshiko completes is also included.

  • Altogether, the Official Guidebook Yagai Katsudo Kiroku Volume 2 is the ultimate resource for Yuru Camp fans, and I’m immensely glad to have picked it up when I did. I’ve heard rumours that an election is about to take place here in Canada, and with mail-in ballots being one of the primary options on account of the ongoing health crisis, it is suggested that Canada Post could slow down as they need to make additional deliveries, so the guidebook couldn’t have come at a better time.

  • I had been a little worried after the first OVA: the Dystopian Camp, as it is known, is really just a work camp, and puts Nadeshiko in a piteous situation. With this being said, the anime adaptation has nothing on the manga; during one of the omake comics in volume eight, Chikai and Aoi discuss how to keep the campsite clean, but then Nadeshiko interjects and states it’s fine to eat any waste they produce. The panel is horrifying to behold, and as it turns out, Chiaki had been having a nightmare.

  • Conversely, owing to Rin’s not-so-secret love of onsen, Aoi supposes that Rin would want to push her enjoyment of the hot springs to the limit by travelling in increasingly cold weather, only to hit the thermal waters immediately after. This is something I’d like to try, and since my area is blessed with bitterly cold winters, as well as geothermal hot springs an hour over, it would be possible for me to hop over to the Upper Hot Springs in Banff during the winter. I have considered doing an overnight stay during the winter, during which I would hit the hot springs early in the morning, then don a thick woolen sweater and then sip a hot cocoa on a café down Banff Avenue before returning to my lodgings and sit down to a warm, hearty dinner.

  • In Aoi’s mind’s eye, Rin even gets to bathe with the Japanese Macaque (Macaca fuscata), an Old World Monkey (differentiated from New World Monkey by the lack of a prehensile tail and arboreal preferences) found in Nagano. In reality, the Japanese Macaque were first seen bathing in open-air hot springs belonging to a hotel in 1963, so to give the monkeys a place of their own, Jigokudani Monkey Park was constructed. It is only in the imagination where one could bathe with the Japanese Macaque – hygienic factors preclude such an activity in reality, altough one cannot deny that Yuru Camp has a talent for visually portraying comfort through the characters’ fuzzy eyes.

  • While a winter hot springs trip to Banff would be fun, I suddenly realise that it would also be immensely relaxing to spend a few days at a ryōkan, especially one with private baths and an in-house kaiseki dinner. There is a draw about the aesthetic of peace and simplicity at a ryōkan that conventional accommodations do not offer, and being able to soak in my own private onsen while overlooking the mountains as Rin does here would be a once-in-a-lifetime experience. While ryōkan are no slouches in terms of price, I have been working for a while and could go on such a trip, so long as I plan for a trip where I’m not busy with work.

  • While I’m not keen on driving a moped though the snow as a part of said vacation on account of that being my everyday life for eight months of the year, I suppose that I should treat myself to a ryōkan experience at some point in the near future – for the past four years, I’ve not travelled out of country except for work (including business trips to Denver, Winnipeg, and attending F8 2019), and I’ve not taken any vacation time off for myself because I’ve been so focused on building stuff for start-ups. Since I was the only iOS developer around, it was always all-hands-on-deck, so it was difficult to get away. However, I am working with a larger company now, and since there are other developers, it would be possible for me to take some proper time off: since I now have five years of experience, I have three weeks of vacation time.

  • I can get by well enough with just the statuary holidays – I live to solve problems. However, I do appreciate that work-life balance is important, and from the other side of the coin, I also solve problems to live. Three weeks of vacation time (15 days off) is quite a lot, and I could go on a one-week trip to Japan for a ryōkan stay, and still have enough left over for a week off at the end of the year, plus five more days of time for things like other appointments. With this sort of timeframe, I’d definitely be able to give the ryōkan experience a go: I’d previously had a similar experience during my travels to Japan, during which I was served sukiyaki nabe and sashimi for dinner, before going for a soak in the hotel’s onsen.

  • Such a trip is something to look forwards to in the future, but for the shorter term, there’s also Yuru Camp: The Movie to look forwards to. With Aoi’s thoughts of winter onsen in the books, the second Yuru Camp 2 OVA draws to a tranquil close, being a warm and light-hearted way of wrapping up the second season. While Yuru Camp△ came with three OVAs, including a particularly enjoyable romp on a deserted tropical island, one cannot fault C-Station, since all of their present efforts are probably directed at the film.

  • With this final OVA and the second season’s official guidebook, I’ve had a very Yuru Camp△-focused year: I also ended up watching the live-action drama and bought both Yuru Camp Virtual experiences for my Oculus Quest. Having had a chance to try things out now, I conclude that the Oculus Quest is the best way to enjoy Yuru Camp Virtual. Unlike the mobile app for iOS and Android, the Oculus Quest is completely immersive, and unlike the HTC Vive, Valve Index or Oculus Rift, the Oculus Quest is unencumbered by wires, offering the most freedom of movement.

  • Now that I think about it, I’m been pretty picky about what I about what I buy for the Oculus Quest, and a full two years after picking up my complementary Oculus Quest from F8 2019, the only apps besides Yuru Camp Virtual I paid for are Wander and SUPERHOT VR. Although VR has improved dramatically since the days I put my virtual cell into the earliest Oculus Rifts, the technology is still quite limited, so I don’t spend too much time in VR. I’ll close off with the OVA’s final moments, which has Rin rocking her moped on the surface of Mars. In the near future, I have plans to write about Action Heroine Cheer Fruits, which I recently finished, along with some thoughts on Far Cry 5 following the free weekend, a special post on Kanata no Astra, and of course, a talk on The Aquatope on White Sands now that we’re six episodes into the series.

Besides the second Yuru Camp 2 OVA, I also recently picked up the official TV guidebook for the second season – the first TV guidebook had impressed with its thorough presentation of the behind-the-scenes in Yuru Camp△, featuring character design, concept art, cast interviews, location stills and never-seen-before artwork, as well as a summary of all the episodes and OVAs. The first season’s TV guidebook sold for 2500 Yen, and so, when I learnt that the second season’s TV guidebook would retail for 3000 Yen, the price increase suggested to me that this would feature more content: Yuru Camp 2 is bigger than its predecessor, after all. I therefore hastened to pre-order my copy – these guidebooks always offer phenomenal insight into series that online discussions alone do not provide, and while I made the choice of going with a slightly less expensive shipping option (which resulted in my copy taking a bit longer than usual to arrive), it becomes clear that the wait was well worth it. Yuru Camp 2‘s official TV guidebook is bigger and badder than its predecessor. With 160 pages over its predecessor’s 128, the second season’s guidebook showcases the new locations in hitherto unseen detail (in particular, having information about what went into the Izu Peninsula segment of Yuru Camp 2 was most illuminating). In addition, it also details the new equipment that Rin and the Outdoor Activities Club utilise. To my pleasant surprise, the guidebook’s increased price tag means that Heya Camp△ is also presented, and with it, the locations that Nadeshiko visits with Chiaki and Aoi on her stamp rally, along with Rin’s experiences while she’s rocking the Yamaha Tri-City bike. The guidebook acts as a tangible copy of Yuru Camp 2, allowing me to catch details that I missed during my initial watch of the series, and reading through it, I am thoroughly impressed with the level of effort that went into Yuru Camp 2. There is no doubting that C-Station will continue to put on an impressive showing for Yuru Camp: The Movie – if Yuru Camp 2 was anything to go by, we viewers can reasonably expect to be blown away by the adventures that Rin and the Outdoor Activities Club share.

Yuru Camp△ 2 Live Action Adaptation: Whole-Series Review and Reflections

“There’s no WiFi in the mountains, but you’ll find no better connection.”

Worried about Chiaki and the others, Minami drives over to Misaki Camping Grounds at Lake Yamanaka and is relieved to see everyone’s alright. She reminds the girls about the importance of letting others know of their travel plans, before partaking in food and drink with the Iidas and Outdoor Activities Club. Later, Nadeshiko asks Rin about solo camping, having been inspired by Rin’s remarks at Hamanatsu. Rin offers five critical suggestions, and encouraged, Nadeshiko heads over to Fujikawa’s Nodayama Health Green Space Park. Meanwhile, since Rin has a break of her own, she decides to visit the Hayakawa valley, where she runs into Sakura. While Nadeshiko enjoys shigureyaki, Rin and Sakura share a conversation before parting ways. However, Rin eventually grows worried about Nadeshiko after noticing she’d not received any new messages. She heads over to Nodayama Health Green Space Park and finds Nadeshiko’s been doing well; Nadeshiko had decided to try roasting vegetables over charcoal and befriended two children. Relieved, Rin prepares to head back and runs into Sakura, who had the same idea. They head off for dinner and allow Nadeshiko to enjoy her solo camping. Later, the Outdoor Activities Club prepare for a trip to Izu Peninsula on suggestion from Minami, who’d been itching to go and give the Iidas a visit. Readers familiar with Yuru Camp△ 2 will need no reintroduction to the events from the drama’s second half, which are largely faithful to Rin and the Outdoor Activities Club’s adventures from the original series. While Yuru Camp△ 2‘s live action drama covers familiar stories from a new perspective, the decision to conclude the drama’s second season with the Outdoor Activities Club gearing up for Izu following Nadeshiko’s solo camp adventure dramatically alters the story’s flow, and with it, the central messages. Whereas the Yuru Camp△ 2‘s second season had been about gratitude and appreciation owing to where the ending occurred, Yuru Camp△ 2‘s drama presents a different perspective on things.

By having the series wrap up with Nadeshiko’s solo camping adventure, and the Outdoor Activities Club preparing for their trip to Izu, the live-action drama for Yuru Camp△ 2‘s places an emphasis on the idea that being open to approaching one’s interests from new directions opens one up to the joys of their own preferred modes of enjoying something. In other words, Nadeshiko’s favourite way to camp is with a group of friends. When she enters a campground on her own, however, rather than sharing Rin’s experience with solo camping, she is able to befriend some children and ends up enjoying a meal with them. This is Nadeshiko’s own brand of camping; solo camping ultimately confers a completely different experience for Nadeshiko, who rolls with things with her typical manner. Unsurprisingly, even on her own, Nadeshiko’s camping entails meeting people and having fun with folks of different backgrounds, mirroring her extroverted personality and natural ease in speaking with people around her. Even when she’s on her own, Nadeshiko is so engrossed in her world, so busy having fun that those around her cannot help but desire to get in on the fun, as well. Yuru Camp△ 2 had done a particularly good job of showing this, but in the drama, the decision to have Nadeshiko’s solo camping adventure wrap up the travel means that for viewers, the focus is on the fact that Nadeshiko has come a long way as a camper and is now familiar enough such that she can go on her own adventures if she so wishes. The implications this has on Nadeshiko’s skill as a camper is one of reassurance: as she and the Outdoor Activities Club go on increasingly exciting adventures, viewers can be confident that Nadeshiko knows enough to keep out of trouble and have the best time possible. Changing where the series wraps up changes the emphasis, and while the message in the drama might not be at the same scale as what was seen in the anime, it remains an important theme for Yuru Camp△ as a while; having the drama focus on this thus provides viewers with a slightly different perspective on the same story to appreciate how Rin’s influence on Nadeshiko is a decidedly positive one: much as how Nadeshiko’s fun with the Outdoor Activities Club convinces Rin to try group camping, Rin’s contemplative solo adventures encourages Nadeshiko to see what camping alone is like.

Screenshots and Commentary

  • Last I wrote about Yuru Camp△ 2‘s drama, Chiaki, Aoi and Ena found themselves in trouble after being unprepared for the cold at Lake Yamanaka. Continuing on from that point, a serendipitous meeting with the Iidas save the three from trouble. When Minami arrives, she imagines that the three are caught up in some sort of racket upon seeing their tents deserted; like the manga, this vision entails shadowy, cloaked figures surrounding the three and chanting T A B L E C L O T H. While Yuru Camp△ 2‘s drama differs from the anime considerably, some elements from the manga are faithfully reproduced.

  • Par the course for Yuru Camp△ 2, closeups of food are always welcome: the anime already does an exceptional job of rendering food, but there’s nothing quite like the glisten of fat and the sparkle of juice from a given dish’s real world equivalent that only live action works can capture. Nabe is indeed perfect for a cold winter’s night, and for me, it’s a bit of a New Year’s Eve tradition to enjoy homemade nabe (which I know best as 打邊爐). I am reminded of the fact that a Chinese bistro near my place actually does individual-sized hot pot, and while I prefer their sizzling plate meals, I should at least try their hot pot at least once.

  • I’d love to try kiritanpo at one point, as well: it hails from the Akita prefecture, and the rice is pounded into a tube shape for consumption after being roasted over an open fire. I imagine that cooking over an open fire would impart a slightly smoky outdoorsy taste to things, which drives my interest to see what kiritanpo is like. The closest Cantonese equivalents I can think of is 糯米饭 (jyutping no6 mai5 faan6), a delicious sticky rice with shiitake mushroom, 臘腸 (jyutping laap6 coeng2), sometimes chicken and a healthy helping of soy sauce, or zongzi, which is sticky rice and a variety of toppings wrapped in bamboo leaves.

  • As with the anime and manga, Chiaki, Ena, Aoi and Minami spend the night in Minami’s vehicle, and the next morning, Ena awakens to a gorgeous sunrise before whipping up some tempura for breakfast. Whereas Yuru Camp△ 2‘s anime overlaid the end credits over the breakfast scene, the live-action drama chooses to showcase the cooking and enjoyment of fish tempura in all of its glory. This had been a scene I’d been looking forwards to watching animated after reading it in the manga, and I’d been a touch disappointed that the presentation of breakfast in the anime had precluded screenshots. Because there was no equivalent frame in the anime, I’ve chosen to skip over the moment in this post, but readers have my word the tempura looks delicious.

  • After putting so much mileage on her moped, Rin decides to give it a good cleaning to get all of the accumulated dirt and grime off its body. Because the pacing in the live action drama and anime differ so dramatically, the live action is actually able to present moments from the manga that were not shown in the anime: in one of the drama’s post-credits scenes, Rin has a nightmare in which her bike takes on Hermes’ traits from Kino’s Journey and asks to hang with Rin inside her tent, where it’s warmer. The differences in what Yuru Camp△ 2‘s drama presents is why I conclude that the old debate between source material and adaptation is irrelevant.

  • To gain the most complete experience, one simply needs an open mind and check everything out, or at the very least, allow others to enjoy things differently. Back in Yuru Camp△ 2‘s live-action drama, Nadeshiko and Ena pray to Rin, feeling her to have transcended into being a deity of safe travels. The idea that Rin’s portable grill is an offertory box makes a return, a clever reference to the first season, and one surmises that Rin’s particularly fond of this little grill if she’s bringing it to school with her. Eventually, Ena heads off, and Nadeshiko is able to ask her about solo camping. Once Rin shares with Nadeshiko five essential elements (tell someone where one’s going, keep an eye on the forecast, pick a site with cellular reception, research a campsite’s facilities and plan to do an activity of some sort), Nadeshiko is geared up for her first-ever solo camping trip, inspired by Rin’s words back when they were at Hamamatsu.

  • While Nadeshiko travels south for Fujinomiya, Rin heads deep into the mountains for Akasawa, about seventeen kilometres from Motosu. By road, it’d take Rin about twenty-five or so minutes to make the drive here from her place, and upon thinking about this, I grow a little envious because this happens to be how long my commute is. I’ve now been back to the office for two weeks now, having gotten both doses, and while it’s been great to work in a focused environment where I have a dual monitor setup again, the office remains quite quiet.

  • In fact, I’ve been feeling a little down of late: work’s been keeping me busy, but the fact was that the whole of July saw the skies over my province covered with a noxious layer of forest fire smoke. There’s no end in sight for the unnaturally hot weather and lack of rainfall even as we enter August, so it looks like the forest fires all around are going to continue burning: having seen footage of the fires, I ended up making a donation to the fire recovery efforts the province over. The smoke and dry weather is demoralising, but it is nothing compared to the tragedy these wildfires are causing, so I figured any help I could give would hopefully be of use.

  • The weather during this long weekend is looking a great deal like it did last year, except it’ll be a lot smokier and hazier. I vividly recall the decision to explore Blackrock Depths in World of Warcraft on my private server then. The heat of this dungeon was particularly visceral for my decision, and the temperatures this long weekend have proven to be what they’d been last summer. This stands in contrast with the brisk spring morning Rin gets to enjoy: like the anime, Rin comes across the Shimizu-ya Café, asks whether it’s open and then in minutes, finds herself seated at their kotatsu.

  • Rin begins to melt from the warmth of the kotatsu, feeling the cafe to  The anime has Rin’s entire head becoming round whenever she grows comfortable, and more so than Yuru Camp△, the second season really showed Rin’s adorable side. There is an Amanchu and ARIA-like character to these moments; in both series, penned by Kozue Amano, individuals take on a distinct art style when flustered or surprised, unique to their character. Yuru Camp△ appears to have inherited some of these traits, as well: although nowhere near as noticeable as Amano’s style, it is visible enough to denote to viewers how a character is feeling in a given moment.

  • The live action version is able to capture the same feelings without use of the same exaggerated facial expressions, using timing to convey Rin’s feeling of comfort. However, thinking about warmth now is to make things a little uncomfortable; the hot weather back home is a world apart from the cool of Akasawa, and while mamemochi and amazuki would be bliss on a brisk spring day, my thoughts turn towards that of an ice-cool lemonade or freshly-cut watermelon. While such days usually invite hikes or walks, the smoke from forest fires across the country has left the skies a noxious orange-brown.

  • While Rin relaxes at a quite mountain café, Nadeshiko kicks off her Fujinomiya adventure. The sheer amount of gear she’s carrying is even more apparent in the live-action; it is impressive that Nadeshiko is able to move as swiftly as she does despite carrying upwards of what must be forty to fifty pounds of camping gear with her. Here, she stops by Fujisan Hongū Sengen Taisha Shrine to pray for a safe and fun trip. I’ve covered most of the major locations in Yuru Camp△ 2 in an earlier post, so folks looking to learn a little more about Yuru Camp△ 2‘s locations can do so, and this leaves me free to focus more on the moments, as well as the composition of each scene.

  • When Nadeshiko notices the pleasant smell of yakisoba wafting from Fujinomiya Yakisoba Antenna Shop, a place near Fujisan Hongū Sengen Taisha Shrine, she is tempted to stop and have lunch here. There is a great deal of visual clutter in this scene; the anime frames Nadeshiko so she’s quite visible, whereas in the live action drama, the moment is presented so that Nadeshiko blends in with the crowd. The anime always tries to ensure the main characters are distinct from the background, but the drama consciously places the characters as a part of each scene to create a more natural moment.

  • For this discussion, I’ve skipped over the part where Ena invites Chiaki, Nadeshiko, and Aoi over to check out Chikuwa’s doggie-tent and cook up sausages. Rin arrives later and runs into Ena’s father, who seems to be a bit of a trickster: there were no equivalent moments in the anime, and therefore, no corresponding comparison screenshots, but I enjoyed the divergence all the same, since it demonstrated that the Yuru Camp△ drama had enough creativity to fill in the holes resulting from minor changes to the order of events. The observant reader will note that in my original location hunt, I wasn’t able to find this spot owing to a lack of patience, but this time, armed with the Oculus Quest and a bit of determination, I was able to locate the little policeman statue Rin passes by on her way deeper into the mountains.

  • Rin subsequently spots Sakura’s Nissan Rasheen and decides to tail her for a bit before she’s burned by a stray notification from Nadeshiko. The difference in framing between the drama and anime creates a different feeling; the anime indicates Rin’s discomfort with tailing Sakura by means of facial expressions, but since Harka Fukuhara can’t be reasonably expected to change her eyes, her feelings within the live action needed to be conveyed differently. Framing Rin’s smallness in the environment does the trick here.

  • Watching the chef at Okonomishokudō Itō whip up their legendary gomuku shigureyaki in the live action drama was every bit as enjoyable as the anime, and a side-by-side comparison shows just how faithful the anime is to real life – it is clear that the staff had actually gone to this restaurant in Fujinomiya and watched the chef cook it: this unique dish combines the crispy fried noodles of yakisoba with the savoury bacon, shrimp, mushrooms and fried egg of okonomiyaki. Nadeshiko becomes antsy watching the dish being made.

  • While a tough-looking sort of fellow, Yuru Camp△ shows the chef smiling at Nadeshiko’s expression of pure joy. In the live-action drama, the chef is kindly looking and reassures Nadeshiko her meal will be ready in a few moments. One aspect of the Yuru Camp△ drama I was particularly impressed with was that the secondary characters managing campsites and running restaurants and shops were surprisingly close to their anime appearances. One wonders if Yuru Camp△‘s drama ended up just featuring the actual staff at these restaurants and shops, and similarly, it is possible that the secondary characters in the manga were based on their real-world counterparts (albeit modified slightly to avoid issues surrounding likeness).

  • Sakura and Rin share a somewhat awkward meeting, but the instant Rin recalls that Nadeshiko had mentioned Sakura as a fan of Moped’s Journey, Sakura’s demeanour immediately changes. She becomes a lot livelier, and surprises Rin with her energy. Sakura is portrayed by Yurina Yanagi, and as with the rest of the characters, Yanagi is styled so she closely resembles her anime counterpart. Here, I will note that I was mistaken about Moped’s Journey being an in-universe equivalent of Kino’s Journey – it turns out Sakura is referring to the Gentsuki no Tabi, a Japanese reality show that I would liken as being similar to Rick Steves’ Europe or Great European Railway Journeys, albeit done on a Super Cub rather than by rail or other modes of transport.

  • While Nadeshiko tucks in to the shigureyaki, I’ll share a story; I’ve had okonomiyaki at a local Japanese culture festival some five years earlier while checking things out and while it was tasty, it was in Osaka’s Kansai International Airport where I had authentic Japanese okonomiyaki while awaiting a flight to Hong Kong. This okonomiyaki blew me out of the water and was the dish I’d been longing to have ever since watching Tamayura. In a hilarious turn of events, my brother was resolute on finding a good yakisoba joint, having been inspired by Mugi’s love of yakisoba in K-On!. After lunch was over, we linked up and boarded our flight. To my surprise, Your Name was playing, so I immediately set about watching the movie en route to Hong Kong.

  • It soon becomes clear that besides their enjoyment of solo adventures, Rin and Sakura also care greatly about Nadeshiko. To their pleasure, both Rin and Sakura receive a message from Nadeshiko, indicating she’d arrived at Fujikawa Station and, having done her shopping, is ready to head to her campsite. While Yuru Camp△ mainly had Sakura act as Nadeshiko’s driver, Yuru Camp△ 2 would expand her role more greatly and show that she’s quite similar to Rin, which in turn would explain why Rin would come around with Nadeshiko; from regarding her as a nuisance of sorts in the first season, to being worried about her well being by season two, it becomes clear that Nadeshiko also helped Rin to have new experiences, and for this, Rin is grateful.

  • Onsen scenes in the Yuru Camp△ drama are much more disciplined than their anime counterparts, and for this reason, I would count the drama as being a bit more family-friendly than the anime, where the studio has no qualms about showing how stacked Sakura, Minami and Aoi are. I imagine that because of the optical properties of water in real life, certain considerations (e.g. camera angles) needed to be considered in order to ensure the onsen sequences were appropriate for all viewers; in a given anime, artists can alter the opacity of water at will and side-step the challenges that real life imposes.

  • Back at Fujikawa, Nadeshiko’s begun her ascent to Nodayama Health Green Space Park, and like the anime, Yuru Camp△ 2‘s drama has Nadeshiko enjoying the scenery on her way to the top. The side-by-side comparison emphasises just how much attention was paid to detail within the anime: the through-arch visible here is a part of a pipeline, and a paper mill can be clearly spotted in the city below for both the anime and live-action. Nadeshiko worries that admiring the view here would diminish it, and covers her eyes before proceeding with her hike to the summit.

  • Upon arrival at Nodayama Health Green Space Park, Nadeshiko realises she more or less has the entire place to herself and sets about exploring the facilities, saying hello to the other group (a small family) and prepares her campsite. Like Rin, Nadeshiko makes the mistake of damaging one of her pegs in the anime, but experiences nothing of the sort in the live-action: she’s ready to go in no time at all as a result of her experience with the Outdoor Activities Club.

  • Earlier, Rin had mentioned that unlike group camping, solo camping requires one to find something to occupy her time. While I’m not a camper myself, I do appreciate how to fill my time up when I’m on my own: exploring places is something I’ve always been fond of doing when on my own, and wandering trails or pathways is a fantastic way of losing an entire afternoon. This is not unlike something Rin would do, whereas Nadeshiko sees solo camping time as a chance to experiment with different recipes. She decides to go with a simple foil-roast to see which vegetables would be good to pick, and has brought everything from tomatoes and yams, to carrots and potatoes.

  • Curiosity leads Sakura to wonder what preparing bear paw would be like, but the process is as complex as brewing a batch of felix felicis, and upon hearing the fact that the ingredients need to be stewed for several hours before one can even begin removing the hair off the paw, after which the paw must be stewed again, Sakura decides to go for a simpler deer meat. Compared to beef, deer is leaner and has a gamier taste to it; folks count it as being tastier than beef when properly prepared. On game meats, my personal favourite is probably moose or elk; several years back, I had a cookout with the extended family as thanks for having helped with a project, and on the menu was grilled elk and moose. It’s not often I have the two, so I can’t really say which one I prefer over the other, but I do know that game meats like these are extremely delicious.

  • Finding the tunnel Rin is stopped by proved to be a fun exercise; while I’d initially thought it was a mountain pass and looked on the eastern side of the Haya river, I ended up spotting a few tips in the surroundings and concluded that Rin was still in the river valley, near a bridge of sorts. This lead me to search the bridges on the Haya river: by narrowing the size of the search area, I eventually found the spot. I’ve heard that some folks who specialise in anime location hunts flat-out refuse to share their techniques and addresses/coordinates of the locations in things like Yuru Camp△ 2.

  • I’ve never been one to believe in acting like this towards readers: while keeping some locations undisclosed makes sense if they’re residential areas or in private spots (thereby preventing visitors from disrupting the locals), the places in anime like Yuru Camp△ 2 are attractions or otherwise unremarkable, and there should be no problems in showing people where they are. This is why I always aim to share the location of different scenes from the anime via Google Street View, allowing readers to gain an idea of where everything is. This is helped greatly by the fact I have Wander of Oculus Quest, where having full immersion in the space really helps from a spatial standpoint.

  • For completeness’ sake, I ended up buying Yuru CampΔ: Virtual Camp‘s Fumoto Campsite chapter a few days ago. Like Lake Motosu, Fumoto Campsite impresses from an aesthetic perspective; Gemdrop’s games completely capture the look and feel that defines Yuru CampΔ. This time around, there are several hints to suggest that the VR experiences presented occur some time after the first season, since Rin and Nadeshiko reference their first-ever camping trip together at Fumoto Campsite. Both Yuru CampΔ: Virtual Camp experiences capture an entire day’s worth of camping and feature conversations that give insight into how Rin and Nadeshiko’s friendship grows over time, and at Fumoto, players see things from Rin’s perspective.

  • Having now had a chance to play both Yuru CampΔ: Virtual Camp chapters, there are some minor things I noticed. Firstly, some translations of the Japanese into English aren’t 1:1, but this doesn’t detract from the overall experience. Similarly, there’s no anti-aliasing, and some elements (like shadows) look quite jagged, but overall, both games look very good. At Fumoto Camp, embers from the campfire and steam effects demonstrate good use of particle systems. One aspect I was fond of was the fact that Rin can spot a shooting star; the night skies look quite gentle, and I definitely see myself returning to enjoy the night scenery in the future using the game’s viewer mode.

  • Altogether, Yuru CampΔ: Virtual Camp was worth the cost of admissions. Both together cost around 48 CAD before tax, and while offering much less content compared to something like DOOM Eternal (which I got for 40 CAD, including The Ancient Gods DLC), the offset is that it allows VR headset owners to really immerse themselves in Yuru CampΔ‘s two most iconic campgrounds. While Nadeshiko enjoys a roast tomato here, I’ll share with viewers the Swiss Melt Dogs I made for lunch earlier today. I ended up trying them with both Dijon mustard and BBQ sauce, both of which conferred a great experience. The natural flavours of the Swiss cheese and white mushrooms complement one another nicely, and next time, I’ll give the onions a little bit more flavour by sautéing them with some brown sugar and a sprig of Worcestershire sauce.

  • After Nadeshiko invites the two children to try her cooking, the older sister is impressed that something like roasted vegetables could taste so good and takes on a newfound interest in camping. Even in her solo adventures, Nadeshiko has a knack for meeting new people and sharing her joy with them. This is an integral part of Nadeshiko’s character, and back during Yuru Camp△, Rin notes that Nadeshiko has a talent for making anything look tasty. Ayano echoes this sentiment in season two, attesting to how Nadeshiko’s got Adam Richman’s skill for really selling food. Even more so than heading her own outdoor equipment company, Nadeshiko feels like she’d excel as the host of a travel show about local eats.

  • After making the lengthy drive from Villa Amehata to Nadeshiko’s campsite (62 kilometres, requiring around an hour and a half’s drive), Rin is relieved to see Nadeshiko is well. Earlier, Rin had begun to grow extremely concerned after realising Nadeshiko hadn’t sent a single message since arriving at Fujikawa Station, and worried that the worst had happened, she sets off to check up on Nadeshiko. It turns out her fears were unfounded, but Rin herself suffers a shock when Sakura shows up, as well. The anime is able to utilise exaggerated facial expressions to convey Rin’s panic, but both drama and anime alike has Rin crying out in terror in a squeaky manner that leads the two children wonder if it’s a deer or similar.

  • It turns out that Sakura had been similarly worried about Nadeshiko and drove a similar distance to check up on her. This really accentuates the similarities between Rin and Sakura. This moment was particularly touching; despite rarely spending any time together, Rin and Sakura get along just fine and share a mutual love of quiet time that is balanced out by the energy Nadeshiko brings into both their lives.

  • Since Yuru Camp△ 2‘s live action drama ended its main story with Rin and Sakura checking up on Nadeshiko, the resulting theme in the drama differs from what the anime and manga conveyed: the drama speaks to the joys resulting from enjoying one’s hobby from a different perspective. Yuru Camp△‘s first season had Rin slowly come around to the idea that group camping had its merits, so in Yuru Camp△ 2, it makes sense that Nadeshiko, who started her camping journey with a group, would become curious to see what solo camping was like.

  • Watching Rin and Sakura together was remarkably heart-warming; fans have long seen the similarities between the two, and having now established that both share a mutual respect for one another, as well as the commonality of being worried about the carefree and happy-go-lucky Nadeshiko, it is possible that with the upcoming Yuru Camp△: The Movie, one could see the largest camping trip the Outdoor Activities Club goes on; perhaps Ayano will join them, and the large group means that Sakura might be asked to help drive people around, too.

  • If this were to be the case, it would be most appropriate for Yuru Camp△: The Movie; the series has been steadily expanding the scope and scale of the Outdoor Activities Club’s adventures, so it makes sense that the film would take things to the next level. Here, after Rin and Sakura receive a message from Nadeshiko, who’s found a spot where she’s got a single bar of reception, Sakura decides to treat Rin to dinner. One of the key visuals for Yuru Camp△ 2 had Rin and Sakura eating okonomiyaki together during the evening. I imagine this is Okonomishokudō Itō, the same restaurant Sakura had suggested to Nadeshiko earlier, and while I would’ve loved to have seen this happen, I imagine that the suggestion to eat dinner together alone demonstrates the closeness that’s developed between the two to a sufficient extent.

  • Whereas the live action drama cannot have access to the same array of facial expressions as the anime or manga might, the actresses do a fantastic job of conveying the emotions seen in the anime and manga. Here, Ena smugly points out that she knows of Rin’s excursion to check up on Nadeshiko. Rin is left speechless, confident that she’d never told anyone of this side trip. The anime adaptation of Yuru Camp△ 2 shows how this came to be in a post-credits sequence, and the drama has this as a part of the main storyline: while out at a convenience store, Nadeshiko’s mother runs into Rin and shares the story.

  • Rin looks shocked in the drama at this revelation, whereas in the anime, her head becomes rounded and she pouts. I’d always been fond of this scene; while Rin might be a stoic character, she is quite expressive in her own right, and as Yuru Camp△ 2 wore on, this became increasingly apparent. Haruka Fukuhara’s portrayal of Rin is spot-on throughout the live-action drama: she is faithful to Rin’s characterisation, and the fact that the characters so closely resemble their fictional counterparts serve to remind viewers that the events of Yuru Camp△ could very well happen for real.

  • With the Izu trip now a reality, Minami and the Outdoor Activities Club begin laying down the groundwork for their largest trip yet. Unlike the anime, Rin is absent from the proceedings, a consequence of the changes the drama made, but I imagine that the drama will similarly show that it won’t take much effort to convince Rin to accompany the Outdoor Activities Club on their trip. Yuru Camp△ 2‘s live action drama closes off with the Outdoor Activities Club and Rin heading home together ahead of the Izu trip, signifying that this group of friends is now at a point where they’re ready to travel together.

  • The drama ends at what corresponds roughly to the halfway point in Yuru Camp△ 2‘s ninth episode. I’m not sure if the ongoing global health crisis may have affected principal photography of the Izu segment, but I do hope that viewers will have a chance to see the Izu trip in the live-action format, too: Yuru Camp△ 2 had indicated that the food and destinations were next level, and consequently, I had been especially excited to see the alfonsino burger and shellfish fried rice that the Izu Peninsula saw. Having said this, Yuru Camp△ 2‘s drama nonetheless picks a good place to conclude for the present: I will be returning later this month to write about the second Yuru Camp△ 2 OVA which I imagine will be the last bit of Yuru Camp△ I write for, at least until Yuru Camp△ : The Movie in 2022.

Because this dramatic change in where the series wraps up, Yuru Camp△ 2‘s drama tells the same story over a longer timeframe compared to the anime. In spite of this, however, the drama never seems to drag on, and when spaces are introduced, elements from the manga are utilised to fill in the void. The tablecloth scene from the manga, so noticeably absent in the anime, makes a comeback as Minami imagines that the worst has happened to Chiaki and the others on the shores of Lake Yamanaka, as does a scene where Chiaki becomes excited to pick up inexpensive firewood for the Outdoor Activities Club’s stockpile, only to learn that all supplies are out by the time she arrives. The drama also has an all-new scene where Nadeshiko, Chiaki and Aoi swing by Ena’s place to check out Chikuwa’s doggy-tent and fry up sausages together: this moment is unique to the drama and not seen in either the anime or manga. Despite the changes, however, Yuru Camp△ 2‘s live-action drama continues to successfully capture the look-and-feel of Yuru Camp△ during its runtime. I certainly enjoyed this series and what it adds to Yuru Camp△; a slight change in the execution led me to see the series from a different angle, and for me, this is a reminder that the old debate between source and adaptation materials is a largely irrelevant one. Various perspectives on a work allow one to fully appreciate what the creators thought to be important, and it is by appreciating both source and adaptations that one gains the most complete experience. Similarly, because Yuru Camp△ 2‘s live-action drama ends with the preparations and anticipation for the Izu Peninsula trip, I’m left wondering if there will be an adaptation of the Izu trip: the anime had portrayed Izu with a high degree of precision, and admittedly, I had been hoping to see the delicious alfonsino burger everyone enjoys on their first day. For now, I have no news of whether or not a continuation of the drama is in the works, but if it turns out such a continuation is going to be made, I’d have no objection to picking things up and seeing how the live action drama chooses to adapt one of Yuru Camp△ 2‘s biggest adventures yet.

Mystery Camp: Yuru Camp△ 2 OVA Review and Reflection

“Mystery is at the heart of creativity. That, and surprise.” –Julia Cameron

Aoi shares three vignettes surrounding camping to viewers to encourage them to pick up the hobby for themselves. The first segment has her and Nadeshiko using a handy app to rent camping gear, only to learn that they’re missing Chikai for their trip and therefore, decide to rent a Chiaki-in-a-box, too. Later, Nadeshiko’s solo camping takes her to a dystopian camp where her days consist of working in a factory, subsisting on meagre rations, burning hazardous chemicals for warmth and sleeping in a cardboard box. Later, Rin and Nadeshiko roast some marshmallows, and although Nadeshiko begins thinking of all the different recipes she could make with s’mores, the roasted marshmallows Rin gives her turn out quite unlike what she’d been expecting. After all three stories are told, Aoi invites viewers to head out and give camping a go on account of how one can have some remarkable adventures. This is Mystery Camp, the first of the Yuru Camp△ 2 OVAs that accompanied the second BD collection. The first season’s OVAs were imaginative and fun, being both supplementary materials to the series and sending the characters on adventures that would otherwise be counted as unrelated. Here in Mystery Camp, the trend continues, capitalising on Aki Toyosaki’s excellent voice acting to deliver Aoi’s lies in a compelling manner. The three stories are unlikely to be considered canon in any way, but instead, serve to act as what-if segments that allows the studios to put the characters in unusual situations in the name of comedy. However, unlike the previous season’s OVAs, which were denoted as a part of Heya Camp△, this OVA lives up to its name as Mystery Camp: and Aoi’s stories are so far removed from what Yuru Camp△ had presented as camping that one cannot help but feel that this is yet another one of Aoi’s elaborate lies.

The middle act, which sees Nadeshiko coming across a work camp, was probably the most heart-wrenching of the stories: the reason why it’s so effective is because Yuru Camp△ unfailingly puts Nadeshiko in gentle, easygoing scenarios where she is able to learn and relax, and where any challenge is overcome with creativity. As such, when Nadeshiko enters a work camp instead, traditional camping activities are replaced by something considerably more grim. Seeing Nadeshiko will herself through everything becomes particularly saddening, and while she’s doing her best to hold together, nowhere else in Yuru Camp△ do we ever see Nadesiko look so defeated. Consequently, viewers would be relieved to know that such things don’t actually happen to Nadeshiko as this OVA draws to a close. I appreciate that something similar was done during the first season, when Aoi spent an entire OVA lying to Nadeshiko, even getting everyone to pretend to be Rin and causing Nadeshiko to question reality itself. Because it’s so adorable to see Nadeshiko in this manner, I expect that this OVA was a chance to have Aoi continue on with her tall tales and perhaps drive up the feeling of pity for Nadeshiko, who otherwise has a very happy-go-lucky experience in Yuru Camp△.

Screenshots and Commentary

  • Aoi’s pranks are at best, hilarious, and at worst, mean-spirited. This is greatly augmented by the fact that Aki Toyosaki’s delivery of Aoi’s lines is done with a gentle and soft kansai-ben: with her voice, it’s almost impossible for Nadeshiko to tell when Aoi is lying, and this has resulted in a great many jokes throughout Yuru Camp△. I’ve long found Aoi to be an amalgamation of K-On!‘s Yui Hirasawa and Tsumugi Kotobuki: Toyosaki’s voice and Tsumugi’s eyebrows make Aoi quite standout in terms of appearance, although I imagine that Aoi’s other attributes make her notable.

  • The first of the stories indicates that while Nadeshiko and Aoi had made use of a rental service to swiftly get gear delivered to them for their latest winter camping excursion, they’d forgotten to bring Chiaki along with them. No camping trip would be complete without Chiaki, so they decide to rent one, too. This is a hilarious oversight that wouldn’t otherwise happen in Yuru Camp△: of the Outdoor Activities Club members, Chiaki is the most rambunctious of the bunch, and sooner or later, it should have dawned on Aoi and Nadeshiko that they were missing their club president.

  • As far as camping gear goes, Aoi and Nadeshiko have brought almost everything of note in this vignette, from the standard tents and sleeping bags, to chairs, campfire stand and cookware: one of the biggest joys of the series was watching everyone in the Outdoor Activities Club grow; as everyone became more familiar with camping and its implements, they were able to tailor their experiences to their liking. Over the second season, Nadeshiko, Aoi and Chiaki begin buying gear to fit their own style, rather than simply following Rin’s setup. This is a pleasant indicator that everyone’s learning their own style of doing things.

  • Mystery Camp is the first of the Yuru Camp△ 2 OVAs to be released, accompanying the second Blu Ray set which had become available back on May 26. I’d been rather looking forwards to the OVAs, and while my enthusiasm is shared by other fans of the series, I cannot say that I am surprised by the fact that there isn’t more discussion about the OVAs, since it’d just come out (at the time of writing, I think this is the only discussion around for the OVA). I’d originally planned on watching the OVA at a later time, but the realisation that I’d otherwise have a tad too many Cold War posts out in rapid succession led me to change things up.

  • This weekend, it was to thundering skies I’d waken up to, and with this first thunderstorm of the year, I also caught wind that there’d been a small tornado south of the city. The thunderstorms began in the morning, paused briefly during the afternoon and then returned in full force during the evening before ceasing again. I was fortunate that it was during the respite that my haircut had been scheduled: the skies relented long enough for me to finish, and after I returned home, it hailed and rained briefly. Today, while the skies were quite moody, but much of the day remained reasonably dry even though the clouds overhead gave every impression that a storm was going to happen.

  • We did get some rainfall towards the end of the day, and while the sun did appear briefly, it’s overcast again now. Back in Mystery Camp, the second of Aoi’s stories is the highlight; Nadeshiko is geared up for another solo camping trip, but upon reaching the campsite she’d made the reservation for, she’s shocked to find it to be quite unlike anywhere she and the others had previously camped at. Noxious fumes emanate from the site, a far cry from the pleasant mountain air that Nadeshiko had come to expect from camp sites she’d previously utilised.

  • It soon becomes clear that this camp is no ordinary camp: it is a barren field of concrete, pole-mounted CCTV cameras, electric fences and smokestacks. Up until now, Yuru Camp△ had always been about displaying the splendor of nature in all its glory, so to see something so industrial and unnatural was jarring, most unlike the aesthetic that Yuru Camp△ is known for. A drone greets Nadeshiko at the gates, and she reluctantly walks towards the central tower to check in.

  • A row of androids greet Nadeshiko once she arrives: the cold, monochrome environment is quite uninviting, and the absence of other humans creates a sense of unease. A major part of Nadeshiko’s enjoyment of her solo camping adventures came from being able to explore on her own and meet new people in the process, so to completely strip this away would be to take away the very thing that Nadeshiko most enjoys doing.

  • As soon as Nadeshiko’s checked in, she is relieved of her camping gear, given a drab garb and is assigned menial labour as part of camp activities. The look on Nadeshiko’s face is heartbreaking, and she assembles what appears to be an inexpensive plastic toy on the production lines. Because anime are often limited by how they convey emotions, certain cues are retained here – Nadeshiko’s eyebrows speak volumes to how disheartened she is with camp activities. Slice-of-life anime usually feature eyebrows in three distinct styles: ordinary round eyebrows for a neutral or happy expression, v-shaped eyebrows for anger, determination or surprise, and finally, reverse-v-shaped eyebrows for sadness, melancholy or mortification.

  • To emphasise things, Nadeshiko’s eyebrows can be seen through her cap, and of the people at camp, she’s the only person with her eyebrows visible. The moment the camera pulls back out and shows other individuals on the same production lines, it becomes clear that Nadeshiko’s checked into a labour camp. Such a topic is no joke, and it was therefore surprising that Yuru Camp△ opted to use this as one of Aoi’s stories. This can potentially be seen as being insensitive, although in good faith to the writers, I will suppose they’d intended to show the dramatic difference in what “camping” entails through Nadeshiko’s sorrow.

  • The moment that really hit hard was watching Nadeshiko down camp rations in an empty room whilst sitting on a folding chair – this is so far removed from the joyful meals she’s enjoyed while camping that one cannot help but feel an inclination to offer Nadeshiko a good nabe and perhaps a hug. One clever touch about this segment was that, as Nadeshiko’s day progresses, things become increasingly monochrome. The only detail that suggests to me this camp is more in line with Futurama‘s Spa 5 labour camp (and therefore, that Aoi’s story is meant to be taken lightly) was that when Nadeshiko is given a pile of solid fuel to burn for heat, she’s at least given a gas mask to keep her from succumbing to the fumes.

  • While burning these chemicals, Nadeshiko sadly notes that there’s no warmth in the fire. whatsoever. With the day over, a dejected Nadeshiko prepares to turn in, the colour fully stricken from her world. The aesthetics here brought to mind the likes of Girls’ Last Tour, an anime set in a post-apocalyptic world filled with engineering marvels whose purpose were lost to time. Such settings inevitably create a sense of melancholy, and while Yuru Camp△ might not deal in things like finding purpose in a world inherently lacking meaning or similar, there is no denying that when the moment calls for it, the series can create very compelling aesthetics that evoke certain emotions.

  • After spotting a cardboard box, Nadeshiko prepares to turn in for the night with naught more than the box as bedding, remarking it’s at least a little warm and wonders where she’d seen such a box before. This segment reminded me of Varlam Shalamov’s Kolyma Tales, during which he remarked that his fellow gulag prisoners lived moment to moment and whose sole joy in the day was determined by if their soup was thick or not. If Yuru Camp△ ever creates a vignette similar to this again, there is no guarantee that I will be able to keep my composure: this was one of the saddest things I’ve seen in a while, and I think that I’ll need to remedy this by watching Nadeshiko experimenting with fire-roasted vegetables again, to convince myself this is only an OVA at the end of the day.

  • I’m always fond of such dinners, since they represent a nice change of pace, and because driving out to the Chinese restaurant is admittedly fun. Hot food on a cooler evening is especially welcome, and with things looking up locally, I am hoping that we’ll be able to return to restaurants, movie theatres and fitness facilities soon. Over dinner, the conversation topic turned to what we’d like to do once things reopen, and while dining out is high on the list, one activity that came up was a potential trip out to the province over: we have our own hot springs here at home, and a year ago, I’d set up an itinerary for such a potential trip before the health crisis put those plans on hold.

  • Excited at the prospect of marshmallows, Nadeshiko wonders if s’mores could be made into other things like a spread for toast, tarts or even in ice pops. Because s’mores are just graham cracker, melted marshmallow and chocolate, their colour and flavour can be easily replicated and previously, anything with these combination of ingredients are marketed as having the same great taste of s’mores, only without the need for a campfire. I imagine that basic s’mores could hypothetically be used as a spread on toast, and that would result in a relatively tasty and easy treat to whip up.

  • Similarly, if one were to go for the pre-made route, smokes could be made into tarts, too, with the crust standing in for the graham crackers. However, I imagine s’more ice cream popsicle would be a little trickier to make, and one wonders if this is something worthy of Binging with Babish. Of course, if Binging with Babish were to do foods from Yuru Camp△, the ajillo from the Izu trip would probably be more interesting to make. Back in Mystery Camp, Rin finally remarks that things are ready to eat and hands one over to Nadeshiko, who is brimming with joy about this camping confectionary.

  • However, Nadeshiok quickly realises that what she’s eating most certainly isn’t a s’more: it’s a King Trumpet Mushroom (Pleurotus eryngii). This reminds me of a classic stunt I’d love to pull off one day using 番薯糖水 (jyutping faan1 syu2 tong4 seoi2): a sweet yam soup. The family recipe calls for Dioscorea alata, or the purple yam, a bit of ginger and rock sugar. The resulting product is sweet and delicious, but when purple yams are used, the soup itself resembles grape juice. The prank would then entail setting aside some of the soup after straining it and the making an attempt to convince people it’s grape juice.

  • Because purple yams don’t have a grape-like taste, the shock people would have when eating it would be hilarious. I approve of low-level pranks such as these because no one gets hurt, and Aoi’s stories very much fall into this category: while Nadeshiko might be quite gullible and falls for Aoi’s lies regularly, I don’t believe that Aoi ever means for her jokes to have a malicious outcome. Instead, her enjoyment of jokes and lies seem to derive from the moment of dawning comprehension that such jokes can create.

  • It should be to no one’s surprise that Aoi’s been lying through her teeth for the whole of Mystery Camp: in fact, the level of trolling here inexplicably brings to mind Higurashi GOU‘s Eua for reasons even I can’t begin putting into writing. However, it’s impossible to feel shafted, since Aoi’s elaborate lies are always so adorably crafted. The way she rolls the ですか at the end is hilarious, and with this, the first of the OVAs for Yuru Camp△ 2 draws to a close.

Altogether, despite a short runtime of only four minutes and forty-five seconds, the first of the Yuru Camp△ 2 OVAs represents an amusing addition to the series. I am aware that in general, reception to Yuru Camp△‘s OVAs have generally been nowhere near as positive as they are for the anime proper, and this is because most of the effort in the series have indeed gone towards ensuring that the episodes themselves are of a very high standard. By comparison, the OVAs can feel more slipshod, being more of an afterthought rather than an integral part of the experience: we’ve seen Yuru Camp△ at its best during the TV series, and the OVAs are instead, a chance to place familiar characters in scenarios that would otherwise not fit with the series itself, with the aim of eliciting a few laughs. Having said this, the OVAs aren’t always about humour: the first OVA had shown how Chiaki and Aoi founded the Outdoor Activities Club with the aim of sharing their love for camping with others, and more recently, Heya Camp△‘s OVA had Rin head up to Hokuto on a loaner three-wheeled moped. With the upcoming OVA being titled Travelling Shimarin, I imagine that there will be a greater focus on Rin and her explorations to some capacity; while it may not necessarily be a straight exploration episode as Heya Camp△‘s OVA was, it could be fun to see more comedy come into a (non-canon) version of Rin’s solo travels, as well. The second OVA is still a ways off, releasing in July 28, so for the time being, I’ll return my attention to the Yuru Camp△‘s live-action drama, which, despite having fallen behind in, is something I’m still enjoying immensely.

Yuru Camp△ 2 Original Soundtrack Tracklist, Post-Release Review and Reflection

“In a cool solitude of trees, where leaves and birds a music spin, mind that was weary is at ease, new rhythms in the soul begin.” –William Kean Seymour

Typically, the tracklists for soundtracks come out a ways before the soundtrack itself is released, but with Yuru Camp△ 2‘s original soundtrack, things turned out quite differently: this is why I was not able to do my customary translation of the soundtrack’s tracklist back in March. On the flipside, having the soundtrack in hand means being able to actually speak about the music in Yuru Camp△ 2 with a hiterto unmatched level of clarity and explore what the music does so well. Before I delve into things, there are some housekeeping details to go over: the soundtrack is composed by Akiyuki Tateyama, consists of fifty-six tracks spanning two disks and retails for 3520 Yen (40.41 CAD at the time of writing). This time around, the publisher is MAGES. Inc. While Yuru Camp△ 2‘s soundtrack made extensive use of the Celtic instruments, Yuru Camp△ 2 features a significant South American complement, including the Quena (Andes flute), Zampoña (Andes panpipe), and Charango (Bolivian lute). These instruments create a wild sound that speaks more to the beauty of nature itself, evoking images of soaring mountains and wide open plains, whereas the warm, cheerful demeanour of Celtic instruments convey a blending of man and nature, of enjoying the great outdoors. The different instruments chosen for Yuru Camp△ 2 is a deliberate choice meant to accentuate the idea that the second season explores new themes and directions compared to those of its predecessor, and the end result is not too surprising: Yuru Camp△ 2 completely succeeds in conveying a different atmosphere and aesthetic through both its soundtrack and its choice of locations.

  • Contrasting the first season’s soundtrack cover, which had Rin and Nadeshiko looking onwards to signify the pair’s interest in exploring the future, Yuru Camp△ 2‘s cover art has Rin and Nadeshiko looking at one another: this is hardly surprising, since the second season is all about gratitude and saying “thank you”. This cover art is, incidentally, a walking spoiler, portraying the pair’s conversations together at the series’ end: Nadeshiko had grown worried about Rin not replying to her and asked Sakura to drive her out. It’s a very touching moment, and shows beyond any question that Rin and Nadeshiko, seemingly polar opposites at Yuru Camp△‘s beginning, have fully warmed up to one another now.

For the most part, translation of Yuru Camp△ 2‘s tracklist was a straightforward task. However, no tracklist translation post would be complete without at least a few songs that proved a little difficult to properly convey in English. This time around, two gave me a but more challenge than usual to properly translate. [1] Track eight on disk two, なでしこは電波通じないだけ, translates literally to “Nadeshiko just isn’t communicating via radio signal”, a consequence of 電波 (Hepburn denpa, “radio waves”) being used to indicate cell signal. This sounds awkward in English, so I’ve converted the meaning to “Nadeshiko has no cell signal”, which is what the phrase is intended to convey. [2] The other song is disk two’s sixteenth track: I’ve elected to translate 大ハシャギ ROUTE 136 as Joyful Route 136. ハシャギ is 燥ぎ (Hepburn hagashi) rendered as Katakana, and it’s a verb meaning to make merriment or be in high spirits. Because this song conveys the thrill of adventure and of getting there, I feel that “joyful” is probably how I’d characterise it. Finally, I’m purely going off inference here: ずいずいずいずいずい is rendered as Zui zui zui zui zui in Hepburn, which isn’t something I can easily look up. However, the use of instrumentation and the song’s context in Yuru Camp△ 2 suggests that it’s the motif for the Izu Peninsula, and since Rin repeats “Izu” in anticipation of her trip here, “Izu Izu Izu Izu” seems to make the most sense. Honourable mentions for tracks that gave me trouble include track nine on disk two, しょーもないおしゃべり, which I’ve decided to translate as “Silly Talk” (しょーもない, Hepburn shōmonai, is used to indicate something that’s a non-sequitur, nonsensical), and おしゃべり (Hepburn oshaberi) means “chatter”. The song’s whimsical presentation justifies my choice of words in translation.

Tracklist

Disk One

  1. ゆるキャン△ SEASON2のテーマ (Yuru Kyan△ Shīzun 2 no Tēma, Yuru Camp△ SEASON 2 Theme)
  2. オリジナルドラマ その1 (Orijinaru dorama sono 1, Original Drama Part 1)
  3. Seize The Day (TV SIZE)
  4. オリジナルドラマ その2 (Orijinaru dorama sono 2, Original Drama Part 2)
  5. 初めての本栖湖~はじまりはここから~ (Hajimete no motosuko ~Hajimari wa koko kara~, First time at Lake Motosu ~The Beginning Starts Here~)
  6. 初めての本栖湖~出来たかな?キャンプ飯~ (Hajimete no motosuko ~Dekita ka na? Kyanpu meshi~, First time at Lake Motosu ~Is it done? Camping rice~)
  7. 初めての本栖湖~夕暮れの富士山~ (Hajimete no motosuko ~Yūgure no Fujisan~, First time at Lake Motosu ~Mount Fuji by Twilight~)
  8. 次のキャンプはどうしよっか? (Tsugi no kyanpu wa dō shi yokka?, What about our next camping trip?)
  9. ソロキャンの嗜み (Sorokyan no tashinami, A Taste of Solo Camping)
  10. オリジナルドラマ その3 (Orijinaru dorama sono 3, Original Drama Part 3)
  11. それぞれの大晦日 (Sorezore no ōmisoka, Everyone’s New Year’s Eve)
  12. キャンプ講座の時間です (Kyanpu kōza no jikandesu, It’s time for a camping course)
  13. 浜名湖のテーマ~ゆりかもめに囲まれて~ (Hamanako no tēma ~Yuri kamome ni kakoma rete~, Lake Hamana Theme ~Surrounded by Pewter~)
  14. 浜名湖のテーマ~特上ウナギは誘惑する~ (Hamanako no tēma ~Tokujō unagi wa yūwaku suru~, Lake Hamana Theme ~Allure of top-grade eel~)
  15. 浜名湖のテーマ~古びた展望台~ (Hamanako no tēma ~Furubita tenbō-dai~, Lake Hamana Theme ~Ancient Observation Deck~)
  16. 浜名湖のテーマ~さみしいもたのしい~ (Hamanako no tēma ~Samishī mo tanoshī~, Lake Hamana Theme ~Lonely but fun~)
  17. なでしこ (Nadeshiko)
  18. お姉ちゃんいつもありがとう (Onēchan itsumo arigatō, Thank you for all that you do, big sister)
  19. のんびりキャンプ (Nonbirikyanpu, Relaxing Camp)
  20. オリジナルドラマ その4 (Orijinaru dorama sono 4, Original Drama Part 4)
  21. 山中湖のテーマ~バス旅も良いもんだろ?~ (Yamanakako no tēma ~Basu tabi mo yoi mondaro?~, Lake Yamanaka Theme ~A journey by bus is also good?~)
  22. 山中湖のテーマ~到着、クジラの湖~ (Yamanakako no tēma ~Tōchaku, kujira no mizūmi~, Lake Yamanaka Theme ~We’ve arrived at the whale-shaped lake~)
  23. 山中湖のテーマ~-2℃、ヤバいかも~ (Yamanakako no tēma ~-2℃, Yabaikamo~, Lake Yamanaka Theme ~-2℃ could be dangerous~)
  24. 山中湖のテーマ~薪ストーブを囲んで~ (Yamanakako no tēma ~Maki sutōbu o kakonde~, Lake Yamanaka Theme ~Sitting around the wood stove~)
  25. 山中湖のテーマ~湖畔の朝焼け~ (Yamanakako no tēma ~Kohan no asayake~, Lake Yamanaka Theme ~Lakeside Sunrise~)
  26. なでしこの思い (Nadeshiko no omoi, Nadeshiko’s thoughts)
  27. U・SO・YA・DE (It’s・A・Lie)
  28. 次回予告 (Jikai yokoku, Preview for next episode)

Disk Two

  1. この場所で。(Kono basho de., At This Place.)
  2. オリジナルドラマ その5 (Orijinaru dorama sono 5, Original Drama Part 5)
  3. やっぱグループキャンプ! (Yappa gurūpukyanpu!, It’s group camping after all!)
  4. 野田山公園のテーマ~初めてのソロキャン~ (Nodayama kōen no tēma ~Hajimete no sorokyan~, Nodayama Park Theme ~First time solo camping~)
  5. 野田山公園のテーマ~キャンプ料理は楽し~ (Nodayama kōen no tēma ~Kyanpu ryōri wa tanoshi~, Nodayama Park Theme ~Camping cooking is fun~)
  6. 野田山公園のテーマ~夜景に馳せた思い~ (Nodayama kōen no tēma ~Yakei ni haseta omoi~, Nodayama Park Theme ~Thoughts on the night scenery~)
  7. ふしぎの湖 (Fushigi no Mizūmi, Mysterious Lake)
  8. なでしこは電波通じないだけ (Nadeshiko wa denpa tsūjinai dake, Nadeshiko has no cell signal) [1]
  9. しょーもないおしゃべり (Shōmonai oshaberi, Silly Talk)
  10. オリジナルドラマ その6 (Orijinaru dorama sono 6, Original Drama Part 6)
  11. おじいちゃんはバイク乗り (Ojīchan wa baiku-nori, Grandpa rides a motorcycle)
  12. おじいちゃんとの団欒 (Ojīchan to no danran, Together with Grandpa)
  13. おじいちゃん、また走ろうね (Ojīchan, mata hashirou ne, Let’s ride together again, Grandpa)
  14. オリジナルドラマ その7 (Orijinaru dorama sono 7, Original Drama Part 7)
  15. ようこそジオパークへ (Yōkoso jiopāku e, Welcome to Geopark)
  16. 大ハシャギ ROUTE 136 (Dai hashagi ROUTE 136, Joyful Route 136) [2]
  17. 歴史ある半島 (Rekishi aru hantō, Historical Peninsula)
  18. 海! 山! 岬! 洞窟! (Umi! Yama! Misaki! Dōkutsu!, Sea! Mountain! Cape! Cave!)
  19. 半島の風に吹かれて (Hantō no kazenifukarete, Blown away by the peninsula’s wind gusts)
  20. 魅惑のペニンシュラ (Miwaku no peninshura, Enchanted Peninsula)
  21. 火山の作りし大地 (Kazan no tsukurishi daichi, Land created by the volcano)
  22. 温泉天国ジオパーク (Onsen tengoku jiopāku, Hot spring heaven Geopark)
  23. ずいずいずいずいずい (Izu Izu Izu Izu)
  24. 星空のチャランゴ (Hoshizora no charango, Starry Sky Charango)
  25. オリジナルドラマ その8 (Orijinaru dorama sono 8, Original Drama Part 8)
  26. また行こう、キャンプ! (Mata ikou, kyanpu!, Let’s go camping again!)
  27. はるのとなり (TV SIZE) (Haru no tonari, Next to Spring)
  28. しまリンだんごアイス (Shima rinda n go aisu, Shimarin Dango Ice Cream)

  • When I first did my soundtrack post for Yuru Camp△‘s soundtrack, it was just a shade over three years and a month ago. I like to think that since then, a combination of increasing familiarity and better tools means that translating soundtrack names has become easier than before. I’ve further noticed that the folks at Video Game Music Database (VGMdb) have used my translations for their Yuru Camp△ soundtrack entry: I know this because there are nuances and choices that I made for my translation that were taken verbatim from mine, and here, I note that I am completely okay with this. In fact, I wouldn’t mind if they were to use my translations for the second season’s soundtrack, as well: I don’t mind whether or not they cite me, but it is nice to know that my work helped to make someone’s day a little easier.

Altogether, the Yuru Camp△ 2 is a marvel of musical composition and sound engineering: on a soundtrack packed with amazing pieces of incidental music, a few particularly stand out. 初めての本栖湖~夕暮れの富士山~ captures the magic moment that captivates Rin to solo camp: as she gazes upon Mount Fuji by evening for the first time that night, a familiar motif swells into the song to remind viewers that this is where everything began for Rin. Rin and Nadeshiko’s journey to Lake Hanama is accompanied by 浜名湖のテ一マ~ゆりかもめに囲まれて~, an adventurous piece signifying a new direction. ソ口キャンの嗜み brings a smile to my face every time when I hear it: its use of the lute parallels the solo camping style Rin is so fond of. The lute dominates the song, but the instrumental accompaniment shows that solo or not, Rin is never really alone in her travels. With a combination of accelerando and rallentando to respectively speed up and slow down the motifs, this one song also shows the different paces in solo camping, living up to its name and together with a gentle bit of jazz, adds a very relaxing backdrop to a song that acting as an aural representation of all sides of Rin’s solo experiences. The songs that are played at the Izu Peninsula, are the second disk’s highlights. 歴史ある半島 creates a very languid and gentle tone for the slowest and most laid-back of the experiences, while 大ハシャギROUTE136, 海!山!岬!洞窟!, 半島の風に吹かれて make full use of the Southern American instruments to capture the spirit and energy of the great outdoors. I believe that the choice to use instruments from the Andes was done to deliberately remind viewers that the aesthetics of Izu Peninsula differ dramatically from those of Yamanashi and Nagano. The song I lost composure and cried to during the eighth episode was the second half of 野田山公園のテ一マ~夜景に馳せた思い~, which plays when Sakura shares Nadeshiko’s latest message with Rin. Finally, the inset song that plays midway through the seventh episode is Eri Sasaki’s この場所で。: this song is included as the first track on disk two. It goes without saying that I enjoyed the Yuru Camp△ 2 soundtrack immensely: Akiyuki Tateyama has exceeded all expectations with this soundtrack, and I am now excited to hear what sort of instruments and styles that Yuru Camp△: The Movie will use for its soundtrack.

The Real Life Road Home From Izu Peninsula: An Oculus-Powered Armchair Journey of Yuru Camp△ 2, Part IV

“I wish I was at home in my nice hole by the fire, with the kettle just beginning to sing!” –Bilbo Baggins, The Hobbit

It’s been week after Yuru Camp△ 2‘s finale aired, and already, I’m suffering from Yuru Camp△ withdrawal. This was only to be expected, as Yuru Camp△ 2 represented an immensely cathartic experience, and so, without weekly episodes to look forwards to, things have become somewhat emptier. However, this does not mean that I’m out of Yuru Camp△ 2-related materials to talk about: somewhere before the series had ended, I did promise to return and do a short post on the remaining locations in Yuru Camp△ 2. This time around, I follow Rin and the Outdoor Activities Club’s way home. In the aftermath of a memorable and fulfilling journey to the Izu Peninsula, Yuru Camp△ 2 slowly winds down as the girls finish their itinerary and make their way back to Yamanashi under a setting sun that illuminates the land in a warm, gentle glow. Along the way, there are several noteworthy destinations to stop along at, allowing Rin and the Outdoor Activities Club to keep all of the promises they’d made at the onset of this journey. Thanks to Yuru Camp△ 2 being very open about its locations, this final set of locations prove straightforward to find. During the course of each of the four parts to my Yuru Camp△ 2 location hunt, I had a considerable amount of fun in finding everything: armed with my prior Oculus Quest experience, using landmarks and full immersion meant that none of the locations posed any challenge to find this time around. Thus, in this post, I take readers through the last of the Izu destinations, and return to Yamanashi, where Rin’s journey with camping first began.

  • The last leg of this journey begins at Hiroi Liquor Store, which is located at the heart of Itō in Izu’s eastern edge. Open from 0900 to 1800 JST on most days, Hiroi’s owners are every bit as friendly as the Iidas, and their sake is said to be excellent, being made from local rice. While I’m not big on alcohol, Hiroi also has an interesting selection of imported foods and drinks, making it a worthwhile place to check out even if one does not partake in drinking.

  • Mount Omuro is located 2.9 kilometres north north west of Hiroi Liquor as the mole digs, but by road distance, it’s a 4.6 kilometre drive. This dormant pyroclastic cone has not erupted for four millennia and is home to the Yamayake Festival, an annual event during which vegetation is burnt away. At the foot of the mountain, there’s a Visitor’s Centre and cable car that takes visitors to the summit of Mount Omuro. During early March, they’re open from 0900 to 1645 JST. An individual ticket for a round trip is 700 Yen (8.05 CAD), and the walk around Mount Omuro’s crater rim takes anywhere from twenty minutes to half an hour.

  • Across the street from the Mount Omuro’s Visitor Centre is the road access to Izu Shaboten Zoo, home of the capybaras that Akari is so excited to see. At the fork in the road, there’s a distinct cactus statue belonging to Izu Cactus Village Glamping, a resort offering fancy-pants camping. Glamping (Glamorous Camping) has been around for centuries as a concept, but it was only in 2016 where it entered the English lexicon. As one might expect of fancy-pants camping, Izu Cactus Village offers a do-it-yourself barbeque and beautiful geodesic dome tents that provide all the comforts of home. It’s, as folks are wont to say, a different form of camping that is a different kind of luxurious compared to the more traditional camping that Rin and the others do.

  • Glamping would defeat the purpose of Yuru Camp△, and their destination lies a ways ahead at Izu Shaboten Zoo, which is open between 0900 and 1700 JST from March to October. Visiting here is pricey compared to the Outdoor Activities Club’s usual events; individual tickets cost 2400 Yen (27.59 CAD), while for Akari, the price of admissions is 1200 Yen (13.80 CAD). For comparison, adult tickets to my local zoo is 24.95 CAD per adult, while children’s tickets are 14.95 CAD. However, what makes Izu Shaboten Zoo special is that, besides the famed onsen-enjoying capybaras, most of their animals are free-roaming and friendly towards humans. One can even purchase animal food and feed the animals here, and for visitors looking for a change of scenery, Izu Shaboten Zoo also has a pleasant botanical garden.

  • It’s a 32.6 kilometre drive from Izu Shoboten Zoo back to Darumayama Kogen Rest House, the same roadside stop with the observation deck and gorgeous view of Mount Fuji that Rin and the Outdoor Activities Club had visited in episode eleven. Rin had parked her moped here for the day and accepted a ride from Minami, and now that the time has come to head home, the group returns here to retrieve Rin’s bike before preparing for the hundred-kilometre drive back to Yamanashi. I imagine that Rin and the others also grab a light lunch here before heading back: there’s a snack bar that serves everything from ice cream and pancakes to noodles and curry rice.

  • The way back home to Yamanashi is presented as a very gentle and peaceful drive: here, a frame portrays Sirkanogawao Bridge on the Izu-Jūkan Expressway (E70) just outside of Ōhito, a small town north of Izu. E70 has a short tolled section and runs for 57.3 kilometres: it opened in 1992, but sections of it are still incomplete. With speed limits of 100 km/h depending on road conditions, expressways generally are only open to motor vehicles that can maintain 50 km/h or greater: mopeds like Rin’s are generally not permitted.

  • As such, Rin takes a slightly different way home on her moped: this intersection is where Rin and the Outdoor Activities Club part ways. Minami will head east down this road back to Prefectural Route 18 and make for the intersection linking them to E70, while Rin heads north for Prefectural Route 129. Because Rin’s journey is much slower, she has a few moments to herself, while the other girls (save Nadeshiko) fall asleep and find themselves back home in Yamanashi before they know it. The slope up this road looks much steeper in Yuru Camp△ 2 than it does in real life.

  • Yuru Camp△ 2 portrays a sign on the grassy slop adjacent to the road indicating the direction of Shuzenji Hot Spring, and sure enough, the signs can be seen in the real-world spot on the right hand side of the image. In this post, I’ve chosen not to go hunting for all of the various spots that Rin and the Outdoor Activities Club separately pass through: at the journey’s end, there isn’t much that can be said about freeway overpasses and coastal roads that is useful for readers. Visitors will only likely pass along these spots if they’re in Japan, and I don’t feel a particular need to compare stretches of road Yuru Camp△ 2 with real life, not when other comparisons do a compelling job of conveying how faithful the anime is to real life.

  • Back in Yamanashi, Rin runs into Nadeshiko, who’d gone out with Sakura to see if she’d been alright. Yuru Camp△ 2 ends with a conversation between the two, and here, Rin shares her first-ever camping trip with Nadeshiko. The series elegantly wraps things up towards its ending, and so, for this post, I’ve decided to go looking for the road Rin takes to get back home during her first year of middle school, where her love for camping began. Here, she walks along a road lining the Hanki River, just off Route 400. I’d long known that Rin lived somewhere near the Tokiwa River, so finding this spot was a matter of looking for bridges near the Tokiwa River along Route 300. Inspection of the Google Street View image and location from Yuru Camp△ 2 finds that I’ve got a match, right down to the red utility box and T-intersection road sign.

  • Much as how I ended the first Yuru Camp△ 2 location hunt post with a screenshot of an instance where the real-world location has a vacant lot, here, I’ve found the spot where Takeda Bookstore is located. The presence of a distinct-looking garage besides a house indicates that, as with Nadeshiko’s grandmother’s house, C-Station remains true to real life even if certain locations were created to accommodate the story, and as before, while visiting a vacant lot isn’t likely too troublesome, folks should still take care not to disturb residents if they are visiting for real. With this in mind, folks using virtual means of exploration can check things out to their heart’s content. I believe with this, I’ve covered off most of the relevant locations of Yuru Camp△ 2 and therefore, can conclude this post now.

I imagine that this will be the second last Yuru Camp△ 2 and location hunt post I write about in the foreseeable future, as I’ve covered almost all of the locations and content to the best of my ability. As per usual, having the Oculus Quest has made the location hunt process much more engaging and immersive, and in no time at all, I’d found everything of note. While this means that until Yuru Camp△: The Movie is released, I won’t be doing too many location hunts with the Oculus Quest. However, having said this, I have caught wind of an experimental VR app called Laid-Back Camp Virtual, which allows players to step into the world of Yuru Camp△. Insofar, I’ve been using Wander for Oculus Quest to visit the real-world locations of Yuru Camp△, but the developers at Gemdrops have successfully brought the world of Yuru Camp△ to life, complete with the talking pine cones. At the time of writing, only the Lake Motosu version is out, but there are plans for a Fumoto version as well. Individually, each cost 24.99 CAD for the Oculus Quest, and appear to be a guided tour of the experience that Rin and Nadeshiko have in their earliest experiences together, allowing players to really become a part of Yuru Camp△. While the experiences are quite short, totalling only forty minutes each, this could be a fun demo that adds another dimensionality to having an Oculus Quest: it’s been two years since the Oculus Quest released, and save for SUPERHOT VR and Wander, I’ve not really found other apps to be worth the price of admissions. Having a few additional titles in my library would really allow me to get the most out of the Oculus Quest; while I’ve greatly enjoyed its usability with only two titles so far, it would be nice to experience other games and see what’s possible in VR.